@misc{Prieto2017,
  author    = {Prieto, Julio},
  title     = {El concepto de intermedialidad},
  series = {Pasavento : revista de estudios hisp{\´a}nicos},
  volume    = {5},
  journal   = {Pasavento : revista de estudios hisp{\´a}nicos},
  publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones},
  address   = {Madrid},
  issn      = {2255-4505},
  pages     = {7 -- 18},
  year      = {2017},
  language  = {es}
}
@article{McElvenny2017,
  author    = {McElvenny, James},
  title     = {Grammar, typology and the Humboldtian tradition in the work of Georg von der Gabelentz},
  series = {Language \& history : journal of the Henry Sweet Society for the History of Linguistic Ideas},
  volume    = {60},
  journal   = {Language \& history : journal of the Henry Sweet Society for the History of Linguistic Ideas},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {1759-7536},
  doi       = {10.1080/17597536.2016.1212580},
  pages     = {1 -- 20},
  year      = {2017},
  abstract  = {A frequently mentioned if somewhat peripheral figure in the historiography of late nineteenth-century linguistics is the German sinologist and general linguist Georg von der Gabelentz (1840-1893). Today Gabelentz is chiefly remembered for several insights that proved to be productive in the development of subsequent schools and subdisciplines. In this paper, we examine two of these insights, his analytic and synthetic systems of grammar and his foundational work on typology. We show how they were intimately connected within his conception of linguistic research, and how this was in turn embedded in the tradition established by Wilhelm von Humboldt (1767-1835), especially as it was further developed by H. Steinthal (1823-1899). This paper goes beyond several previous works with a similar focus by drawing on a wider range of Gabelentz' writings, including manuscript sources that have only recently been published, and by examining specific textual connections between Gabelentz and his predecessors.},
  language  = {en}
}
@phdthesis{OhligschlaegerLim2017,
  author    = {Ohligschlaeger-Lim, Kerstin},
  title     = {Erkenntnistheorie im ausgehenden 18. Jahrhundert in Frankreich},
  series = {Studium Sprachwissenschaft / Beiheft ; 44},
  journal   = {Studium Sprachwissenschaft / Beiheft ; 44},
  editor    = {Haßler, Gerda},
  publisher = {Nodus},
  address   = {M{\"u}nster},
  isbn      = {978-3-89323-144-7},
  school      = {Universit{\"a}t Potsdam},
  pages     = {277},
  year      = {2017},
  abstract  = {1. Einleitung: Gegenstand und Vorgehensweise (Ziel und Anliegen der Arbeit / Forschungsstand / Methode) ― 2. Die Ideologen und die Seconde Classe des Institut national (Etienne Bonnot de Condillac als Referenz der Ideologen / Antoine Laurent de Lavoisier und die Nomenklatur der Chemie (1787) / Die Grup¬pe der Ideologen / Institutionelle Wirkungsm{\"o}glichkeiten der Ideologen: Die Classe des Sciences morales et politiques am Institut national / Vorlesungen in der Ecole normale de l'an III ) ― 3. Zum Korpus: Rekonstruktion der Ausschreibung (The¬men¬findung und Ausschreibung / Die erste Bewertung (1797) und die Neuausschreibung / Die zweite Bewertung (1799): Bekanntgabe des Gewinners) ― 4. Das archivalische Korpus (Zur Auffindsituation der Preisbewerbungsschriften / Serie B1 (1797) / Serie B2 (1799)) ― 5. Auswertung des Korpus: {\"U}bergreifende Topoi und Argumentationsstrukturen (Semiotisierung und Entsemiotisierung / Der Nutzen der Analyse / Hervorhebung der Schriftsprache gegen{\"u}ber der Lautsprache / Das Mate¬ria¬lisieren / Die Zeichen der Mathematik als Vorbild) ― 6. Schlussbetrachtungen ― Literatur},
  language  = {de}
}
@article{Garcia2017,
  author    = {Garcia, Francisca},
  title     = {Imaginer{\´i}a fotosensible: guadalupe santa cruz y la escritura con grabado},
  series = {Pasavento : revista de estudios hisp{\´a}nicos},
  volume    = {5},
  journal   = {Pasavento : revista de estudios hisp{\´a}nicos},
  publisher = {Universidad de Alcal{\´a}, Servicio Publicaciones},
  address   = {Madrid},
  issn      = {2255-4505},
  pages     = {53 -- 62},
  year      = {2017},
  abstract  = {A partir de la met{\´a}fora "imaginer{\´i}a fotosensible", el ensayo explora c{\´o}mo el fotograbado afecta la escritura de la autora chilena guadalupe santa Cruz. el grabado no solo implica aqu{\´i} una t{\´e}cnica art{\´i}stica, sino tambi{\´e}n una imaginaci{\´o}n cr{\´i}tica sobre el movimiento, las huellas y la memoria colectiva. la revisi{\´o}n del programa literario de la autora (ars poetica), permite afirmar que el grabado brinda la principal estrategia para activar la prosa y arraigar la palabra en el contexto de alienaci{\´o}n social generalizada en la post-dictadura chilena (d{\´e}cada del 90). Si bien planteo que la influencia de esta imaginaci{\´o}n del gra-bado est{\´a} presente en todo el proyecto literario de la autora, me centro en la revisi{\´o}n de dos novelas: Quebrada: las cordilleras en andas (2007) y la reciente-mente publicada y p{\´o}stuma Esta parcela (2015), las cuales incorporan una serie de im{\´a}genes impresas.},
  language  = {es}
}
@article{Saendig2017,
  author    = {S{\"a}ndig, Brigitte},
