TY - JOUR A1 - Capra, Elena Sofia ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - "Orfeo out of Care" BT - The Reception of the Classical Myth of Orpheus from Sir Orfeo to Tolkien JF - thersites 15 N2 - The paper focuses on an example of multiple-step reception: the contribution of the classical story of Orpheus and Eurydice and the mediaeval lay Sir Orfeo to Tolkien’s work. In the first part, I compare the lay with Virgilian and Ovidian versions of Orpheus’ myth. This comparison shows the anonymous author’s deep knowledge of the ancient texts and complex way of rewriting them through stealing and hybridization. The lay was highly esteemed by Tolkien, who translated it and took inspiration from it while describing the Elven kingdom in The Hobbit and building the storyline of Beren and Lúthien in The Silmarillion. Through this key tale, Orpheus/Orfeo’s romance has a deep influence also on Aragorn and Arwen’s story in The Lord of the Rings. The most important element that Tolkien takes from the Sir Orfeo figuration of the ancient story is undoubtedly the insertion of political theme: the link established between the recovery of the main character’s beloved and the return to royal responsability. The second part of the paper is, thus, dedicated to the reception of Sir Orfeo and the classical myth in Tolkien. It shows how in his work the different steps of the tradition of Orpheus’ story are co-present, creating an inextricable substrate of inspiration that nourishes his imagination. KW - Orpheus and Eurydice KW - Sir Orfeo KW - reception KW - Tolkien KW - Beren and Lúthien Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.209 SN - 2364-7612 VL - 2022 IS - 15 SP - 52 EP - 89 ER - TY - CHAP A1 - Wetzel, Johanna M. A1 - Reed, Kate A1 - Schenck, Marcia C. T1 - "Writing with my professors” BT - contesting the boundaries of the field in the Global History Dialogues Project T2 - Writing Together: Kollaboratives Schreiben mit Personen aus dem Feld N2 - Kollaboratives Forschen quer zu hegemonialen Wissensordnungen gilt als wichtiger Baustein dekolonialer Wissenspraxis. Gemeinsame Schreibprozesse von Wissenschaftler*innen und ihren nicht-wissenschaftlichen Forschungspartner*innen sind allerdings selten und eine methodologische und forschungspraktische Reflexion fehlt. Die Beiträger*innen widmen sich diesen Lücken, indem sie erfolgreiche, aber auch gescheiterte Projekte kollaborativer Textproduktion zwischen Universität und Feld vorstellen und auf ihr Potenzial als transformative und dekoloniale Wissenspraxis befragen. So entsteht eine praktische Orientierungshilfe, die gleichzeitig die interdisziplinäre Diskussion anregt. Y1 - 2023 SN - 978-3-8394-6399-4 U6 - https://doi.org/10.14361/9783839463994-002 VL - 45 SP - 31 EP - 53 PB - Transcript Verlag CY - Bielefeld ER - TY - JOUR A1 - Pezzini, Giuseppe ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - (Classical) Narratives of Decline in Tolkien: Renewal, Accommodation, Focalisation JF - thersites 15 N2 - The paper investigates Tolkien’s narratives of decline through the lens of their classical ancestry. Narratives of decline are widespread in ancient culture, in both philosophical and literary discourses. They normally posit a gradual degradation (moral and ontological) from an idealized Golden Age, which went hand-in-hand with increasing detachment of gods from mortal affairs. Narratives of decline are also at the core of Tolkien’s mythology, constituting yet another underresearched aspect of classical influence on Tolkien. Such Classical narratives reverberate e.g. in Tolkien’s division of Arda’s history into ages, from an idealized First Age filled with Joy and Light to a Third Age, described as “Twilight Age (…) the first of the broken and changed world” (Letters 131). More generally, these narratives are related to Tolkien’s notorious perception of history as a “long defeat” (Letters 195) and to that “heart-racking sense of the vanished past” which pervades Tolkien’s works – the emotion which, in his words, moved him “supremely” and which he found “small difficulty in evoking” (Letters 