TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - Vision d'une mer faite d'îles: la carte de Tupaia (1769-1770) JF - Bulletin de la Société des Etudes Océaniennes : Polynésie Orientale Y1 - 2019 SN - 0373-8957 SN - 0378-083X VL - 347 IS - Janvier / Avril SP - 6 EP - 23 PB - Soc. CY - Papeete ER - TY - JOUR A1 - Eckstein, Lars A1 - Peitsch, Helmut A1 - Schwarz, Anja T1 - Tusitalas Wandlungen BT - Spuren Robert Louis Stevensons in deutscher Literatur über Samoa JF - Pazifikismus : Poetiken des Stillen Ozeans Y1 - 2017 SN - 978-3-8260-6169-1 SP - 443 EP - 460 PB - Königshausen & Neumann CY - Würzburg ER - TY - JOUR A1 - Eckstein, Lars T1 - Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips Y1 - 2007 SN - 978-3-8260-3769-6 ER - TY - JOUR A1 - Eckstein, Lars T1 - Think global sell global : magical realism, the Whale Rider and the Market Y1 - 2010 SN - 978-90-420-3226-2 ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu Y1 - 2003 ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - The making of Tupaia’s map BT - a story of the extent and mastery of Polynesian navigation, competing systems of wayfinding on James Cook’s endeavour, and the invention of an ingenious cartographic system JF - The journal of pacific history N2 - Tupaia’s Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra‘iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook’s Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart’s cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia’s Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models. KW - Cartography KW - first contact KW - wayfinding KW - star navigation KW - sea of islands KW - translation KW - Indigenous knowledges and ontologies KW - Tupaia Y1 - 2019 U6 - https://doi.org/10.1080/00223344.2018.1512369 SN - 0022-3344 SN - 1469-9605 VL - 54 IS - 1 SP - 1 EP - 95 PB - Routledge, Taylor & Francis Group CY - London ER - TY - JOUR A1 - Eckstein, Lars T1 - The insistence of voices : an interview with Caryl Phillips Y1 - 2001 ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - The adventures of William Bloke, or : romanticism today and how it got here Y1 - 2009 ER - TY - JOUR A1 - Eckstein, Lars A1 - Leypoldt, Günter T1 - T.S. Eliot and the transcultural sublime Y1 - 2007 SN - 978-3-88476-976-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - Spiel mit der Angst : Britischer Hip Hop nach 9/11 Y1 - 2012 SN - 978-3-8376-1728-3 ER - TY - JOUR A1 - Eckstein, Lars T1 - Sound matters: postcolonial critique for a viral age JF - Atlantic studies : literary, cultural and historical perspectives N2 - This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today. KW - Sound KW - M.I.A. KW - Galang KW - music KW - postcolonial critique KW - transculturality KW - pirate modernity KW - Great Britain KW - South Asian diaspora Y1 - 2016 U6 - https://doi.org/10.1080/14788810.2016.1216222 SN - 1478-8810 SN - 1740-4649 VL - 13 SP - 445 EP - 456 PB - American Geophysical Union CY - Abingdon ER - TY - JOUR A1 - Eckstein, Lars T1 - Reflections of Lusáni Cissé BT - Imperial Images and Sentient Critique JF - Ideology in postcolonial texts and contexts Y1 - 2020 SN - 978-90-04-42805-8 SN - 978-90-04-43745-6 U6 - https://doi.org/10.1163/9789004437456_010 SP - 147 EP - 161 PB - Rodopi CY - Leiden ER - TY - JOUR A1 - Eckstein, Lars T1 - Recollecting bones BT - the remains of German-Australian colonial entanglements JF - Postcolonial Studies N2 - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior. KW - Memory KW - ancestral remains KW - museums and anthropological collections KW - restorative justice KW - indigenous knowledge KW - Ludwig Leichhardt Y1 - 2018 U6 - https://doi.org/10.1080/13688790.2018.1435146 SN - 1368-8790 SN - 1466-1888 VL - 21 IS - 1 SP - 6 EP - 19 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Eckstein, Lars T1 - Recollecting bones BT - the remains of German-Australian colonial entanglements N2 - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior. Y1 - 2018 U6 - https://doi.org/10.1080/13688790.2018.1435146 SN - 1368-8790 SN - 1466-1888 VL - 21 IS - 1 SP - 6 EP - 19 PB - Taylor & Francis CY - London ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - On dancing about architecture : words and music between cultural practise and transcendence Y1 - 2006 ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - Oceanic modernity : indigeneity, globality and cultural translation Y1 - 2012 SN - 978-8-48-489670-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - Maps drawn on the sand: of mimicry and depropriation on Ludwig Leichhardt's second Australian expedition JF - Journal of Australian studies N2 - In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive. KW - Ludwig Leichhardt KW - mimicry KW - depropriation Y1 - 2015 U6 - https://doi.org/10.1080/14443058.2015.1076024 SN - 1444-3058 SN - 1835-6419 VL - 39 IS - 4 SP - 512 EP - 528 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Eckstein, Lars T1 - Lyrics als Paradigma einer anderen Moderne: M.I.A.s ‘Galang' JF - Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft Y1 - 2019 SN - 978-3-8353-3381-9 SP - 173 EP - 192 PB - Wallenstein CY - Göttingen ER - TY - JOUR A1 - Eckstein, Lars A1 - Lutz, Andrea T1 - Literary missions and global ethic Y1 - 2001 SN - 3-86057-741-7 ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - La carte de Tupaia, maître d'astres et de navigation polynésienne JF - Bulletin de la Societé des Études Océaniennes (Polynésie orientale) N2 - La carte de Tupaia constitue l’un des artéfacts les plus célèbres et les plus énigmatiques à émerger des toutes premières rencontres entre Européens et îliens du Pacifique. Elle a été élaborée entre août 1769 et février 1770 par Tupaia, prêtre ’arioi, conseiller royal et maître de navigation originaire de Ra’iātea, aux Îles Sous-le-Vent de la Société. En collaboration avec divers membres d’équipage de l’Endeavour de James Cook, en deux temps distincts de cartographie et trois ébauches. L’identité de bien des îles qui y figurent et la logique de leur agencement demeuraient jusqu’à présent des énigmes. En se fiant en partie à des pièces d’archives restées ignorées, nous proposons, dans ce long essai, une nouvelle compréhension de sa logique cartographique, une reconstitution détaillée de sa genèse et donc, pour la toute première fois, une lecture exhaustive. La carte de Tupaia n’illustre pas seulement la magnitude et la maîtrise de la navigation polynésienne, elle réalise aussi une remarquable synthèse représentationnelle de deux systèmes d’orientation très différents. Y1 - 2019 SN - 2605-8375 VL - Mai/Août 2019 IS - 348 SP - 7 EP - 152 PB - Société des études océaniennes CY - Tahiti ER -