  title     = {Trag{\´e}die et psychologie},
  series = {Revue romane : langue et litt{\´e}rature},
  volume    = {52},
  journal   = {Revue romane : langue et litt{\´e}rature},
  number    = {1},
  publisher = {Benjamins},
  address   = {Amsterdam},
  issn      = {0035-3906},
  doi       = {10.1075/rro.52.1.07san},
  pages     = {70 -- 79},
  year      = {2017},
  abstract  = {His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude.},
  language  = {en}
}
@article{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Intersecci{\´o}n entre la evidencialidad y la atenuaci{\´o}n: el pret{\´e}rito imperfecto evidencial y el futuro narrativo},
  series = {Normas. Revista de estudios ling{\"u}{\´i}sticos hisp{\´a}nicos},
  volume    = {7},
  journal   = {Normas. Revista de estudios ling{\"u}{\´i}sticos hisp{\´a}nicos},
  number    = {2},
  publisher = {Universidad de Valencia},
  address   = {Valencia},
  issn      = {2174-7245},
  doi       = {10.7203/normas.v7i2.9276},
  pages     = {19 -- 32},
  year      = {2017},
  language  = {es}
}
@article{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Les corpus m{\´e}talinguistiques et l'histoire conceptuelle des th{\´e}ories linguistiques - une contradiction ?},
  series = {Dossiers d'HEL, Analyse et exploitation des donn{\´e}es de corpus linguistiques},
  volume    = {2017},
  journal   = {Dossiers d'HEL, Analyse et exploitation des donn{\´e}es de corpus linguistiques},
  number    = {11},
  publisher = {Laboratoire HTL},
  address   = {Paris},
  pages     = {7 -- 18},
  year      = {2017},
  language  = {fr}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Creatividad, variaci{\´o}n y fijaci{\´o}n en el discurso repetido y la t{\´e}cnica del hablar},
  series = {Kompetenz - Funktion - Variation. Competencia - Funci{\´o}n - Variaci{\´o}n. Linguistica Coseriana V. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015. Contribuciones a la Conferencia Internacional de la Universidad de Potsdam, 8-10 de octubre 2015},
  booktitle = {Kompetenz - Funktion - Variation. Competencia - Funci{\´o}n - Variaci{\´o}n. Linguistica Coseriana V. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015. Contribuciones a la Conferencia Internacional de la Universidad de Potsdam, 8-10 de octubre 2015},
  publisher = {Lang},
  address   = {Frankfurt am Main},
  isbn      = {978-3-631-67130-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {183 -- 194},
  year      = {2017},
  language  = {de}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Was ist unbestimmt am indefinido? Antworten aus der Geschichte der spanischen Grammatikographie},
  series = {Streifz{\"u}ge durch die Romania: Festschrift f{\"u}r Gabriele Beck-Busse zum 60. Geburtstag},
  booktitle = {Streifz{\"u}ge durch die Romania: Festschrift f{\"u}r Gabriele Beck-Busse zum 60. Geburtstag},
  editor    = {Loh{\"o}fer, Astrid and S{\"u}selbeck, Kirsten},
  publisher = {ibidem-Verlag},
  address   = {Stuttgart},
  isbn      = {978-3-83821-000-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {31 -- 52},
  year      = {2017},
  language  = {de}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Philologie und Grammatik bei der Analyse von metasprachlichen Manuskripten des 18. Jahrhunderts},
  series = {Philologie und Grammatik},
  booktitle = {Philologie und Grammatik},
  editor    = {Kaiser, Georg, A. and V{\"o}lker, Harald},
  publisher = {Walter de Gruyter GmbH},
  address   = {Berlin, Boston},
  isbn      = {978-3-11-052776-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {59 -- 73},
  year      = {2017},
  language  = {de}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {La pr{\´e}sence du fran{\c{c}}ais et des Fran{\c{c}}ais {\`a} Berlin au XVIII{\`e}me si{\`e}cle : contexte culturel et influence linguistique},
  series = {Traductions et contextes, contextes de la tradition},
  booktitle = {Traductions et contextes, contextes de la tradition},
  editor    = {Gr{\´e}goire, Micha{\"e}l and Mathios, B{\´e}n{\´e}dicte},
  publisher = {Harmattan},
  address   = {Paris},
  isbn      = {978-2-343-13838-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {95 -- 123},
  year      = {2017},
  language  = {fr}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Les m{\´e}taphores physiologiques comme d{\´e}signations de concepts linguistiques dans la philologie romane de la deuxi{\`e}me moiti{\´e} du XIXe et de la premi{\`e}re moiti{\´e} du XXe si{\`e}cle},
  series = {Paradigmes et concepts pour une histoire de la linguistique romande},
  booktitle = {Paradigmes et concepts pour une histoire de la linguistique romande},
  publisher = {Lambert-Lucas},
  address   = {Limoges},
  isbn      = {978-2-35935-215-3},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {85 -- 96},
  year      = {2017},
  language  = {fr}
}
@book{OPUS4-40566,
  title     = {Kompetenz - Funktion - Variation. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015.},
  series = {Sprachkontakte. Variation, Migration und Sprachdynamik ; 4},
  journal   = {Sprachkontakte. Variation, Migration und Sprachdynamik ; 4},
  editor    = {Haßler, Gerda and Stehl, Thomas},
  edition   = {1},
  publisher = {Lang},
  address   = {Frankfurt am Main},
