@unpublished{EcksteinHurley2020,
  author    = {Eckstein, Lars and Hurley, Andrew Wright},
  title     = {German-Australian Colonial Entanglements},
  doi       = {10.25932/publishup-44449},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-444490},
  pages     = {30},
  year      = {2020},
  abstract  = {Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook's voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds - ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.},
  language  = {en}
}
@misc{Eckstein2018,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  series = {Postcolonial Studies},
  journal   = {Postcolonial Studies},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-413654},
  pages     = {15},
  year      = {2018},
  abstract  = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.},
  language  = {en}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {V.S. Reid},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {The making of Tupaia's map},
  series = {The journal of pacific history},
  volume    = {54},
  journal   = {The journal of pacific history},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {London},
  issn      = {0022-3344},
  doi       = {10.1080/00223344.2018.1512369},
  pages     = {1 -- 95},
  year      = {2019},
  abstract  = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.},
  language  = {en}
}
@misc{BarrettEcksteinHurleyetal.2018,
  author    = {Barrett, Lindsay and Eckstein, Lars and Hurley, Andrew Wright and Schwarz, Anja},
  title     = {Remembering German-Australian colonial entanglement},
  series = {Postcolonial studies : culture, politics, economy},
  volume    = {21},
  journal   = {Postcolonial studies : culture, politics, economy},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1368-8790},
  doi       = {10.1080/13688790.2018.1443671},
  pages     = {1 -- 5},
  year      = {2018},
  language  = {en}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Wilson Harris},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@article{EcksteinPeitschSchwarz2017,
  author    = {Eckstein, Lars and Peitsch, Helmut and Schwarz, Anja},
  title     = {Tusitalas Wandlungen},
  series = {Pazifikismus : Poetiken des Stillen Ozeans},
  journal   = {Pazifikismus : Poetiken des Stillen Ozeans},
  publisher = {K{\"o}nigshausen \& Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {978-3-8260-6169-1},
  pages     = {443 -- 460},
  year      = {2017},
  language  = {de}
}
@unpublished{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Performing jazz, defying essence},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85574},
  pages     = {15},
  year      = {2006},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Monk Lewis's Timour the Tartar, grand romantic orientalism and imperial melancholy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85503},
  pages     = {23},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Politics of passion and the production of human illegality},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85512},
  pages     = {20},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think local sell global},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85537},
  pages     = {12},
  year      = {2010},
  language  = {en}
}
@unpublished{Eckstein2013,
  author    = {Eckstein, Lars},
  title     = {Filming illegals},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85491},
  pages     = {13},
  year      = {2013},
  language  = {en}
}
@unpublished{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {'We're destroyed if we mix. And we're destroyed if we don't'},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85529},
  pages     = {11},
  year      = {2012},
  language  = {en}
}
@unpublished{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85548},
  pages     = {9},
  year      = {2009},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Recollecting Bones},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103278},
  pages     = {20},
  year      = {2016},
  abstract  = {In the same "guarded, roundabout and reticent way" which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy's words, "the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism's intellectual, ethical and scientific pre-history" (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen.},
  language  = {en}
}
@misc{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {119},
  issn      = {1866-8380},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-98393},
