TY - JOUR A1 - Barth-Weingarten, Dagmar A1 - Küttner, Uwe-Alexander A1 - Raymond, Chase Wesley T1 - Pivots revisited BT - cesuring in action JF - Open linguistics N2 - The term "pivot" usually refers to two overlapping syntactic units such that the completion of the first unit simultaneously launches the second. In addition, pivots are generally said to be characterized by the smooth prosodic integration of their syntactic parts. This prosodic integration is typically achieved by prosodic-phonetic matching of the pivot components. As research on such turns in a range of languages has illustrated, speakers routinely deploy pivots so as to be able to continue past a point of possible turn completion, in the service of implementing some additional or revised action. This article seeks to build on, and complement, earlier research by exploring two issues in more detail as follows: (1) what exactly do pivotal turn extensions accomplish on the action dimension, and (2) what role does prosodic-phonetic packaging play in this? We will show that pivot constructions not only exhibit various degrees of prosodic-phonetic (non-)integration, i.e., differently strong cesuras, but that they can be ordered on a continuum, and that this cline maps onto the relationship of the actions accomplished by the components of the pivot construction. While tighter prosodic-phonetic integration, i.e., weak(er) cesuring, co-occurs with post-pivot actions whose relationship to that of the pre-pivot tends to be rather retrospective in character, looser prosodic-phonetic integration, i.e., strong(er) cesuring, is associated with a more prospective orientation of the post-pivot's action. These observations also raise more general questions with regard to the analysis of action. KW - Conversation Analysis KW - Interactional Linguistics KW - syntax KW - talk-in-interaction KW - prosody KW - phonetics KW - cesuras KW - intonation units KW - social action Y1 - 2021 U6 - https://doi.org/10.1515/opli-2020-0152 SN - 2300-9969 VL - 7 IS - 1 SP - 613 EP - 637 PB - de Gruyter CY - Warsaw ER - TY - GEN A1 - Barth-Weingarten, Dagmar A1 - Ogden, Richard T1 - “Chunking” spoken language BT - Introducing weak cesuras T2 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe N2 - In this introductory paper to the special issue on “Weak cesuras in talk-in-interaction”, we aim to guide the reader into current work on the “chunking” of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics – two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about “chunking” talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of “chunking” in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides. T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 174 KW - Conversation Analysis KW - Interactional Linguistics KW - prosody KW - phonetics KW - intonation units KW - talk-in-interaction KW - syntax KW - kinetics Y1 - 2022 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-536259 SN - 1866-8380 SP - 531 EP - 548 PB - Universität Potsdam CY - Potsdam ER - TY - JOUR A1 - Barth-Weingarten, Dagmar A1 - Ogden, Richard T1 - “Chunking” spoken language BT - Introducing weak cesuras JF - Open linguistics N2 - In this introductory paper to the special issue on “Weak cesuras in talk-in-interaction”, we aim to guide the reader into current work on the “chunking” of naturally occurring talk. It is conducted in the methodological frameworks of Conversation Analysis and Interactional Linguistics – two approaches that consider the interactional aspect of humans talking with each other to be a crucial starting point for its analysis. In doing so, we will (1) lay out the background of this special issue (what is problematic about “chunking” talk-in-interaction, the characteristics of the methodological approach chosen by the contributors, the cesura model), (2) highlight what can be gained from such a revised understanding of “chunking” in talk-in-interaction by referring to previous work with this model as well as the findings of the contributions to this special issue, and (3) indicate further directions such work could take starting from papers in this special issue. We hope to induce a fruitful exchange on the phenomena discussed, across methodological divides. KW - Conversation Analysis KW - Interactional Linguistics KW - prosody KW - phonetics KW - intonation units KW - talk-in-interaction KW - syntax KW - kinetics Y1 - 2021 U6 - https://doi.org/10.1515/opli-2020-0173 SN - 2300-9969 VL - 7 IS - 1 SP - 531 EP - 548 PB - De Gruyter CY - Berlin ER - TY - GEN A1 - Küttner, Uwe-Alexander T1 - Rhythmic analyses as a proof-procedure? BT - An initial observation on rhythmicity and projection T2 - Postprints der Universität Potsdam : Philosophische Reihe N2 - This paper reports a problematic case of unequivocally evidencing participant orientation to the projective force of some turn-initial