TY - INPR A1 - Eckstein, Lars T1 - ‘We’re destroyed if we mix. And we’re destroyed if we don’t’ BT - indigeneity in the modern World system and the politics of Tricksterese in Pauline Melville’s The Ventriloquist’s Tale Y1 - 2012 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85529 ER - TY - INPR A1 - Eckstein, Lars T1 - Transatlantic slavery and the literary imagination Y1 - 2009 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85548 ER - TY - INPR A1 - Eckstein, Lars T1 - Three ways of looking at illegal immigration BT - clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips Y1 - 2007 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85567 SP - 141 EP - 157 ER - TY - INPR A1 - Eckstein, Lars T1 - Think local sell global BT - magical realism, The Whale Rider and the market Y1 - 2010 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85537 ER - TY - INPR A1 - Eckstein, Lars T1 - Sam Selvon, The Lonely Londoners (1956) N2 - This essay reads Sam Selvon’s novel The Lonely Londoners (1956) as a milestone in the decolonisation of British fiction. After an introduction to Selvon and the core composition of the novel, it discusses the ways in which the narrative takes on issues of race and racism, how it in the tradition of the Trinidadian carnival confronts audiences with sexual profanation and black masculine swagger, and not least how the novel, especially through its elaborate use of creole Englishes, reimagines London as a West Indian metropolis. The essay then turns more systematically to the ways in which Selvon translates Western literary models and their isolated subject positions into collective modes of narrative performance taken from Caribbean orature and the calypsonian tradition. The Lonely Londoners breathes entirely new life into the ossified conventions of the English novel, and imbues it with unforeseen aesthetic, ethical, political and epistemological possibilities. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103285 ER - TY - INPR A1 - Eckstein, Lars T1 - Reflections of Lusáni Cissé BT - Imperial Images and Sentient Critique N2 - On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of Wünsdorf some 40 kilometres south of the city. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103196 ER - TY - INPR A1 - Eckstein, Lars T1 - Recollecting Bones BT - The Remains of German-Australian Colonial Entanglements N2 - In the same “guarded, roundabout and reticent way” which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy’s words, “the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism’s intellectual, ethical and scientific pre-history” (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103278 ER - TY - INPR A1 - Eckstein, Lars T1 - Postcolonial Piracy N2 - Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103307 ER - TY - INPR A1 - Eckstein, Lars A1 - Wiemann, Dirk A1 - Waller, Nicole A1 - Bartels, Anke T1 - Postcolonial Justice BT - An Introduction N2 - In July 2014, some of us participated in a handover ceremony of 14 ancestral remains to their Australian traditional owners, performed on the premises of the Charité Campus in Berlin. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103220 ER - TY - INPR A1 - Eckstein, Lars T1 - Politics of passion and the production of human illegality Y1 - 2013 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85512 ER -