@article{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Ein Schierlingsbecher oder ein Sprung ins Barathron?},
  series = {Historische Zeitschrift : HZ},
  volume    = {312},
  journal   = {Historische Zeitschrift : HZ},
  number    = {2},
  publisher = {De Gruyter},
  address   = {Berlin},
  issn      = {0018-2613},
  doi       = {10.1515/hzhz-2021-0007},
  pages     = {295 -- 331},
  year      = {2021},
  abstract  = {Der Aufsatz behandelt die drei unterschiedlichen Hinrichtungsformen, die im 5. und 4. Jahrhundert v. Chr. in Athen angedroht wurden: apotympanism{\´o}s, Sturz ins Barathron und Schierling. Eine solche Untersuchung verspricht reichen Aufschluss {\"u}ber die demokratische Ideologie, die entsprechenden Diskurse und ihre stetige Verst{\"a}rkung durch Prozesse und Bestrafungen. Der Aufsatz vertritt dabei die These, dass eine chronologische Analyse dieser Hinrichtungsformen einen wichtigen und bisher unerforschten Beitrag zur Debatte {\"u}ber Kontinuit{\"a}t und Diskontinuit{\"a}t in der athenischen Demokratie vor und nach der Tyrannis der Dreißig leisten kann. Er zeigt, dass die Formen, in denen die Todesstrafe angedroht wurde, das Ausmaß der {\"A}nderungen in den Diskursen in der und {\"u}ber die athenische Demokratie nach der Niederlage im Peloponnesischen Krieg erkennen l{\"a}sst. Die Unterschiede in den Exekutionsformen k{\"o}nnen einen wichtigen Beitrag zum Verst{\"a}ndnis der Verschiebung des Begriffes der „Gleichheit" vom 5. ins 4. Jahrhundert v. Chr. leisten.},
  language  = {de}
}
@article{CarlaUhink2019,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {(Re-)Founding Italy: The Social War, Its Aftermath and the Construction of a Roman-Italic Identity in the Roman Republic},
  series = {History in Flux: Journal of the Department of History, Faculty of Humanities, Juraj Dobrila University of Pula},
  volume    = {1},
  journal   = {History in Flux: Journal of the Department of History, Faculty of Humanities, Juraj Dobrila University of Pula},
  number    = {1},
  doi       = {10.32728/flux.2019.1.1},
  pages     = {3 -- 19},
  year      = {2019},
  abstract  = {The Social War (91-88 BCE) is one of the most significant episodes in Roman history: from this war, in which Rome fought against her Italic allies, emerged the elite that would lead the Republic in the last decades of its existence and that would provide the senatorial aristocracy of the early imperial age. The Italic rebels were defeated militarily, yet they achieved their political aims. As such, this war - and its elaboration and memorialization in Roman cultural memory - provides a very interesting case study about how "victory" and "defeat" are constructed discursively after a disruptive war, and how its narration is "functionalized" for a re-foundation of the civic body.},
  language  = {en}
}
@article{CarlaUhink2020,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Die Tabula Traiana und Drăgans Decebalus: symbolische Auseinandersetzungen zwischen Serbien und Rum{\"a}nien an der Donau},
  series = {thersites},
  volume    = {2019},
  journal   = {thersites},
  number    = {10},
  doi       = {10.34679/thersites.vol10.101},
  pages     = {94 -- 127},
  year      = {2020},
  abstract  = {Since 2004 a giant portrait of the ancient Dacian king Decebalus can be seen by people visiting the Đerdap national park in Serbia or sailing along the Danube. The location is carefully chosen: the ancient king is located on the other side of the river, within the Romanian Parcul Natural Porțile de Fier, but is carved in the rock so to look in the direction from where, at the beginning of the 2nd century CE, the Romans came to move war to him and his people. Not by chance, on the Serbian side of the river and not far away from the sculpture is the Tabula Traiana, a Roman inscription celebrating the opening of the Roman road leading here in 100 CE. This article moves from the role of ancient Rome in the historical cultures and national identities of the two countries facing each other here, Serbia and Romania, in order to explain how the Romans represented a 'contested identity' and therefore why, at the end of the 20th century, the Romanian nationalistic millionaire G. C. Drăgan decided to invest a humongous quantity of money in the realization of the sculpture of Decebalus.},
