TY - JOUR A1 - Häseler, Jens T1 - Rezenzion zu: Vincent Cossarutto (éd.), Voltaire au service du roi. Un pamphlétaire politique au temps de la »révolution« Maupeou. 1770–1775, Besançon: (Presses universitaires de Franche-Comté), 2019, 359 p. - (Annales littéraires de l’université de Franche-Comté, 997), ISBN 978-2-84867-647-0 JF - Francia. Recensio Y1 - 2020 U6 - https://doi.org/10.11588/frrec.2020.2.73291 SN - 2425-3510 VL - 2020 IS - 2 PB - Thorbecke CY - Ostfildern ER - TY - BOOK A1 - Ette, Ottmar T1 - Roland Barthes BT - paisajes de la teoría T2 - Roland Barthes, Landschaften der Theorie Y1 - 2020 SN - 978-958-48-8719-1 PB - Cajón de sastre CY - Bogota ER - TY - JOUR A1 - Ette, Ottmar ED - Ertler, Klaus-Dieter T1 - Romanistik als Lust. Kleines romanistisches ABC JF - Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII Y1 - 2020 SN - 978-3-643-51010-5 SN - 978-3-643-66010-7 SP - 165 EP - 189 PB - LIT Verlag CY - Wien ER - TY - JOUR A1 - Ette, Ottmar T1 - Saga-Like World-Fractals: João Guimarães Rosa, "Sagarana", and the Literatures of the World JF - Journal of Foreign Languages and Cultures N2 - This article presents and discusses João Guimarães Rosa as an outstanding Brazilian author whose literary work, especially Sagarana, expresses aesthetically different ways of life-forms between human beings, animals, plants, and landscapes. Movement and transformations are the basic principles in which the melody of prose expresses itself as a language in and as motion. Although based in Brazilian culture, Rosa shows the conviviality of different logics which are not reduced to one myth of the Brazilian people, but produce multiple ways of co-existence between different life-forms and culture narratives. The translingual title “Sagarana” already alludes to the transitions between two languages, regions, and cultures: the Icelandic “saga-” and the Tupic-Word “rana” which means “similar” or “alike.” The interpretation figures out the correlation of different provenances (“Herkünfte”) which emerge from Rosa’s craft of storytelling. In its center, the Sertão arises as a region of nature whose forces are connected with the life of human beings. As fractal of the world, it symbolizes Brazilian relations as a world of its own and at the same time as a part of the world of others. From this point of view the essay turns world literature upside down: it emphasizes on the one hand that the epoch of world literature since Goethe has come to an end and that the meridian has shifted to Latin America. On the other hand it can be observed that the lusophonic world between Brazil and Angola, Portugal and Kap Verde develops new perspectives on literatures of the world beyond the fixed coordinations of periphery and center. Rosa’s ways of world making already shift the perspective from the local to the global as a miniatured model of a universe which reveals interpretations of a better understanding of the world as world fractals. KW - João Guimarães Rosa KW - world literature KW - literatures of the world KW - Latin American literature KW - Brazilian literature KW - Sagarana Y1 - 2020 VL - IV IS - 1 SP - 1 EP - 21 PB - Hunan Normal University CY - Changsha ER - TY - JOUR A1 - Ette, Ottmar ED - Ette, Ottmar ED - Soethe, Paulo Astor T1 - Sagenhafte WeltFraktale BT - João Guimarães Rolsa, "Sagarana" und die Literaturen der Welt JF - Guimarães Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen Y1 - 2020 SN - 978-3-11-067770-6 SP - 25 EP - 52 PB - de Gruyter CY - Berlin-Boston ER - TY - JOUR A1 - Ette, Ottmar T1 - Siempre me ha ispirado horror pensar el mundo desde una sola perspectiva JF - Chuy : revista de estudios literarios latinoamericanos Y1 - 2020 VL - 8 IS - julio SP - 170 EP - 176 PB - Universidad Nacional CY - Buenos Aires ER - TY - THES A1 - Verdiani, Silvia T1 - Silenzio, immagini e parole. La costruzione del significato nella multimodalità digitale T1 - Stille, Bilder und Wörter. Die Bedeutungskonstitution in der digitalen Multimodalität T1 - SILENCE, IMAGES AND WORDS. The construction of meaning in digital multimodality. N2 - Internetsprache weist besondere Merkmale auf, denn neben dem verbalen Text sind auch andere Elemente wichtig: die Reaktionszeit, das Fehlen einer Antwort sowie die umfangreiche Verwendung von Bild- und Multimedia-Elementen. Greg Myers (2010: 15) verwendet in diesem Zusammenhang den Begriff – und das Sprachspiel – aural materials: Bild-, Multimedia- und Sprachmaterial haben im Computer Mediated Communication (CMC) als Referent ein bestimmtes Interpretationsfeld. In dieser Perspektive funktioniert verbale Sprache als Aktivator der möglichen inferentialen Wege und Kontexte innerhalb unserer Welt. Wichtig sind die Kultur- und Lebenserfahrungen der Teilnehmer (Basile 2012: 21), die uns ermöglichen die Nachricht zu verstehen und an der Kommunikation teilzunehmen. Die indexikalische Rolle der verbalen Sprache in Bezug auf Bilder und Multimedia, so wie sie in der Online-Kommunikation verwendet wird, ist von zentraler Bedeutung. Die Einbeziehung dieser Referenzdatei erregt die Aufmerksamkeit der Leser: Das Multimedia-Material ist sowohl ein integraler Bestandteil der Interaktion als auch deren Ausdrucksweise, Focus des Gesprächs und gemeinsame Bildsprache. Die Anwendungsbereiche sind vielfältig, denn der Prozess des Bildlesens ist in der