@unpublished{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85548},
  pages     = {9},
  year      = {2009},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Recollecting Bones},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103278},
  pages     = {20},
  year      = {2016},
  abstract  = {In the same "guarded, roundabout and reticent way" which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy's words, "the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism's intellectual, ethical and scientific pre-history" (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.},
  language  = {en}
}
@misc{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {119},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393},
  pages     = {13},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103196},
  pages     = {17},
  year      = {2016},
  abstract  = {On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of W{\"u}nsdorf some 40 kilometres south of the city.},
  language  = {en}
}
@unpublished{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in music and the music of unbelonging in Richard Powers's The Time of Our Singing},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85584},
  pages     = {10},
  year      = {2005},
  language  = {en}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59422},
  year      = {2008},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59201},
  year      = {2009},
  abstract  = {Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips's dialogic imagination Literary imagination and the Zong Massacre: Fred D'Aguiar and David Dabydeen Perspectives},
  language  = {en}
}
@misc{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {M.I.A.'s "Born Free" and the ambivalent politics of authenticity and provocation},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59236},
  year      = {2010},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Postcolonial Piracy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103307},
  year      = {2016},
  abstract  = {Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.},
  language  = {en}
}
@article{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips},
  isbn      = {978-3-8260-3769-6},
  year      = {2007},
  language  = {en}
}
@book{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Re-Membering the Black Atlantic : on the poetics and politics of literary memory},
  series = {Cross cultures},
  volume    = {84},
  journal   = {Cross cultures},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {94-420-1958-1},
  pages     = {XVI, 289 S.},
  year      = {2006},
  language  = {en}
}
@book{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {English literatures across the globe : a companion},
  series = {UTB : Literaturwissenschaft},
  volume    = {8345},
  journal   = {UTB : Literaturwissenschaft},
  publisher = {Fink},
  address   = {Paderborn},
  isbn      = {978-3-4252-9},
  pages     = {360 S.},
  year      = {2007},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Reading song lyrics},
  series = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  volume    = {137},
  journal   = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {978-90-420-3035-0},
  pages     = {291 S.},
  year      = {2010},
  language  = {en}
}
@book{EcksteinDengelJanic2008,
  author    = {Eckstein, Lars and Dengel-Janic, Ellen},
  title     = {Bridehood revisited : disarming concepts of gender and culture in recent asian british film},
  isbn      = {978-90-420-2497-7},
  year      = {2008},
  language  = {en}
}
@article{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing"},
  isbn      = {978-3-88476-772- 6},
  year      = {2005},
  language  = {en}
}
@article{EcksteinLeypoldt2007,
  author    = {Eckstein, Lars and Leypoldt, G{\"u}nter},
  title     = {T.S. Eliot and the transcultural sublime},
  isbn      = {978-3-88476-976-8},
  year      = {2007},
  language  = {en}
}
@article{EcksteinReinfandt2003,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu},
  year      = {2003},
  language  = {en}
}
@article{EcksteinReinfandt2009,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The adventures of William Bloke, or : romanticism today and how it got here},
  year      = {2009},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {Agnew, V., Enlightenment Orpheus: the Power of Music in Other Worlds; New York, Oxford Univ. Press, 2008},
  year      = {2011},
  language  = {en}
}
@article{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {On dancing about architecture : words and music between cultural practise and transcendence},
  year      = {2006},
  language  = {en}
}