@unpublished{EcksteinHurley2020,
  author    = {Eckstein, Lars and Hurley, Andrew Wright},
  title     = {German-Australian Colonial Entanglements},
  doi       = {10.25932/publishup-44449},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-444490},
  pages     = {30},
  year      = {2020},
  abstract  = {Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook's voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds - ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.},
  language  = {en}
}
@misc{Eckstein2018,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  series = {Postcolonial Studies},
  journal   = {Postcolonial Studies},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-413654},
  pages     = {15},
  year      = {2018},
  abstract  = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.},
  language  = {en}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {The making of Tupaia's map},
  series = {The journal of pacific history},
  volume    = {54},
  journal   = {The journal of pacific history},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {London},
  issn      = {0022-3344},
  doi       = {10.1080/00223344.2018.1512369},
  pages     = {1 -- 95},
  year      = {2019},
  abstract  = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.},
  language  = {en}
}
@misc{BarrettEcksteinHurleyetal.2018,
  author    = {Barrett, Lindsay and Eckstein, Lars and Hurley, Andrew Wright and Schwarz, Anja},
  title     = {Remembering German-Australian colonial entanglement},
  series = {Postcolonial studies : culture, politics, economy},
  volume    = {21},
  journal   = {Postcolonial studies : culture, politics, economy},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1368-8790},
  doi       = {10.1080/13688790.2018.1443671},
  pages     = {1 -- 5},
  year      = {2018},
  language  = {en}
}
@unpublished{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Performing jazz, defying essence},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85574},
  pages     = {15},
  year      = {2006},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Monk Lewis's Timour the Tartar, grand romantic orientalism and imperial melancholy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85503},
  pages     = {23},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Politics of passion and the production of human illegality},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85512},
  pages     = {20},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think local sell global},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85537},
  pages     = {12},
  year      = {2010},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Filming illegals},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85491},
  pages     = {13},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {'We're destroyed if we mix. And we're destroyed if we don't'},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85529},
  pages     = {11},
  year      = {2012},
  language  = {en}
}
@unpublished{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85548},
  pages     = {9},
  year      = {2009},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Recollecting Bones},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103278},
  pages     = {20},
  year      = {2016},
  abstract  = {In the same "guarded, roundabout and reticent way" which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy's words, "the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism's intellectual, ethical and scientific pre-history" (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.},
  language  = {en}
}
@misc{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {119},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393},
  pages     = {13},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103196},
  pages     = {17},
  year      = {2016},
  abstract  = {On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of W{\"u}nsdorf some 40 kilometres south of the city.},
  language  = {en}
}
@unpublished{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in music and the music of unbelonging in Richard Powers's The Time of Our Singing},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85584},
  pages     = {10},
  year      = {2005},
  language  = {en}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59422},
  year      = {2008},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59201},
  year      = {2009},
  abstract  = {Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips's dialogic imagination Literary imagination and the Zong Massacre: Fred D'Aguiar and David Dabydeen Perspectives},
  language  = {en}
}
@misc{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {M.I.A.'s "Born Free" and the ambivalent politics of authenticity and provocation},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59236},
  year      = {2010},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Postcolonial Piracy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103307},
  year      = {2016},
  abstract  = {Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.},
  language  = {en}
}
@article{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips},
  isbn      = {978-3-8260-3769-6},
  year      = {2007},
  language  = {en}
}
@book{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Re-Membering the Black Atlantic : on the poetics and politics of literary memory},
  series = {Cross cultures},
  volume    = {84},
  journal   = {Cross cultures},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {94-420-1958-1},
  pages     = {XVI, 289 S.},
  year      = {2006},
  language  = {en}
}
@book{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {English literatures across the globe : a companion},
  series = {UTB : Literaturwissenschaft},
  volume    = {8345},
  journal   = {UTB : Literaturwissenschaft},
  publisher = {Fink},
  address   = {Paderborn},
