@article{Klettke2013,
  author    = {Klettke, Cornelia},
  title     = {The voice of the other : heterotopy and heterology inBernard-Marie Koltes black battles with dogs},
  year      = {2013},
  language  = {en}
}
@article{Ratschow2017,
  author    = {Ratschow, Sophie},
  title     = {Leopardi in Tozzis Bestie. Reminiszenzen an die Canti L'infinito, Le ricordanze, Canto notturno di un pastore errante dell'Asia, A se stesso},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {303 -- 318},
  year      = {2017},
  language  = {de}
}
@article{Weber2018,
  author    = {Weber, Andr{\´e}},
  title     = {L'ordre des nuages. Sur l'esth{\´e}tisation d'un ph{\´e}nom{\`e}ne m{\´e}t{\´e}orologique chez Bernardin de Saint-Pierre},
  series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  journal   = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  editor    = {Glaudes, Pierre and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0454-9},
  pages     = {141 -- 152},
  year      = {2018},
  language  = {fr}
}
@article{Kilian2017,
  author    = {Kilian, Sven Thorsten},
  title     = {Dichtung, Erkenntnis und Nation im Discorso sopra lo stato presente dei costumi degl'italiani und in der Idylle La sera del d{\`i} di festa},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {283 -- 302},
  year      = {2017},
  language  = {de}
}
@article{Viglialoro2018,
  author    = {Viglialoro, Luca},
  title     = {Le rouge et le nuage: strat{\´e}gies de simulation dans le po{\`e}me Dans Venise la rouge d'Alfred de Musset},
  series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  journal   = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  editor    = {Glaudes, Pierre and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0454-9},
  pages     = {277 -- 294},
  year      = {2018},
  language  = {fr}
}
@article{Ippolito2017,
  author    = {Ippolito, Antonella},
  title     = {Zwischen fanatsia und ingegno. Die sprachliche Simulation der Antike bei Leopardi},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {201 -- 225},
  year      = {2017},
  language  = {de}
}
@article{Weber2018,
  author    = {Weber, Andr{\´e}},
  title     = {Victor Hugo et la "g{\´e}ometrie" m{\´e}taphysique des nuages},
  series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  journal   = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  editor    = {Glaudes, Pierre and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0454-9},
  pages     = {357 -- 370},
  year      = {2018},
  language  = {fr}
}
@article{Ippolito2018,
  author    = {Ippolito, Antonella},
  title     = {La codification multiple du nuage chez Lamartine},
  series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  journal   = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  editor    = {Glaudes, Pierre and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0454-9},
  pages     = {199 -- 218},
  year      = {2018},
  language  = {fr}
}
@article{Mathieu2018,
  author    = {Mathieu, Carlo},
  title     = {Fixit{\´e} et variabilit{\´e} des nuages chez Alfred de Vigny},
  series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  journal   = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  editor    = {Glaudes, Pierre and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0454-9},
  pages     = {219 -- 235},
  year      = {2018},
  language  = {fr}
}
@article{Weber2018,
  author    = {Weber, Andr{\´e}},
  title     = {Hugo et le simulacre},
  series = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  journal   = {Nuages romantiques - Des Lumi{\`e}res {\`a} la Modernit{\´e}},
  editor    = {Glaudes, Pierre and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0454-9},
  pages     = {263 -- 275},
  year      = {2018},
  language  = {fr}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Feuer und Flamme},
  series = {Deutsches Dante-Jahrbuch},
  volume    = {95},
  journal   = {Deutsches Dante-Jahrbuch},
  number    = {1},
  publisher = {de Gruyter},
  address   = {Berlin},