  pages     = {13},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103196},
  pages     = {17},
  year      = {2016},
  abstract  = {On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of W{\"u}nsdorf some 40 kilometres south of the city.},
  language  = {en}
}
@unpublished{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in music and the music of unbelonging in Richard Powers's The Time of Our Singing},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85584},
  pages     = {10},
  year      = {2005},
  language  = {en}
}
@misc{EcksteinReinfandt2014,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {Luhmann in the Contact Zone},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85488},
  pages     = {107 -- 124},
  year      = {2014},
  language  = {de}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59422},
  year      = {2008},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Transatlantic slavery and the literary imagination},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59201},
  year      = {2009},
  abstract  = {Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips's dialogic imagination Literary imagination and the Zong Massacre: Fred D'Aguiar and David Dabydeen Perspectives},
  language  = {en}
}
@misc{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {M.I.A.'s "Born Free" and the ambivalent politics of authenticity and provocation},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59236},
  year      = {2010},
  language  = {en}
}
@article{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {Gegen den Strich : Shakespeares Caliban und das exotische Imagin{\"a}re in der britischen Malerei des 18. und 19. Jahrhunderts},
  isbn      = {978-3-89971-877-5},
  year      = {2011},
  language  = {de}
}
@misc{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Ripple, G., Beschreibungs-Kunst: zur intermedialen Poetik angloamerikanischer Ikontexte (1880-2000); M{\"u}nchen, Fink, 2005},
  year      = {2007},
  language  = {de}
}
@unpublished{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Postcolonial Piracy},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103307},
  year      = {2016},
  abstract  = {Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet.},
  language  = {en}
}
@article{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Three ways of looking at illegal immigration : clandestine existence in novels by Salman Rushdie, Christopher Hope and Caryl Phillips},
  isbn      = {978-3-8260-3769-6},
  year      = {2007},
  language  = {en}
}
@book{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Re-Membering the Black Atlantic : on the poetics and politics of literary memory},
  series = {Cross cultures},
  volume    = {84},
  journal   = {Cross cultures},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {94-420-1958-1},
  pages     = {XVI, 289 S.},
  year      = {2006},
  language  = {en}
}
@book{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {English literatures across the globe : a companion},
  series = {UTB : Literaturwissenschaft},
  volume    = {8345},
  journal   = {UTB : Literaturwissenschaft},
  publisher = {Fink},
  address   = {Paderborn},
  isbn      = {978-3-4252-9},
  pages     = {360 S.},
  year      = {2007},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Reading song lyrics},
  series = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  volume    = {137},
  journal   = {Internationale Forschungen zur Allgemeinen und Vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam},
  isbn      = {978-90-420-3035-0},
  pages     = {291 S.},
  year      = {2010},
  language  = {en}
}
@book{EcksteinDengelJanic2008,
  author    = {Eckstein, Lars and Dengel-Janic, Ellen},
  title     = {Bridehood revisited : disarming concepts of gender and culture in recent asian british film},
  isbn      = {978-90-420-2497-7},
  year      = {2008},
  language  = {en}
}
@article{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing"},
  isbn      = {978-3-88476-772- 6},
  year      = {2005},
  language  = {en}
}
@article{EcksteinLeypoldt2007,
  author    = {Eckstein, Lars and Leypoldt, G{\"u}nter},
  title     = {T.S. Eliot and the transcultural sublime},
  isbn      = {978-3-88476-976-8},
  year      = {2007},
  language  = {en}
}
@article{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {Spiel mit der Angst : Britischer Hip Hop nach 9/11},
  isbn      = {978-3-8376-1728-3},
  year      = {2012},
  language  = {de}
}
@article{EcksteinReinfandt2003,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu},
  year      = {2003},