demonstrative wh-clefts (DCs) within the framework of Conversation Analysis (CA) and Interactional Linguistics (IL). Conducting rhythmic analyses appears helpful in this regard, in that they disclose rhythmic regularities which suggest a speaker's orientation towards a projected turn continuation. In this particular case, rhythmic analyses can therefore be shown to meaningfully complement sequential analyses and analyses of turn-design, so as to gather additional evidence for participant orientations. In conclusion, I will point to possibly more extensive relations between rhythmicity and projection and proffer a tentative outlook for the usability of rhythmic analyses as an analytic tool in CA and IL. T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 172 KW - Interactional Linguistics KW - Speech Rhythm and Rhythmic Analysis KW - Method KW - Participant Orientation KW - Turn-Constructional Units KW - Projection KW - Demonstrative Clefts Y1 - 2021 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-445363 SN - 1866-8380 IS - 172 ER - TY - JOUR A1 - Selting, Margret T1 - The display and management of affectivity in climaxes of amusing stories JF - Journal of pragmatics : an interdisciplinary journal of language studies KW - Affectivity in interaction KW - Storytelling KW - Amusing stories KW - Interactional Linguistics KW - Multimodal Analysis Y1 - 2017 U6 - https://doi.org/10.1016/j.pragma.2017.01.008 SN - 0378-2166 SN - 1879-1387 VL - 111 SP - 1 EP - 32 PB - Elsevier CY - Amsterdam ER - TY - JOUR A1 - Küttner, Uwe-Alexander T1 - Investigating Inferences in Sequences of Action BT - The Case of Claiming “Just-Now” Recollection with Oh That’s Right JF - Open Linguistics N2 - This paper offers an exploratory Interactional Linguistic account of the role that inferences play in episodes of ordinary conversational interaction. To this end, it systematically reconsiders the conversational practice of using the lexico-syntactic format oh that’s right to implicitly claim “just-now” recollection of something previously known, but momentarily confused or forgotten. The analyses reveal that this practice typically occurs as part of a larger sequential pattern that the participants orient to and which serves as a procedure for dealing with, and generating an account for, one participant’s production of an inapposite action. As will be shown, the instantiation and progressive realization of this sequential procedure requires local inferential work from the participants. While some facets of this inferential work appear to be shaped by the particular context of the ongoing interaction, others are integral to the workings of the sequence as such. Moreover, the analyses suggest that participants’ understanding of oh that’s right as embodying an implicit memory claim rests on an inference which is based on a kind of semanticpragmatic compositionality. The paper thus illustrates how inferences in conversational interaction can be systematically studied and points to the merits of combining an interactional and a linguistic perspective. KW - Interactional Linguistics KW - Conversation Analysis KW - inferences KW - action recognition KW - forgetfulness KW - confusion KW - recollection KW - oh that’s right Y1 - 2018 U6 - https://doi.org/10.1515/opli-2018-0006 SN - 2300-9969 VL - 4 IS - 1 SP - 101 EP - 126 PB - de Gruyter CY - Berlin ER - TY - JOUR A1 - Küttner, Uwe-Alexander T1 - Rhythmic analyses as a proof-procedure? BT - An initial observation on rhythmicity and projection JF - Prosodie und Phonetik in der Interaktion = Prosody and phonetics in interaction N2 - This paper reports a problematic case of unequivocally evidencing participant orientation to the projective force of some turn-initial demonstrative wh-clefts (DCs) within the framework of Conversation Analysis (CA) and Interactional Linguistics (IL). Conducting rhythmic analyses appears helpful in this regard, in that they disclose rhythmic regularities which suggest a speaker's orientation towards a projected turn continuation. In this particular case, rhythmic analyses can therefore be shown to meaningfully complement sequential analyses and analyses of turn-design, so as to gather additional evidence for participant orientations. In conclusion, I will point to possibly more extensive relations between rhythmicity and projection and proffer a tentative outlook for the usability of rhythmic analyses as an analytic tool in CA and IL. N2 - Dieser primär interaktional-linguistisch ausgerichtete Beitrag berichtet von einem Problemfall im Nachweis von Teilnehmerorientierung an den Turn-Fortführung projizierenden Eigenschaften einiger turn-initialer "Demonstrative-Cleft- Konstruktionen" (DCs). Es wird gezeigt, dass rhythmische Analysen diesbezüglich hilfreich sein können, da sie im konkreten Fall rhythmische Regularitäten erkennen lassen, die eine sprecherseitige