91). The paper analyses the reception of narratives of decline in Tolkien’s legendarium, pointing out similarities but also contrasts and differences, with the aim to discuss some key patterns of (classical) reception in Tolkien’s theory and practice (‘renewal’, ‘accommodation’, ‘focalization’). KW - narrative of decline KW - Hesiod KW - reception KW - focalization KW - accommodation Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.213 SN - 2364-7612 VL - 2022 IS - 15 SP - 25 EP - 51 ER - TY - JOUR A1 - Grewing, Farouk F. ED - Ambühl, Annemarie T1 - A Saturnalian poet as a literary critic BT - the carnivalesque poetics of Martial’s Apophoreta 183-196 JF - thersites = tessellae – Birthday Issue for Christine Walde N2 - This paper analyzes a specific section of Martial’s Apophoreta (Book 14), the ‘list’ of fourteen literary works that the poet-persona suggests to the reader as potentially suitable presents to give to friends on the occasion of the Saturnalia. It focuses strictly on the literary aspects of the poems and their underlying carnivalesque poetics. This includes an assessment of the logic of the poems’ arrangement and alleged inconsistencies. It is suggested that the section be read as a complex statement of Martial’s on various works and genres of Greek and Roman literature. The last couplet of the section (14.196), a certain Calvus’ work ‘On the use of cold water’ (De aquae frigidae usu), which is unidentifiable, receives particular attention, for previous scholarship has wasted a lot of ink on guessing what kind of work this may have been, thereby losing touch with the rich (meta-)poetics the couplet actually conveys. KW - Martial KW - epigram KW - Saturnalia KW - poetics KW - Apophoreta Y1 - 2020 U6 - https://doi.org/10.34679/thersites.vol11.170 SN - 2364-7612 VL - 2020 IS - 11 SP - 176 EP - 204 ER - TY - THES A1 - Blaschka, Birk-Matti T1 - Aggredior ad ipsum crimen magiae BT - Apuleius' Verteidigungsrede "De magia" im Lateinunterricht T2 - Copia – Potsdamer Anregungen für den Lateinunterricht N2 - "Aggredior ad ipsum crimen magiae." Mit diesen Worten leitet Apuleius die Widerlegung der gegen ihn gerichteten Anklage ein: Er soll die reiche Witwe Pudentilla durch Liebeszauber zu einer Heirat mit ihm veranlasst haben. Dagegen setzt er sich in seiner Verteidigungsrede "De magia" zur Wehr. Die vorliegende Arbeit soll diese spannende Rede Lateinschülern der gymnasialen Oberstufe durch ein Lektüreheft bekannt machen. Letzteres ist mit kompetenzorientierten Aufgaben und einem Erwartungshorizont versehen. Es wird ferner von der wissenschaftlichen Auseinandersetzung mit den in der Rede behandelten Themen flankiert. Das Heft soll den Schülern einerseits die argumentative Strategie der Rede und andererseits das antike Alltagsphänomen 'Magie' näherbringen. Dabei tauchen sie ein in die antiken Vorstellungen von Zauberei und versuchen zugleich die einstigen Vorwürfe der Ankläger zu rekonstruieren, die etwa die Suche nach bestimmten Fischarten, die Behandlung von Epilepsie oder gewisse nächtliche Rituale betreffen. Darüber hinaus fragen sie nach der Unterscheidung magischer von religiösen Praktiken und stellen dabei Bezüge zu ihrer eigenen Lebenswelt her. T3 - Copia – Potsdamer Anregungen für den Lateinunterricht - 6 KW - Schülermaterial KW - Lateinunterricht KW - Magie KW - Apuleius KW - Lektüreheft Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-577425 SN - 2748-6621 IS - 6 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Weiss, Irene M. ED - Ambühl, Annemarie T1 - Amarilis y la belleza de Zacinto BT - voces de poetas en el idilio 4 de Teócrito JF - thersites 11: tessellae – Birthday Issue for Christine Walde N2 - Theocritus’ id. 4 has been considered by some scholars as an example of rural mime; the fact that the poem, a unique case in the Corpus Theocriteum, does not contain any pastoral song or contest contributes to the impression of ‘realism’. This lack could be an obstacle for the poetological approach to the bucolic genre in antiquity, which considers metapoetry as its main feature. Our reading of the idyll shows that this