@article{Stillmark2015,
  author    = {Stillmark, Hans-Christian},
  title     = {Perturbation als Analysemethode dramatischer Texte},
  series = {Tendenzen der zeitgen{\"o}ssischen Dramatik},
  journal   = {Tendenzen der zeitgen{\"o}ssischen Dramatik},
  editor    = {Langner, Paul Martin and Mirecka, Agata},
  publisher = {Lang-Ed.},
  address   = {Frankfurt, M.},
  isbn      = {978-3-631-65597-9},
  pages     = {11 -- 29},
  year      = {2015},
  abstract  = {Perturbation als Analysemethode f{\"u}r dramatische Texte wird hier am Beispiel von Brecht und M{\"u}ller ausprobiert.},
  language  = {de}
}
@article{Ungelenk2020,
  author    = {Ungelenk, Johannes},
  title     = {Touching this dreaded sight},
  series = {Tangieren : Praktiken und Arrangements des Ber{\"u}hrens in den performativen K{\"u}nsten},
  journal   = {Tangieren : Praktiken und Arrangements des Ber{\"u}hrens in den performativen K{\"u}nsten},
  editor    = {Fluhrer, Sandra and Waszynski, Alexander},
  publisher = {Rombach},
  address   = {Freiburg i. Br.},
  isbn      = {978-3-96821-002-5},
  pages     = {203 -- 220},
  year      = {2020},
  abstract  = {Ausgehend von der in Shakespeare zweimal wiederkehrenden Phrase „Touching this dreaded sight" widmet sich der Beitrag mithilfe ausgew{\"a}hlter Stellen aus Shakespeares Hamlet und The Tempest der Wirkkraft des fr{\"u}hneuzeitlichen Theaters. Er geht der Frage nach, wie Zuschauer*innen eines St{\"u}ckes aus der Distanz be-troffen und ge-r{\"u}hrt werden. Um dem nachzudenken, wie diese Distanz zwischen dem Visuellen, dem Schauen im Theater, und dem Haptischen, der Ber{\"u}hrung, {\"u}berbr{\"u}ckt werden kann, helfen fr{\"u}hneuzeitliche Vorstellungen von theatraler Ansteckungskraft und Hans Blumenbergs Konzept menschlicher Betreffbarkeit.},
  language  = {de}
}
@misc{Ungelenk2012,
  author    = {Ungelenk, Johannes},
  title     = {Narcissus and Echo},
  number    = {186},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-59996},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-599966},
  pages     = {142},
  year      = {2012},
  abstract  = {George Eliot's late novel Daniel Deronda tackles big, fundamental political questions that radiate from the societal circumstances of the novel's production and reach deep into our present-day life. The novel critically analyses the capitalistic, morally flawed and standard-less English society and narrates the title hero's proto-Zionist mission to found a Jewish nation that re-establishes history, meaning and ethical values. This study attempts to trace the novel's two models of society and time by bringing them into resonance with the myth of Narcissus and Echo famously rendered by Ovid. The unloving, self-referential, visual Narcissus is read as the model for the capitalistic world of spectacle and speculation. Echo's loving, memory-bearing voice forms an important part in the construction of the sublating unity of the Jewish nation-to-come. Guided by this resonance between George Eliot's novel and Ovid's myth pieces of critical theory and philosophy are woven into the study's fabric. The resulting analysis dissects and deconstructs the novel's fascinating and highly complex patterns of conditions of possibility for the fabrication of the redeeming Jewish nation, the very same conditions that the novel presents as the conditions of possibility for narrating a meaningful story.},
  language  = {en}
}