@article{Hassler2020, author = {Haßler, Gerda}, title = {Pasigraf{\´i}a y antipasigraf{\´i}a a finales del siglo XVIII y a principios del siglo XIX}, volume = {41}, editor = {Calero Vaquerao, Mar{\´i}a Luisa}, publisher = {Infoling}, address = {Barcelona}, issn = {1139-8736}, pages = {169 -- 192}, year = {2020}, abstract = {In 1797 a rather short work appeared in Paris in two volumes, under the title Pasigraphie in both its French and German versions. The author, Joseph de Maimieux (1753-1820), is said to have coined the term pasigraphie. With the invention of pasigraphy, Maimieux pursued the goal of creating a conceptually based writing system that could be applied to all languages. In this way, a text written in this script could be read in all languages. The pasigraphic system is based on an a priori system of conceptual classification to which written characters are assigned. It is therefore initially an exclusively written language, on which Maimieux two years later also built a spoken language with the Pasilalie. The first arguments against the endeavour represented by the Pasigraphie were brought forward by Maimieux' immediate contemporaries, the ideologues. These objections were re-affirmed in particular by Johann Severin Vater. The decisive difference between Maimieux and his critics lies in the determination of the role of signs in the formation of concepts. While for Maimieux the signs only name the finished concepts, his critics argued that signs have a function in the constitution of the concepts. A universal language is therefore ultimately not possible, since there are no universal concepts and the individual languages lead to different conceptual structures.}, language = {es} } @article{OPUS4-47023, title = {27. Collocations et traditions discursives (Actes du Colloque du Coll{\`e}ge Doctoral Franco-allemand (CDFA) tenu {\`a} l'Universit{\´e} de Potsdam le 4 juillet 2018)}, series = {LINX, Revue des linguistes de l'Universit{\´e} Paris Nanterre}, volume = {2020}, journal = {LINX, Revue des linguistes de l'Universit{\´e} Paris Nanterre}, number = {13}, editor = {Haßler, Gerda}, doi = {10.4000/linx.3837}, year = {2020}, language = {fr} } @misc{Hassler2020, author = {Haßler, Gerda}, title = {Pr{\´e}sentation}, series = {Collocations et traditions discursives Actes du Colloque du Coll{\`e}ge Doctoral Franco-allemand (CDFA) tenu {\`a} l'Universit{\´e} de Potsdam le 4 juillet 2018 (Linx : revue des linguistes de l'Universit{\´e} Paris Ouest Nanterre La D{\´e}fense)}, volume = {2020}, journal = {Collocations et traditions discursives Actes du Colloque du Coll{\`e}ge Doctoral Franco-allemand (CDFA) tenu {\`a} l'Universit{\´e} de Potsdam le 4 juillet 2018 (Linx : revue des linguistes de l'Universit{\´e} Paris Ouest Nanterre La D{\´e}fense)}, number = {13}, editor = {Haßler, Gerda}, issn = {2118-9692}, doi = {10.4000/linx.3842}, year = {2020}, language = {en} } @article{Hassler2020, author = {Haßler, Gerda}, title = {The Functional-Communicative Approach to Language of the Potsdam School in the German Democratic Republic}, series = {History of Humanities}, volume = {5}, journal = {History of Humanities}, number = {1}, publisher = {The University of Chicago Press Journals}, address = {Chicago}, issn = {2379-3163}, pages = {31 -- 49}, year = {2020}, language = {en} } @article{Prieto2021, author = {Prieto, Julio}, title = {Un dandy de zapatos gastados}, series = {Chasqui : revista de literatura latinoamericana}, volume = {51}, journal = {Chasqui : revista de literatura latinoamericana}, number = {1}, publisher = {Arizona State