  doi       = {https://doi.org/10.1515/dante-2020-0002},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {Il contributo prende in esame la poetizzazione dell'elemento ›fuoco‹ nell'aldil{\`a} dantesco. Nell'Inferno, l'universo metaforico associato al fuoco fa da contrappunto all'interiorizzazione e alla trascendenza che stanno alla base della concezione del fuoco nel Paradiso, dove esso, in senso astratto, viene trasformato in luce e rappresenta anche l'illuminazione spirituale. Dante mette in scena san Tommaso, presentando nelle varie figure il corpus spirituale, che tuttavia nell'Inferno era stato pervertito e caricato di una connotazione quasi parodistica, se confrontato alla solennit{\`a} sacrale della luce spirituale nel Paradiso. Nella sua qualit{\`a} di luce, l'elemento ›fuoco‹ diventa la componente pi{\`u} importante delle sfere del Paradiso. L'idea della permanenza di un regno di Dio {\`e} simbolicamente veicolata da un uso virtuosistico della gamma metaforica associata alla luce: la visualizzazione del principio supremo del Divino, come esso si costituisce nella dottrina cristiana, {\`e} affidata alla forza suggestiva della travolgente poesia.},
  language  = {de}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {L'Isola delle isole},
  series = {Between the Adriatic and the Ionian Seas. The literary imagination of journey. Proceedings of the 1st International Study Conference promoted as part of the Interreg Polysemi Project activities (Bari, 24-25 June 2019)},
  journal   = {Between the Adriatic and the Ionian Seas. The literary imagination of journey. Proceedings of the 1st International Study Conference promoted as part of the Interreg Polysemi Project activities (Bari, 24-25 June 2019)},
  editor    = {Dell'Aquila, Giulia},
  publisher = {Cacucci},
  address   = {Bari},
  pages     = {173 -- 192},
  year      = {2020},
  language  = {it}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Kunst als ,voie n{\´e}gativeʻ und {\´e}criture der Landschaft in L'Opposante von Lydie Parisse},
  series = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch},
  journal   = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch},
  editor    = {Klettke, Cornelia},
  publisher = {Edition Noack \& Block},
  address   = {Berlin},
  isbn      = {978-3-86813-088-1},
  pages     = {155 -- 168},
  year      = {2020},
  language  = {de}
}
@article{Klettke2021,
  author    = {Klettke, Cornelia},
  title     = {Measuring the divine by Geometry and Feeling},
  series = {Dante Beyond Borders. Contexts and Reception},
  journal   = {Dante Beyond Borders. Contexts and Reception},
  editor    = {Havely, Nick and Katz, Jonathan and Cooper, Richard},
  publisher = {Legenda},
  address   = {Oxford},
  isbn      = {978-1-781888-30-8},
  pages     = {21 -- 34},
  year      = {2021},
  language  = {en}
}
@article{Klettke2022,
  author    = {Klettke, Cornelia},
  title     = {Urlaute der V{\"o}gel in Andrea Zanzottos Topinamb{\`u}r},
  series = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'Histoire des Litt{\´e}ratures Romanes},
  volume    = {46},
  journal   = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'Histoire des Litt{\´e}ratures Romanes},
  number    = {1/2},
  publisher = {Winter},
  address   = {Heidelbrg},
  issn      = {0343-379X},
  pages     = {199 -- 211},
  year      = {2022},
  language  = {de}
}
@article{Klettke2022,
  author    = {Klettke, Cornelia},
  title     = {La m{\´e}taphysique val{\´e}ryenne du regard en tant que repr{\´e}sentation du pouvoir de l'esprit},
  series = {Cahiers de l'Association Internationale des {\´E}tudes Fran{\c{c}}aises},
  volume    = {74},
  journal   = {Cahiers de l'Association Internationale des {\´E}tudes Fran{\c{c}}aises},
  publisher = {Les Belles Lettres},
  address   = {Paris},
  issn      = {0571-5865},
  pages     = {277 -- 293},
  year      = {2022},
  language  = {fr}
}
@article{Klettke2023,
  author    = {Klettke, Cornelia},
  title     = {Pierre Klossowksi. L'acte cr{\´e}ateur de l'{\´e}crivain peintre},
  series = {Cahiers Erta},
  volume    = {33},
  journal   = {Cahiers Erta},
  publisher = {Wydawnictwo Uniwersytetu Gdańskiego},
  address   = {Gdansk},
  issn      = {2300-4681},
  doi       = {10.4467/23538953CE.23.006.17568},
  pages     = {139 -- 157},
  year      = {2023},
