TY - CHAP A1 - Carlà-Uhink, Filippo T1 - 'Per voler del primo amor ch'i' sento' BT - Justinian and Theodora from the sixth to sixteenth centuries T2 - Representing Rome's emperors: historical and cultural perspectives through time Y1 - 2024 SN - 978-0-19-286926-5 SP - 195 EP - 213 PB - Oxford University Press CY - Oxford ER - TY - JOUR A1 - Carlà-Uhink, Filippo T1 - ‘He had thoughtlessly accepted certain gifts’ BT - corrnuption and ormative behaviour for roman magistrates JF - Cultural History N2 - It has been highlighted many times how difficult it is to draw a boundary between gift and bribe, and how the same transfer can be interpreted in different ways according to the position of the observer and the narrative frame into which it is inserted. This also applied of course to Ancient Rome; in both the Republic and Principate lawgivers tried to define the limits of acceptable transfers and thus also to identify what we might call ‘corruption’. Yet, such definitions remained to a large extent blurred, and what was constructed was mostly a ‘code of conduct’, allowing Roman politicians to perform their own ‘honesty’ in public duty – while being aware at all times that their involvement in different kinds of transfer might be used by their opponents against them and presented as a case of ‘corrupt’ behaviour. KW - corruption KW - gift-giving KW - Ancient Rome KW - bribery KW - transfers KW - code of conduct KW - embezzlement KW - Cicero Y1 - 2024 UR - https://www.euppublishing.com/doi/abs/10.3366/cult.2024.0296 SN - 2045-290X SN - 2045-2918 VL - 13 IS - 1 SP - 52 EP - 70 PB - Edinburgh University Press CY - Edinburgh ER - TY - JOUR A1 - Carlà-Uhink, Filippo A1 - García Morcillo, Marta T1 - Discursive constructions of corruption in Ancient Rome BT - Introduction JF - Cultural History Y1 - 2024 UR - https://www.euppublishing.com/doi/abs/10.3366/cult.2024.0293 SN - 2045-290X SN - 2045-2918 VL - 13 IS - 1 SP - 1 EP - 11 PB - Edinburgh University Press CY - Edinburgh ER - TY - GEN ED - Carlà-Uhink, Filippo ED - García Morcillo, Marta T1 - Discursive Constructions of Corruption in Ancient Rome T2 - Cultural History Y1 - 2024 U6 - https://doi.org/10.3366/cult.2024.0293 SN - 2045-290X SN - 2045-2918 VL - 13 IS - 1 PB - Edinburgh University Press CY - Edinburgh ER - TY - JOUR A1 - Düvel, Pia A1 - Ehmig, Ulrike A1 - McCall, Jeremiah A1 - Unceta Gómez, Luis A1 - Bakogianni, Anastasia A1 - Fischer, Jens A1 - Serrano Lozano, David A1 - Ambühl, Annemarie A1 - Matz, Alicia A1 - Brinker, Wolfram A1 - Mach, Jonas Konstantin A1 - Mancini, Mattia A1 - Werner, Eva ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Spring Issue T2 - thersites KW - history textbooks KW - textbook research KW - historical consciousness KW - Spartacus KW - slavery KW - history teaching KW - Anfänge der systematischen lateinische Epigraphik KW - Corpus Inscriptionum Latinarum KW - Archiv KW - Reproduktion von Inschriften KW - history KW - video games KW - agents KW - historiography KW - Jonathan Muroya KW - Greek mythology KW - classical reception KW - cartoons Y1 - 2024 U6 - https://doi.org/10.34679/thersites.vol18 SN - 2364-7612 VL - 2024 IS - 18 ER - TY - CHAP A1 - Kay, Alex James T1 - Holocaust Research in Germany BT - current status and future challenges T2 - Hurbán Folyóirat Y1 - 2020 UR - https://hdke.hu/wp-content/uploads/2024/01/3-kay-alex-j.pdf UR - https://hdke.hu/folyoirat/2023-2/ SN - 3004-023X VL - 2 SP - 22 EP - 28 PB - Holokauszt Emlékközpont – Holocaust Memorial Center CY - Budapest ER - TY - JOUR A1 - Kay, Alex James T1 - The extermination of Red Army soldiers in German captivity, 1941–1945 BT - causes, patterns, dimensions JF - Journal of Slavic Military Studies N2 - Captive Red Army soldiers made up the majority of victims of Nazi Germany’s starvation policy against Soviet civilians and other non-combatants and thus constituted the largest single victim group of the German war of annihilation