Orientierung an einer projizierten Turn-Fortführung nahelegen. Vorausgegangene sequenzielle Analysen und Analysen von Turn-Design werden somit bedeutsam durch rhythmische Analysen ergänzt, um zusätzliche Evidenzen für Teilnehmerorientierungen zu erfassen. Abschließend werde ich auf potenziell weitreichendere Zusammenhänge zwischen Rhythmizität und Projektion in der Interaktion hinweisen und einen provisorischen Ausblick hinsichtlich der möglichen Verwendung rhythmischer Analysen als Analysewerkzeug in der Konversationsanalyse und der Interaktionalen Linguistik geben. KW - Interaktionale Linguistik KW - Sprechrhythmus und Rhythmische Analyse KW - Methode KW - Teilnehmerorientierung KW - Turnkonstruktionseinheiten KW - Projektion KW - Demonstrative Clefts KW - Interactional Linguistics KW - Speech Rhythm and Rhythmic Analysis KW - Method KW - Participant Orientation KW - Turn-Constructional Units KW - Projection KW - Demonstrative Clefts Y1 - 2014 UR - http://verlag-gespraechsforschung.de/2014/pdf/kuettner-audio.pdf SN - 978-3-936656-60-2 SP - 46 EP - 69 PB - Verlag für Gesprächsforschung CY - Mannheim ER - TY - JOUR A1 - Kupetz, Maxi T1 - Empathy displays as interactional achievements-Multimodal and sequential aspects JF - Journal of pragmatics : an interdisciplinary journal of language studies KW - Empathy KW - Understanding KW - Affectivity KW - Conversation Analysis KW - Interactional Linguistics KW - Multimodality Y1 - 2014 U6 - https://doi.org/10.1016/j.pragma.2013.11.006 SN - 0378-2166 SN - 1879-1387 VL - 61 SP - 4 EP - 34 PB - Elsevier CY - Amsterdam ER - TY - THES A1 - Kupetz, Maxi T1 - Die multimodale Darstellung von Mitleid in Erzählaktivitäten T1 - The multimodal display of sympathy in storytellings N2 - In dieser konversationsanalytisch-interaktionslinguistischen Arbeit werden verbale, para-verbale und nonverbale Ressourcen zur Darstellung des Affekts Mitleid im Rahmen der sozialen Aktivität Erzählung untersucht. Grundlage der Analyse sind Video- und Audiodaten deutscher Gespräche. Es wird einerseits aufgezeigt, welche Ressourcen von Erzählerinnen eingesetzt werden, um affektive Reaktionen relevant zu machen (z.B. Blickverhalten, Augenbrauenbewegungen, rhetorische Mittel), andererseits wird beschrieben, welche spezifischen Ressourcen zur Darstellung von Mitleid eingesetzt werden (z.B. Interjektionen mit spezifischen Tonhöhenverläufen, „arme/r/s + S“-Konstruktionen, Handbewegungen). Es wird zudem demonstriert, dass es sich bei der Darstellung von Mitleid um ein interaktiv hergestelltes, soziales Phänomen handelt. Anhand des metakommunikativen Wissens der Sprecher, das sprachlich relevant gemacht wird und somit für die Analyse zugänglich ist, kann eine grundlegende soziale Regel zur Darstellung von Mitleid herausgearbeitet werden: Voraussetzung für Mitleid bzw. seine Darstellung ist eine spezifische Qualität der sozialen Beziehung zu der ‚consequential figure‘ (Maynard 1997). Nur wenn diese vorhanden ist bzw. interaktiv hergestellt wird, kann eine Mitleidsdarstellung in einer Erzählung über problematische Themen relevant gemacht werden und der lokalen Herstellung von sozialer Nähe zwischen den Gesprächsteilnehmern dienen. N2 - The thesis explores the verbal, para-verbal and nonverbal resources which speakers deploy in everyday conversation to display sympathy in the course of the social activity storytelling. The analysis draws upon Conversation Analysis and Interactional Linguistics and is based on video and audio data of German talk-in-interaction. It will be shown which resources can be used by storytellers to make affective reactions relevant (e.g. gaze, eye brow movements, rhetorical devices) and which resources are deployed by recipients to display sympathy (e.g. interjections with specific pitch contours, ‘poor+N’-constructions, hand gestures). It will also be demonstrated how participants manage the transition from problematic phases of storytelling to subsequent talk, e.g. by contextualizing it as more humorous. Furthermore, participants provide access to their meta-communicative knowledge of when and how to display sympathy appropriately by making it linguistically relevant in the interaction. Thus, from these observations, it is possible to assume certain feeling and/or display rules for this specific kind of emotive involvement. The overall findings of this study are that a) it seems that a specific quality of the relationship to the ‘consequential figure’ (Maynard 1997) is a prerequisite for displaying sympathy, and b) social closeness may be created locally within the interaction through the affect display. KW - Konversationsanalyse KW - Interaktionale Linguistik KW - Affektivität KW - Emotion KW - Erzählung KW - Conversation Analysis KW - Interactional Linguistics KW - Affectivity KW - Emotion KW - Storytelling Y1 - 2009 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-37947 ER -