  language  = {en}
}
@article{EcksteinReinfandt2009,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The adventures of William Bloke, or : romanticism today and how it got here},
  year      = {2009},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {Agnew, V., Enlightenment Orpheus: the Power of Music in Other Worlds; New York, Oxford Univ. Press, 2008},
  year      = {2011},
  language  = {en}
}
@article{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {On dancing about architecture : words and music between cultural practise and transcendence},
  year      = {2006},
  language  = {en}
}
@misc{EcksteinReinfandt2006,
  author    = {Eckstein, Lars and Reinfandt, Christoph},
  title     = {The cultural validity of music in contemporary fiction},
  series = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)},
  volume    = {54.2006,1},
  journal   = {Special Issues of Zeitschrift f{\"u}r Anglistik und Amerikanistik (ZAA)},
  publisher = {K{\"o}nigshausen u. Neumann},
  address   = {W{\"u}rzburg},
  isbn      = {3-8260-3365-5},
  pages     = {vi + 112 S.},
  year      = {2006},
  language  = {en}
}
@article{EcksteinKortePirkeretal.2008,
  author    = {Eckstein, Lars and Korte, Barbara and Pirker, Ulrike and Reinfandt, Christoph},
  title     = {A divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millenium},
  isbn      = {978-90-420-2497-7},
  year      = {2008},
  language  = {en}
}
@article{Eckstein2005,
  author    = {Eckstein, Lars},
  title     = {Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration},
  year      = {2005},
  language  = {en}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Erll, A. (Hrsg.), Gymnich, M. (Hrsg.), N{\"u}nning, A. (Hrsg.), Literatur - Erinnerung - Identit{\"a}t; Trier, Elch, 2003},
  issn      = {0044-2305},
  year      = {2004},
  language  = {de}
}
@article{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Introduction},
  isbn      = {978-3-8252-8345-2},
  year      = {2007},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2003,
  author    = {Eckstein, Lars},
  title     = {Caribbean - English Passages: Intertextuality in a Postcolonial Tradition},
  year      = {2003},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {Getting back to the idea of art as art : an interview with David Dabydeen},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2001,
  author    = {Eckstein, Lars},
  title     = {The insistence of voices : an interview with Caryl Phillips},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {"Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores},
  isbn      = {978-3-86821-141-2},
  year      = {2009},
  language  = {en}
}
@article{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Think global sell global : magical realism, the Whale Rider and the Market},
  isbn      = {978-90-420-3226-2},
  year      = {2010},
  language  = {en}
}
@article{EcksteinLutz2001,
  author    = {Eckstein, Lars and Lutz, Andrea},
  title     = {Literary missions and global ethic},
  isbn      = {3-86057-741-7},
  year      = {2001},
  language  = {en}
}
@article{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting},
  isbn      = {978-3-86821-194-8},
  year      = {2009},
  language  = {en}
}
@article{EcksteinKraemer2011,
  author    = {Eckstein, Lars and Kr{\"a}mer, Lucia},
  title     = {Introduction : postcolonial media cultures},
  isbn      = {978-3- 86821-332-4},
  year      = {2011},
  language  = {en}
}
@book{EcksteinKortePinkeretal.2008,
  author    = {Eckstein, Lars and Korte, Barbara and Pinker, Ulrike and Reinfandt, Christoph},
  title     = {Multi-ethnic Britain 2000+ : new perspectives in literature, film and the arts},
  series = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  volume    = {121},
  journal   = {Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft},
  publisher = {Rodopi},
  address   = {Amsterdam, New York},
  isbn      = {978-90-420-2497-7},
  pages     = {v + 427 S.},
  year      = {2008},
  language  = {en}
}
@phdthesis{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {The Culture of Lyrics},
  isbn      = {978-3-868212-259-4},
  year      = {2010},
  language  = {en}
}
@article{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {Karibikreisen um 1800 im Ged{\"a}chtnis der Literatur},
  isbn      = {978-3-89975-272-4},
  year      = {2012},
  language  = {de}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {The white backlash: conservatisms in contemporary british writing},
  publisher = {Hard Times},
  address   = {Berlin},