against the Soviet Union. Indeed, Soviet prisoners of war were the largest victim group of all National Socialist annihilation policies after the European Jews. Before the launch of Operation Barbarossa, it was clear to the Wehrmacht planning departments on exactly what scale they could expect to capture Soviet troops. Yet, they neglected to make the necessary preparations for feeding and sheltering the captured soldiers, who were viewed by the economic staffs and the military leadership alike as direct competitors of German troops and the German home front for precious food supplies. The number of extra mouths to feed was incompatible with German war aims. The obvious limitations on their freedom of movement and the relative ease with which large numbers could be segregated and their rations controlled were crucial factors in the death of over 3 million Soviet POWs, the vast majority directly or indirectly as a result of deliberate policies of neglect, undernourishment, and starvation while in the ‘care’ of the Wehrmacht. The most reliable figures for the mortality of Soviet POWs in German captivity reveal that up to 3.3 million died from a total of just over 5.7 million captured between June 1941 and February 1945 — a proportion of almost 58 percent. Of these, 2 million were already dead by the beginning of February 1942. In English, there is still neither a single monograph nor a single edited volume dedicated to the subject. This article now provides the first detailed stand-alone synthesis in that language addressing the whole period from 1941 to 1945. KW - Red Army KW - prisoners of war KW - Wehrmacht KW - extermination KW - starvation KW - Eastern Europe KW - Second World War Y1 - 2024 UR - https://www.tandfonline.com/doi/full/10.1080/13518046.2024.2340839 U6 - https://doi.org/10.1080/13518046.2024.2340839 SN - 1556-3006 SN - 1351-8046) VL - 37 IS - 1 SP - 80 EP - 104 PB - Taylor & Francis CY - London ER - TY - CHAP A1 - Carlà-Uhink, Filippo A1 - Rollinger, Christian ED - Carlà-Uhink, Filippo T1 - The Tetrarchy as Ideology BT - an Introduction T2 - The Tetrarchy as Ideology. Recoonfigurations and Representations of an Imperial Power Y1 - 2023 SN - 978-3-515-13403-3 SN - 978-3-515-13400-2 SP - 11 EP - 24 PB - Franz Steiner CY - Stuttgart ER - TY - BOOK A1 - Carlà-Uhink, Filippo A1 - Freitag, Florian A1 - Anton Clavé, Salvador A1 - Böger, Astrid A1 - Clément, Thibaut A1 - Lukas, Scott A1 - Mittermeier, Sabrina A1 - Molter, Céline A1 - Paine, Crispin A1 - Schwarz, Ariane A1 - Staszak, Jean-Francois A1 - Steinkrüger, Jan-Erik A1 - Widmann, Torsten T1 - Key concepts in theme park studies BT - understanding tourism and leisure spaces N2 - This book offers a comprehensive, multidisciplinary introduction to theme parks and the field of theme park studies. It identifies and discusses relevant economic, social, and cultural as well as medial, historical, and geographical aspects of theme parks worldwide, from the big international theme park chains to smaller, regional, family-operated parks. The book also describes the theories and methods that have been used to study theme parks in various academic disciplines and reviews the major contexts in which theme parks have been studied. By providing the necessary backgrounds, theories, and methods to analyze and understand theme parks both as a business field and as a socio-cultural phenomenon, this book will be a great resource to students, academics from all disciplines interested in theme parks, and professionals and policy-makers in the leisure and entertainment as well as the urban planning sector. Y1 - 2023 SN - 978-3-031-11131-0 SN - 978-3-031-11132-7 SN - 978-3-031-11134-1 U6 - https://doi.org/10.1007/978-3-031-11132-7 PB - Springer CY - Cham ER - TY - BOOK A1 - Carlà-Uhink, Filippo A1 - Rollinger, Chrstian ED - Carlà-Uhink, Filippo ED - Rollinger, Christian T1 - The Tetrarchy as Ideology BT - Reconfigurations and Representations