Rezeption, aber auch in der künstlerischen Produktion, in der Werbung, der politischen Propaganda und darüber hinaus in der multimedialen Kommunikation präsent. Die Konglomerate von Sprache und Bild sind in der Lage, komplexe Begriffe zu synthetisieren, aber auch in der Erinnerung der Empfänger genau zu haften, und zwar aufgrund ihres gemischten Codes und ihrer synästhetischen Natur. Dies ist funktional für die digitale Kommunikation, die sich auf die phatischen und spielerischen Aspekte der Interaktion konzentriert. Die Auswirkungen auf die sprachliche Verwendung sind zweifellos einer der interessantesten und aktuellsten Aspekte dieser Art von hybriden Kommunikation, die Neuheit liegt nicht so sehr in der Wahl einer medienübergreifenden expressiven Dimension – auch in der Vergangenheit vielseitig bezeugt –, sondern in ihrer aktuellen Verbreitung, denn sie ist in der Tat die normale kommunikative Dimension für eine immer größere Anzahl von Benutzern geworden. N2 - What happens when different linguistic awareness, apart from being separated from the era, from the geographical area of origin or from social differentiation, is not only pertinent to different linguistic dimensions, but also to different semiotic domains? This is what occurs every time we communicate on a social network: digital interaction is, in fact, the hybrid field of communication par excellence, in which a mixture of different languages is superimposed on different codes. It is precisely the new expressive needs and the new communicative situations that push towards linguistic innovations; it therefore seems interesting to take into account the importance assumed by the visual repertoire in the spontaneous use of new media as well as the particular strategies of construction of the meaning that cannot be separated from these second dimensions. The role of digital communication has been addressed through research using different scientific perspectives: this project investigates how different research areas, apparently distant from each other, can productively interact with the scientific landscape of language sciences, of image and communication. We should be aware of these other functions of the language in digital use to be able to deal with all the innovations connected to it without prejudice. The indexical function of language has a crucial role in the use of verbal language on the Internet, which is associated with the presence of a shared archive of reference and determines a new kind of inferentiality in the receiver. Online Conversation, in fact, allows actions that are not necessarily present in the vis-a-vis verbal exchange, but which are instead specific to FB, Twitter, G +, Instagram, Flickr and other social networks: the sharing of various multimedia material, the option to retrieve messages related to a specific topic and the possibility to gloss it. The multimedia material thus becomes simultaneously an integral part of the communication and expressive modality, focus of the discourse and shared metaphorical language. We are faced with a metamorphosis of the media communication structure that overlaps written text and image. The digital dimension assumed by communication in recent years has made it possible to focus more clearly on the model of these conglomerates. Internet, especially social media, in fact, allows us to observe these conglomerates of language and image while speakers spontaneously create them. This research proposes a transversal path that considers all the semiotic domains normally involved in digital communication, proposing the formulation of an updated model of the dynamics of linguistic hybridization of the current digital dimension. N2 - Cosa avviene quando coscienze linguistiche distinte, oltre ad essere separate dall’epoca, dall’area geografica di provenienza o dalla differenziazione sociale, dalle diverse dimensioni linguistiche, appartengono anche a domini semiotici diversi? È quel che accade ogni volta che comunichiamo in rete, l’interazione digitale è infatti l’ambito di comunicazione ibrido per eccellenza: in esso alla mescolanza di lingue diverse si sovrappone la mescolanza di codici diversi. Partendo dal presupposto che siano i nuovi bisogni espressivi e le nuove situazioni comunicative a spingere verso le innovazioni linguistiche, sembra dunque interessante tener conto del rilievo assunto dal repertorio visuale – e più in generale multimodale – nell’uso spontaneo dei nuovi media e constatare come le particolari strategie di costruzione del significato attualmente in atto non possano ormai più prescindere da queste seconde dimensioni. Del loro peso nell’uso digitale della lingua è bene avere consapevolezza per affrontare senza pregiudizi tutte le novità ad essa connesse. Un ruolo di centrale importanza nell’approccio al linguaggio verbale in Internet è legato alla funzione indessicale della lingua che, unito alla presenza di un archivio di riferimento di conoscenze del mondo condiviso, innesca un nuovo tipo d’inferenzialità nel ricevente. La conversazione attraverso i social network consente infatti azioni che non necessariamente sono presenti nello scambio vis-a-vis, ma che invece sono peculiari di Facebook, Twitter, G+, Instagram, Flickr e in generale dei social network: la condivisione di materiale multimediale di vario