limitation is only apparent. KW - Theocritus KW - bucolic genre KW - metapoetry KW - intertextuality KW - Aristophanes Y1 - 2020 U6 - https://doi.org/10.34679/thersites.vol11.174 SN - 2364-7612 VL - 2020 IS - 11 SP - 1 EP - 30 ER - TY - JOUR A1 - Uličná, Lenka ED - Denz, Rebekka ED - Rudolf, Gabi T1 - Amulets Found in Bohemian Genizot BT - a first approach KW - Genisa KW - Jüdische Studien KW - Geniza KW - Jewish Studies KW - Franken KW - Franconia KW - Landesgeschichte KW - Ländliches Judentum KW - Rural Jewry KW - regional history Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-470952 SN - 978-3-86956-470-8 SP - 69 EP - 80 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Radtke, Wolfgang ED - Wienfort, Monika T1 - Annäherungen an Christian von Rother BT - Chef der Königlichen Seehandlung von 1820 bis 1848 JF - Die Preußische Seehandlung zwischen Markt, Staat und Kultur : 40 Jahre Stiftung Preußische Seehandlung N2 - Christian (von) Rother, Chef der Preußischen Seehandlung 1820–1848, ist vermutlich die prägendste Gestalt der Institution im 19. Jahrhundert. Seine Lebensgeschichte als Sohn eines schlesischen Bauern zeugt von sozialem Aufstieg und einer eindrucksvollen Beamtenkarriere. Rother formte die Seehandlung zu einem Konglomerat von gewerblichen Unternehmen, die durch Bankengeschäfte, Chausseebauprogramme und das Engagement des Staates in der Wirtschaftsförderung leistungsstark gemacht werden sollten. Der Erfolg blieb allerdings unterschiedlich. In den 1840er Jahren stießen diese Bemühungen darüber hinaus auf Kritik von unternehmerischen Konkurrenten. Bleibende Bedeutung behauptete eine von Rother gegründete soziale Einrichtung, die in Berlin ansässige Rother-Stiftung für arme und unverheiratete Töchter von Beamten und Offizieren. N2 - Christian (von) Rother, head of the Preußische Seehandlung 1820–1848, is probably the most influential figure of the institute in the 19th century. His life story as the son of a Silesian farmer bears witness to social advancement and an impressive civil service career. Rother shaped the Seehandlung into a conglomerate of commercial enterprises, which were to be made powerful through banking transactions, road construction programs and the state's involvement in economic development. It met with only partial success. In the 1840s, moreover, these efforts met with criticism from entrepreneurial competitors. A social institution founded by Rother, the Berlin-based “Rother-Stiftung” for poor and unmarried daughters of civil servants and officers, claimed lasting significance. Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-599878 SN - 978-3-86956-562-0 SP - 53 EP - 80 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Bièvre-Perrin, Fabien A1 - Briand, Michel A1 - Jouteur, Isabelle A1 - Pampanay, Élise A1 - Besnard, Tiphaine Annabelle A1 - Costanzo, Daniela A1 - Renault, Manon A1 - Saura-Ziegelmeyer, Arnaud A1 - Scapin, Mathieu A1 - González Vázquez, Mateo A1 - Mihanovic, Andelko ED - Bièvre-Perrin, Fabien ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Antiquipop – Chefs d’œuvres revisités T2 - thersites N2 - This special issue hosts the proceedings of a workshop that took place in Lyon in 2019, dedicated to discussing the modern receptions of some "masterpieces" from ancient Greek art. Y1 - 2021 U6 - https://doi.org/10.34679/thersites.vol13 SN - 2364-7612 VL - 2021 IS - 13 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Renault, Manon ED - Bièvre-Perrin, Fabien ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Antiquités et pop cultures dans la haute couture et le prêt-à-porter des années 2010 JF - thersites 13: Antiquipop – Chefs d’œuvres revisités N2 - From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women’s fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion’s worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word “fashion” are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion. KW - fashion KW - antiquity KW - sociology KW - Fashion Studies KW - pop culture Y1 - 2021 U6 - https://doi.org/10.34679/thersites.vol13.149 VL - 2021 IS - 13 SP - 125 EP - 140 ER -