  issn      = {0171-1695},
  pages     = {47},
  year      = {2011},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Witi Ihimaera, The Whale Rider},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Alan Duff Once Were Warriors},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Fred D'Aguiar},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Maurice Duggan},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Edward Kamau Brathwaite},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Alan Duff},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Erna Brodber},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Edgar Mittelholzer},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Jamaica Kincaid},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Caryl Phillips},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {George Lamming},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Earl Lovelace},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Derek Walcott},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Andrew Salkey},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Samuel Selvon},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {Roger Mais},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {de}
}
@article{Eckstein2012,
  author    = {Eckstein, Lars},
  title     = {"We're destroyed if we mix : and we're destroyed if we don't" : indigeneity in the modern world system and the politics of tricksterese in Pauline Melville's the ventriloquist's tale},
  isbn      = {978-3-938944- 60-8},
  year      = {2012},
  language  = {en}
}
@article{EcksteinSchwarz2012,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Oceanic modernity : indigeneity, globality and cultural translation},
  isbn      = {978-8-48-489670-8},
  year      = {2012},
  language  = {en}
}
@misc{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {Alder, E., Hauck, D., Music and Literature: Music in the Works of Anthony Burgess and E.M. Forster - An Interdisciplinary Study; T{\"u}bingen, Francke, 2005},
  year      = {2006},
  language  = {en}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {Fred D'Aguiar},
  isbn      = {978-1-85109-441-7},
  year      = {2008},
  language  = {en}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {Dionne Brand},
  isbn      = {978-1-85109-441-7},
  year      = {2008},
  language  = {en}
}
@misc{Eckstein2008,
  author    = {Eckstein, Lars},
  title     = {Caryl Phillips},
  isbn      = {978-1-85109-441-7},
  year      = {2008},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Maurice Duggan Summer in the Gravel Pit},
  isbn      = {978-3- 476-04000-8},
  year      = {2009},
  language  = {en}
}
@misc{Eckstein2004,
  author    = {Eckstein, Lars},
  title     = {David Dabydeen},
  isbn      = {3-520-83804-4},
  year      = {2004},
  language  = {en}
}
@article{Eckstein2015,
  author    = {Eckstein, Lars},
  title     = {Maps drawn on the sand: of mimicry and depropriation on Ludwig Leichhardt's second Australian expedition},
  series = {Journal of Australian studies},
  volume    = {39},
  journal   = {Journal of Australian studies},
  number    = {4},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1444-3058},
  doi       = {10.1080/14443058.2015.1076024},
  pages     = {512 -- 528},
  year      = {2015},
  abstract  = {In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive.},
  language  = {en}
}
@misc{Eckstein2011,
  author    = {Eckstein, Lars},
  title     = {Carrington, B., Sport and Politics: the Sporting Black Diaspora; London, Sage, 2010},
  year      = {2011},
  language  = {en}
}
@misc{Eckstein2010,
  author    = {Eckstein, Lars},
  title     = {Erll, A., Mediation, remediation and the dynamics of cultural memory; Berlin, DeGruyter, 2009},
  year      = {2010},
  language  = {en}
}
@article{Eckstein2018,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  series = {Postcolonial Studies},
  volume    = {21},
  journal   = {Postcolonial Studies},
  number    = {1},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1368-8790},
  doi       = {10.1080/13688790.2018.1435146},
  pages     = {6 -- 19},
  year      = {2018},
  abstract  = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific 'disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.},
  language  = {en}
}
@misc{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Authors' Response: The Making of Tupaia's Map Revisited},
  series = {The journal of pacific history},
  volume    = {54},
  journal   = {The journal of pacific history},
  number    = {4},
