@article{LampartNavratilMoseretal.2020, author = {Lampart, Fabian and Navratil, Michael and Moser, Natalie and Humbert, Anna-Marie and Balint, Iuditha}, title = {Daniel Kehlmann und die Gegenwartsliteratur}, series = {Daniel Kehlmann und die Gegenwartsliteratur: Dialogische Poetik, Werkpolitik und Popul{\"a}res Schreiben}, journal = {Daniel Kehlmann und die Gegenwartsliteratur: Dialogische Poetik, Werkpolitik und Popul{\"a}res Schreiben}, editor = {Lampart, Fabian and Navratil, Michael and Moser, Natalie and Humbert, Anna-Marie and Balint, Iuditha}, publisher = {de Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-064513-2}, pages = {1 -- 10}, year = {2020}, language = {de} } @article{LampartMoser2021, author = {Lampart, Fabian and Moser, Natalie}, title = {Wirtschaftsroman oder Wirtschaftspop?}, series = {Kredit und Bankrott in der deutschsprachigen Literatur}, journal = {Kredit und Bankrott in der deutschsprachigen Literatur}, publisher = {Springer}, address = {Berlin}, isbn = {978-3-662-62287-2}, doi = {10.1007/978-3-662-62288-9_13}, pages = {261 -- 279}, year = {2021}, abstract = {Rainald Goetz' novel Johann Holtrop has repeatedly been read as a failed satire of the 21st century's financial crisis: On the one hand, its descriptions were understood as opinionated and sententious. On the other hand, critics were irritated by what was seen as an inconsequent integration of realistic narration into Goetz' hyperbolic style of writing. This paper takes a different stance on the text: First, it discusses the work's allusions to realistic narration and the financial crisis in detail. Second, it argues that Johann Holtrop transfers the idea of a collapsing economy into an only partially realistic poetic of distortion. Third, it suggests that this strategy can be fruitfully compared to a crumbling system of credit. On this basis, the novel is read as an inherently literary depiction of the financial crisis.}, language = {de} } @article{Lampart2020, author = {Lampart, Fabian}, title = {Anmerkungen zum Konzept der Funktionslosigkeit in Lyrikdebatten der 1950er und 1960er Jahre}, series = {Grundfragen der Lyrikologie. Bd. 2. Begriffe, Methoden und Analysedimensionen}, journal = {Grundfragen der Lyrikologie. Bd. 2. Begriffe, Methoden und Analysedimensionen}, editor = {Hillebrandt, Claudia and Klimek, Sonja and M{\"u}ller, Ralph and Zymner, R{\"u}diger}, publisher = {de Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-045687-5}, pages = {177 -- 195}, year = {2020}, language = {de} } @article{Lampart2018, author = {Lampart, Fabian}, title = {Pl{\"a}doyer f{\"u}r die Skalierung}, series = {Grundfragen der Lyrikologie. Teil 1., Lyrisches Ich, Textsubjekt, Sprecher?}, volume = {2019}, journal = {Grundfragen der Lyrikologie. Teil 1., Lyrisches Ich, Textsubjekt, Sprecher?}, editor = {Hillebrandt, Claudia and Klimek, Sonja and M{\"u}ller, Ralph and Zymner, R{\"u}diger}, publisher = {de Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-049640-6}, pages = {105 -- 123}, year = {2018}, language = {de} } @article{Lampart2021, author = {Lampart, Fabian}, title = {Augenblick und Anlass}, series = {Gelegenheitslyrik in der Moderne. Tradition und Transformation einer Gattung}, journal = {Gelegenheitslyrik in der Moderne. Tradition und Transformation einer Gattung}, publisher = {Lang}, address = {Bern}, isbn = {978-3-0343-4203-2}, pages = {179 -- 198}, year = {2021}, abstract = {Gelegenheitslyrik ist ein Gegenstand mit einer langen konfliktreichen Forschungs- und Rezeptionsgeschichte. Immer wieder wurde sie zum Inbegriff einer Gattung degradiert, die sich heteronomen Begehrlichkeiten unterwirft. Gegen dieses Verdikt geht der Band