  isbn      = {978-3-631-67130-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {404},
  year      = {2017},
  abstract  = {Dieser Band enth{\"a}lt Beitr{\"a}ge der V. Internationalen Tagung zur Linguistica Coseriana. 26 Autoren behandeln theoretische Aspekte des Werks Coserius, seine Stellung in der Geschichte und Gegenwart der Sprachtheorien, sprachliche Kompetenz, Kreativit{\"a}t und Fixierung, Funktionen im Text und im Diskurs sowie Variation von Sprachen. Die Beitr{\"a}ge geben theoretisch orientierte Antworten auf einige von Coseriu aufgeworfene Fragen, sie sind empirisch fundiert und beinhalten auch historiographische {\"U}berlegungen. Dabei geht es nicht um eine Exegese der Texte Coserius, sondern um produktive Weiterentwicklungen einer kompetenzorientierten, funktionalen und auf sprachliche Variation bezogenen Linguistik.},
  language  = {de}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {Creatividad, variaci{\´o}n y fijaci{\´o}n en el discurso repetido y la t{\´e}cnica del hablar},
  series = {Kompetenz - Funktion - Variation. Competencia - Funci{\´o}n - Variaci{\´o}n. Linguistica Coseriana V. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015. Contribuciones a la Conferencia Internacional de la Universidad de Potsdam, 8-10 de octubre 2015Kompetenz - Funktion - Variation. Competencia - Funci{\´o}n - Variaci{\´o}n. Linguistica Coseriana V. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015. Contribuciones a la Conferencia Internacional de la Universidad de Potsdam, 8-10 de octubre 2015},
  booktitle = {Kompetenz - Funktion - Variation. Competencia - Funci{\´o}n - Variaci{\´o}n. Linguistica Coseriana V. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015. Contribuciones a la Conferencia Internacional de la Universidad de Potsdam, 8-10 de octubre 2015Kompetenz - Funktion - Variation. Competencia - Funci{\´o}n - Variaci{\´o}n. Linguistica Coseriana V. Beitr{\"a}ge der Internationalen Tagung an der Universit{\"a}t Potsdam, 8.-10. Oktober 2015. Contribuciones a la Conferencia Internacional de la Universidad de Potsdam, 8-10 de octubre 2015},
  publisher = {Peter Lang},
  address   = {Frankfurt am Main},
  isbn      = {978-3-653-06462-9},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {183 -- 194},
  year      = {2017},
  language  = {es}
}
@article{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {El Curso de ling{\"u}{\´i}stica general de Saussure y su importancia en el desarrollo de la ling{\"u}{\´i}stica estructural},
  series = {Revista Entornos},
  volume    = {29},
  journal   = {Revista Entornos},
  number    = {2},
  edition   = {1},
  publisher = {Vicerrector{\´i}a de Investigaci{\´o}n y Proyecci{\´o}n Social de la Universidad Surcolombiana},
  address   = {Colombia},
  issn      = {0124-7905},
  pages     = {235 -- 255},
  year      = {2017},
  language  = {es}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {El traductor de textos no literarios en los siglos XVIII y XIX: enciclopedista, innovador y mediador},
  series = {La figura del traductor a trav{\´e}s de los tiempos},
  booktitle = {La figura del traductor a trav{\´e}s de los tiempos},
  publisher = {Facultat de Filolog{\´i}a, Traducci{\´o} i Comunicaci{\´o}, Universidad de Valencia},
  address   = {Valencia},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {185 -- 214},
  year      = {2017},
  abstract  = {Las traducciones de textos cient{\´i}ficos jugaban un papel importante en el desarrollo de las ciencias en Espa{\~n}a en la segunda mitad del siglo xviii y en la primera del siglo xix. Nos concentraremos en los traductores que contribuyeron a la difusi{\´o}n del saber cient{\´i}fico como la publicaci{\´o}n de la traducci{\´o}n de la Enciclopedia Met{\´o}dica a partir de 1788,cuyo objetivo fue promover el desarrollo de Espa{\~n}a, especialmente en el aspecto econ{\´o}mico. Los textos franceses sobre qu{\´i}mica eran otro objeto muy frecuente de traducci{\´o}n, por ejemplo, la Memoria sobre la necesidad de perfeccionar y reformar la nomenclatura de la qu{\´i}mica (1787) de Lavoisier. Los traductores buscaban soluciones traductol{\´o}gicas que se adaptasen mejor al genio de la lengua espa{\~n}ola y se entend{\´i}an como enciclopedistas, innovadores y mediadores.},
  language  = {es}
}
@incollection{Schade2017,
  author    = {Schade, Robert},
  title     = {Bizarrerie als Verfahren},
  series = {Visualisierung, Visibilisierung und Verschriftlichung},
  booktitle = {Visualisierung, Visibilisierung und Verschriftlichung},
  publisher = {Tranvia},
  address   = {Berlin},
  isbn      = {978-3-938944-93-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {341 -- 353},
  year      = {2017},
  language  = {de}
}
@incollection{Messling2017,
  author    = {Messling, Markus},
  title     = {Schriftbild und Rationalit{\"a}t von den Fr{\"u}hromantikern bis zu Baudelaire},
  series = {Visualisierung, Visibilisierung und Verschriftlichung},
  booktitle = {Visualisierung, Visibilisierung und Verschriftlichung},
  publisher = {Tranvia},
  address   = {Berlin},
  isbn      = {978-3-938944-93-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {147 -- 167},
  year      = {2017},
  language  = {de}
}
@incollection{Lehnert2017,