  publisher = {Routledge},
  address   = {London},
  issn      = {1469-9605},
  doi       = {10.1080/00223344.2019.1657500},
  pages     = {549 -- 561},
  year      = {2019},
  language  = {en}
}
@misc{EcksteinSchwarz2018,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {The Making of Tupaia's Map},
  series = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  number    = {154},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-42309},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-423091},
  pages     = {96},
  year      = {2018},
  abstract  = {Tupaia's Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra'iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook's Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart's cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia's Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models.},
  language  = {en}
}
@incollection{Eckstein2020,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  series = {Remembering German-Australian colonial entanglements},
  booktitle = {Remembering German-Australian colonial entanglements},
  publisher = {Routledge},
  address   = {London},
  isbn      = {978-0-367-42159-5},
  pages     = {22 -- 35},
  year      = {2020},
  language  = {en}
}
@article{Eckstein2016,
  author    = {Eckstein, Lars},
  title     = {Sound matters: postcolonial critique for a viral age},
  series = {Atlantic studies : literary, cultural and historical perspectives},
  volume    = {13},
  journal   = {Atlantic studies : literary, cultural and historical perspectives},
  publisher = {American Geophysical Union},
  address   = {Abingdon},
  issn      = {1478-8810},
  doi       = {10.1080/14788810.2016.1216222},
  pages     = {445 -- 456},
  year      = {2016},
  abstract  = {This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music - M.I.A.'s 2003/2005 single "Galang" - as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as "pirate modernity," which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today.},
  language  = {en}
}
@article{EcksteinHurley2020,
  author    = {Eckstein, Lars and Hurley, Andrew},
  title     = {German-Australian Colonial Entanglements},
  series = {Remembering German-Australian colonial entanglements},
  journal   = {Remembering German-Australian colonial entanglements},
  publisher = {Routledge},
  address   = {London},
  isbn      = {978-0-367-42159-5},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook's voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds - ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation.},
  language  = {en}
}
@article{Eckstein2018,
  author    = {Eckstein, Lars},
  title     = {Recollecting bones},
  volume    = {21},
  number    = {1},
  publisher = {Taylor \& Francis},
  address   = {London},
  issn      = {1368-8790},
  doi       = {10.1080/13688790.2018.1435146},
  pages     = {6 -- 19},
  year      = {2018},
  abstract  = {This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific 'disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior.},
  language  = {en}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {Vision d'une mer faite d'{\^i}les: la carte de Tupaia (1769-1770)},
  series = {Bulletin de la Soci{\´e}t{\´e} des Etudes Oc{\´e}aniennes : Polyn{\´e}sie Orientale},
  volume    = {347},
  journal   = {Bulletin de la Soci{\´e}t{\´e} des Etudes Oc{\´e}aniennes : Polyn{\´e}sie Orientale},
  number    = {Janvier / Avril},
  publisher = {Soc.},
  address   = {Papeete},
  issn      = {0373-8957},
  pages     = {6 -- 23},
  year      = {2019},
  language  = {fr}
}
@article{Eckstein2019,
  author    = {Eckstein, Lars},
  title     = {Lyrics als Paradigma einer anderen Moderne: M.I.A.s 'Galang'},
  series = {Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft},
  journal   = {Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft},
  publisher = {Wallenstein},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-8353-3381-9},
  pages     = {173 -- 192},
  year      = {2019},
  language  = {de}
}
@article{Eckstein2020,
  author    = {Eckstein, Lars},
  title     = {Reflections of Lus{\´a}ni Ciss{\´e}},
  series = {Ideology in postcolonial texts and contexts},
  journal   = {Ideology in postcolonial texts and contexts},
  publisher = {Rodopi},
  address   = {Leiden},
  isbn      = {978-90-04-42805-8},
  doi       = {10.1163/9789004437456_010},
  pages     = {147 -- 161},
  year      = {2020},
  language  = {en}
}