of an Imperial Power T3 - Heidelberger althistorische Beiträge und epigraphische Studien (HABES) ; 64 N2 - The 'Tetrarchy', the modern name assigned to the period of Roman history that started with the emperor Diocletian and ended with Constantine I, has been a much-studied and much-debated field of the Roman Empire. Debate, however, has focused primarily on whether it was a true 'system' of government, or rather a collection of ad-hoc measures undertaken to stabilise the empire after the troubled period of the 3rd century CE. The papers collected here aim to go beyond this question and to present an innovative approach to a fascinating period of Roman history by understanding the Tetrarchy not as a system of government, but primarily as a political language. Their focus thus lies on the language and ideology of the imperial college and court, on the performance of power in imperial ceremonies, the representation of the emperors and their enemies in the provinces of the Roman world, as well as on the afterlife of Tetrarchic power in the Constantinian period. Y1 - 2023 SN - 978-3-515-13400-2 SN - 978-3-515-13403-3 PB - Franz Steiner CY - Stuttgart ER - TY - JOUR A1 - Reed, Kate A1 - Schenck, Marcia C. T1 - A right to research? JF - International migration Y1 - 2023 U6 - https://doi.org/https://doi.org/10.1111/imig.13145 SN - 0020-7985 SN - 1468-2435 VL - 61 IS - 3 SP - 390 EP - 393 PB - Wiley-Blackwell CY - Oxford ER - TY - CHAP A1 - Carlà-Uhink, Filippo ED - Carlà-Uhink, Filippo T1 - Quod omni consanguinitate certius est, virtutibus fratres Families and Family Relationships in ‘Tetrarchic’ Ideology T2 - The Tetrarchy as Ideology : Recoonfigurations and Representations of an Imperial Power Y1 - 2023 SN - 978-3-515-13403-3 SN - 978-3-515-13400-2 SP - 25 EP - 46 PB - Franz Steiner CY - Stuttgart ER - TY - CHAP A1 - Leonardis, Irene ED - Dinter, Martin T. ED - Guérin, Charles T1 - Varro and the re-foundation of Roman cultural memory through genealogy and humanitas T2 - Cultural memory in republican and Augustan Rome N2 - In the last two centuries BC, with the Republic limping towards its end, the cultivated ruling elite began to lose its moral and political authority.1 Its members not only held themselves responsible for the so-called crisis of tradition, but at the same time also conveyed the impression of a loss of memory, as if all Romans were suffering from some kind of amnesia or identity crisis.2 In particular, institutional figures such as pontiffs and augurs, who had preserved Rome’s memory throughout its history, were accused of neglecting their duties and, by extension, of allowing ancient practices and values to slowly disappear.3 Accordingly, Cicero and Varro, both perfect representatives of this elite, employed recurrent terms such as neglect (neglegentia/neglegere), involuntary abandon (amittere), oblivion (oblivio), vanishing of institutions (evanescere), and ignorance (ignoratio/ignorare) to describe this critical loss of information; they depicted the citizenry of Rome (civitas) as disoriented and estranged, incapable of sharing any common knowledge or values. Y1 - 2023 SN - 978-1-009-32775-6 SN - 978-1-009-32774-9 U6 - https://doi.org/10.1017/9781009327749.006 SP - 97 EP - 114 PB - Cambridge University Press CY - Cambridge ER - TY - JOUR A1 - Vandewalle, Alexander ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Review of Ross Clare: Ancient Greece and Rome in Videogames. Representation, Play, Transmedia BT - Bloomsbury Academic (London, New York 2021) (= IMAGINES – Classical Receptions in the Visual and Performing Arts), x + 230 pages, 25 illustrations. ISBN: 9781350157194 (hardback), $ 115.00, £ 85.00 hardback, also available as e-book (PDF, Epub, Mobi) JF - thersites 16 Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.220 SN - 2364-7612 VL - 2023 IS - 16 SP - 173 EP - 177 ER - TY - JOUR A1 - Avalli, Andrea ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Review