  author    = {Lehnert, Gertrud},
  title     = {Kunst, Mode, Literatur},
  series = {Visualisierung, Visibilisierung und Verschriftlichung},
  booktitle = {Visualisierung, Visibilisierung und Verschriftlichung},
  publisher = {Tranvia},
  address   = {Berlin},
  isbn      = {978-3-938944-93-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {255 -- 283},
  year      = {2017},
  language  = {de}
}
@incollection{Rapisarda2017,
  author    = {Rapisarda, Cettina},
  title     = {Ein neuer Blick auf Denkm{\"a}ler},
  series = {Forster - Humboldt - Chamisso : Weltreisende im Spannungsfeld der Kulturen},
  booktitle = {Forster - Humboldt - Chamisso : Weltreisende im Spannungsfeld der Kulturen},
  publisher = {V \& R unipress},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-8471-0751-4},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {277 -- 293},
  year      = {2017},
  language  = {de}
}
@incollection{Bayerl2017,
  author    = {Bayerl, Julia},
  title     = {Tierzeichnungen Alexander von Humboldts und deren Verwendung im amerikanischen Reisewerk sowie in den zoologischen Schriften von Julius Ferdinand Meyen und Johann Jacob von Tschudi},
  series = {Forster - Humboldt - Chamisso : Weltreisende im Spannungsfeld der Kulturen},
  booktitle = {Forster - Humboldt - Chamisso : Weltreisende im Spannungsfeld der Kulturen},
  publisher = {V \& R unipress},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-8471-0751-4},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {315 -- 334},
  year      = {2017},
  language  = {de}
}
@incollection{Hassler2017,
  author    = {Haßler, Gerda},
  title     = {La pr{\´e}sence du fran{\c{c}}ais et des Fran{\c{c}}ais {\`a} Berlin au XVIII{\`e}me si{\`e}cle : contexte culturel et influence linguistique},
  series = {Traductions et contextes, contextes de la traduction},
  booktitle = {Traductions et contextes, contextes de la traduction},
  publisher = {L'Harmattan},
  address   = {Paris},
  isbn      = {978-2-343-13838-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {95 -- 123},
  year      = {2017},
  language  = {fr}
}
@incollection{HasslerBoehmHennemann2017,
  author    = {Haßler, Gerda and B{\"o}hm, Ver{\´o}nica Julia and Hennemann, Anja},
  title     = {On the evidential use of English adverbials and their equivalents in Romance languages and Russian},
  series = {Evidentiality revisited : Cognitive grammar, functional and discourse-pragmatic perspectives (Pragmatics \& Beyond New Series ; 271)},
  volume    = {271},
  booktitle = {Evidentiality revisited : Cognitive grammar, functional and discourse-pragmatic perspectives (Pragmatics \& Beyond New Series ; 271)},
  editor    = {Mar{\´i}n Arrese, Juana I. and Haßler, Gerda and Carretero, Marta},
  publisher = {John Benjamins},
  address   = {Amsterdam, Philadelphia},
  isbn      = {9789027256768},
  issn      = {0922-842X},
  doi       = {10.1075/pbns.271.04boh},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {87 -- 104},
  year      = {2017},
  abstract  = {The present study investigates the use of equivalents of the English adverbials seemingly and apparently with a specific morphological structure in Romance languages and Russian, i.e. Spanish al parecer, Portuguese ao parecer and ao que parece, French avoir l'air de, Italian all'apparenza and in apparenza as well as Russian по-видимому. The underlying hypothesis is that the function and syntactic behaviour of these adverbial locutions are motivated by their morphological composition. It is to investigate whether the adverbials may be used sentence-initially, parenthetically, as an adverbial with broad or narrow scope or as a component of a modalised predication. The adverbial locutions are treated as means of expression where evidentiality and epistemic modality represent overlapping functional-semantic categories.},
  language  = {en}
}
@book{OPUS4-40398,
  title     = {Forster - Humboldt - Chamisso},
  series = {Chamisso-Studien ; 2},
  journal   = {Chamisso-Studien ; 2},
  editor    = {Drews, Julian and Ette, Ottmar and Kraft, Tobias and Schneider-Kempf, Barbara and Weber, Jutta},
  publisher = {V \& R unipress},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-8471-0751-4},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {432},
  year      = {2017},
  abstract  = {Dieser Band nimmt Reinhold und Georg Forster, Alexander von Humboldt und Adelbert von Chamisso mit ihren Erfahrungen als reisende Autoren und Naturforscher, als Landsleute wie als »Fremde« in den Blick. Er rekonstruiert aus den Hinterlassenschaften der Reisen die Praktiken des Schreibens, Sammelns und des Transfers hinsichtlich ihrer Rolle f{\"u}r die Genese moderner Wissensordnungen. Die einzelnen Beitr{\"a}ge des Bandes untersuchen die Horizonte der Protagonisten, vermittelt durch ihre Tageb{\"u}cher, Skizzenhefte und Briefwechsel, die gesammelten Naturalien und Artefakte, ihre Beobachtungen der Tier- und Pflanzenwelt, der Landschaften und Menschen. Sie behandeln die Werk- und Wirkungszusammenh{\"a}nge untereinander sowie zu anderen Forschenden und Forschungsreisen.},
  language  = {de}
}
@phdthesis{MondolLopez2017,
  author    = {Mondol L{\´o}pez, Mijail},
