@misc{Hammann2022,
  type      = {Master Thesis},
  author    = {Hammann, Angelika},
  title     = {L'initiative « Universit{\´e}s Europ{\´e}ennes »},
  doi       = {10.25932/publishup-54168},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-541681},
  school      = {Universit{\"a}t Potsdam},
  pages     = {XXI, 73},
  year      = {2022},
  abstract  = {Le Pr{\´e}sident de la R{\´e}publique fran{\c{c}}aise, Emmanuel Macron, a prononc{\´e} le 26 septembre 2017 dans le grand auditorium de l'Universit{\´e} de la Sorbonne devant un public compos{\´e} d'{\´e}tudiants et de responsables politiques un ambitieux discours sur l'Europe. Parmi ses « initiatives pour l'Europe » figure la cr{\´e}ation d'universit{\´e}s europ{\´e}ennes. L'objectif de cette {\´e}tude est de mettre en lumi{\`e}re l'h{\´e}ritage et les apports fran{\c{c}}ais et allemands dans ce nouveau mod{\`e}le de partenariat europ{\´e}en en construction. Quel est le r{\^o}le jou{\´e} par le niveau minist{\´e}riel en France et en Allemagne dans le cadre de la mise en œuvre de l'initiative ? Quel est le degr{\´e} et quelle est la nature d'intervention des Agences nationales Erasmus dans chacun des deux pays ? Quel est le positionnement de l'Universit{\´e} franco-allemande par rapport {\`a} ces nouvelles alliances ainsi que sa contribution ? {\`A} partir de trois exemples, {\`a} savoir les alliances ECIU, EPICUR et FORTHM, nous illustrons comment la coop{\´e}ration franco-allemande ainsi que les relations transfrontali{\`e}res d{\´e}velopp{\´e}es au sein de r{\´e}seaux pr{\´e}existants alimentent ces « r{\´e}seaux des r{\´e}seaux ». Ce m{\´e}moire puise ses principales sources de 15 entretiens semi-directifs, men{\´e}s entre ao{\^u}t 2020 et janvier 2021 aupr{\`e}s d'acteurs allemands, fran{\c{c}}ais et europ{\´e}ens. La richesse de leur expertise nourrit la conclusion dans laquelle nous tentons de mettre en exergue la dimension franco-allemande de cette initiative. Avec un regard franco-allemand, nous proposons un r{\´e}sum{\´e} des actuelles forces, opportunit{\´e}s, faiblesses et menaces qui favorisent ou entravent le d{\´e}veloppement de cette nouvelle initiative. Der Pr{\"a}sident der franz{\"o}sischen Republik, Emmanuel Macron, hielt am 26. September 2017 im großen H{\"o}rsaal der Universit{\"a}t Sorbonne vor einem Publikum aus Studenten und Politikern eine ambitionierte Rede zu Europa. Zu seinen "Initiativen f{\"u}r Europa" geh{\"o}rt die Schaffung von Europ{\"a}ischen Hochschulnetzwerken. Das Ziel dieser Masterarbeit besteht darin, das deutsch-franz{\"o}sische Erbe sowie die Beitr{\"a}ge beider L{\"a}nder in diesen neuen Modellen zu untersuchen :.Welche Rolle spielt die ministerielle Ebene in Frankreich und Deutschland bei der Umsetzung der Initiative? In welchem Umfang und auf welche Art und Weise beteiligen sich die nationalen Erasmus-Agenturen in beiden L{\"a}ndern ? Welche Position nimmt die Deutsch-Franz{\"o}sische Hochschule in Bezug auf diese neuen Allianzen ein und welche Unterst{\"u}tzung bietet sie? Anhand von drei Beispielen, den Allianzen ECIU, EPICUR und FORTHM, wird beschrieben, welche Beitr{\"a}ge die deutsch-franz{\"o}sische Zusammenarbeit sowie grenz{\"u}berschreitende Kooperationen leisten. Die Hauptquellen f{\"u}r diese Masterarbeit stellen 15 semidirektive Experteninterviews dar, die zwischen August 2020 und Januar 2021 mit deutschen, franz{\"o}sischen und europ{\"a}ischen Akteuren gef{\"u}hrt wurden. Der Reichtum ihrer Expertise fließt in die Schlussfolgerung ein, in der wir versuchen, die deutsch-franz{\"o}sische Dimension dieser Initiative hervorzuheben. Mit einer deutsch-franz{\"o}sischen Perspektive versuchen wir, die St{\"a}rken, Chancen, Schw{\"a}chen und Bedrohungen zusammenzufassen, die die Entwicklung dieser neuen Initiative beg{\"u}nstigen oder behindern. The President of the French Republic, Emmanuel Macron, gave an ambitious speech on Europe to an audience of students and politicians in the large lecture hall of the Sorbonne