davon aus, dass sich auch weit nach 1800 eine Kontinuit{\"a}t von Gelegenheitsdichtung beobachten l{\"a}sst und das angebliche Absinken der Kasuallyrik mit der begriffs- und konzeptgeschichtlichen Heraufkunft von ‹Gegenwart› zusammenf{\"a}llt. Die hier versammelten Beitr{\"a}ge widmen sich den Kontroversen in der Moderne auf vier Ebenen. Dabei richtet sich der Fokus auf systematische und gattungstheoretische Zug{\"a}nge, Institutionen und Praktiken, die Gattungs- und Funktionsgeschichte sowie spezifische Darstellungsformen und M{\"o}glichkeiten der Zeitreflexion.}, language = {de} } @article{Lampart2020, author = {Lampart, Fabian}, title = {Jenseits der Prophetie}, series = {Grundfragen der Lyrikologie. Bd. 2. Begriffe, Methoden und Analysedimensionen}, journal = {Grundfragen der Lyrikologie. Bd. 2. Begriffe, Methoden und Analysedimensionen}, editor = {Hillebrandt, Claudia and Klimek, Sonja and M{\"u}ller, Ralph and Zymner, R{\"u}diger}, publisher = {de Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-045687-5}, pages = {291 -- 305}, year = {2020}, language = {de} } @incollection{Lampart2019, author = {Lampart, Fabian}, title = {Poetica della presenza}, series = {Versi per dopodomani : Percorsi di lettura nell'opera di Durs Gr{\"u}nbein}, booktitle = {Versi per dopodomani : Percorsi di lettura nell'opera di Durs Gr{\"u}nbein}, publisher = {Mimesis}, address = {Milano}, isbn = {978-88-575-5529-4}, pages = {193 -- 206}, year = {2019}, language = {it} } @article{Lampart2023, author = {Lampart, Fabian}, title = {Großstadtlyrik in Nachkriegszeiten}, series = {Studi Germanici}, volume = {2022}, journal = {Studi Germanici}, number = {22}, editor = {Giannandrea, Luisa}, publisher = {Instituto Italiano di Studi Germanici}, address = {Rom}, issn = {0039-2952}, pages = {71 -- 92}, year = {2023}, abstract = {Heinrich B{\"o}ll was known in German postwar literature primarily as a committed intellectual and author of novels and short stories. Less visible were his poems, which are neither among the great lyrical texts of postwar literature nor exclusively occasional poetry - although occasional poems make up an important part of B{\"o}ll's body of work. The writer of poems also expresses concerns typical of B{\"o}ll as an author in general, such as themes of everyday life, social problems, or issues of religion. This is particularly evident in the poems written between 1968 and 1984, in which he speaks of his hometown of Cologne. Changes of the postwar decades are thereby problematized within the horizon of Cologne's history. B{\"o}ll thus delivers a noteworthy attempt to update the tradition of metropolitan poetry beyond National Socialism and the postwar period.}, language = {de} } @article{Lampart2023, author = {Lampart, Fabian}, title = {„dieses Geschiedenseins eingedenk"}, series = {Celan-Perspektiven 2022}, journal = {Celan-Perspektiven 2022}, editor = {Auerochs, Bernd and G{\"u}nther, Friederike Felicitas and May, Markus and Fleig, Anne and Zepp-Zwirner, Susanne}, publisher = {Universit{\"a}tsverlag Winter}, address = {Heidelberg}, isbn = {978-3-8253-4976-9}, issn = {2698-7201}, pages = {59 -- 71}, year = {2023}, language = {de} } @article{Lampart2023, author = {Lampart, Fabian}, title = {Zukunftswissen?}, series = {Kellers Welten : Territorien - Ordnungen - Zirkulatione}, volume = {3}, journal = {Kellers Welten : Territorien - Ordnungen - Zirkulatione}, editor = {Meixner, Sebastian and Keller, Sophie and K{\"o}nig, Andreas and Walser, Seraina}, publisher = {de Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-072242-0}, doi = {10.1515/9783110722857-014}, pages = {219 -- 233}, year = {2023}, language = {de} }