  title     = {Historiograf{\´i}a literaria y Sociedad},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-406409},
  school      = {Universit{\"a}t Potsdam},
  pages     = {344},
  year      = {2017},
  abstract  = {Throughout all different socio-historical tensions undergone by the Latin American modernit(ies), the literary-historical production as well as the reflection on the topic - regional, national, supranational and/or continental - have been part of the critical and intellectual itinerary of very significant political and cultural projects, whose particular development allows the analysis of the socio-discursive dynamics fulfilled by the literary historiography in the search of a historical conscience and representation of the esthetic-literary processes. In present literary and cultural Central American literary studies, the academic thought on the development of the literary historiography has given place to some works whose main objects of study involve a significant corpus of national literature histories published mainly in the 20th century, between the forties and the eighties. Although these studies differ greatly from the vast academic production undertaken by the literary critics in the last two decades, the field of research of the literary historiography in Central America has made a theoretical-methodological effort, as of the eighties and until now, to analyze the local literary-historical productions. However, this effort was carried out more systematically in the last five years of the 20th century, within the Central American democratic transition and post-war context, when a national, supra national and transnational model of literary history was boosted. This gave place to the creation and launching of the project Hacia una Historia de las Literaturas Centroamericanas (HILCAS) at the beginning of the new millennium. Given the ideological relevance which the literary historiography has played in the process of the historical formation of the Hispano-American States, and whose philological tradition has also had an impact in the various Central American nation states, the emergence of this historiographic project marks an important rupture in relation with the national paradigms, and it is also manifested in a movement of transition and tension with regard to the new cultural, comparative and transareal dynamics, which seek to understand the geographical, transnational, medial and transdisciplinary movements within which the esthetic narrative processes and the idea and formation of a critical Central American subject gain shape. Taking this aspect into account, our study puts forward as its main hypothesis that the historiographic thought developed as a consequence of the project Hacia una Historia de las Literaturas Centroamericanas (HILCAS) constitutes a socio-discursive practice, which reflects the formation of a historic-literary conscience and of a critical intellectual subject, an emergence that takes place between the mid-nineties and the first decade of the 21st century. In this respect, and taking as a basis the general purpose of this investigation indicated before, the main justification for our object of study consists of making the Central American historiographic reflection visible as a part of the epistemological and cultural changes shown by the Latin American historiographic thought, and from which a new way of conceptualization of the space, the coexistence and the historic conscience emerge with regard to the esthetic-literary practices and processes. Based on the field and hypothesis stated before, the general purpose of this research is framed by the socio-discursive dimension fulfilled by the Latin American literary historiography, and it aims to analyze the Central American historical-literary thought developed between the second half of the nineties and the beginning of the first decade of the 21st century.},
  language  = {es}
}
@phdthesis{Garcia2017,
  author    = {Garcia, Francisca},
  title     = {Mundos comunes},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-400582},
  school      = {Universit{\"a}t Potsdam},
  pages     = {270},
  year      = {2017},
  abstract  = {Vor dem Hintergrund unterschiedlicher Bewegungen und k{\"u}nstlerischer Dialoge in den siebziger und achtziger Jahren, stellt ihre Doktorarbeit den Begriff des „Lateinamerikanischen" auf dem Gebiet der Kunst und Kultur in Frage. {\"U}ber eine „sammelnde Reise" von Spuren, Zeichen und F{\"a}hrten durch europ{\"a}ische St{\"a}dte, analysiert die Arbeit die Begriffe Ort, Gemeinschaft und kulturelles Ged{\"a}chtnis, um eine neue Form des lateinamerikanischen Kontinents bilden zu k{\"o}nnen.},
  language  = {es}
}
@incollection{Ette2017,
  author    = {Ette, Ottmar},
  title     = {Bild-Schrift, Schrift-Bild, Hand-Schrift},
  series = {Visualisierung, Visibilisierung und Verschriftlichung},
  booktitle = {Visualisierung, Visibilisierung und Verschriftlichung},
  publisher = {Tranvia},
  address   = {Berlin},
  isbn      = {978-3-938944-93-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {11 -- 64},
  year      = {2017},
  language  = {de}
}
@incollection{Ette2017,
  author    = {Ette, Ottmar},
  title     = {Weiterleben / Weitererleben},