University}, address = {Tempe}, issn = {0145-8973}, pages = {389 -- 407}, year = {2021}, abstract = {El comienzo podr{\´i}an ser dos im{\´a}genes de Vallejo en Par{\´i}s. La primera la extraigo de la m{\´a}s reciente biograf{\´i}a del escritor peruano, C{\´e}sar Vallejo: A Literary Biography, obra del hispanista brit{\´a}nico Stephen Hart. Refiere Hart que en sus primeros a{\~n}os en Par{\´i}s la situaci{\´o}n de Vallejo era tan precaria que cuando viajaba en tren evitaba descender del vag{\´o}n hasta que no se hubiera detenido del todo para no desgastar su {\´u}nico par de zapatos. En cierta ocasi{\´o}n, yendo con unos amigos y top{\´a}ndose con una acera encharcada por la ruptura de una boca de riego, Vallejo prefiri{\´o} dar media vuelta y despedirse de sus amigos antes que arriesgarse a arruinar sus zapatos atravesando el charco (108). Quisiera contrastar esta imagen, que sintetiza la penuria econ{\´o}mica que marc{\´o} la vida de Vallejo en Par{\´i}s y en general los quince a{\~n}os que pas{\´o} en Europa desde que abandon{\´o} el Per{\´u} en 1923 hasta su muerte en 1938, con la imagen que propone una fotograf{\´i}a (v{\´e}ase Fig. 1). Es una fotograf{\´i}a muy conocida: tomada en 1929 por Juan Domingo C{\´o}rdoba en el curso de un paseo veraniego por Versalles, se ha convertido en una suerte de imagen emblem{\´a}tica, reproducida en numerosas reediciones de la obra de Vallejo. De hecho, lo que a m{\´i} siempre me llam{\´o} la atenci{\´o}n en esta imagen es la pose. La pose, y la elegancia del atuendo. Consideremos por un momento lo atildado del traje, el coqueto pa{\~n}uelo que asoma del bolsillo superior de la chaqueta, el anillo con un {\´a}gata negra engastada en el dedo coraz{\´o}n, el sombrero de fieltro dejado al desgaire en la pierna, el se{\~n}orial bast{\´o}n—o la corbata anudada en pajarita con que aparece en otra fotograf{\´i}a contempor{\´a}nea (v{\´e}ase Fig. 2). Si hubiera que definir en una palabra la elegancia de esa pose, yo dir{\´i}a que es la pose de un dandy. Un dandy de zapatos gastados. En los m{\´u}ltiples transtierros de Vallejo, y en particular en los quince a{\~n}os que vivi{\´o} en Par{\´i}s, coexisten as{\´i} pues la precariedad econ{\´o}mica del emigrante y el cosmopolitismo del viajero culto.}, language = {es} } @book{OPUS4-57691, title = {Linguistic hybridity}, series = {Studia Romanica}, journal = {Studia Romanica}, number = {232}, editor = {Hennemann, Anja and Meisnitzer, Benjamin}, publisher = {Universit{\"a}tsverlag Winter}, address = {Heidelberg}, isbn = {978-3-8253-4936-3}, pages = {229}, year = {2022}, abstract = {This volume deals with different linguistic phenomena representing grammaticalization and lexicalization processes and combines different approaches of contact linguistics and variational linguistics. It contains papers on clitic placement in Angolan Portuguese, on the use of subject pronouns in French, Brazilian Portuguese and Caribbean Spanish, on evidential marking in Paraguayan Spanish, on Paraguayan Guaran{\´i}, on evidentiality in different varieties of Spanish, on discourse markers in Latin America, on modal particles in Italian and their translation into German, on bilingual communities in Southern Brazil, on Spanish-German-Russian language contact and on Romance aspectual periphrases in contact with English progressives.