  language  = {de}
}
@article{CarlaUhinkGori2020,
  author    = {Carl{\`a}-Uhink, Filippo and Gori, Maja},
  title     = {Preface},
  series = {thersites 10: Modern Identities and Classical Antiquity},
  volume    = {2019},
  journal   = {thersites 10: Modern Identities and Classical Antiquity},
  number    = {10},
  doi       = {10.34679/thersites.vol10.159},
  pages     = {i -- vi},
  year      = {2020},
  language  = {en}
}
@article{CarlaUhinkFreitag2022,
  author    = {Carl{\`a}-Uhink, Filippo and Freitag, Florian},
  title     = {Theme Park Imitations},
  series = {Cultural History},
  volume    = {11},
  journal   = {Cultural History},
  number    = {2},
  publisher = {Edinburgh University Press},
  address   = {Edinburgh},
  issn      = {2045-290X},
  doi       = {10.3366/cult.2022.0267},
  pages     = {181 -- 198},
  year      = {2022},
  abstract  = {Theme parks frequently draw not only on historical themes, from antiquity to the roaring twenties, but also on their own history - that is, the history of the medium of the theme park itself. This article uses the example of the Happy World ride at Happy Valley Beijing (China) to discuss theme park imitations, that is, the fact that theme parks frequently borrow individual elements (themes, technologies, visuals, layouts, names) and/or entire units (rides, restaurants, themed areas) from each other. Opened in 2014 in the Greek-themed Aegean Harbour section of Happy Valley Beijing, Happy World may upon first sight look like an almost exact copy of Disney's 'it's a small world' (opened at Disneyland in California in 1966) but turns out to be, upon closer examination, a complex refunctionalization of central elements of 'it's a small world' that establishes meaningful connections between (ancient) Greece and the city of Beijing via the theme of the Olympic Games: drawing on the origins of 'it's a small world' in the 1964-5 New York World's Fair and the latter's motto of 'Peace through Understanding', Happy World takes visitors on a journey from the ancient Olympiad to contemporary Beijing (the site of the 2008 Summer and the 2022 Winter Olympic Games) to offer a theme park rendition of the 2008 Olympic torch relay as an homage to 'the spirit [of peace, respect, and friendship] in the people's [sic] of the world'.},
  language  = {en}
}
@article{CarlaUhink2020,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Galliena Augusta e Sol Invicta},
  series = {Annali dell'Istituto Italiano di Numismatica},
  volume    = {2019},
  journal   = {Annali dell'Istituto Italiano di Numismatica},
  number    = {65},
  publisher = {Istituto Italiano di Numismatica},
  address   = {Roma},
  pages     = {143 -- 165},
  year      = {2020},
  abstract  = {This article examines two series of coins that are characterized by a common violation of the gender roles and gender boundaries dominating in the Roman imperial society: the coins GALLIENAE AVGVSTAE minted for the emperor Gallienus and those with legend SOLI INVICTAE minted in the time of Maximinus Daza. These emissions are here inserted into the broader context of Roman mentalities and discourses surrounding gender, gender boundaries and their violations, that always appear to be a special prerogative pertaining to the divine.},
  language  = {it}
}
@article{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Ein Schierlingsbecher oder ein Sprung ins Barathron?},
  series = {Historische Zeitschrift},
