@article{Klettke2013, author = {Klettke, Cornelia}, title = {Die Inseln der Schatten und ihr beredtes Schweigen : Heterotopie und Heterologie in L'IIle aux mus{\´e}es' von C{\´e}cile Wajsbrot}, year = {2013}, language = {de} } @article{Klettke2002, author = {Klettke, Cornelia}, title = {Mon regard est net comme un tournesol : L'{\´e}criture comme miroir d'elle-m{\^e}me dans le regard pur d'Alberto Caeiro}, year = {2002}, language = {fr} } @phdthesis{Klettke2012, author = {Klettke, Cornelia}, title = {Der postmoderne Mythenroman Michel Tourniers am Beispiel des Roi des Aulnes}, series = {Abhandlungen zur Sprache und Literatur}, volume = {187}, journal = {Abhandlungen zur Sprache und Literatur}, edition = {Zweite, {\"u}berarbeitete und erweiterte Auflage}, publisher = {Romanistischer Verl.}, address = {Bonn}, isbn = {978-3-86143-204-3}, pages = {454 S.}, year = {2012}, language = {de} } @article{Klettke2013, author = {Klettke, Cornelia}, title = {The voice of the other : heterotopy and heterology inBernard-Marie Koltes black battles with dogs}, year = {2013}, language = {en} } @book{Ubbidiente2013, author = {Ubbidiente, Roberto}, title = {L' Officina del poeta : studi su Edmondo De Amicis}, series = {Sanssouci - Forschungen zur Romanistik}, volume = {4}, journal = {Sanssouci - Forschungen zur Romanistik}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-86596-536-3}, pages = {321 S.}, year = {2013}, language = {es} } @article{Ratschow2017, author = {Ratschow, Sophie}, title = {Leopardi in Tozzis Bestie. Reminiszenzen an die Canti L'infinito, Le ricordanze, Canto notturno di un pastore errante dell'Asia, A se stesso}, series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, journal = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {303 -- 318}, year = {2017}, language = {de} } @article{Weber2018, author = {Weber, Andr{\´e}}, title = {L'ordre des nuages. Sur l'esth{\´e}tisation d'un ph{\´e}nom{\`e}ne m{\´e}t{\´e}orologique chez Bernardin de Saint-Pierre}, series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, journal = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, editor = {Glaudes, Pierre and Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0454-9}, pages = {141 -- 152}, year = {2018}, language = {fr} } @article{Kilian2017, author = {Kilian, Sven Thorsten}, title = {Dichtung, Erkenntnis und Nation im Discorso sopra lo stato presente dei costumi degl'italiani und in der Idylle La sera del d{\`i} di festa}, series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, journal = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {283 -- 302}, year = {2017}, language = {de} } @article{Viglialoro2018, author = {Viglialoro, Luca}, title = {Le rouge et le nuage: strat{\´e}gies de simulation dans le po{\`e}me Dans Venise la rouge d'Alfred de Musset}, series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, journal = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, editor = {Glaudes, Pierre and Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0454-9}, pages = {277 -- 294}, year = {2018}, language = {fr} } @article{Ippolito2017, author = {Ippolito, Antonella}, title = {Zwischen fanatsia und ingegno. Die sprachliche Simulation der Antike bei Leopardi}, series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, journal = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins}, editor = {Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0256-9}, pages = {201 -- 225}, year = {2017}, language = {de} } @article{Weber2018, author = {Weber, Andr{\´e}}, title = {Victor Hugo et la "g{\´e}ometrie" m{\´e}taphysique des nuages}, series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, journal = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, editor = {Glaudes, Pierre and Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0454-9}, pages = {357 -- 370}, year = {2018}, language = {fr} } @article{Ippolito2018, author = {Ippolito, Antonella}, title = {La codification multiple du nuage chez Lamartine}, series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, journal = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, editor = {Glaudes, Pierre and Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0454-9}, pages = {199 -- 218}, year = {2018}, language = {fr} } @article{Mathieu2018, author = {Mathieu, Carlo}, title = {Fixit{\´e} et variabilit{\´e} des nuages chez Alfred de Vigny}, series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, journal = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, editor = {Glaudes, Pierre and Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0454-9}, pages = {219 -- 235}, year = {2018}, language = {fr} } @article{Weber2018, author = {Weber, Andr{\´e}}, title = {Hugo et le simulacre}, series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, journal = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}}, editor = {Glaudes, Pierre and Klettke, Cornelia}, publisher = {Frank \& Timme}, address = {Berlin}, isbn = {978-3-7329-0454-9}, pages = {263 -- 275}, year = {2018}, language = {fr} } @article{Klettke2020, author = {Klettke, Cornelia}, title = {Feuer und Flamme}, series = {Deutsches Dante-Jahrbuch}, volume = {95}, journal = {Deutsches Dante-Jahrbuch}, number = {1}, publisher = {de Gruyter}, address = {Berlin}, doi = {https://doi.org/10.1515/dante-2020-0002}, pages = {1 -- 21}, year = {2020}, abstract = {Il contributo prende in esame la poetizzazione dell'elemento ›fuoco‹ nell'aldil{\`a} dantesco. Nell'Inferno, l'universo metaforico associato al fuoco fa da contrappunto all'interiorizzazione e alla trascendenza che stanno alla base della concezione del fuoco nel Paradiso, dove esso, in senso astratto, viene trasformato in luce e rappresenta anche l'illuminazione spirituale. Dante mette in scena san Tommaso, presentando nelle varie figure il corpus spirituale, che tuttavia nell'Inferno era stato pervertito e caricato di una connotazione quasi parodistica, se confrontato alla solennit{\`a} sacrale della luce spirituale nel Paradiso. Nella sua qualit{\`a} di luce, l'elemento ›fuoco‹ diventa la componente pi{\`u} importante delle sfere del Paradiso. L'idea della permanenza di un regno di Dio {\`e} simbolicamente veicolata da un uso virtuosistico della gamma metaforica associata alla luce: la visualizzazione del principio supremo del Divino, come esso si costituisce nella dottrina cristiana, {\`e} affidata alla forza suggestiva della travolgente poesia.}, language = {de} } @book{Klettke2020, author = {Klettke, Cornelia}, title = {La Po{\´e}tique de l'{\´e}criture-simulacre et les grands mod{\`e}les}, series = {Th{\´e}orie de la litt{\´e}rature (En ligne) ; 23}, journal = {Th{\´e}orie de la litt{\´e}rature (En ligne) ; 23}, publisher = {Classiques Garnier}, address = {Paris}, isbn = {978-2-406-09396-1}, issn = {2261-5717}, publisher = {Universit{\"a}t Potsdam}, year = {2020}, abstract = {Cet ouvrage d{\´e}crit le r{\^o}le du simulacre dans la litt{\´e}rature. Les analyses de textes modernes et postmodernes permettent de cerner le simulacre, son potentiel infini de m{\´e}tamorphoses, son caract{\`e}re multiforme et h{\´e}t{\´e}rog{\`e}ne, de comprendre sa complexit{\´e} et de reconna{\^i}tre ses effets.}, language = {fr} } @article{Klettke2020, author = {Klettke, Cornelia}, title = {L'Isola delle isole}, series = {Between the Adriatic and the Ionian Seas. The literary imagination of journey. Proceedings of the 1st International Study Conference promoted as part of the Interreg Polysemi Project activities (Bari, 24-25 June 2019)}, journal = {Between the Adriatic and the Ionian Seas. The literary imagination of journey. Proceedings of the 1st International Study Conference promoted as part of the Interreg Polysemi Project activities (Bari, 24-25 June 2019)}, editor = {Dell'Aquila, Giulia}, publisher = {Cacucci}, address = {Bari}, pages = {173 -- 192}, year = {2020}, language = {it} } @article{Klettke2020, author = {Klettke, Cornelia}, title = {Kunst als ,voie n{\´e}gativeʻ und {\´e}criture der Landschaft in L'Opposante von Lydie Parisse}, series = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch}, journal = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch}, editor = {Klettke, Cornelia}, publisher = {Edition Noack \& Block}, address = {Berlin}, isbn = {978-3-86813-088-1}, pages = {155 -- 168}, year = {2020}, language = {de} } @book{Parisse2020, author = {Parisse, Lydie}, title = {Die Gegenspielerin}, editor = {Klettke, Cornelia and Kilian, Sven Thorsten}, publisher = {Edition Noack \& Block}, address = {Berlin}, isbn = {978-3-86813-088-1}, pages = {190}, year = {2020}, language = {de} } @misc{Bercegol2022, author = {Bercegol, Fabienne}, title = {Die Rolle des Tieres in der Kindheitserz{\"a}hlung am Beispiel der M{\´e}moires d'outre-tombe von Chateaubriand}, series = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'Histoire des Litt{\´e}ratures Romanes}, volume = {46}, journal = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'Histoire des Litt{\´e}ratures Romanes}, number = {1}, publisher = {Winter}, address = {Heidelberg}, pages = {85 -- 100}, year = {2022}, abstract = {{\`A} partir des travaux des ethnologues qui ont d{\´e}crit le fonctionnement des soci{\´e}t{\´e}s paysannes de l'Ancien R{\´e}gime, nous montrons dans cet article comment le r{\´e}cit de l'enfance bretonne de Chateaubriand dans les ‚M{\´e}moires d'outre-tombe' ob{\´e}it {\`a} une logique initiatique qui donne {\`a} l'animal un r{\^o}le de premier plan. Transform{\´e}e en v{\´e}ritable „aventure", la capture des oiseaux devient pour l'enfant l'occasion de forger son caract{\`e}re et de d{\´e}couvrir le sens de l'honneur, tandis que la contemplation de leur envol {\´e}veille en lui le go{\^u}t des voyages qu'il n'a pas encore la possibilit{\´e} d'assouvir. {\`A} Combourg, chouettes et chat noir peuplent les nuits de l'enfant et l'obligent {\`a} dompter ses peurs. Quant au cheval, que Chateaubriand a mal appris {\`a} ma{\^i}triser, il devient sous sa plume l'embl{\`e}me d'une {\´e}poque r{\´e}volue domin{\´e}e par les privil{\`e}ges de l'aristocratie et le signe de l'inadaptation des derniers rois de France. Il restera {\`a} l'{\´e}crivain {\`a} s'emparer de cette familiarit{\´e} avec le monde animal pour nourrir son imaginaire et sa sensibilit{\´e} de plus en plus grande au sort que lui r{\´e}serve la soci{\´e}t{\´e}.}, language = {de} }