  series = {Forster - Humboldt - Chamisso : Weltreisende im Spannungsfeld der Kulturen},
  booktitle = {Forster - Humboldt - Chamisso : Weltreisende im Spannungsfeld der Kulturen},
  publisher = {V \& R unipress},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-8471-0751-4},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {383 -- 427},
  year      = {2017},
  language  = {de}
}
@incollection{Ette2017,
  author    = {Ette, Ottmar},
  title     = {Einleitung},
  series = {Visualisierung, Visibilisierung und Verschriftlichung},
  booktitle = {Visualisierung, Visibilisierung und Verschriftlichung},
  publisher = {Tranvia},
  address   = {Berlin},
  isbn      = {978-3-938944-93-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {7 -- 9},
  year      = {2017},
  language  = {de}
}
@article{Ette2017,
  author    = {Ette, Ottmar},
  title     = {Welterleben/Weiterleben},
  series = {Daphnis : Zeitschrift f{\"u}r mittlere deutsche Literatur},
  volume    = {45},
  journal   = {Daphnis : Zeitschrift f{\"u}r mittlere deutsche Literatur},
  number    = {3-4},
  publisher = {Editions Rodopi BV},
  address   = {Amsterdam},
  issn      = {0300-693X},
  doi       = {10.1163/18796583-04503002},
  pages     = {343 -- 388},
  year      = {2017},
  abstract  = {Welterleben and Weiterleben are what determine the second globalization (of four previously explored) whose constantly accelerating dynamic, vectorization, this essay explores. On the basis of selected writings of Georg Forster, Alexander von Humboldt, and Adelbert von Chamisso, the author highlights the increasing speed with which knowledge, especially in the experiential sciences, is produced and disseminated following the routes of ever-widening trade speeded along by globalization. The notion of 'vectopia' stands for the connection of utopia and uchronia in space and time in such a way that the experience of the world, expanded worldwide, contains within it a Weiter-Leben, a 'living-further' that is to be understood first in a spatial, and not yet temporal, sense, of what Forster called Erfahrungswissen, or 'experiential knowledge.' Vectopia, as elaborated here, has a material dimension that relates to the physical person, the body, the experience of the world that cannot occur without the constant changing of place, without a journeying that is again and again recommenced. Vectopia develops the projection of a life not from space or from time alone, but by their combination. Vectopia is more than a concept, it is a thought-figure: it is vitally connected to life, and thus a life-figure. It opens itself to a type of knowledge that stands almost at the threshold of a further life, indeed, of a Weiterleben that, opening itself to a 'living-onward,' resides beyond space, time, and movement.},
  language  = {en}
}
@book{OPUS4-39834,
  title     = {New Orleans and the global South},
  series = {Potsdamer inter- und transkulturelle Texte ; 17},
  journal   = {Potsdamer inter- und transkulturelle Texte ; 17},
  editor    = {Ette, Ottmar and M{\"u}ller, Gesine},
  publisher = {Georg Olms Verlag},
  address   = {Hildesheim},
  isbn      = {978-3-487-15504-3},
  pages     = {403},
  year      = {2017},
  abstract  = {Innerhalb der USA gilt New Orleans seit jeher als die „unamerikanischste" Stadt, als exotisch und anders, gar als „sozio-geographischer Unfall". Hier {\"u}berkreuzen sich nicht nur die Einfl{\"u}sse verschiedener Kolonialkulturen, sondern auch die Routen des atlantischen Sklavenhandels und der asiatischen Arbeitsmigration und nicht zuletzt die ideellen wie materiellen Transferbewegungen zwischen den beiden Amerikas. Der vorliegende Band macht es sich zur Aufgabe, diese vielf{\"a}ltigen transarealen Zirkulationsprozesse zu analysieren und das Potential New Orleans' zur paradigmatischen Metropole des Globalen S{\"u}dens auszuloten. Im Fokus stehen verschiedene Formen der kulturellen Kreolisierung, wie sie sich in der Sprache, der Literatur, der Musik, aber auch in Alltagsph{\"a}nomen wie dem Karneval oder Computerspielen manifestieren. Within the USA, New Orleans has long been considered the 'un-American' city, seen as exotic and different, even as a 'socio-geographical accident'. It is a crossroads not only for the influences of different colonial cultures but also for the routes of the Atlantic slave trade and immigration of Asian workers, and not least for material and non-material transfer between the two Americas. This volume seeks to analyse these manifold transareal circulation processes and to explore New Orleans's potential as a paradigmatic metropolis of the Global South. The focus is on different forms of creolisation as manifested in language, literature and music, but also in everyday phenomena such as Carnival or computer games.},
  language  = {en}
}
@phdthesis{Froehlich2017,
  author    = {Fr{\"o}hlich, Melanie},
  title     = {Liebe und Judentum im Werk Albert Cohens},
  series = {Europ{\"a}isch-j{\"u}dische Studien - Beitr{\"a}ge ; 31},
  journal   = {Europ{\"a}isch-j{\"u}dische Studien - Beitr{\"a}ge ; 31},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-052358-4},
  school      = {Universit{\"a}t Potsdam},
