@misc{Mueller2019,
  author    = {M{\"u}ller, Hans-Georg},
  title     = {Rechtschreibung},
  publisher = {Senatsverwaltung f{\"u}r Bildung, Jugend und Familie},
  address   = {Berlin},
  pages     = {18},
  year      = {2019},
  language  = {de}
}
@article{BrilmyerTrentinXiang2019,
  author    = {Brilmyer, S. Pearl and Trentin, Filippo and Xiang, Zairong},
  title     = {The ontology of the couple or, what queer theory knows about numbers},
  series = {GLQ- A journal of lesbian and gay studies},
  volume    = {25},
  journal   = {GLQ- A journal of lesbian and gay studies},
  number    = {2},
  publisher = {Duke University Press},
  address   = {Durham},
  issn      = {1064-2684},
  doi       = {10.1215/10642684-7367717},
  pages     = {223 -- 255},
  year      = {2019},
  language  = {en}
}
@article{Brechenmacher2019,
  author    = {Brechenmacher, Thomas},
  title     = {Pius XII., Myron C. Taylor und die Problemlagen der unmittelbaren Nachkriegszeit (Herbst 1944 - Fr{\"u}hjahr 1948)},
  series = {Europa und Memoria : Festschrift f{\"u}r Andreas Sohn zum 60. Geburtstag},
  journal   = {Europa und Memoria : Festschrift f{\"u}r Andreas Sohn zum 60. Geburtstag},
  editor    = {Sohn-Kronthaler, Michaela and Verger, Jacques},
  publisher = {Eos},
  address   = {Sankt Ottilien},
  isbn      = {978-3-8306-7955-4},
  pages     = {487 -- 511},
  year      = {2019},
  language  = {de}
}
@misc{Ungelenk2019,
  author    = {Ungelenk, Johannes},
  title     = {Ber{\"u}hrung ber{\"u}hren - Begreifen verboten},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {171},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-47231},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-472313},
  pages     = {23},
  year      = {2019},
  abstract  = {Der Artikel arbeitet an Platons Gastmahl ein semantisches Netz rund um das Konzept des ‚Ber{\"u}hrens' heraus. Dabei bildet das Verb ἅπτομαι ein zentrales Relais, das zwischen dem vieldiskutierten ‚philosophischen Gehalt' des Textes und der in ihrem performativen Beitrag meist untersch{\"a}tzten Rahmenhandlung vermittelt. Im Nachvollzug der Konstellationen des Ber{\"u}hrens zeigt sich, dass dem Ber{\"u}hren, als Ber{\"u}hren, nicht begrifflich beizukommen ist - es entzieht sich dem aneignenden Zugriff. Ber{\"u}hren ist eben nicht Begriff. Deshalb muss sich das Gastmahl der Ber{\"u}hrung auf andere Weise n{\"a}hern, n{\"a}mlich ber{\"u}hrend - wof{\"u}r die narratologische Konstruktion des Textes von entscheidender Wichtigkeit ist. Er praktiziert Philo-Logie, d.h. nutzt die Macht der Worte, die genau daraus entsteht, dass sie in einer sehr pr{\"a}zisen Weise zwischen den Beteiligten aus einer konstitutiven Distanz heraus wirken.},
  language  = {de}
}
@book{Schmid2019,
  author    = {Schmid, Herta},
  title     = {Literatur als Kunst},
  series = {Slovo ; Band 3},
  journal   = {Slovo ; Band 3},
  editor    = {Krehl, Birgit},
  publisher = {Peter Lang},
  address   = {Berlin, Bern u.a.},
  isbn      = {978-3-631-74530-4},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {396},
  year      = {2019},
  language  = {de}
}
@misc{CiaccioGunnar2019,
  author    = {Ciaccio, Laura Anna and Gunnar, Jacob},
  title     = {Native speakers like affixes, L2 speakers like letters?},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {169},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-44461},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-444617},
  pages     = {22},
  year      = {2019},
  abstract  = {In an overt visual priming experiment, we investigate the role of orthography in native (L1) and non-native (L2) processing of German morphologically complex words. We compare priming effects for inflected and derived morphologically related prime-target pairs versus otherwise matched, purely orthographically related pairs. The results show morphological priming effects in both the L1 and L2 group, with no significant difference between inflection and derivation. However, L2 speakers, but not L1 speakers, also showed significant priming for orthographically related pairs. Our results support the claim that L2 speakers focus more on surface-level information such as orthography during visual word recognition. This can cause orthographic priming effects in morphologically related prime-target pairs, which may conceal L1-L2 differences in morphological processing.},
  language  = {en}
}
@book{OPUS4-44172,
  title     = {Testimoniale Strategien},
  editor    = {Marszałek, Magdalena and Herbst, Dominika},
  publisher = {Kulturverlag Kadmos},
  address   = {Berlin},
  isbn      = {978-3-86599-421-9},
  publisher      = {Universit{\"a}t Potsdam},
  pages     = {263},
  year      = {2019},