of Dario Barbera: Processo al Classico. L’epurazione dell’archeologia fascista BT - ETS (Pisa 2022) (= Studi di archeologia e storia del mondo antico e medievale), 264 pp. ISBN: 9788846762191, € 25 JF - thersites 16 Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.233 SN - 2364-7612 VL - 2023 IS - 16 SP - 168 EP - 172 ER - TY - JOUR A1 - Skibinski, Connie ED - Potter, Amanda ED - Gardner, Hunter H. T1 - ‘Crazy Man-Killing Monsters’ BT - The Inimical Portrayal of the Amazons in Supernatural’s ‘Slice Girls’ JF - thersites 17 N2 - The Amazons have a long legacy in literature and the visual arts, extending from antiquity to the present day. Prior scholarship tends to treat the Amazons as hostile ‘Other’ figures, embodying the antithesis of Greco-Roman cultural norms. Recently, scholars have begun to examine positive portrayals of Amazons in contemporary media, as role models and heroic figures. However, there is a dearth of scholarship examining the Amazons’ inherently multifaceted nature, and their subsequent polarised reception in popular media. This article builds upon the large body of scholarship on contemporary Amazon narratives, in which the figures of Wonder Woman and Xena, Warrior Princess dominate scholarly discourse. These ‘modern Amazon’ figures epitomise the dominant contemporary trend of portraying Amazons as strong female role models and feminist icons. To highlight the complexity of the Amazon image in contemporary media, this article examines the representation of the Amazons in the Supernatural episode ‘Slice Girls’ (S7 E13, 2012), where their portrayal as hostile, monstrous figures diverges greatly from the positive characterisation of Wonder Woman and Xena. I also consider the show’s engagement with ancient written sources, to examine how the writers draw upon the motifs of ancient Amazon narratives when crafting their unique Amazon characters. By contrasting the Amazons of ‘Slice Girls’ to contemporary figures and ancient narratives, this article examines how factors such as feminist ideology, narrative story arcs, characters’/audience’s perspectives and male bias shape the representation of Amazons post-antiquity. KW - Amazons KW - Warrior women KW - Classical reception KW - Supernatural KW - Monsters Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.240 SN - 2364-7612 VL - 2023 IS - 17 SP - 183 EP - 211 ER - TY - JOUR A1 - Martínez Jiménez, Javier ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Lycaon and classical versipelles in MTV’s Teen Wolf JF - thersites 17 N2 - The modern conception of the werewolf is heavily influenced by Gothic reinterpretations of medieval European stories. This kind of werewolf is the one that has appeared on screen and written fiction for decades, but MTV’s Teen Wolf, a re-boot of the 1980s film which aired between 2011 – 17, is different. In this young adult supernatural drama, werewolves descend directly from Lycaon, and a substantial proportion of the show’s werewolf lore derives from Graeco-Roman stories about wolf-shifters and versipelles. This paper wants to explore the extent of the use in the show of the myth of Lycaon in particular, of Classical versipelles in general, the significance of these two references for the narrative, and the degree of innovation in modern supernatural fiction of this adaptation of Greek and Roman stories. KW - Teen Wolf KW - Werewolves KW - Versipelles KW - Lycaon KW - Television series KW - World-building Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.248 SN - 2364-7612 VL - 2023 IS - 17 SP - 212 EP - 244 ER - TY - JOUR A1 - Maurice, Lisa ED - Potter, Amanda ED - Gardner, Hunter H. T1 - From Olympian to Christ-figure: Lucifer (2016 – 2021) JF - thersites 17 N2 - On the surface the television series Lucifer (2016 – 21) is a simple police procedural but, in actuality, the criminal cases in the show serve merely as window-dressing and structure for the