}, language = {en} } @incollection{BoehmHennemannMeisnitzer2022, author = {B{\"o}hm, Ver{\´o}nica Julia and Hennemann, Anja and Meisnitzer, Benjamin}, title = {Language contact and the linguistic coding of evidentiality in varieties of Spanish in Latin America}, series = {Linguistic hybridity: contact-induced and cognitively motivated grammaticalization and lexicalization processes in Romance languages}, booktitle = {Linguistic hybridity: contact-induced and cognitively motivated grammaticalization and lexicalization processes in Romance languages}, publisher = {Universit{\"a}tsverlag Winter}, address = {Heidelberg}, isbn = {978-3-8253-4936-3}, pages = {117 -- 142}, year = {2022}, language = {en} } @incollection{HasslerBoehm2019, author = {Haßler, Gerda and B{\"o}hm, Ver{\´o}nica Julia}, title = {La integraci{\´o}n de la aspectualidad como categor{\´i}a sem{\´a}ntico-funcional en la ling{\"u}{\´i}stica espa{\~n}ola}, series = {Clases y categor{\´i}as en la sem{\´a}ntica del espa{\~n}ol y sus interfaces}, volume = {2019}, booktitle = {Clases y categor{\´i}as en la sem{\´a}ntica del espa{\~n}ol y sus interfaces}, publisher = {De Gruyter}, address = {Berlin, Boston}, isbn = {978-3-11-063362-7}, publisher = {Universit{\"a}t Potsdam}, pages = {195 -- 216}, year = {2019}, language = {de} } @incollection{HennemannMeisnitzer2022, author = {Hennemann, Anja and Meisnitzer, Benjamin}, title = {An introduction to contact-induced and cognitively motivated grammaticalization and lexicalization processes in Romance languages}, series = {Linguistic hybridity: contact-induced and cognitively motivated grammaticalization and lexicalization processes in Romance languages}, booktitle = {Linguistic hybridity: contact-induced and cognitively motivated grammaticalization and lexicalization processes in Romance languages}, publisher = {Heidelberg}, address = {Universit{\"a}tsverlag Winter}, isbn = {978-3-8253-4936-3}, pages = {7 -- 13}, year = {2022}, language = {en} } @article{Prieto2021, author = {Prieto, Julio}, title = {'La poes{\´i}a no da para tanto'}, series = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool}, volume = {98}, journal = {Bulletin of Hispanic studies : a record and review of their progress / The University of Liverpool}, number = {1}, publisher = {Liverpool Univ. Press}, address = {Liverpool}, issn = {1475-3839}, doi = {10.3828/bhs.2021.5}, pages = {67 -- 86}, year = {2021}, abstract = {This article focuses on the unique combination of poetry, fiction and autobiography that distinguishes Lorenzo Garcia Vega's recent work. Through a reading of this work and, in particular, of the 'bad novel', Devastacion del Hotel San Luis (2007), a rethinking of the concept of autofiction is proposed, based on Benveniste's linguistic analysis of enunciation modes and on a revision of Kate Hamburger's theory of literary genres. My reading situates the question of autofiction in this author in the context of his conflictive dialogue with the group Origenes, tracing the mixture of narrative and lyrical modes of autofiguration in Garcia Vega's unique project: rewriting both Proust's autobiographic narrative and Lezama's neobaroque poetics.}, language = {es} } @misc{Prieto2017, author = {Prieto, Julio}, title = {El concepto de intermedialidad}, series = {Pasavento : revista de estudios hisp{\´a}nicos}, volume = {5}, journal = {Pasavento : revista de estudios hisp{\´a}nicos}, publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones}, address = {Madrid}, issn = {2255-4505}, pages = {7 -- 18}, year = {2017}, language = {es} } @article{AmatuzziAyresBennettGerstenbergetal.2020, author = {Amatuzzi, Antonella and Ayres-Bennett, Wendy and Gerstenberg, Annette and Schosler, Lene and Skupien-Dekens, Carine}, title = {Changement linguistique et p{\´e}riodisation du fran{\c{c}}ais (pr{\´e})classique}, series = {Journal of French