  abstract  = {Die Zeugenschaft gilt als ein vielschichtiges kulturelles Ph{\"a}nomen, das nicht nur eine unverzichtbare Grundlage jeglicher glaubw{\"u}rdigen Kommunikation bildet, in religi{\"o}sen, juridischen sowie wissenschaftlichen Kontexten eine wesentliche Rolle spielt, sondern auch posttraumatische Erinnerungskulturen fundiert. Der Band schließt an aktuelle Diskussionen der Zeugenschaft an, die das Zeugnis und den Zeugen in verschiedenen kulturellen Zusammenh{\"a}ngen denken sowie das ethisch-memoriale Paradigma des Bezeugens, das sich in den intellektuellen Auseinandersetzungen mit der Katastrophe der Shoah herausgebildet hat, f{\"u}r weitere historische sowie gegenw{\"a}rtige gesellschaftliche und politische Kontexte {\"o}ffnen. Das Augenmerk liegt auf der Zwischenkriegszeit sowie den beiden Weltkriegen als historische Schwellen, die nicht nur jeweils ein explosionsartiges Auftreten von Zeugenberichten zur Folge hatten, sondern auch das Verst{\"a}ndnis der Zeugenschaft sowie ihrer Formen und Medien neu definierten. Ist die Zeugenschaft selbst ein uraltes Ph{\"a}nomen, so ist ein testimoniales Bewusstsein literarischer bzw. k{\"u}nstlerischer Praktiken vor allem eine Konsequenz der katastrophalen Geschichte des 20. Jahrhunderts. Der Band befragt testimoniale Strategien der Literatur und Kunst vom Dokumentarismus der Zwischenkriegszeit (vor allem in der Reportage) hin zu M{\"o}glichkeiten des Bezeugens in den Mensch-Maschine-Konstellationen der Gegenwart. Zugleich pr{\"a}sentiert er polnische Literatur, Kunst und theoretische Reflexion der Zeugenschaft in komparatistischen Zusammenh{\"a}ngen. Dazu geh{\"o}ren sowohl eine Wiederentdeckung der fr{\"u}hen Abhandlung {\"u}ber die Zeugnisse des Großen Kriegs von Jean Norton Cru in der vergessenen deutschen {\"U}bersetzung von 1932 als auch eine deutsche Erst{\"u}bersetzung eines Fragments {\"u}ber Zeugnis und Erfahrung der Philosophin Barbara Skarga. Mit Beitr{\"a}gen u.a. von Aur{\´e}lia Kalisky, Dorota Sajewska, Sibylle Schmidt, Małgorzata Sugiera, Marek Zaleski u.a.},
  language  = {de}
}
@misc{Scianna2019,
  author    = {Scianna, Bastian Matteo},
  title     = {A predisposition to brutality?},
  series = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  number    = {165},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-43421},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-434218},
  pages     = {968 -- 993},
  year      = {2019},
  abstract  = {The German Sonderweg thesis has been discarded in most research fields. Yet in regards to the military, things differ: all conflicts before the Second World War are interpreted as prelude to the war of extermination between 1939-1945. This article specifically looks at the Franco-Prussian War 1870-71 and German behaviour vis-{\`a}-vis regular combatants, civilians and irregular guerrilla fighters, the so-called francs-tireurs. The author argues that the counter-measures were not exceptional for nineteenth century warfare and also shows how selective reading of the existing secondary literature has distorted our view on the war.},
  language  = {en}
}
@misc{Gasser2019,
  author    = {Gasser, Lucy},
  title     = {Towards Eurasia},
  series = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  number    = {164},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-43358},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-433585},
  pages     = {188 -- 202},
  year      = {2019},
  abstract  = {In order to heed the call in world literature studies to work against disciplinary Eurocentrism by refiguring both what constitutes world literature and how this is read, in this article I propose world literature as an archive of world-making practices and as an impulse for the articulation of alternative methodological approaches. This takes world literature from the postcolonial South as, following Pheng Cheah, instantiating a modality of world literature in which the need for imagining worlds with alternative centres to those determined by coloniality is particularly acute. A response to this is facilitated and illustrated by a reading of Bengali poet Rabindranath Tagore's Letters from Russia (1930), and South African writer/activist Alex La Guma's A Soviet Journey (1978). By drawing forward connections between the postcolonial South and the former Soviet Union, this complicates traditional colonial arrangements of the colonial 'centre' as cradle of civilisation and culture, as well as postcolonial scholarship's cumulative fetishisation of 'Europe', by allowing a reshuffling of the co-ordinates determining 'centres' and 'peripheries' and a more nuanced grasp of 'Europe' simultaneously. These imaginative journeys destabilise 'Europe' as closed category and call forth Eurasia as a more appropriate categorical-cartographical framework for thinking this space and the connections and (hi)story-telling it stages and fosters.},
  language  = {en}
}
@misc{Kay2019,
  author    = {Kay, Alex James},
  title     = {Speaking the unspeakable},
  series = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam Philosophische Reihe},
  number    = {162},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-43423},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-434230},
  pages     = {14},
  year      = {2019},
  abstract  = {This article discusses the filmic representation of the infamous Wannsee Conference, when fifteen senior German officials met at a villa on the shore of a Berlin lake to discuss and co-ordinate the implementation of the so-called final solution to the Jewish question. The understanding reached during the course of the ninety-minute meeting cleared the way for the Europe-wide killing of six million Jews. The article sets out to answer the principal challenge facing anyone attempting to recreate the Wannsee Conference on film: what was the atmosphere of this conference and the attitude of the participants? Moreover, it discusses various ethical aspects related to the portrayal of evil, not in actions but in words, using the medium of film. In doing so, it focuses on the BBC/HBO television film Conspiracy (2001), directed by Frank Pierson, probing its historical accuracy and discussing its artistic credibility.},
  language  = {en}
}