TY - JOUR A1 - Eckstein, Lars T1 - Gegen den Strich : Shakespeares Caliban und das exotische Imaginäre in der britischen Malerei des 18. und 19. Jahrhunderts Y1 - 2011 SN - 978-3-89971-877-5 ER - TY - JOUR A1 - Eckstein, Lars T1 - Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips Y1 - 2007 SN - 978-3-8260-3769-6 ER - TY - JOUR A1 - Eckstein, Lars T1 - Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing" Y1 - 2005 SN - 978-3-88476-772- 6 ER - TY - JOUR A1 - Eckstein, Lars T1 - Spiel mit der Angst : Britischer Hip Hop nach 9/11 Y1 - 2012 SN - 978-3-8376-1728-3 ER - TY - JOUR A1 - Eckstein, Lars T1 - Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration Y1 - 2005 ER - TY - JOUR A1 - Eckstein, Lars T1 - Introduction Y1 - 2007 SN - 978-3-8252-8345-2 ER - TY - JOUR A1 - Eckstein, Lars T1 - Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory Y1 - 2001 ER - TY - JOUR A1 - Eckstein, Lars T1 - Caribbean - English Passages: Intertextuality in a Postcolonial Tradition Y1 - 2003 ER - TY - JOUR A1 - Eckstein, Lars T1 - Getting back to the idea of art as art : an interview with David Dabydeen Y1 - 2001 ER - TY - JOUR A1 - Eckstein, Lars T1 - The insistence of voices : an interview with Caryl Phillips Y1 - 2001 ER - TY - JOUR A1 - Eckstein, Lars T1 - "Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores Y1 - 2009 SN - 978-3-86821-141-2 ER - TY - JOUR A1 - Eckstein, Lars T1 - Think global sell global : magical realism, the Whale Rider and the Market Y1 - 2010 SN - 978-90-420-3226-2 ER - TY - JOUR A1 - Eckstein, Lars T1 - Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting Y1 - 2009 SN - 978-3-86821-194-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - Karibikreisen um 1800 im Gedächtnis der Literatur Y1 - 2012 SN - 978-3-89975-272-4 ER - TY - JOUR A1 - Eckstein, Lars T1 - "We're destroyed if we mix : and we're destroyed if we don't" : indigeneity in the modern world system and the politics of tricksterese in Pauline Melville's the ventriloquist's tale Y1 - 2012 SN - 978-3-938944- 60-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - Maps drawn on the sand: of mimicry and depropriation on Ludwig Leichhardt's second Australian expedition JF - Journal of Australian studies N2 - In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive. KW - Ludwig Leichhardt KW - mimicry KW - depropriation Y1 - 2015 U6 - https://doi.org/10.1080/14443058.2015.1076024 SN - 1444-3058 SN - 1835-6419 VL - 39 IS - 4 SP - 512 EP - 528 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Eckstein, Lars T1 - Recollecting bones BT - the remains of German-Australian colonial entanglements JF - Postcolonial Studies N2 - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior. KW - Memory KW - ancestral remains KW - museums and anthropological collections KW - restorative justice KW - indigenous knowledge KW - Ludwig Leichhardt Y1 - 2018 U6 - https://doi.org/10.1080/13688790.2018.1435146 SN - 1368-8790 SN - 1466-1888 VL - 21 IS - 1 SP - 6 EP - 19 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Eckstein, Lars T1 - Sound matters: postcolonial critique for a viral age JF - Atlantic studies : literary, cultural and historical perspectives N2 - This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today. KW - Sound KW - M.I.A. KW - Galang KW - music KW - postcolonial critique KW - transculturality KW - pirate modernity KW - Great Britain KW - South Asian diaspora Y1 - 2016 U6 - https://doi.org/10.1080/14788810.2016.1216222 SN - 1478-8810 SN - 1740-4649 VL - 13 SP - 445 EP - 456 PB - American Geophysical Union CY - Abingdon ER - TY - JOUR A1 - Eckstein, Lars T1 - Recollecting bones BT - the remains of German-Australian colonial entanglements N2 - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific ‘disinterest’. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior. Y1 - 2018 U6 - https://doi.org/10.1080/13688790.2018.1435146 SN - 1368-8790 SN - 1466-1888 VL - 21 IS - 1 SP - 6 EP - 19 PB - Taylor & Francis CY - London ER - TY - JOUR A1 - Eckstein, Lars T1 - Lyrics als Paradigma einer anderen Moderne: M.I.A.s ‘Galang' JF - Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft Y1 - 2019 SN - 978-3-8353-3381-9 SP - 173 EP - 192 PB - Wallenstein CY - Göttingen ER -