language studies}, volume = {30}, journal = {Journal of French language studies}, number = {3}, publisher = {Cambridge Univ. Press}, address = {Cambridge}, issn = {0959-2695}, doi = {10.1017/S0959269520000058}, pages = {301 -- 326}, year = {2020}, abstract = {RESUME Cette etude propose d'explorer et d'identifier des moments particuliers oU le changement linguistique se produit, afin de confirmer ou de rejeter l'idee d'une periode specifique designee par le terme << francais preclassique >>, avec une rupture - ou frontiere chronolectale - detectable autour de 1630 (cf. Ayres-Bennett et Caron, 2016). Afin de verifier dans quelle mesure cette chronologie peut etre confirmee, il est necessaire de multiplier des analyses fines et pointues sur des traits linguistiques qui ont subi des changements a l'epoque en question et d'interroger une gamme de textes qui refletent la variation discursive et pragmatique, au lieu de consulter le canon des traditions textuelles actuellement disponibles sur des bases numerisees, qui sont essentiellement litteraires. C'est pourquoi nous avons consulte des sources de nature differente, qui pourraient attester des usages emergents, a savoir les corpus du Reseau Corpus Francais Preclassique et Classique (RCFC). Seront presentes les resultats de deux etudes de cas (la recategorisation des formes dedans/dessous/dessus/dehors et la montee des clitiques), abondamment discutes par les remarqueurs.}, language = {fr} } @article{Hassler2022, author = {Hassler, Gerda}, title = {Jos{\´e} Jes{\´u}s G{\´o}mez Asencio (4.5.1953 - 20.3.2022)}, series = {Beitr{\"a}ge zur Geschichte der Sprachwissenschaft}, volume = {16}, journal = {Beitr{\"a}ge zur Geschichte der Sprachwissenschaft}, number = {32/2}, publisher = {Nodus-Publ.}, address = {M{\"u}nster}, issn = {0939-2815}, pages = {131 -- 136}, year = {2022}, language = {de} } @article{Minnes2020, author = {Minnes, Mark}, title = {M{\´a}s all{\´a} de la oscuridad}, series = {RILCE : revista de filolog{\´i}a hisp{\´a}nica obalizaci{\´o}n moderna}, volume = {36}, journal = {RILCE : revista de filolog{\´i}a hisp{\´a}nica obalizaci{\´o}n moderna}, number = {1}, publisher = {Ediciones Universidad de Navarra}, address = {Pamplona}, issn = {0213-2370}, doi = {10.15581/008.36.1.387-406}, pages = {387 -- 406}, year = {2020}, abstract = {En los {\´u}ltimos a{\~n}os, la cr{\´i}tica ha vuelto a enfatizar el v{\´i}nculo de la escritura gongorina la {\´e}pica y los subg{\´e}neros denominados "heroicos" (Mercedes Blanco, Jes{\´u}s Ponce C{\´a}rdenas). Esta nueva perspectiva significa un cambio importante respecto a la recepci{\´o}n del poeta instaurada por la Generaci{\´o}n del 27 y en particular por D{\´a}maso Alonso. Limit{\´a}ndose a las Soledades de G{\´o}ngora, el presente art{\´i}culo explora las consecuencias de este nuevo paradigma, m{\´a}s all{\´a} de un G{\´o}ngora puramente l{\´i}rico. Metodol{\´o}gicamente, proponemos dejar atr{\´a}s la dial{\´e}ctica idealista o marxista de forma-contenido (la ideolog{\´i}a de la forma de Fredric Jameson), por considerarla un enfoque anacr{\´o}nico en el caso de G{\´o}ngora. Sin embargo, encontramos un acercamiento filol{\´o}gico viable en el compromiso de la forma del temprano Barthes, que trata de esquivar la dial{\´e}ctica de forma-contenido y volver a un gesto de escritura ({\´e}criture). La hip{\´o}tesis del presente art{\´i}culo ser{\´i}a, pues, que no se ha reflexionado suficientemente sobre el gesto de la escritura gongorina en las Soledades: una escritura que piratea el lenguaje {\´e}pico.