TY - JOUR A1 - Thorau, Christian T1 - Listening for leitmotifs BT - concept, theory, practice JF - The Cambridge companion to Wagner's Der Ring des Nibelungen N2 - Introduction to Wagner’s use of leitmotifs in the Ring and the discourse that accompanied and shaped the notion of this compositional technique from its beginnings. Special focus on the making of the concept (which Wagner neither initiated nor supported), on the idea of “foreboding and reminiscent melodic moments” he developed in Opera and Drama and on core motifs from the Ring that provide the material for four evenings of music drama and characterize the tetralogy as a whole (renunciation, woe, Rheingold, Ring, Valhalla, and redemption through love motifs). Aesthetic questions about Wagner’s trademark tool of composition are discussed from the listener’s perspective: Are we really supposed to learn leitmotifs like vocabulary and, if so, what did Wagner think about this? Did he anticipate that for the next 140 years nearly everyone who wanted to say something about his music would talk about leitmotifs? How can we dive into the magic web of the Ring’s leitmotifs without simply blindly memorizing dozens of melodies and their supposed meaning? KW - leitmotif KW - redemption KW - renunciation KW - compositional technique KW - Hans von Wolzogen Y1 - 2020 SN - 978-1-107-51947-3 SN - 978-1-107-10851-6 U6 - https://doi.org/10.1017/9781316258033.007 SP - 124 EP - 140 PB - Cambridge University Press CY - Cambridge ER - TY - JOUR A1 - Thorau, Christian T1 - Eine Sitzung des Museums um das Jahr 1830 - Inszeniertes Höhren als angewandte Musikwissenschaft (Projektbericht) Y1 - 2011 SN - 978-3-940768-07-0 ER - TY - JOUR A1 - Thorau, Christian T1 - Psssst! - In search of the listeners of the past JF - Neue Zeitschrift für Musik Y1 - 2012 SN - 0945-6945 IS - 5 SP - 18 EP - 22 PB - Schott CY - Mainz ER - TY - BOOK A1 - Thorau, Christian T1 - Vom Klang zur Metapher : Perspektiven der musikalischen Analyse T3 - Studien und Materialien zur Musikwissenschaft Y1 - 2012 SN - 978-3-487-14895-3 VL - 71 PB - Olms CY - Hildesheim ER - TY - CHAP A1 - Thorau, Christian T1 - "What ought to be heard" : touristic listening and the guided ear T2 - The Oxford handbook of music listening in the 19th and 20th centuries Y1 - 2019 SN - 978-0-19-046696-1 SP - 207 EP - 227 PB - Oxford University Press CY - New York ER -