@misc{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {La carte de Tupaia, ma{\^i}tre d'astres et de navigation polyn{\´e}sienne},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {170},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-44538},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445381},
  pages     = {156},
  year      = {2019},
  abstract  = {La carte de Tupaia constitue l'un des art{\´e}facts les plus c{\´e}l{\`e}bres et les plus {\´e}nigmatiques {\`a} {\´e}merger des toutes premi{\`e}res rencontres entre Europ{\´e}ens et {\^i}liens du Pacifique. Elle a {\´e}t{\´e} {\´e}labor{\´e}e entre ao{\^u}t 1769 et f{\´e}vrier 1770 par Tupaia, pr{\^e}tre 'arioi, conseiller royal et ma{\^i}tre de navigation originaire de Ra'iātea, aux {\^I}les Sous-le-Vent de la Soci{\´e}t{\´e}. En collaboration avec divers membres d'{\´e}quipage de l'Endeavour de James Cook, en deux temps distincts de cartographie et trois {\´e}bauches. L'identit{\´e} de bien des {\^i}les qui y figurent et la logique de leur agencement demeuraient jusqu'{\`a} pr{\´e}sent des {\´e}nigmes. En se fiant en partie {\`a} des pi{\`e}ces d'archives rest{\´e}es ignor{\´e}es, nous proposons, dans ce long essai, une nouvelle compr{\´e}hension de sa logique cartographique, une reconstitution d{\´e}taill{\´e}e de sa gen{\`e}se et donc, pour la toute premi{\`e}re fois, une lecture exhaustive. La carte de Tupaia n'illustre pas seulement la magnitude et la ma{\^i}trise de la navigation polyn{\´e}sienne, elle r{\´e}alise aussi une remarquable synth{\`e}se repr{\´e}sentationnelle de deux syst{\`e}mes d'orientation tr{\`e}s diff{\´e}rents.},
  language  = {fr}
}
@unpublished{Eckstein2007,
  author    = {Eckstein, Lars},
  title     = {Three ways of looking at illegal immigration},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85567},
  pages     = {141 -- 157},
  year      = {2007},
  language  = {en}
}
@article{EcksteinSchwarz2019,
  author    = {Eckstein, Lars and Schwarz, Anja},
  title     = {La carte de Tupaia, ma{\^i}tre d'astres et de navigation polyn{\´e}sienne},
  series = {Bulletin de la Societ{\´e} des {\´E}tudes Oc{\´e}aniennes (Polyn{\´e}sie orientale)},
  volume    = {Mai/Ao{\^u}t 2019},
  journal   = {Bulletin de la Societ{\´e} des {\´E}tudes Oc{\´e}aniennes (Polyn{\´e}sie orientale)},
  number    = {348},
  publisher = {Soci{\´e}t{\´e} des {\´e}tudes oc{\´e}aniennes},
  address   = {Tahiti},
  issn      = {2605-8375},
  pages     = {7 -- 152},
  year      = {2019},
  abstract  = {La carte de Tupaia constitue l'un des art{\´e}facts les plus c{\´e}l{\`e}bres et les plus {\´e}nigmatiques {\`a} {\´e}merger des toutes premi{\`e}res rencontres entre Europ{\´e}ens et {\^i}liens du Pacifique. Elle a {\´e}t{\´e} {\´e}labor{\´e}e entre ao{\^u}t 1769 et f{\´e}vrier 1770 par Tupaia, pr{\^e}tre 'arioi, conseiller royal et ma{\^i}tre de navigation originaire de Ra'iātea, aux {\^I}les Sous-le-Vent de la Soci{\´e}t{\´e}. En collaboration avec divers membres d'{\´e}quipage de l'Endeavour de James Cook, en deux temps distincts de cartographie et trois {\´e}bauches. L'identit{\´e} de bien des {\^i}les qui y figurent et la logique de leur agencement demeuraient jusqu'{\`a} pr{\´e}sent des {\´e}nigmes. En se fiant en partie {\`a} des pi{\`e}ces d'archives rest{\´e}es ignor{\´e}es, nous proposons, dans ce long essai, une nouvelle compr{\´e}hension de sa logique cartographique, une reconstitution d{\´e}taill{\´e}e de sa gen{\`e}se et donc, pour la toute premi{\`e}re fois, une lecture exhaustive. La carte de Tupaia n'illustre pas seulement la magnitude et la ma{\^i}trise de la navigation polyn{\´e}sienne, elle r{\´e}alise aussi une remarquable synth{\`e}se repr{\´e}sentationnelle de deux syst{\`e}mes d'orientation tr{\`e}s diff{\´e}rents.},
  language  = {fr}
}
@unpublished{EcksteinDengelJanic2008,
  author    = {Eckstein, Lars and Dengel-Janic, Ellen},
  title     = {Bridehood revisited},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-85555},
  pages     = {19},
  year      = {2008},
  language  = {en}
}
@unpublished{Eckstein2017,
  author    = {Eckstein, Lars},
  title     = {Sam Selvon, The Lonely Londoners (1956)},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103285},
  pages     = {21},
  year      = {2017},