}, language = {es} } @article{Gwozdz2020, author = {Gwozdz, Patricia Aneta}, title = {Autopoiesis als Modell interdiskursive Selbst{\"u}bersetzung}, series = {Selbst{\"u}bersetzung als Wissenstransfer}, journal = {Selbst{\"u}bersetzung als Wissenstransfer}, editor = {Willer, Stefan and Keller, Andreas}, publisher = {Kadmos}, address = {Berlin}, isbn = {978-3-86599-467-7}, pages = {279 -- 302}, year = {2020}, language = {de} } @article{Gwozdz2021, author = {Gwozdz, Patricia Aneta}, title = {Das klinische Tagebuch}, series = {Psychotherapie zwischen Klinik und Kulturkritik : Reflexionen einer Kultur des Therapeutischen}, journal = {Psychotherapie zwischen Klinik und Kulturkritik : Reflexionen einer Kultur des Therapeutischen}, editor = {Edinger, Sebastian and Anderson, Inga}, publisher = {Psychosozial}, address = {Gießen}, isbn = {978-3-8379-2883-9}, pages = {115 -- 142}, year = {2021}, language = {de} } @incollection{Hassler2021, author = {Haßler, Gerda}, title = {L'ellipse - un principe d'explication syntaxique et pragmatique dans l'histoire de la linguistique et dans des th{\´e}ories modernes}, series = {R{\´e}duction - densification - {\´e}lision. Formes r{\´e}duites et leurs fonctions}, volume = {2021}, booktitle = {R{\´e}duction - densification - {\´e}lision. Formes r{\´e}duites et leurs fonctions}, publisher = {Nodus}, address = {M{\"u}nster}, isbn = {978-3-89323-025-9}, publisher = {Universit{\"a}t Potsdam}, pages = {125 -- 141}, year = {2021}, language = {fr} } @incollection{Hassler2021, author = {Haßler, Gerda}, title = {L'expression de l'{\´e}vidence directe en fran{\c{c}}ais}, series = {De la diachronie {\`a} la synchronie et vice versa. M{\´e}langes offerts {\`a} Annie Bertin par ses {\´e}tudiants et ses amis en remerciement pour son apport aux {\´e}tudes diachroniques}, booktitle = {De la diachronie {\`a} la synchronie et vice versa. M{\´e}langes offerts {\`a} Annie Bertin par ses {\´e}tudiants et ses amis en remerciement pour son apport aux {\´e}tudes diachroniques}, publisher = {Presses universitaires Savoie Mont Blanc}, address = {Savoie}, isbn = {978-2-37741-069-9}, pages = {423 -- 440}, year = {2021}, language = {fr} } @book{OPUS4-53581, title = {Manuel des modes et modalit{\´e}s}, series = {Manuals of Romance Linguistics ; 29}, journal = {Manuals of Romance Linguistics ; 29}, editor = {Haßler, Gerda}, publisher = {de Gruyter GmbH}, address = {Berlin}, isbn = {978-3-11-054927-0}, pages = {X, 690}, year = {2022}, abstract = {Modality refers to the attitudes a speaker can adopt toward the propositional content of an utterance including, among others, possibility and necessity. After introducing different theoretical perspectives on this concept, this manual presents the markers of modality (moods, modal verbs, adverbs) in Romance languages. It also addresses diachronic questions and the overlaps between modality and other grammatical categories.}, language = {fr} } @misc{Hassler2022, author = {Hassler, Gerda}, title = {Rezension zu: Wilhelm von Humboldt: Einleitende und vergleichende amerikanische Arbeiten [Introductory and Comparative American Works] / Edited by Manfred Ringmacher with the collaboration of Ute Tintemann, and with contributions by Jenne Klimp \& Frank Zimmer. - Paderborn: Ferdinand Sch{\"o}ningh, 2016. - viii, 496 pp. - (Wilhelm von Humboldt Schriften zur Sprachwissenschaft, 3.1). - ISBN 978-3-506-78416-2}, series = {Historiographia Linguistica}, volume = {48}, journal = {Historiographia Linguistica}, number = {2-3}, publisher = {Benjamins}, address = {Amsterdam}, issn = {1569-9781}, doi = {10.1075/hl.00090.has}, pages = {323 -- 331}, year = {2022}, language = {en} }