@article{Faierstein2019, author = {Faierstein, Morris M.}, title = {The Melits Yosher and the Audience for Early Modern Yiddish Literature}, series = {PaRDeS: Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, volume = {2019}, journal = {PaRDeS: Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, number = {25}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-468-5}, issn = {1614-6492}, doi = {10.25932/publishup-44590}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445900}, pages = {23 -- 42}, year = {2019}, abstract = {Rabbi Jacob ben Isaac of Yanova (d. 1623) is best known as the author of the Ze'enah U-Re'enah; the Melits Yosher ("Intercessor before God") is one of his lesser known works. It was first published in Lublin in 1622 and reprinted once in Amsterdam in 1688. Like the Ze'enah U-Re'enah, it was a Torah commentary, but composed for men who had some yeshivah education, but who could not continue their studies. The commentary on the Song of Songs by Isaac Sulkes is another Yiddish work that addresses the same audience as the Melits Yosher. The purpose of this article is to bring to scholarly attention an audience that has not been noticed or studied in the previous scholarship on early modern Yiddish literature.}, language = {en} } @article{Drori2019, author = {Drori, Danielle}, title = {A Translator against Translation}, series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, volume = {2019}, journal = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, number = {25}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-468-5}, issn = {1614-6492}, doi = {10.25932/publishup-44591}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445912}, pages = {43 -- 56}, year = {2019}, abstract = {This article explores an instructive case of translation critique against the background of the rise of Zionism in Europe at the turn of the previous century. It seeks to answer the question: Why did David Frishman, one of the most prolific Hebrew writers and translators of the late 1890s and early 1900s, criticize Vladimir Jabotinsky's Russian translation of Hayim Nahman Bialik's Hebrew poems? Both Bialik and Jabotinsky were major figures in the field of Hebrew culture and Zionist politics in the early 1900s, while Frishman generally shunned partisan activism and consistently presented himself as devoted solely to literature. Frishman perceived literature, nevertheless, as a political arena, viewing translation, in particular, as a locus of ideological debate. Writing from the viewpoint of a political minority at a time in which the Hebrew translation industry in Europe gained momentum, Frishman deemed translation a tool for cementing cultural hierarchies. He anticipated later analyses of the act and products of translation as reflective of intercultural tensions. The article suggests, more specifically, that it was Frishman's view of the Hebrew Bible that informed his "avant-garde" stance on translation.}, language = {en} } @article{KrahThulin2019, author = {Krah, Markus and Thulin, Mirjam}, title = {Benjamin, Rosenzweig, and the Babel Fish}, series = {PaRDeS: Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien e. V. = Journal of the German Association for Jewish Studies}, volume = {2019}, journal = {PaRDeS: Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien e. V. = Journal of the German Association for Jewish Studies}, number = {25}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-468-5}, issn = {1614-6492}, doi = {10.25932/publishup-44589}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445899}, pages = {11 -- 20}, year = {2019}, language = {en} } @article{Coors2019, author = {Coors, Maria}, title = {Tewje in Deutschland}, series = {PaRDeS: Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, journal = {PaRDeS: Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, number = {25}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-468-5}, issn = {1614-6492}, doi = {10.25932/publishup-47121}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-471211}, pages = {57 -- 72}, year = {2019}, abstract = {Drawing on the example of Sholem Aleichem's Tevye the Dairyman, this article covers the history of Yiddish translation and publication in Germany in the 20th century.Following the paradigm of translation as a cultural practice, I demonstrate how the translation reflects aspects of Jewish-German cultural history, focussing on a mainly inner-Jewish identity discourse before the Shoah and a remembrance context after it. Whereas decisive differences and changes characterize 20th-century history in diachronic as well as synchronic respect, the article reflects also on continuities and parallels.}, language = {de} } @article{Coors2019, author = {Coors, Maria}, title = {Tewje in Deutschland}, series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, volume = {2019}, journal = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, number = {25}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-468-5}, issn = {1614-6492}, doi = {10.25932/publishup-47136}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-471365}, pages = {57 -- 72}, year = {2019}, abstract = {Drawing on the example of Sholem Aleichem's Tevye the Dairyman, this article covers the history of Yiddish translation and publication in Germany in the 20th century.Following the paradigm of translation as a cultural practice, I demonstrate how the translation reflects aspects of Jewish-German cultural history, focussing on a mainly inner-Jewish identity discourse before the Shoah and a remembrance context after it. Whereas decisive differences and changes characterize 20th-century history in diachronic as well as synchronic respect, the article reflects also on continuities and parallels.}, language = {de} } @article{Schramm2019, author = {Schramm, Netta}, title = {Radical Translation as Transvaluation}, series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, volume = {2019}, journal = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, number = {25}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-468-5}, issn = {1614-6492}, doi = {10.25932/publishup-47137}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-471374}, pages = {73 -- 87}, year = {2019}, abstract = {Scholars of modern Jewish thought explore the hermeneutics of "translation" to describe the transference of concepts between discourses. I suggest a more radical approach - translation as transvaluation - is required. Eschewing modern tests of truth such as "the author would have accepted it" and "the author should have accepted it," this radical form of translation is intentionally unfaithful to original meanings. However, it is not a reductionist reading or a liberating text. Instead, it is a persistent squabble depending on both source and translation for sustenance. Exploring this paradigm entails a review of three expositions of the Korah biblical narrative; three readings dedicated to keeping an eye on current events: (1) Tsene-rene (Prague, 1622), biblical prose; (2) Yaldei Yisrael Kodesh, (Tel Aviv, 1973), a secular Zionist reworking of Tsene-rene; and (3) The Jews are Coming (Israel, 2014-2017) a satirical television show.}, language = {en} } @article{Driver2019, author = {Driver, Cory}, title = {Translating Jewish Cemeteries in Morocco}, series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, volume = {2019}, journal = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture}, number = {25}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, isbn = {978-3-86956-468-5}, issn = {1614-6492}, doi = {10.25932/publishup-47138}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-471385}, pages = {89 -- 102}, year = {2019}, abstract = {This paper addresses issues of translating both words and rituals as Muslim cemetery keepers care for Jewish graves and recite traditional prayers for the dead in Morocco. Several issues of translation must be dealt with while considering these rare and disappearing practices. The first issue to be discussed is the translation of Hebrew inscriptions into French by cemetery keepers. One cemetery keeper in Meknes has tried to compile an exhaustive index of the names and dates represented on the gravestones under her care. The Muslim guard of the Jewish cemetery in Sefrou, on the other hand, has somewhat famously told visitors differing stories about his ability and willingness to pray the Kaddish over the graves of emigrated relatives who cannot return to mark an anniversary death. These practices provide the context for considering how the act of Muslims caring for Jewish graves creates linguistic and ritual translations of traditional Jewish ancestor care.}, language = {en} }