  abstract  = {Klossowski, who had originally started as a religious seeker of truth in his younger years, will - after his « reversal » - feel himself invested with the role of a « heretic » struggling with the libidinous search for truth. Even as the creator of a perverted metaphysics, he remains a seeker of the revelation of being, now in the role of the divine « adversary » who, thrown back on himself, tends to imitate a religious mystic. The divine is replaced by the whispers of the demon, which Klossowski experiences as « la complicit{\´e} d'une force "d{\´e}monique" » in the creation of his artworks. The Diana myth becomes a parable for the act of artistic creation. Sexuality, understood as the primordial ground of creative force that shapes the signe unique, the phantasm, shifts metaphysics to « phantasmaphysics » (Foucault), in which the mystery of the divine is exposed as a delusion (Wahnbild).},
  language  = {fr}
}
@article{Klettke2022,
  author    = {Klettke, Cornelia},
  title     = {Pr{\"a}sentation der Forschungsstelle Leopardi an der Universit{\"a}t Potsdam},
  series = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'histoire des litt{\´e}ratures romanes},
  volume    = {46},
  journal   = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte = Cahiers d'histoire des litt{\´e}ratures romanes},
  number    = {1/2},
  publisher = {Winter},
  address   = {Heidelberg},
  issn      = {2509-7474},
  pages     = {247 -- 248},
  year      = {2022},
  language  = {de}
}
@article{Klettke2013,
  author    = {Klettke, Cornelia},
  title     = {Marguerite de Valois},
  series = {Bulletin de la Soci{\´e}t{\´e} de l'Histoire du Protestantisme Fran{\c{c}}ais},
  volume    = {160},
  journal   = {Bulletin de la Soci{\´e}t{\´e} de l'Histoire du Protestantisme Fran{\c{c}}ais},
  number    = {3},
  publisher = {Droz},
  address   = {Gen{\`e}ve},
  issn      = {0037-9050},
  pages     = {613 -- 631},
  year      = {2013},
  abstract  = {Cette {\´e}tude est consacr{\´e}e au portrait de Marguerite de Valois, surnomm{\´e}e la Reine Margot. En essayant de reconstruire ce portrait, on rencontre la difficult{\´e} que Marguerite de Valois, comme personnage historique qui a eu une biographie r{\´e}elle, est devenue un personnage "fictionalis{\´e}" et litt{\´e}raire. Pour cela, il est indispensable que l'{\´e}tude du portrait litt{\´e}raire prenne pour point de d{\´e}part le recours aux faits historiques. Il est {\´e}vident que l'histoire ne nous pr{\´e}sente que l'image incompl{\`e}te d'un personnage historique et qu'il n'existe pas de biographie compl{\`e}te qui m{\´e}rite ce nom. Les blancs laissent suffisamment de place aux mythes qui finissent par se d{\´e}tacher si profond{\´e}ment de la r{\´e}alit{\´e} que le portrait historique s'en trouve d{\´e}form{\´e} et d{\´e}figur{\´e} en un dispositif d'affects n{\´e}gatifs. Il est de notre propos de rendre sa dignit{\´e} {\`a} Marguerite de Valois et de ne pas laisser une des femmes les plus remarquables du XVIe si{\`e}cle se d{\´e}grader en simulacre. Cette contribution, en restant au plus pr{\`e}s des sources historiques de l'{\´e}poque, rel{\`e}ve quelques faits positifs pour remodeler un portrait d'une femme sup{\´e}rieure avant la lettre qui avait les vis{\´e}es hautes dans tous les domaines. L'{\´e}tude se comprend en tant qu'appel {\`a} la red{\´e}couverte d'un personnage historique au portrait brouill{\´e} et enfoui.},
  language  = {fr}
}
@article{Klettke2013,
  author    = {Klettke, Cornelia},
  title     = {Il vaglio di beni terreni e celesti},
  series = {Letteratura e denaro : ideologie metafore rappresentazioni ; atti del XLI Convegno Interuniversitario (Bressanone/Brixen, 11 - 14 luglio 2013) (Quaderni del Circolo Filologico-Linguistico Padovano ; 29)},
  journal   = {Letteratura e denaro : ideologie metafore rappresentazioni ; atti del XLI Convegno Interuniversitario (Bressanone/Brixen, 11 - 14 luglio 2013) (Quaderni del Circolo Filologico-Linguistico Padovano ; 29)},
  editor    = {Barbieri, Alvaro and Gregori, Elisa},
  publisher = {Esedra Ed.},
  address   = {Padova},
  isbn      = {978-88-6058-048-1},
  pages     = {155 -- 189},
  year      = {2013},
  language  = {it}
}