University on 26 September 2017. Among his "Initiatives for Europe" is the creation of European University Networks. The aim of this Master's thesis is to examine the Franco-German heritage and the contributions of both countries in these new models :.What is the role of the ministerial level in France and Germany in the implementation of the initiative? To what extent and in what way do the national Erasmus agencies in both countries participate ? What is the position of the Franco-German University in relation to these new alliances and what support does it offer? Using three examples, the ECIU, EPICUR and FORTHM alliances, the contributions of Franco-German cooperation and cross-border cooperation are described. The main sources for this Master's thesis are 15 semi-directive expert interviews conducted with German, French and European actors between August 2020 and January 2021. The wealth of their expertise feeds into the conclusion, in which we try to highlight the Franco-German dimension of this initiative. With a Franco-German perspective, we try to summarise the strengths, opportunities, weaknesses and threats that favour or hinder the development of this new initiative.},
  language  = {fr}
}
@article{Laudenbach2023,
  author    = {Laudenbach, Beno{\^i}t},
  title     = {Sophocle sur Netflix},
  series = {thersites 16},
  volume    = {2023},
  journal   = {thersites 16},
  number    = {16},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol16.222},
  pages     = {83 -- 127},
  year      = {2023},
  abstract  = {The paper focuses on two recent occurrences of a Sophoclean drama on screen, Electra in the romantical movie Marriage Story, and Philoctetes in an episode of the mainstream medical series New Amsterdam, both productions currently available on the popular streaming service Netflix. The case studies explore the mechanisms of the use of these dramas and their significance in both productions, showing that they are partly used for their "classical" authority, are deeply integrated within the scenarios, and help to design the narratives, the characters and their (social and personal) relationships.},
  language  = {fr}
}
@article{Drews2016,
  author    = {Drews, Julian},
  title     = {{\´E}criture (auto)biographique dans l'Examen critique d'Alexandre de Humboldt},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XVII},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {33},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  doi       = {10.18443/240},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98889},
  pages     = {10 -- 21},
  year      = {2016},
  abstract  = {Der Bezug auf Kolumbus ist ein Gemeinplatz der Humboldtbiographik. Humboldt selbst betont ihn besonders in seinem Examen critique, wo er eine autobiographische Dimension gewinnt. Der Beitrag geht aus literaturwissenschaftlicher Perspektive dem Material und den Formen der Inszenierung nach, mit denen ein Leben {\"u}ber ein anderes dargestellt wird.},
  language  = {fr}
}
@article{Tylus2020,
  author    = {Tylus, Piotr},
  title     = {Consid{\´e}rations sur l'atmosph{\`e}re des tropiques… - un m{\´e}moire in{\´e}dit d'Alexander von Humboldt},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XXI},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {41},
  editor    = {Ette, Ottmar and Knobloch, Eberhard},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {2568-3543},
  doi       = {10.18443/306},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-488325},
  pages     = {5 -- 26},
  year      = {2020},