deeper consideration of issues, such as guilt, shame, love, and even the meaning of life on both an individual and universal level. These topics are explored through the ever-developing character of Lucifer himself, who, like other recent anti-hero depictions, is initially presented in a manner that is very different from traditional portrayals of the Devil, and is, in fact, far closer to that of the Greek Olympian gods. Over the course of six seasons, the depiction of Lucifer alters, however, as he becomes a figure that is in many ways Christ-like, but with a 21st century twist that places the individual in an exalted position that is superior to that of divinity. KW - Lucifer KW - Devil KW - Olympians KW - God KW - Christ Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.244 SN - 2364-7612 VL - 2023 IS - 17 SP - 245 EP - 272 ER - TY - JOUR A1 - Potter, Amanda ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Classical Monsters and Hero(ines) in InSEXts, Eros/Psyche and Porcelain JF - thersites 17 N2 - This paper applies Monster Theory to the use of Greek mythology in three creator-owned comic series by female writers: InSEXts (2016 – 2017) by American comic writer Marguerite Bennett and Indonesian artist working in America Ariela Kristantina as well as Eros/Psyche (2021) and Porcelain (2021) by Maria Llovet, a comic writer and artist from Barcelona. In the first volume of InSEXts, set in Victorian London, there are allusions to the Furies and Pandora, linked with the discourse of the repression of women. In the second volume, set in the late nineteenth century Paris art world, the representation of classical subjects in art becomes a means to repress women, and a goddess with a Gorgon-like appearance takes revenge on the male repressors. In Eros/Psyche the story of Eros and Psyche and broken statues forms the backdrop and context for a tale of love and deception at a girls’ school, and in Porcelain a girl is faced with a choice of paths towards Eros or Thanatos, like Herakles at the crossroads choosing between the paths of virtue and vice. With reference to Cohen’s seven theses of Monster Culture I examine how Bennett and Lovett subvert the idea of the monster and the hero. KW - Comics KW - Eros KW - Psyche KW - Pygmalion KW - Medusa Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.247 SN - 2364-7612 VL - 2023 IS - 17 SP - 96 EP - 124 ER - TY - JOUR A1 - Toscano, Margaret Merrill ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Varieties of Supernatural Depictions BT - Classics in Contemporary Media JF - thersites 17 N2 - This article proposes several conceptual frameworks for examining the widespread use of classical intertexts depicting the supernatural in popular media. Whether the supernatural is viewed as reality or simply a trope, it represents the human capacity and desire to explore worlds and meanings beyond the obvious and mundane. Representations of classical gods, heroes, and monsters evoke the power of mythic stories to probe and explain human psychology, social concerns, philosophical questions, and religious beliefs, including belief about the paranormal and supernatural. The entertainment value of popular media allows creators and audiences to engage with larger issues in non-dogmatic and playful ways that help them negotiate tensions among various beliefs and identities. This paper also gives an overview of the other articles in this journal issue, showing overlapping themes and patterns that connect with these tensions. By combining knowledge of classical myths in their original contexts with knowledge about contemporary culture, classical scholars contribute unique perspectives about why classical intertexts dominate in popular media today. KW - Myth Theory KW - Classical Mythology KW - Supernatural KW - Paranormal KW - Afterlife Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.249 SN - 2364-7612 VL - 2023 IS - 17 SP - 2 EP - 31 ER -