@misc{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {119},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393},
  pages     = {13},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103196},
  pages     = {17},
  year      = {2016},
  abstract  = {On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of W{\"u}nsdorf some 40 kilometres south of the city.},
  language  = {en}
}
@unpublished{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in music and the music of unbelonging in Richard Powers's The Time of Our Singing},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85584},
  pages     = {10},
  year      = {2005},
  language  = {en}
}
@misc{EcksteinReinfandt2014,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {Luhmann in the Contact Zone},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85488},
  pages     = {107 -- 124},
  year      = {2014},
  language  = {de}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Postcolonial Piracy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103307},
  year      = {2016},
  abstract  = {Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.},
  language  = {en}
}
@article{McLaughlin2017,
  author    = {McLaughlin, Carly},
  title     = {They don't look like children},
  series = {Journal of Ethnic and Migration Studies},
  volume    = {44},
  journal   = {Journal of Ethnic and Migration Studies},
  number    = {11},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1369-183X},
  doi       = {10.1080/1369183X.2017.1417027},
  pages     = {1757 -- 1773},
  year      = {2017},
  abstract  = {In October 2016, following a campaign led by Labour Peer Lord Alfred Dubs, the first child asylum-seekers allowed entry to the UK under new legislation (the 'Dubs amendment') arrived in England. Their arrival was captured by a heavy media presence, and very quickly doubts were raised by right-wing tabloids and politicians about their age. In this article, I explore the arguments underpinning the Dubs campaign and the media coverage of the children's arrival as a starting point for interrogating representational practices around children who seek asylum. I illustrate how the campaign was premised on a universal politics of childhood that inadvertently laid down the terms on which these children would be given protection, namely their innocence. The universality of childhood fuels public sympathy for child asylum-seekers, underlies the 'child first, migrant second' approach advocated by humanitarian organisations, and it was a key argument in the 'Dubs amendment'. Yet the campaign highlights how representations of child asylum-seekers rely on codes that operate to identify 'unchildlike' children. As I show, in the context of the criminalisation of undocumented migrants', childhood is no longer a stable category which guarantees protection, but is subject to scrutiny and suspicion and can, ultimately, be disproved.},
  language  = {en}
}
@misc{SchneiderJungferOhl2020,
  author    = {Schneider, Ulrike and Jungfer, Anja and Ohl, Hans-Willi},
  title     = {Rezension zu: Anna Seghers: the challenge of history / edited by Helen Fehervary, Christiane Zehl Romero, Amy Kepple Strawser. - Leiden: Brill, 2020. - ISBN 978-90-04-40962-0},
  series = {Argonautenschiff},
  volume    = {28},
  journal   = {Argonautenschiff},
  publisher = {Quintus},
  address   = {Berlin},
  pages     = {227 -- 233},
  year      = {2020},
  language  = {de}
}
@article{Gramlich2020,
  author    = {Gramlich, Naomie},
  title     = {Koloniale Aphasie des Anthropoz{\"a}ns am Beispiel des Films Annihilation},
  series = {Feministisches Spekulieren : Genealogien, Narrationen, Zeitlichkeiten},
  journal   = {Feministisches Spekulieren : Genealogien, Narrationen, Zeitlichkeiten},
  publisher = {Kulturverlag Kadmos},
  address   = {Berlin},
  isbn      = {978-3-86599-446-2},
  pages     = {197 -- 208},
  year      = {2020},
  language  = {de}
}
@article{Soto2018,
  author    = {Soto, Paulina},
  title     = {Una reeducaci{\´o}n cr{\´i}tica: emergencia de revistas literarias digitales chilenas en el transcurso de la primera d{\´e}cada del siglo XXI},
  series = {Estudios Avanzados},
  journal   = {Estudios Avanzados},
  number    = {28},
  publisher = {Universidad de Santiago de Chile (USACH)},
  address   = {Santiago},
  issn      = {0718-5022},
  pages     = {121 -- 137},
  year      = {2018},
  abstract  = {Para inicios del siglo XXI se instalan nuevos medios de cr{\´i}tica literaria a trav{\´e}s de soportes digitales. Estas publicaciones tensionan un campo letrado chileno que enfrenta cuestionamientos. Gestionadas mayoritariamente por creadores precedentes de la generaci{\´o}n del 90, producen reaproximaciones a la cultura letrada. El objetivo es desafiar din{\´a}micas de interacci{\´o}n lectora heredadas vinculadas a las luces patria, desarrollistas, de tipo linear y ciegas a la heterogeneidad cultural vivida en la {\´e}poca. El proceso comprende, de tal modo, una reeducaci{\´o}n cr{\´i}tica centrada en ensayar po{\´e}ticas de productividad anal{\´i}tico-literarias heter{\´o}clitas. Se trata de una interacci{\´o}n lectora diversa, sujeta a ret{\´o}ricas {\´i}ntimas de apreciaci{\´o}n est{\´e}tica, que ponen en cuesti{\´o}n las nociones tradicionales mayoritariamente instructiva de la cultura chilena.},
  language  = {es}
}
@phdthesis{Opitz2019,
  author    = {Opitz, Fanny},
  title     = {Literarische Journalisten - journalistische Literaten},
  publisher = {transcript},
  address   = {Bielefeld},
  isbn      = {978-3-8394-5460-2},
  doi       = {10.14361/9783839454602},
  school      = {Universit{\"a}t Potsdam},
  year      = {2019},
  abstract  = {W{\"a}hrend der hemds{\"a}rmelige Reporter lediglich f{\"u}r den Tag schreibt, schafft der Literat Texte f{\"u}r die Ewigkeit. Mit diesem {\"u}ber Jahrhunderte tradierten Klischee brechen zwei Autoren ganz bewusst, die in beiden Bereichen erfolgreich sind: Joseph Roth und Tom Wolfe - in Personalunion Journalisten wie Literaten - hinterfragen den Wertungsunterschied, der gemeinhin zwischen den Bereichen gemacht wird. Fanny Opitz zeichnet die diskursiven Umfelder nach, in denen die Debatte um die Leistung von Journalismus und Literatur breit gef{\"u}hrt wurde: im Deutschland der 1920er Jahre im Kontext der gesamtkulturellen Str{\"o}mung der Neuen Sachlichkeit und im US-amerikanischen New Journalism der 1960er und 1970er Jahre.},
  language  = {de}
}