  abstract  = {L'article contient l'{\´e}dition critique d'un m{\´e}moire d'Alexander von Humboldt, intitul{\´e}: «Consid{\´e}rations sur l'atmosph{\`e}re des tropiques, regard{\´e}e comme objet de la pathologie chimique». Le texte a {\´e}t{\´e} {\´e}crit {\`a} Cuba, en 1801. Il fait partie d'un groupe de manuscrits, relatifs {\`a} la qualit{\´e} de l'air dans les tropiques et aux maladies qui en d{\´e}coulent, portant un titre g{\´e}n{\´e}ral: «C'est mon cahier de la Havanne intitul{\´e} sur la salubrit{\´e} de l'air». Or A. v. Humboldt partageait alors les vues miasmatiques et il voyait, dans la qualit{\´e} de l'air, l'origine des maladies que l'on dit aujourd'hui «infectieuses». L'accent y est pos{\´e} sur la fi{\`e}vre jaune qui occupait une place particuli{\`e}re dans l'horizon intellectuel et politique du d{\´e}but du XIXe si{\`e}cle. Reste {\`a} ajouter que Humboldt se montre ici comme l'un des pr{\´e}curseurs de l'{\´e}cologie moderne.},
  language  = {fr}
}
@article{Knobloch2014,
  author    = {Knobloch, Eberhard},
  title     = {Alexandre de Humboldt et le Marquis de Laplace},
  series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  volume    = {XV},
  journal   = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies},
  number    = {29},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  issn      = {1617-5239},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-84814},
  pages     = {23 -- 35},
  year      = {2014},
  abstract  = {Pierre-Simon Marquis de Laplace joua un r{\^o}le {\´e}minent dans la vie scientifique d'Alexandre de Humboldt. Humboldt avait fait la connaissance du savant fran{\c{c}}ais qui avait vingt ans de plus que lui-m{\^e}me {\`a} Paris en 1798. L'article de Eberhard Knobloch examine la relation entre ces deux g{\´e}ants de la science en s'appuyant entre autre pour la premi{\`e}re fois sur des documents in{\´e}dits: les quatre lettres de Laplace {\`a} Humboldt, le journal d'Humboldt et sur le mat{\´e}riel d'archives conserv{\´e} aux Archives de l'Acad{\´e}mie des Sciences de Berlin-Brandebourg.},
  language  = {fr}
}
@misc{Benedetti2020,
  author    = {Benedetti, Ginevra},
  title     = {Recension de Fabien Bi{\`e}vre-Perrin \& {\´E}lise Pampanay (dir.) Antiquipop. La r{\´e}f{\´e}rence {\`a} l'Antiquit{\´e} dans la culture populaire contemporaine},
  series = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  volume    = {2020},
  journal   = {PaRDeS : Zeitschrift der Vereinigung f{\"u}r J{\"u}dische Studien = Transformative Translations in Jewish History and Culture},
  number    = {11},
  editor    = {Amb{\"u}hl, Annemarie},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol11.121},
  pages     = {401 -- 410},
  year      = {2020},
  language  = {fr}
}
@article{Costanzo2021,
  author    = {Costanzo, Daniela},
  title     = {Le destin des ic{\^o}nes : perception, symboles et images des Bronzes de Riace dans la culture contemporaine},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.153},
  pages     = {100 -- 124},
  year      = {2021},
  abstract  = {Tr{\`e}s peu d'originaux nous permettent de conna{\^i}tre la statuaire grecque ancienne. Eu {\´e}gard {\`a} la grande production de statues en bronze, un nombre tr{\`e}s limit{\´e} d'oeuvres a {\´e}t{\´e} sauv{\´e} de la fureur du temps et des hommes. Le reste nous est connu de mani{\`e}re partielle et imparfaite par les copies romaines en marbre ou par des notes rapides d'auteurs anciens, qui mentionnent des artistes et des oeuvres dont le seul nom demeure. La d{\´e}couverte de statues en bronze de production grecque est donc un {\´e}v{\´e}nement exceptionnel d'un point de vue scientifique. Les « Bronzes de Riace » ont notamment eu, d{\`e}s leur d{\´e}couverte en 1972, une immense influence dans la culture populaire, que nous allons aborder dans cet article sous l'angle des Reception Studies, en essayant d'int{\´e}grer ces r{\´e}flexions au d{\´e}bat sur leur perception dans le monde contemporain, d{\´e}j{\`a} abord{\´e} par deux volumes sortis en 1986 et 2015 (Gli eroi venuti dal mare/Heroes from the sea et Sul buono e sul cattivo uso dei Bronzi di Riace1), en portant une attention particuli{\`e}re au Web et aux r{\´e}seaux sociaux. 1 Je remercie Maurizio Paoletti et Fabien Bi{\`e}vre-Perrin pour la relecture de cet article ; Domenico Benedetto D'Agostino pour m'avoir fait conna{\^i}tre, il y a quelques ann{\´e}es, le po{\`e}me de Felice Mastroianni d{\´e}di{\´e} au Bronzes de Riace ; l'Archivio du Mus{\´e}e Arch{\´e}ologique National de Reggio Calabria, Mike_art04, le collectif La Psicoscimmia et Emanuela Robustelli pour les images qu'ils ont partag{\´e}es.},