  pages     = {VII, 322},
  year      = {2017},
  abstract  = {Im Werk des j{\"u}dischen Schriftstellers Albert Cohen (1895-1981) tritt der Liebesbegriff in all seiner schillernden Ambivalenz und Komplexit{\"a}t in einen kontinuierlichen Dialog mit dem ethischen Diskurs des Judentums. Die Studie macht dieses Beziehungsgeflecht zur Grundlage ihrer Reflexion und entwirft vor dem geistigen Hintergrund des Judentums eine Gesamtschau auf die bei Albert Cohen allgegenw{\"a}rtigen Erscheinungsformen der Liebe. Aus diesem Blickwinkel gedeutet ergeben die im Schreiben des Autors vielschichtig entfalteten zwischenmenschlichen Beziehungsmuster eine ethische Matrix, die den (alt)j{\"u}dischen Wissens- und Erfahrungsschatz mit den Herausforderungen der Gegenwart konfrontiert und beides zueinander in Beziehung treten l{\"a}sst. Jenseits dichotomischer Zuschreibungen stellt die vorliegende Monographie Albert Cohen als einen Literaten vor, dessen Leben und Wirken entlang der Kontaktzonen zwischen Orient und Okzident, zwischen Judentum und Christentum, zwischen J{\"u}disch-Partikularem und Kultur{\"u}bergreifend-Universalem ausgerichtet war},
  language  = {de}
}
@incollection{Ette2017,
  author    = {Ette, Ottmar},
  title     = {Carnival and other Catastrophes. New Orleans: a Global Archipelago},
  series = {New Orleans and the global South : Caribbean, creolization, carnival},
  booktitle = {New Orleans and the global South : Caribbean, creolization, carnival},
  publisher = {Georg Olms Verlag},
  address   = {Hildesheim},
  pages     = {15 -- 67},
  year      = {2017},
  language  = {de}
}
@book{OPUS4-10490,
  title     = {Evidentiality revisited : Cognitive grammar, functional and discourse-pragmatic perspectives},
  editor    = {Haßler, Gerda and Mar{\´i}n Arese, Juana and Carretero, Marta},
  edition   = {1},
  publisher = {John Benjamins Publishing Company},
  address   = {Amsterdam, Philadelphia},
  isbn      = {978-90-272-5676-8},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {317},
  year      = {2017},
  language  = {en}
}
@incollection{Kraume2017,
  author    = {Kraume, Anne},
  title     = {La difficult{\´e} de peindre avec le pinceau},
  series = {Visualisierung, Visibilisierung und Verschriftlichung},
  booktitle = {Visualisierung, Visibilisierung und Verschriftlichung},
  publisher = {Tranvia},
  address   = {Berlin},
  isbn      = {978-3-938944-93-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {239 -- 252},
  year      = {2017},
  language  = {de}
}
@incollection{Drews2017,
  author    = {Drews, Julian},
  title     = {Zur Ereignisstruktur des Aufbruchs},
  series = {Forster - Humboldt - Chamisso : Weltreisende im Spannungsfeld der Kulturen},
  booktitle = {Forster - Humboldt - Chamisso : Weltreisende im Spannungsfeld der Kulturen},
  publisher = {V \& R unipress},
  address   = {G{\"o}ttingen},
  isbn      = {978-3-8471-0751-4},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {93 -- 104},
  year      = {2017},
  language  = {de}
}
@article{Klettke2017,
  author    = {Klettke, Cornelia},
  title     = {L'archipel dans le Roland furieux de l'Arioste - hybridit{\´e} du savoir cartographique et de l'imaginaire g{\´e}ographique},
  series = {{\^I}les et Insulaires : XVIe - XVIIIe si{\`e}cles},
  journal   = {{\^I}les et Insulaires : XVIe - XVIIIe si{\`e}cles},
  editor    = {Lestringant, Frank and Tarr{\^e}te, Alexandre},
  publisher = {Presses de l'Universit{\´e} Paris-Sorbonne},
  address   = {Paris},
  isbn      = {979-10-231-0558-2},
  pages     = {225 -- 242},
  year      = {2017},
  language  = {fr}
}
@article{Klettke2017,
  author    = {Klettke, Cornelia},
  title     = {Hypernephelos: Spiegel der (Selbst)T{\"a}uschung von G{\"o}ttern und Menschen ({\"U}berlegungen zu La scommessa di Prometeo)},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia and Neumeister, Sebastian},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {73 -- 100},
  year      = {2017},
  language  = {de}
}
@article{Klettke2017,
  author    = {Klettke, Cornelia},
  title     = {La po{\´e}tique du nuage dans Corinne ou l'Italie de Mme de Sta{\"e}l},
  series = {Les Nuages: du tournant des Lumi{\`e}res au cr{\´e}puscule du romantisme (1760-1880)},
  journal   = {Les Nuages: du tournant des Lumi{\`e}res au cr{\´e}puscule du romantisme (1760-1880)},
  editor    = {Glaudes, Pierre and Vasak, Anouchka},
  publisher = {Hermann},
  address   = {Paris},
  isbn      = {978-2-7056-9475-3},
  pages     = {165 -- 185},
  year      = {2017},
  language  = {fr}
}
@article{Mathieu2017,
  author    = {Mathieu, Carlo},
  title     = {Imago, ombre, sembianze},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {183 -- 200},
  year      = {2017},
  language  = {de}
}
@book{OPUS4-10280,
  title     = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  series = {Sanssouci - Forschungen zur Romanistik ; 13},
  journal   = {Sanssouci - Forschungen zur Romanistik ; 13},
  editor    = {Bercegol, Fabienne and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0322-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {400},
  year      = {2017},