  volume    = {321},
  journal   = {Historische Zeitschrift},
  number    = {2},
  publisher = {De Gruyter},
  address   = {Berlin},
  doi       = {https://doi.org/10.1515/hzhz-2021-0007},
  pages     = {296 -- 331},
  year      = {2021},
  abstract  = {Der Aufsatz behandelt die drei unterschiedlichen Hinrichtungsformen, die im 5. und 4. Jahrhundert v. Chr. in Athen angedroht wurden: apotympanism{\´o}s , Sturz ins Barathron und Schierling. Eine solche Untersuchung verspricht reichen Aufschluss {\"u}ber die demokratische Ideologie, die entsprechenden Diskurse und ihre stetige Verst{\"a}rkung durch Prozesse und Bestrafungen. Der Aufsatz vertritt dabei die These, dass eine chronologische Analyse dieser Hinrichtungsformen einen wichtigen und bisher unerforschten Beitrag zur Debatte {\"u}ber Kontinuit{\"a}t und Diskontinuit{\"a}t in der athenischen Demokratie vor und nach der Tyrannis der Dreißig leisten kann. Er zeigt, dass die Formen, in denen die Todesstrafe angedroht wurde, das Ausmaß der {\"A}nderungen in den Diskursen in der und {\"u}ber die athenische Demokratie nach der Niederlage im Peloponnesischen Krieg erkennen l{\"a}sst. Die Unterschiede in den Exekutionsformen k{\"o}nnen einen wichtigen Beitrag zum Verst{\"a}ndnis der Verschiebung des Begriffes der „Gleichheit" vom 5. ins 4. Jahrhundert v. Chr. leisten.},
  language  = {de}
}
@article{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Das Forum Romanum von den P{\"a}psten bis zur Gr{\"u}ndung der Republik Italien.},
  series = {Potsdamer Lateintage 2018 - 2020},
  journal   = {Potsdamer Lateintage 2018 - 2020},
  editor    = {Forst, Alexandra},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-510-1},
  issn      = {1860-5206},
  doi       = {10.25932/publishup-53347},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-533474},
  pages     = {79 -- 116},
  year      = {2021},
  language  = {de}
}
@article{CarlaUhink2021,
  author    = {Carl{\`a}-Uhink, Filippo},
  title     = {Interview with Alana Jelinek},
  series = {thersites 12},
  volume    = {2020},
  journal   = {thersites 12},
  number    = {12},
  editor    = {Rollinger, Christian},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol12.163},
  pages     = {95 -- 103},
  year      = {2021},
  abstract  = {Alana Jelinek is an art historian and artist — "an artist making art, and also writing about art", in her words — , a former European Research Council artist in residence at the Museum of Anthropology and Archaeology at the University of Cambridge, and currently teaching in the School of Creative Arts at the University of Hertfordshire. Her art has revolved mostly around the issues of post- and neocolonialism and their connections with neoliberalism — a more implicit topic in her works from the 1990s on the "tourist gaze" developed into an interest in museums, collecting and ethnography throughout the past two decades. In this interview, she talks to thersites about the role of classical heritage and ancient art in her own work.},
  language  = {en}
}
@article{UncetaGomezCarlaUhinkFreitag2022,
  author    = {Unceta G{\´o}mez, Luis and Carl{\`a}-Uhink, Filippo and Freitag, Florian},
  title     = {De h{\´e}roes y efebos. El mundo cl{\´a}sico en la fotograf{\´i}a de desnudo masculino contempor{\´a}neo. Entrevista a Carmelo Bl{\´a}zquez},
  series = {thersites 14},
  volume    = {2022},
  journal   = {thersites 14},
  number    = {14},
  editor    = {Amb{\"u}hl, Annemarie and Carl{\`a}-Uhink, Filippo and Rollinger, Christian and Walde, Christine},
  issn      = {2364-7612},
  doi       = {10.34679/thersites.vol14.208},
  pages     = {103 -- 120},
  year      = {2022},
  abstract  = {Entrevista a Carmelo Bl{\´a}zquez, fot{\´o}grafo especializado en fotograf{\´i}a de desnudo masculino, que trabaja con motivos y modelos procedentes de la Antig{\"u}edad grecolatina.},
  language  = {es}
}