TY - JOUR A1 - Kearney, Eric A1 - Shemla, Meir A1 - van Knippenberg, Daan A1 - Scholz, Florian A. T1 - A paradox perspective on the interactive effects of visionary and empowering leadership JF - Organizational Behavior and Human Decision Processes N2 - In a multi-source, lagged design field study of 197 leader-follower dyads, we test a model that predicts positive interactive effects of visionary and empowering leadership on follower performance. Based on the paradox perspective, we argue that visionary and empowering leadership are synergistic in that their combination enables leaders to address a key paradox inherent to leader behavior identified by Waldman and Bowen (2016): Maintaining control while simultaneously letting go of control. We argue that visionary leadership addresses the former and empowering leadership addresses the latter pole of this pair of opposites. Hence, in line with paradox thinking, we posit that leaders will engender more positive effects on follower performance when they enact visionary and empowering leadership behaviors simultaneously and adopt a "both-and" approach, rather than focus on one of these behaviors without the other. Our results support our hypothesized interactive effect of visionary and empowering leadership on goal clarity, as well as a conditional indirect effect such that goal clarity mediates the interactive effect of visionary and empowering leadership on individual follower performance. KW - Visionary leadership KW - Empowering leadership KW - Goal clarity KW - Performance KW - Paradox Y1 - 2019 U6 - https://doi.org/10.1016/j.obhdp.2019.01.001 SN - 0749-5978 SN - 1095-9920 VL - 155 SP - 20 EP - 30 PB - Elsevier CY - San Diego ER - TY - THES A1 - Brigard Torres, Juan Camilo T1 - An aesthetic cartography of fast T1 - Eine ästhetische Kartographie des aktiven Hungers BT - Gandhi and the hunger artists BT - Gandhis Fasten und die Hungerkünstler*innen N2 - In this cartography, I examine M.K. Gandhi’s practice of fasting for political purposes from a specifically aesthetic perspective. In other words, to foreground their dramatic qualities, how they in their expressive repetition, patterning and stylization produced a/effected heightened forms of emotions. To carry out this task, I follow the theater scholar Erika Fischer-Lichte’s features that give name to her book Äesthetik des Performativen (2004). The cartography is framed in a philosophical presentation of Gandhi’s discourse as well as of his historical sources. Moreover, as a second frame, I historicize the fasts, by means of a typology and teleology in context. The historically and discoursively framed cartography maps four main dimensions that define the aesthetics of the performative: mediality, materiality, semioticity and aestheticity. The first part analyses the medial platforms in which the fasts as events have been historically recorded and in which they have left their traces and inscriptions. These historical sources are namely, newspapers, images, newsreels and a documentary film. Secondly, the material dimension depicts Gandhi’s corporeal condition, as well as the spatiality and temporality of the fasts. In the third place, I revise and reformulate critically Fischer-Lichte’s concepts of “presence” and “representation” with resonating concepts of G. C. Spivak and J. Rancière. This revision illustrates Gandhi’s fasts and shows the process of how an individual may become the embodiment or representation of a national body-politic. The last chapter of the cartography explores the autopoetic-feedback loop between Gandhi and the people and finishes with a comparison of the mise en scène of the hunger artists with the fasts of the Indian the politician, social reformer, and theologian. The text concludes interpreting Gandhi’s practice of fasting under the light of the concepts of “intellectual emancipation” and “de-subjectivation” of the philosopher J. Rancière. The four main concerns of this cartography are: Firstly, in the field of Gandhi’s reception, to explore the aesthetic dimension as both alternative and complementary to the two hegemonic interpretative lenses, i.e. a hagiographic or a secular political understanding of the fasts. From a theoretical perspective, the cartography pursues to be a transdisciplinary experiment that aims at deploying concepts that have been traditionally developed, derived from and used in the field of the arts (theater, film, literature, aesthetic performance, etc.) in the field of the political. In brief, inverting an expression of Rancière, to understand politics as aesthetics. Thirdly, from a thematic point of view, the cartography inquires the historical forms of staging and perception of hunger. Last yet importantly, it is an inquiry of the practice of fasting as nonviolence, what Gandhi, its most sophisticated modern theoretician and practitioner considered its most radical expression. N2 - Die Masterarbeit betrachtet M.K. Gandhis politische Ausübung des Fastens aus einer ästhetischen Perspektive. Im Fokus stehen dabei die dramatischen Eigenschaften dieser asketischen Praxis: Von besonderem Interesse sind expressive Wiederholungen, Gestaltungen und Stilisierungen, die Affekte auslösen. Die Analyse greift auf Begriffe und Theorien von Erika Fischer-Lichtes Ästhetik des Performativen (2004) zurück, um damit die ästhetische Dimension von Gandhis Fasten zu beleuchten. Eine historische und philosophische Kontextualisierung rahmt die ästhetische Kartographie ein. Die Analyse untergliedert sich in vier verschiedene Sphären: Medialität, Materialität, Semiotizität und Ästhetizität. Den Beginn macht eine Untersuchung von medialen Plattformen in den bereits historisierten Spuren der Ereignisse. Als historische Quellen dienen Zeitungsartikel, Fotos, die Wochenschau (newsreel) und ein Dokumentarfilm. Die Sphäre der Materialität wird im Anschluss durch die folgenden Kriterien analysiert: den körperlichen Zustand Gandhis, die Temporalität und die Räumlichkeit des Fastens. Zudem beschäftigt sich der Text mit der Konfiguration von Bedeutung durch eine theoretische Überarbeitung der von Fischer-Lichte geprägten Begriffe von „Präsenz“ und „Repräsentation“. Die Grundlage für diese Überarbeitung sind Texte von J. Rancière und G. C. Spivak. Die Überarbeitung soll mit Beispielen von Gandhis Fasten illustriert werden, um zu zeigen, wie ein individueller Mensch zur Verkörperung oder Repräsentation einer Nation werden kann. Zuletzt nimmt die Analyse der ästhetischen Sphäre die autopoietische Feedback-Schleife zwischen Gandhi und dem Volk in den Blick. Zudem vergleicht die Studie die Inszenierungsformen von Gandhis Fasten und die von den Hungerkünstlern*innen im Westen. Der Abschluss der Masterarbeit verbindet Gandhis Fasten als Ritual mit den von Jacques Rancière entwickelten Begriffen der intellektuellen Emanzipation und der De-Subjektivierung. KW - fasting KW - Gandhi KW - performance KW - aesthetics KW - Hunger KW - Fasten KW - Gandhi KW - Performance KW - Ästhetik KW - hunger Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-469333 ER -