@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Vorwort},
  series = {Anton Wilhelm Amo: Philosophieren ohne festen Wohnsitz},
  journal   = {Anton Wilhelm Amo: Philosophieren ohne festen Wohnsitz},
  editor    = {Ette, Ottmar},
  edition   = {2},
  publisher = {Kulturverlag Kadmos},
  address   = {Berlin},
  isbn      = {978-3-86599-470-7},
  pages     = {vii -- xiii},
  year      = {2020},
  language  = {de}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Sprache als Epiph{\"a}nomen in der Geschichte der Sprachwissenschaft},
  series = {Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019)},
  volume    = {VIII /2019},
  journal   = {Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019)},
  number    = {1-2},
  publisher = {Edizioni ETS},
  address   = {Pisa},
  isbn      = {88-467-5675-4},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-441580},
  pages     = {191 -- 206},
  year      = {2020},
  abstract  = {The notion of 'epiphenomenon' is usually used to exclude certain aspects of a scientific object because they are considered to be deduced from others. In linguistics, restrictions of the research object were made, invoking the notion of 'epiphenomenon', which was partially done with a polemical attitude, and was always responded to polemically. The best-known definition of languages as an epiphenomenon is that proposed by Chomsky, who declared that the specific realisations of language do not warrant scientific attention, but there were early relegations of properties of individual languages to the domain of an epiphenomenon of grammar, to the domain of an art and not a science. These relegations from a certain point of abstraction did advance theories of language, even though they took a point of abstraction that did not correspond to the complexity of language.},
  language  = {de}
}
@incollection{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Kollokationen in der Pressesprache und in politischen Reden},
  series = {Dynamische Approximationen. Festschriftliches p{\"u}nktlichst zu Eva Lavrics 62,5. Geburtstag},
  booktitle = {Dynamische Approximationen. Festschriftliches p{\"u}nktlichst zu Eva Lavrics 62,5. Geburtstag},
  publisher = {Lang},
  address   = {Berlin, Bern},
  isbn      = {978-3-631-79973-4},
  doi       = {10.3726/b16043},
  pages     = {351 -- 369},
  year      = {2020},
  language  = {de}
}
@article{Lenz2020,
  author    = {Lenz, Markus Alexander},
  title     = {Zone: une 'dialectique n{\´e}gative' de la conscience?},
  series = {Mathias {\´E}nard et l'{\´e}rudition du roman},
  journal   = {Mathias {\´E}nard et l'{\´e}rudition du roman},
  number    = {439},
  editor    = {Messling, Markus and Ruhe, Cornelia and Seauve, Lena and De Senarclens, Vanessa},
  publisher = {Brill Rodopi},
  address   = {Leiden},
  isbn      = {978-90-04-42396-1},
  pages     = {183 -- 199},
  year      = {2020},
  abstract  = {Depuis plus de dix ans, les romans de Mathias {\´E}nard connaissent un succ{\`e}s qui ne se d{\´e}ment pas. La Perfection du tir en 2003, mais aussi Zone en 2008, Parle-leur de batailles, de rois et d'{\´e}l{\´e}phants en 2010 et Rue des voleurs en 2012 ont remport{\´e} des prix litt{\´e}raires de grand renom. Enfin, le jury du prix Goncourt a opt{\´e} en 2015 avec Boussole pour un roman dans lequel « l'imagination » romanesque a pour support une {\´e}poustouflante {\´e}rudition portant sur l'Orient. Ce volume cherche {\`a} {\´e}clairer les modalit{\´e}s narratives qui permettent {\`a} l'auteur de transformer l'{\´e}rudition en roman, mais aussi {\`a} situer son œuvre dans le contexte litt{\´e}raire actuel},
  language  = {fr}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Pirandello e Storm: potere e impotenza dell'arte ne I giganti della montagna e Pole Poppensp{\"a}ler},
  series = {Pirandello tra memoria, rappresentazione e immagine : Atti del Convegno di Vienna del novembre 2017},
  journal   = {Pirandello tra memoria, rappresentazione e immagine : Atti del Convegno di Vienna del novembre 2017},
  editor    = {Cicala, Domenica Elisa and De Michele, Fausto},
  publisher = {Peter Lang},
  address   = {Frankfurt a. M.},
  isbn      = {978-1-78997-434-8},
