@unpublished{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Performing jazz, defying essence},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85574},
  pages     = {15},
  year      = {2006},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Monk Lewis's Timour the Tartar, grand romantic orientalism and imperial melancholy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85503},
  pages     = {23},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Politics of passion and the production of human illegality},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85512},
  pages     = {20},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think local sell global},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85537},
  pages     = {12},
  year      = {2010},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Filming illegals},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85491},
  pages     = {13},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {'We're destroyed if we mix. And we're destroyed if we don't'},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85529},
  pages     = {11},
  year      = {2012},
  language  = {en}
}
@unpublished{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85548},
  pages     = {9},
  year      = {2009},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Recollecting Bones},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103278},
  pages     = {20},
  year      = {2016},
  abstract  = {In the same "guarded, roundabout and reticent way" which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy's words, "the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism's intellectual, ethical and scientific pre-history" (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.},
  language  = {en}
}
@misc{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {119},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393},
  pages     = {13},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103196},
  pages     = {17},
  year      = {2016},
  abstract  = {On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of W{\"u}nsdorf some 40 kilometres south of the city.},
  language  = {en}
}
@unpublished{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in music and the music of unbelonging in Richard Powers's The Time of Our Singing},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85584},
  pages     = {10},
  year      = {2005},
  language  = {en}
}
@misc{EcksteinReinfandt2014,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {Luhmann in the Contact Zone},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85488},
  pages     = {107 -- 124},
  year      = {2014},
  language  = {de}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Postcolonial Piracy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103307},
  year      = {2016},
  abstract  = {Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.},
  language  = {en}
}
@article{Eckstein2019,
  author    = {Eckstein, Lars},
  title     = {Lyrics als Paradigma einer anderen Moderne: M.I.A.s 'Galang'},
  series = {Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft},
  journal   = {Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft},
  publisher = {Wallenstein},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-8353-3381-9},
  pages     = {173 -- 192},
  year      = {2019},
  language  = {de}
}
@article{Eckstein2020,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  series = {Ideology in postcolonial texts and contexts},
  journal   = {Ideology in postcolonial texts and contexts},
  publisher = {Rodopi},
  address   = {Leiden},
  isbn      = {978-90-04-42805-8},
  doi       = {10.1163/9789004437456_010},
  pages     = {147 -- 161},
  year      = {2020},
  language  = {en}
}
@unpublished{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Three ways of looking at illegal immigration},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85567},
  pages     = {141 -- 157},
  year      = {2007},
  language  = {en}
}
@unpublished{EcksteinDengelJanic2008,
  author    = {Eckstein, Lars and Dengel-Janic, Ellen},
  title     = {Bridehood revisited},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85555},
  pages     = {19},
  year      = {2008},
  language  = {en}
}
@unpublished{Eckstein2017,
  author    = {Eckstein, Lars},
  title     = {Sam Selvon, The Lonely Londoners (1956)},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103285},
  pages     = {21},
  year      = {2017},
  abstract  = {This essay reads Sam Selvon's novel The Lonely Londoners (1956) as a milestone in the decolonisation of British fiction. After an introduction to Selvon and the core composition of the novel, it discusses the ways in which the narrative takes on issues of race and racism, how it in the tradition of the Trinidadian carnival confronts audiences with sexual profanation and black masculine swagger, and not least how the novel, especially through its elaborate use of creole Englishes, reimagines London as a West Indian metropolis. The essay then turns more systematically to the ways in which Selvon translates Western literary models and their isolated subject positions into collective modes of narrative performance taken from Caribbean orature and the calypsonian tradition. The Lonely Londoners breathes entirely new life into the ossified conventions of the English novel, and imbues it with unforeseen aesthetic, ethical, political and epistemological possibilities.},
  language  = {en}
}
@unpublished{EcksteinReindfandt2016,
  author    = {Eckstein, Lars and Reindfandt, Christoph},
  title     = {Luhmann in da Contact Zone},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103298},
  pages     = {15},
  year      = {2016},
  abstract  = {Our aim in this contribution is to productively engage with the abstractions and complexities of Luhmann's conceptions of society from a postcolonial perspective, with a particular focus on the explanatory powers of his sociological systems theory when it leaves the realms of Europe and ventures to describe regions of the global South. In view of its more recent global reception beyond Europe, our aim is to thus - following the lead of Dipesh Chakrabarty - provincialize Luhmann's system theory especially with regard to its underlying assumptions about a global "world society". For these purposes, we intend to revisit Luhmann in the post/colonial contact zone: We wish to reread Luhmann in the context of spaces of transcultural encounter where "global designs and local histories" (Mignolo), where inclusion into and exclusion from "world society" (Luhmann) clash and interact in intricate ways. The title of our contribution, 'Luhmann in da Contact Zone' is deliberately ambiguous: On the one hand, we of course use 'Luhmann' metonymically, as representative of a highly complex theoretical design. We shall cursorily outline this design with a special focus on the notion of a singular, modern "world society", only to confront it with the epistemic challenges of the contact zone. On the other hand, this critique will also involve the close observation of Niklas Luhman as a human observer (a category which within the logic of systems theory actually does not exist) who increasingly transpires in his late writings on exclusion in the global South. By following this dual strategy, we wish to trace an increasing fracture between one Luhmann and the other, between abstract theoretical design and personalized testimony. It is by exploring and measuring this fracture that we hope to eventually be able to map out the potential of a possibly more productive encounter between systems theory and specific strands of postcolonial theory for a pluritopic reading of global modernity.},
  language  = {en}
}
@unpublished{EcksteinWiemann2013,
  author    = {Eckstein, Lars and Wiemann, Dirk},
  title     = {Introduction},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85457},
  year      = {2013},
  language  = {en}
}
@unpublished{EcksteinWiemannWalleretal.2016,
  author    = {Eckstein, Lars and Wiemann, Dirk and Waller, Nicole and Bartels, Anke},
  title     = {Postcolonial Justice},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103220},
  pages     = {20},
  year      = {2016},
  abstract  = {In July 2014, some of us participated in a handover ceremony of 14 ancestral remains to their Australian traditional owners, performed on the premises of the Charit{\´e} Campus in Berlin.},
  language  = {en}
}
@unpublished{EcksteinWiemann2016,
  author    = {Eckstein, Lars and Wiemann, Dirk},
  title     = {Kleine Kosmopolitismen},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103261},
  pages     = {7},
  year      = {2016},
  abstract  = {Das große Projekt der Aufkl{\"a}rung und damit auch der kosmopolitischen Idee war bereits in seinen Urspr{\"u}ngen ambivalenter als gemeinhin anerkannt wird. Denn sein normatives Menschenbild war (und bleibt) implizit m{\"a}nnlich, b{\"u}rgerlich und nicht zuletzt weiß.},
  language  = {de}
}
@article{EcksteinWiemann2017,
  author    = {Eckstein, Lars and Wiemann, Dirk},
  title     = {Kleine Kosmopolitismen},
  series = {Global Citizenship - Perspektiven einer Weltgemeinschaft},
  journal   = {Global Citizenship - Perspektiven einer Weltgemeinschaft},
  publisher = {Steidel},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-95829-211-6},
  pages     = {44 -- 53},
  year      = {2017},
  language  = {en}
}
@misc{EcksteinSchwarz2014,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Postcolonial piracy},
  series = {Theory for a global age},
  journal   = {Theory for a global age},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-72189},
  pages     = {300},
  year      = {2014},
  abstract  = {Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity. Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local.},
  language  = {en}
}