  abstract  = {Ce volume se consacre tout particuli{\`e}rement {\`a} une s{\´e}rie de romanci{\`e}res de la g{\´e}n{\´e}ration n{\´e}es dans les ann{\´e}es 1760 et 1770, dont certaines, longtemps oubli{\´e}es, se retrouvent aujourd'hui au centre de l'int{\´e}r{\^e}t de la recherche. Selon le syst{\`e}me d'une {\´e}criture du mouvement, on peut distinguer plusieurs types de d{\´e}placements, d'{\´e}changes, de transports int{\´e}rieurs. Si les d{\´e}placements prennent, pour certaines, la forme de trajets diplomatiques et de voyages {\`a} vocation touristique, ils sont pour beaucoup des voyages contraints, provoqu{\´e}s par les violences de l'Histoire qu'il faut fuir en terre d'exil. L'exp{\´e}rience traumatisante de l'{\´e}migration et du d{\´e}racinement qu'elle implique travaille en profondeur les romans du tournant du si{\`e}cle. Le mouvement dans un deuxi{\`e}me sens nous conduit {\`a} mettre au jour l'intense et diverse circulation des id{\´e}es et des oeuvres {\`a} travers.},
  language  = {fr}
}
@incollection{Mutet2017,
  author    = {Mutet, Sylvie},
  title     = {Val{\´e}rie de Gasparin, une voyageuse en {\´E}gypte},
  series = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  booktitle = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  editor    = {Bercegol, Fabienne and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {353 -- 374},
  year      = {2017},
  language  = {fr}
}
@inproceedings{OPUS4-43816,
  title     = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  series = {Ginestra ; 25/26 (2015/2016) Sanssouci - Forschungen zur Romanistik ; 14},
  booktitle = {Ginestra ; 25/26 (2015/2016) Sanssouci - Forschungen zur Romanistik ; 14},
  editor    = {Klettke, Cornelia and Neumeister, Sebastian},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {339},
  year      = {2017},
  language  = {de}
}
@incollection{Klettke2017,
  author    = {Klettke, Cornelia},
  title     = {Die {\"A}sthetisierung der Nacktheit in der Malerei von {\´E}douard Manet und in Nana von {\´E}milie Zola},
  series = {Visualisierung, Visibilisierung und Verschriftlichung},
  booktitle = {Visualisierung, Visibilisierung und Verschriftlichung},
  publisher = {Tranvia},
  address   = {Berlin},
  isbn      = {978-3-938944-93-6},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {285 -- 326},
  year      = {2017},
  language  = {de}
}
@incollection{Keil2017,
  author    = {Keil, Daniela},
  title     = {La fictionnalisation des attitudes d'Emma Hamilton : une mani{\`e}re de codifier les affects dans les romans des {\´e}crivaines fran{\c{c}}aises et allemandes autour de 1800},
  series = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  booktitle = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  editor    = {Bercegol, Fabienne and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0322-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {253 -- 288},
  year      = {2017},
  language  = {fr}
}
@incollection{BercegolKlettke2017,
  author    = {Bercegol, Fabienne and Klettke, Cornelia},
  title     = {Transferts et entrelacements des {\´e}crits f{\´e}minins au d{\´e}but du XIXe si{\`e}cle},
  series = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  booktitle = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  editor    = {Bercegol, Fabienne and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0322-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {13 -- 28},
  year      = {2017},
  language  = {fr}
}
@incollection{Ippolito2017,
  author    = {Ippolito, Antonella},
  title     = {L'enjeu des Olivier entre France et Autriche},
  series = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  booktitle = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  editor    = {Bercegol, Fabienne and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {291 -- 311},
  year      = {2017},
  language  = {fr}
}
@incollection{Klettke2017,
  author    = {Klettke, Cornelia},
  title     = {Val{\´e}rie et la religion d'amour},
  series = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  booktitle = {Les femmes en mouvement - l'univers sentimental et intellectuel des romanci{\`e}res du d{\´e}but du XIXe si{\`e}cle},
  editor    = {Bercegol, Fabienne and Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0322-1},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {113 -- 147},
  year      = {2017},
  language  = {fr}
}
@article{Ratschow2017,
  author    = {Ratschow, Sophie},
  title     = {Leopardi in Tozzis Bestie. Reminiszenzen an die Canti L'infinito, Le ricordanze, Canto notturno di un pastore errante dell'Asia, A se stesso},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {303 -- 318},
  year      = {2017},
  language  = {de}
}
@article{Kilian2017,
  author    = {Kilian, Sven Thorsten},
  title     = {Dichtung, Erkenntnis und Nation im Discorso sopra lo stato presente dei costumi degl'italiani und in der Idylle La sera del d{\`i} di festa},
  series = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  journal   = {Giacomo Leopardi - Dichtung als inszenierte Selbstt{\"a}uschung in der Krise des Bewusstseins},
  editor    = {Klettke, Cornelia},
  publisher = {Frank \& Timme},
  address   = {Berlin},
  isbn      = {978-3-7329-0256-9},
  pages     = {283 -- 302},
  year      = {2017},
  language  = {de}
}