  pages     = {177 -- 198},
  year      = {2020},
  language  = {it}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Lʼart en tant que "voie n{\´e}gative" et {\´e}criture du paysage dans L'Opposante de Lydie Parisse},
  series = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte/Cahiers d'Histoire des Litt{\´e}ratures Romanes / Cahiers d'Histoire des Litt{\´e}ratures Romanes},
  volume    = {44},
  journal   = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte/Cahiers d'Histoire des Litt{\´e}ratures Romanes / Cahiers d'Histoire des Litt{\´e}ratures Romanes},
  number    = {3/4},
  publisher = {Universit{\"a}tsverlag Winter},
  address   = {Heidelberg},
  issn      = {0343-379X},
  pages     = {441 -- 450},
  year      = {2020},
  language  = {fr}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Feuer und Flamme},
  series = {Deutsches Dante-Jahrbuch},
  volume    = {95},
  journal   = {Deutsches Dante-Jahrbuch},
  number    = {1},
  publisher = {de Gruyter},
  address   = {Berlin},
  doi       = {https://doi.org/10.1515/dante-2020-0002},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {Il contributo prende in esame la poetizzazione dell'elemento ›fuoco‹ nell'aldil{\`a} dantesco. Nell'Inferno, l'universo metaforico associato al fuoco fa da contrappunto all'interiorizzazione e alla trascendenza che stanno alla base della concezione del fuoco nel Paradiso, dove esso, in senso astratto, viene trasformato in luce e rappresenta anche l'illuminazione spirituale. Dante mette in scena san Tommaso, presentando nelle varie figure il corpus spirituale, che tuttavia nell'Inferno era stato pervertito e caricato di una connotazione quasi parodistica, se confrontato alla solennit{\`a} sacrale della luce spirituale nel Paradiso. Nella sua qualit{\`a} di luce, l'elemento ›fuoco‹ diventa la componente pi{\`u} importante delle sfere del Paradiso. L'idea della permanenza di un regno di Dio {\`e} simbolicamente veicolata da un uso virtuosistico della gamma metaforica associata alla luce: la visualizzazione del principio supremo del Divino, come esso si costituisce nella dottrina cristiana, {\`e} affidata alla forza suggestiva della travolgente poesia.},
  language  = {de}
}
@book{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {La Po{\´e}tique de l'{\´e}criture-simulacre et les grands mod{\`e}les},
  series = {Th{\´e}orie de la litt{\´e}rature (En ligne) ; 23},
  journal   = {Th{\´e}orie de la litt{\´e}rature (En ligne) ; 23},
  publisher = {Classiques Garnier},
  address   = {Paris},
  isbn      = {978-2-406-09396-1},
  issn      = {2261-5717},
  publisher      = {Universit{\"a}t Potsdam},
  year      = {2020},
  abstract  = {Cet ouvrage d{\´e}crit le r{\^o}le du simulacre dans la litt{\´e}rature. Les analyses de textes modernes et postmodernes permettent de cerner le simulacre, son potentiel infini de m{\´e}tamorphoses, son caract{\`e}re multiforme et h{\´e}t{\´e}rog{\`e}ne, de comprendre sa complexit{\´e} et de reconna{\^i}tre ses effets.},
  language  = {fr}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {L'Isola delle isole},
  series = {Between the Adriatic and the Ionian Seas. The literary imagination of journey. Proceedings of the 1st International Study Conference promoted as part of the Interreg Polysemi Project activities (Bari, 24-25 June 2019)},
  journal   = {Between the Adriatic and the Ionian Seas. The literary imagination of journey. Proceedings of the 1st International Study Conference promoted as part of the Interreg Polysemi Project activities (Bari, 24-25 June 2019)},
  editor    = {Dell'Aquila, Giulia},
  publisher = {Cacucci},
  address   = {Bari},
  pages     = {173 -- 192},
  year      = {2020},
  language  = {it}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Kunst als ,voie n{\´e}gativeʻ und {\´e}criture der Landschaft in L'Opposante von Lydie Parisse},
  series = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch},
  journal   = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch},
  editor    = {Klettke, Cornelia},
  publisher = {Edition Noack \& Block},
  address   = {Berlin},
  isbn      = {978-3-86813-088-1},
  pages     = {155 -- 168},
  year      = {2020},
  language  = {de}
}