@article{Stockhorst2022,
  author    = {Stockhorst, Stefanie},
  title     = {Goethe and the Aesthetics of Equestrian Art},
  series = {Publications of the English Goethe Society},
  volume    = {91},
  journal   = {Publications of the English Goethe Society},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {0959-3683},
  doi       = {10.1080/09593683.2022.2027735},
  pages     = {58 -- 74},
  year      = {2022},
  abstract  = {Goethe had lifelong unhappy memories of his early riding lessons at the Frankfurt Marstall. Yet not only did he become a passionate rider later, but he also held riding in unusually high esteem as a veritable form of 'art'. In his literary works, riding serves as a complex symbol of, among other things, a prudent, measured style of government, an analogy that was also drawn in early modern equestrian theory. Above all, however, according to his understanding of art, riding can be located not only in the early modern system of the artes, but also in the contemporary aesthetics of autonomy.},
  language  = {en}
}
@article{Stockhorst2021,
  author    = {Stockhorst, Stefanie},
  title     = {Hippologischer Fachdiskurs und dialogische Fiktion},
  series = {Daphnis : Zeitschrift f{\"u}r deutsche Literatur und Kultur der fr{\"u}hen Neuzeit (1400-1750)},
  volume    = {49},
  journal   = {Daphnis : Zeitschrift f{\"u}r deutsche Literatur und Kultur der fr{\"u}hen Neuzeit (1400-1750)},
  number    = {3},
  publisher = {Brill Rodopi},
  address   = {Leiden},
  isbn      = {0300-693X},
  issn      = {1879-6583},
  doi       = {10.1163/18796583-12340025},
  pages     = {416 -- 443},
  year      = {2021},
  abstract  = {This contribution analyses the textual strategies in Danup's literary dialogue, which is enriched in many ways with literary topoi and rhetorical devices. It is, in fact, a specialised text on the art of horsemanship, which proves to be surprisingly innovative in this regard. However, it is not only relevant to the hippological, but also to the political culture of the early modern period. For the author updates a literary genre pattern, takes up literary traditions and uses aesthetic means for successful self-promotion as an expert.},
  language  = {de}
}
@periodical{OPUS4-64252,
  title     = {Poema},
  volume    = {2},
  editor    = {Lampart, Fabian and Hillebrandt, Claudia and Klimek, Sonja and M{\"u}ller, Ralph},
  publisher = {Universit{\"a}tsverlag Kiel},
  address   = {Kiel},
  issn      = {2751-9821},
  pages     = {150},
  year      = {2023},
  abstract  = {POEMA ist ein komparatistisch angelegtes Jahrbuch, das sich der systematischen Erforschung von Lyrik und Gedicht widmet. Es richtet sich an Fachwissenschaftlerinnen und Fachwissenschaftler aller Phi­lologien wie auch der mit anderen Kunstformen befassten Wissenschaften und der philosophischen {\"A}sthetik. POEMA erscheint als Open-Access-Journal wie auch als Print-on-Demand-Fassung im Uni­versit{\"a}tsverlag Kiel | Kiel University Publishing. Die wissenschaftlichen Beitr{\"a}ge werden in einem double-blind Peer-Review-Verfahren begutachtet.},
  language  = {mul}
}
@book{OPUS4-49597,
  title     = {Daniel Kehlmann und die Gegenwartsliteratur},
  editor    = {Humbert, Anna-Marie and Lampart, Fabian and Balint, Iuditha and Moser, Natalie and Navratil, Michael},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-064513-2},
  doi       = {10.1515/9783110647488},
  pages     = {VII, 401},
  year      = {2020},
  abstract  = {Daniel Kehlmann ist als Autor ebenso popul{\"a}r wie umstritten. Seine Romane sind Besteller und zugleich Gegenstand kontroverser Debatten. Im literarischen Leben ist Kehlmann eine Stimme, die mit ebenso differenzierten wie provokativen Interventionen auf sich aufmerksam macht. In diesem Band wird der Versuch unternommen, Autor und Werk im literarischen Feld der Gegenwart zu verorten. Dabei wird einerseits Kehlmanns Poetik rekonstruiert, mit besonderer Ber{\"u}cksichtigung der f{\"u}r seine Texte charakteristischen intertextuellen und intermedialen Bez{\"u}ge. Andererseits wird seine Werkpolitik in den Blick genommen. Autor und Werk, aber auch ihre Rezeption sollen zudem mit Blick auf spezifische Tendenzen der Gegenwartsliteratur befragt werden - etwa ein vermeintliches oder tats{\"a}chliches Spannungsverh{\"a}ltnis zwischen ›unterhaltender‹ und ›ernster‹ Literatur - und gegebenenfalls auch den Anlass bieten, bestehende Analyse- und Beschreibungskategorien zur Diskussion zu stellen.},
  language  = {de}
}
@article{DeCesare2023,
  author    = {De Cesare, Ilaria},
  title     = {Quantitative Methoden in diachronen Studien},
  series = {Zeitschrift f{\"u}r germanistische Linguistik : ZGL},
  volume    = {51},
  journal   = {Zeitschrift f{\"u}r germanistische Linguistik : ZGL},
  number    = {1},
  publisher = {de Gruyter},
  address   = {Berlin},
  issn      = {0301-3294},
  doi       = {10.1515/zgl-2023-2004},
  pages     = {124 -- 151},
  year      = {2023},
  abstract  = {On the basis of a case study on the linearisation of German infinitival complements, the present paper illustrates the advantages of selected quantitative and statistical methods in diachronic studies. In particular, it first discusses, the problem of the availability of balanced diachronic corpora and how mixed-effects modelling can help make the best of "bad data" and second, it deals with the question of periodisation and shows the advantages of a data-driven method.},
  language  = {de}
}
@article{StockhorstKeller2022,
  author    = {Stockhorst, Stefanie and Keller, Andreas},
  title     = {Zum Tod von Prof. Dr. Knut Kiesant (1943-2022)},
  series = {Daphnis : Zeitschrift f{\"u}r deutsche Literatur und Kultur der fr{\"u}hen Neuzeit (1400-1750)},
  volume    = {50},
  journal   = {Daphnis : Zeitschrift f{\"u}r deutsche Literatur und Kultur der fr{\"u}hen Neuzeit (1400-1750)},
  number    = {4},
  publisher = {Brill},
  address   = {Leiden},
  issn      = {1879-6583},
  doi       = {10.1163/18796583-12340071},
  pages     = {693 -- 696},
  year      = {2022},
  language  = {de}
}