  language  = {fr}
}
@article{Briand2021,
  author    = {Briand, Michel},
  title     = {Le Laocoon en ic{\^o}ne queer et camp},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.133},
  pages     = {1 -- 42},
  year      = {2021},
  abstract  = {The Laoco{\"o}n group, a famous source of inspiration for modern artists and a crucial masterpiece for historians of art and philosophers, is also a popular figure in queer contemporary art and culture, both distorted and celebrated through camp performative devices. After remarks about 1. "queer gaze" and the complex relation of queer or LGBTQIA+ culture and politics to the dialectics of kitsch/camp and classical / contemporary / pop art, and 2. (not straight but) queer classics, using "anachronisme raisonn{\´e}" (Loraux") and "{\´e}cart" (Dupont), this article focuses on case studies from the 2010's: 1. The untold gay history of Vatican guided tour; the music video Falling, by the "queer cowboy" Drew Beckman. 2. Paintings by Richard Wallace (esp. Laoco{\"o}n); photographic series of Danil Golovkin (Modern Heroes : Photographing Bodybuilders in the Digital Age), 3. Julien Servy (Collages : Photo vs. Statues) ; the design firm modern8 (for the 2017 Utah Pride Festival). 4. The indigenous Canadian artist Kent Monkman, who, in paintings (The Academy), performances, installations, altogether stages and questions the violence of historical and cultural colonization and its impact on issues of gender and identity, and promotes dynamic interactions of aesthetics and politics, as well of pathos and camp.},
  language  = {fr}
}
@article{SauraZiegelmeyer2021,
  author    = {Saura-Ziegelmeyer, Arnaud},
  title     = {Construire ses propres mod{\`e}les : le cas des bandes sonores post-Gladiator},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol13.150},
  pages     = {141 -- 168},
  year      = {2021},
  abstract  = {Ringing trumpets announcing the arrival of a Roman emperor, an oriental flowing and delicate harp reverberating inside the intimate palace of an Egyptian queen, a rude aulos singing in a bucolic Greek landscape: where are these familiar sound images coming from? Are these creations inspired by archaeological data or built after modern fantasy? The scarcity of ancient musical data necessitated, in fact, to reinvent the films' soundscape taking place in the Ancient world. It is therefore a question of seeing on which models a peplum's soundtrack is conceived and what it can reveal on our way of perceiving the ancient and contemporary world. Far from wanting to gauge the historicity of the sound backgrounds offered to the spectator of dark rooms, it is rather a question of seeing the imitation phenomena that can appear from the sound clich{\´e}s created by the peplum itself and of also deducing from them thought patterns which, contextualized, influence these compositions. This article will focus on post-2000 productions.},
  language  = {fr}
}
@article{Renault2021,
  author    = {Renault, Manon},
  title     = {Antiquit{\´e}s et pop cultures dans la haute couture et le pr{\^e}t-{\`a}-porter des ann{\´e}es 2010},
  series = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  volume    = {2021},
  journal   = {thersites 13: Antiquipop - Chefs d'œuvres revisit{\´e}s},
  number    = {13},
  editor    = {Bi{\`e}vre-Perrin, Fabien and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  doi       = {10.34679/thersites.vol13.149},
  pages     = {125 -- 140},
  year      = {2021},
  abstract  = {From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women's fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion's worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word "fashion" are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion.},
  language  = {fr}
}