  isbn      = {978-3-4252-9},
  pages     = {360 S.},
  year      = {2007},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Reading song lyrics},
  series = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  volume    = {137},
  journal   = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {978-90-420-3035-0},
  pages     = {291 S.},
  year      = {2010},
  language  = {en}
}
@book{EcksteinDengelJanic2008,
  author    = {Eckstein, Lars and Dengel-Janic, Ellen},
  title     = {Bridehood revisited : disarming concepts of gender and culture in recent asian british film},
  isbn      = {978-90-420-2497-7},
  year      = {2008},
  language  = {en}
}
@article{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing"},
  isbn      = {978-3-88476-772- 6},
  year      = {2005},
  language  = {en}
}
@article{EcksteinLeypoldt2007,
  author    = {Eckstein, Lars and Leypoldt, G{\"u}nter},
  title     = {T.S. Eliot and the transcultural sublime},
  isbn      = {978-3-88476-976-8},
  year      = {2007},
  language  = {en}
}
@article{EcksteinReinfandt2003,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu},
  year      = {2003},
  language  = {en}
}
@article{EcksteinReinfandt2009,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The adventures of William Bloke, or : romanticism today and how it got here},
  year      = {2009},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {Agnew, V., Enlightenment Orpheus: the Power of Music in Other Worlds; New York, Oxford Univ. Press, 2008},
  year      = {2011},
  language  = {en}
}
@article{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {On dancing about architecture : words and music between cultural practise and transcendence},
  year      = {2006},
  language  = {en}
}
@misc{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The cultural validity of music in contemporary fiction},
  series = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)},
  volume    = {54.2006,1},
  journal   = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)},
  publisher = {K{\"o}nigshausen u. Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {3-8260-3365-5},
  pages     = {vi + 112 S.},
  year      = {2006},
  language  = {en}
}
@article{EcksteinKortePirkeretal.2008,
  author    = {Eckstein, Lars and Korte, Barbara and Pirker, Ulrike and Reinfandt, Christoph},
  title     = {A divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millenium},
  isbn      = {978-90-420-2497-7},
  year      = {2008},
  language  = {en}
}
@article{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration},
  year      = {2005},
  language  = {en}
}
@article{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Introduction},
  isbn      = {978-3-8252-8345-2},
  year      = {2007},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2003,
  author    = {Eckstein, Lars},
  title     = {Caribbean - English Passages: Intertextuality in a Postcolonial Tradition},
  year      = {2003},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {Getting back to the idea of art as art : an interview with David Dabydeen},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {The insistence of voices : an interview with Caryl Phillips},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {"Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores},
  isbn      = {978-3-86821-141-2},
  year      = {2009},
  language  = {en}
}
@article{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think global sell global : magical realism, the Whale Rider and the Market},
  isbn      = {978-90-420-3226-2},
  year      = {2010},
  language  = {en}
}
@article{EcksteinLutz2001,
  author    = {Eckstein, Lars and Lutz, Andrea},
  title     = {Literary missions and global ethic},
  isbn      = {3-86057-741-7},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting},
  isbn      = {978-3-86821-194-8},
  year      = {2009},
  language  = {en}
}
@article{EcksteinKraemer2011,
  author    = {Eckstein, Lars and Kr{\"a}mer, Lucia},
  title     = {Introduction : postcolonial media cultures},
  isbn      = {978-3- 86821-332-4},
  year      = {2011},
  language  = {en}
}
@book{EcksteinKortePinkeretal.2008,
  author    = {Eckstein, Lars and Korte, Barbara and Pinker, Ulrike and Reinfandt, Christoph},
  title     = {Multi-ethnic Britain 2000+ : new perspectives in literature, film and the arts},
  series = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  volume    = {121},
  journal   = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam, New York},
  isbn      = {978-90-420-2497-7},
  pages     = {v + 427 S.},
  year      = {2008},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {The Culture of Lyrics},
  isbn      = {978-3-868212-259-4},
  year      = {2010},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {The white backlash: conservatisms in contemporary british writing},
  publisher = {Hard Times},
  address   = {Berlin},
  issn      = {0171-1695},
  pages     = {47},
  year      = {2011},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Witi Ihimaera, The Whale Rider},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {en}
}
@article{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {"We're destroyed if we mix : and we're destroyed if we don't" : indigeneity in the modern world system and the politics of tricksterese in Pauline Melville's the ventriloquist's tale},
  isbn      = {978-3-938944- 60-8},
  year      = {2012},
  language  = {en}
}
@article{EcksteinSchwarz2012,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Oceanic modernity : indigeneity, globality and cultural translation},
  isbn      = {978-8-48-489670-8},
  year      = {2012},
  language  = {en}
}
@misc{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Alder, E., Hauck, D., Music and Literature: Music in the Works of Anthony Burgess and E.M. Forster - An Interdisciplinary Study; T{\"u}bingen, Francke, 2005},
  year      = {2006},
  language  = {en}
}