genere, l’opzione di richiamare i messaggi relativi a un tema specifico e la possibilità di glossarlo. Il materiale multimediale diventa così al tempo stesso parte integrante della comunicazione e modalità espressiva, focus del discorso e linguaggio metaforico condiviso. Questo lavoro di ricerca indaga come ambiti di ricerca diversi, e apparentemente distanti fra loro, possano interagire produttivamente con il panorama scientifico delle scienze del linguaggio, dell’immagine e della comunicazione, giungendo alla formulazione di un modello aggiornato dell'ibridazione linguistica che caratterizza la comunicazione in rete. KW - Iconolinguistica KW - Germanistica KW - Romanistica KW - Linguistica cognitiva KW - Linguistica digitale multimodale KW - Pragmatica KW - Semantica KW - Linguistica del testo KW - Politolinguistica KW - Semiotica KW - Testologia semiotica KW - Bildlinguistik KW - Germanistik KW - Romanistik KW - Kognitive Linguistik KW - Digitale multimodale Linguistik KW - Pragmatik KW - Semantik KW - Textlinguistik KW - Politolinguistik KW - Semiotik KW - Semiotische Textologie KW - Image studies KW - German Studies KW - Romance Studies KW - Cognitive linguistics KW - Digital Multimodal Linguistics KW - Pragmatics KW - Semantics KW - Text Linguistics KW - Politolinguistics KW - Semiotics KW - Semiotic Testology Y1 - 2021 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-523590 SN - 9788875901516 ER - TY - JOUR A1 - Haßler, Gerda T1 - Sprache als Epiphänomen in der Geschichte der Sprachwissenschaft BT - Sprache als Epiphänomen in der Geschichte der Sprachwissenschaft JF - Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019) N2 - The notion of ‘epiphenomenon’ is usually used to exclude certain aspects of a scientific object because they are considered to be deduced from others. In linguistics, restrictions of the research object were made, invoking the notion of ‘epiphenomenon’, which was partially done with a polemical attitude, and was always responded to polemically. The best-known definition of languages as an epiphenomenon is that proposed by Chomsky, who declared that the specific realisations of language do not warrant scientific attention, but there were early relegations of properties of individual languages to the domain of an epiphenomenon of grammar, to the domain of an art and not a science. These relegations from a certain point of abstraction did advance theories of language, even though they took a point of abstraction that did not correspond to the complexity of language. KW - Grammatik; Syntax; Gebrauch; Universalität; einzelsprachliche Besonderheiten Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-441580 SN - 88-467-5675-4 VL - VIII /2019 IS - 1-2 SP - 191 EP - 206 PB - Edizioni ETS CY - Pisa ER - TY - JOUR A1 - Hennemann, Anja T1 - Tal vez es x vs. Tal ves sea X. Construcciones de probabilidad y el uso de los modos JF - Romanica Olomucensia N2 - This paper is concerned with constructions that express probability and their interaction with the indicative and subjunctive mood, as well as with other contextual elements. In detail, the paper deals with the constructions [sin duda + indicative/subjunctive], [tal vez + indicative/subjunctive], [probablemente + indicative/subjunctive] and [posiblemente + indicative/subjunctive]. In their interaction with mood, the constructions are understood as different microconstructions. For example, [sin duda + indicative] and [sin duda + subjunctive] are seen as different microconstructions of the superordinate mesoconstruction [modal construction (of probability) + verb]. In a qualitative analysis examples from the CREA, CORPES XXI, and CdE corpora are examined regarding the interaction of [expression of probability] + [mood]. Following the Principle of No Synonymy of Grammatical Forms, the analysis confirms that the use of mood additionally influences the expressed degree of probability of the constructions. For instance, while probablemente generally expresses a slightly higher probability than posiblemente, a fine-tuned analysis shows that the expressed degrees of probability of [probablemente + subjunctive] and [posiblemente + indicative] are highly similar. This is also often confirmed by further contextual information. In summary, the paper shows that Cognitive Construction Grammar is a very suitable background against which to investigate modal phenomena, as cognitive approaches generally deal with the ways in which language users conceptualize the world from their own point of view, and as expressions of modality, more precisely, probability, are also closely related to speakers’ attitudes or perspectives. KW - expression of probability KW - mood KW - Spanish KW - Cognitive Construction Grammar KW - qualitative analysis Y1 - 2020 U6 - https://doi.org/10.5507/ro.2020.003 SN - 1803-4136 SN - 2571-0966 VL - 32 IS - 1 SP - 51 EP - 71 PB - Univerzita Palackého v Olomouci CY - Olomouc ER - TY - JOUR A1 - Haßler, Gerda T1 - The Functional-Communicative Approach to Language of the Potsdam School in the German Democratic Republic BT - the Genesis and Demise of a Paradigm JF - History of Humanities Y1 - 2020 UR - https://www.journals.uchicago.edu/doi/full/10.1086/707691 SN - 2379-3163 VL - 5 IS - 1 SP - 31 EP - 49 PB - The University of Chicago Press Journals CY - Chicago ER -