@article{Eckstein2011, author = {Eckstein, Lars}, title = {Gegen den Strich : Shakespeares Caliban und das exotische Imagin{\"a}re in der britischen Malerei des 18. und 19. Jahrhunderts}, isbn = {978-3-89971-877-5}, year = {2011}, language = {de} } @article{Eckstein2007, author = {Eckstein, Lars}, title = {Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips}, isbn = {978-3-8260-3769-6}, year = {2007}, language = {en} } @article{Eckstein2005, author = {Eckstein, Lars}, title = {Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing"}, isbn = {978-3-88476-772- 6}, year = {2005}, language = {en} } @article{Eckstein2012, author = {Eckstein, Lars}, title = {Spiel mit der Angst : Britischer Hip Hop nach 9/11}, isbn = {978-3-8376-1728-3}, year = {2012}, language = {de} } @article{Eckstein2005, author = {Eckstein, Lars}, title = {Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration}, year = {2005}, language = {en} } @article{Eckstein2007, author = {Eckstein, Lars}, title = {Introduction}, isbn = {978-3-8252-8345-2}, year = {2007}, language = {en} } @article{Eckstein2001, author = {Eckstein, Lars}, title = {Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory}, year = {2001}, language = {en} } @article{Eckstein2003, author = {Eckstein, Lars}, title = {Caribbean - English Passages: Intertextuality in a Postcolonial Tradition}, year = {2003}, language = {en} } @article{Eckstein2001, author = {Eckstein, Lars}, title = {Getting back to the idea of art as art : an interview with David Dabydeen}, year = {2001}, language = {en} } @article{Eckstein2001, author = {Eckstein, Lars}, title = {The insistence of voices : an interview with Caryl Phillips}, year = {2001}, language = {en} } @article{Eckstein2009, author = {Eckstein, Lars}, title = {"Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores}, isbn = {978-3-86821-141-2}, year = {2009}, language = {en} } @article{Eckstein2010, author = {Eckstein, Lars}, title = {Think global sell global : magical realism, the Whale Rider and the Market}, isbn = {978-90-420-3226-2}, year = {2010}, language = {en} } @article{Eckstein2009, author = {Eckstein, Lars}, title = {Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting}, isbn = {978-3-86821-194-8}, year = {2009}, language = {en} } @article{Eckstein2012, author = {Eckstein, Lars}, title = {Karibikreisen um 1800 im Ged{\"a}chtnis der Literatur}, isbn = {978-3-89975-272-4}, year = {2012}, language = {de} } @article{Eckstein2012, author = {Eckstein, Lars}, title = {"We're destroyed if we mix : and we're destroyed if we don't" : indigeneity in the modern world system and the politics of tricksterese in Pauline Melville's the ventriloquist's tale}, isbn = {978-3-938944- 60-8}, year = {2012}, language = {en} } @article{Eckstein2015, author = {Eckstein, Lars}, title = {Maps drawn on the sand: of mimicry and depropriation on Ludwig Leichhardt's second Australian expedition}, series = {Journal of Australian studies}, volume = {39}, journal = {Journal of Australian studies}, number = {4}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1444-3058}, doi = {10.1080/14443058.2015.1076024}, pages = {512 -- 528}, year = {2015}, abstract = {In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive.}, language = {en} } @article{Eckstein2018, author = {Eckstein, Lars}, title = {Recollecting bones}, series = {Postcolonial Studies}, volume = {21}, journal = {Postcolonial Studies}, number = {1}, publisher = {Routledge, Taylor \& Francis Group}, address = {Abingdon}, issn = {1368-8790}, doi = {10.1080/13688790.2018.1435146}, pages = {6 -- 19}, year = {2018}, abstract = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific 'disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.}, language = {en} } @article{Eckstein2016, author = {Eckstein, Lars}, title = {Sound matters: postcolonial critique for a viral age}, series = {Atlantic studies : literary, cultural and historical perspectives}, volume = {13}, journal = {Atlantic studies : literary, cultural and historical perspectives}, publisher = {American Geophysical Union}, address = {Abingdon}, issn = {1478-8810}, doi = {10.1080/14788810.2016.1216222}, pages = {445 -- 456}, year = {2016}, abstract = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.}, language = {en} } @article{Eckstein2018, author = {Eckstein, Lars}, title = {Recollecting bones}, volume = {21}, number = {1}, publisher = {Taylor \& Francis}, address = {London}, issn = {1368-8790}, doi = {10.1080/13688790.2018.1435146}, pages = {6 -- 19}, year = {2018}, abstract = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific 'disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.}, language = {en} } @article{Eckstein2019, author = {Eckstein, Lars}, title = {Lyrics als Paradigma einer anderen Moderne: M.I.A.s 'Galang'}, series = {Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft}, journal = {Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft}, publisher = {Wallenstein}, address = {G{\"o}ttingen}, isbn = {978-3-8353-3381-9}, pages = {173 -- 192}, year = {2019}, language = {de} }