  abstract  = {This essay reads Sam Selvon's novel The Lonely Londoners (1956) as a milestone in the decolonisation of British fiction. After an introduction to Selvon and the core composition of the novel, it discusses the ways in which the narrative takes on issues of race and racism, how it in the tradition of the Trinidadian carnival confronts audiences with sexual profanation and black masculine swagger, and not least how the novel, especially through its elaborate use of creole Englishes, reimagines London as a West Indian metropolis. The essay then turns more systematically to the ways in which Selvon translates Western literary models and their isolated subject positions into collective modes of narrative performance taken from Caribbean orature and the calypsonian tradition. The Lonely Londoners breathes entirely new life into the ossified conventions of the English novel, and imbues it with unforeseen aesthetic, ethical, political and epistemological possibilities.},
  language  = {en}
}
@unpublished{EcksteinReindfandt2016,
  author    = {Eckstein, Lars and Reindfandt, Christoph},
  title     = {Luhmann in da Contact Zone},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-103298},
  pages     = {15},
  year      = {2016},
  abstract  = {Our aim in this contribution is to productively engage with the abstractions and complexities of Luhmann's conceptions of society from a postcolonial perspective, with a particular focus on the explanatory powers of his sociological systems theory when it leaves the realms of Europe and ventures to describe regions of the global South. In view of its more recent global reception beyond Europe, our aim is to thus - following the lead of Dipesh Chakrabarty - provincialize Luhmann's system theory especially with regard to its underlying assumptions about a global "world society". For these purposes, we intend to revisit Luhmann in the post/colonial contact zone: We wish to reread Luhmann in the context of spaces of transcultural encounter where "global designs and local histories" (Mignolo), where inclusion into and exclusion from "world society" (Luhmann) clash and interact in intricate ways. The title of our contribution, 'Luhmann in da Contact Zone' is deliberately ambiguous: On the one hand, we of course use 'Luhmann' metonymically, as representative of a highly complex theoretical design. We shall cursorily outline this design with a special focus on the notion of a singular, modern "world society", only to confront it with the epistemic challenges of the contact zone. On the other hand, this critique will also involve the close observation of Niklas Luhman as a human observer (a category which within the logic of systems theory actually does not exist) who increasingly transpires in his late writings on exclusion in the global South. By following this dual strategy, we wish to trace an increasing fracture between one Luhmann and the other, between abstract theoretical design and personalized testimony. It is by exploring and measuring this fracture that we hope to eventually be able to map out the potential of a possibly more productive encounter between systems theory and specific strands of postcolonial theory for a pluritopic reading of global modernity.},
  language  = {en}
}
@misc{Eckstein2009,
  author    = {Eckstein, Lars},
  title     = {Torpedoing the authorship of popular music : a reading of Gorillaz' 'Feel Good Inc.'},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-59116},
  year      = {2009},
  abstract  = {This article addresses problems of authorship and creative authority in popular music, in particular in view of a pervasive split between modes of aesthetic production (involving modernist assemblage, multiple authorship, and the late capitalist logic of major label policies) and modes of aesthetic reception (which tend to take popular music as the organic output of individual performers). While rock musicians have attempted to come to terms with this phenomenon by either performing a 'Romantic' sense of authenticity (basically by importing folk values to the production process) or 'Modernist authenticity' (by highlighting experimen- tation and alienation), Damon Albarn and Jamie Hewlett, creators of Gorillaz, found a third way which ingeniously allows them to do both. By creating a virtual rock band, and by hiding their own media personalities behind those of their virtual alter egos, they brought themselves into a position which allows them to produce 'sincere' popular music which 'playfully' stages the absurdities of major label music business while very successfully operating within its very confines.},
  language  = {en}
}
@misc{Eckstein2006,
  author    = {Eckstein, Lars},
  title     = {A love supreme : Jazzthetic strategies in Toni Morrison's Beloved},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-60446},
  year      = {2006},
  language  = {de}
}