@article{Hassler2020, author = {Haßler, Gerda}, title = {Pasigraf{\´i}a y antipasigraf{\´i}a a finales del siglo XVIII y a principios del siglo XIX}, volume = {41}, editor = {Calero Vaquerao, Mar{\´i}a Luisa}, publisher = {Infoling}, address = {Barcelona}, issn = {1139-8736}, pages = {169 -- 192}, year = {2020}, abstract = {In 1797 a rather short work appeared in Paris in two volumes, under the title Pasigraphie in both its French and German versions. The author, Joseph de Maimieux (1753-1820), is said to have coined the term pasigraphie. With the invention of pasigraphy, Maimieux pursued the goal of creating a conceptually based writing system that could be applied to all languages. In this way, a text written in this script could be read in all languages. The pasigraphic system is based on an a priori system of conceptual classification to which written characters are assigned. It is therefore initially an exclusively written language, on which Maimieux two years later also built a spoken language with the Pasilalie. The first arguments against the endeavour represented by the Pasigraphie were brought forward by Maimieux' immediate contemporaries, the ideologues. These objections were re-affirmed in particular by Johann Severin Vater. The decisive difference between Maimieux and his critics lies in the determination of the role of signs in the formation of concepts. While for Maimieux the signs only name the finished concepts, his critics argued that signs have a function in the constitution of the concepts. A universal language is therefore ultimately not possible, since there are no universal concepts and the individual languages lead to different conceptual structures.}, language = {es} } @article{Klettke2020, author = {Klettke, Cornelia}, title = {Pirandello e Storm: potere e impotenza dell'arte ne I giganti della montagna e Pole Poppensp{\"a}ler}, series = {Pirandello tra memoria, rappresentazione e immagine : Atti del Convegno di Vienna del novembre 2017}, journal = {Pirandello tra memoria, rappresentazione e immagine : Atti del Convegno di Vienna del novembre 2017}, editor = {Cicala, Domenica Elisa and De Michele, Fausto}, publisher = {Peter Lang}, address = {Frankfurt a. M.}, isbn = {978-1-78997-434-8}, pages = {177 -- 198}, year = {2020}, language = {it} } @misc{Hassler2020, author = {Haßler, Gerda}, title = {Pr{\´e}sentation}, series = {Collocations et traditions discursives Actes du Colloque du Coll{\`e}ge Doctoral Franco-allemand (CDFA) tenu {\`a} l'Universit{\´e} de Potsdam le 4 juillet 2018 (Linx : revue des linguistes de l'Universit{\´e} Paris Ouest Nanterre La D{\´e}fense)}, volume = {2020}, journal = {Collocations et traditions discursives Actes du Colloque du Coll{\`e}ge Doctoral Franco-allemand (CDFA) tenu {\`a} l'Universit{\´e} de Potsdam le 4 juillet 2018 (Linx : revue des linguistes de l'Universit{\´e} Paris Ouest Nanterre La D{\´e}fense)}, number = {13}, editor = {Haßler, Gerda}, issn = {2118-9692}, doi = {10.4000/linx.3842}, year = {2020}, language = {en} } @book{Ottmar2020, author = {Ottmar, Ette}, title = {ReiseSchreiben}, publisher = {de Gruyter}, address = {Berlin}, isbn = {978-3-11-065310-6}, doi = {https://doi.org/10.1515/9783110650686}, pages = {XI, 672}, year = {2020}, abstract = {Reiseliteratur besaß als Genre bis weit in die zweite H{\"a}lfte des 20. Jahrhunderts weitgehend marginale Bedeutung und wurde bestenfalls dokumentarisch gelesen oder sozialwissenschaftlich »ausgewertet«. Heute geh{\"o}rt sie zu jenen literarischen Vermittlungsformen, in denen sich am eindringlichsten die Probleme der (europ{\"a}ischen) Moderne, aber auch aktuelle transkulturelle Herausforderungen, Erfahrungsmodi, Projektionen und Sehns{\"u}chte reflektieren. Der vorliegende Band behandelt Reiseliteratur systematisch wie historisch und stellt die Frage nach den {\"o}konomischen, sozialen und politischen Hintergr{\"u}nden des Reisens, nach der Entwicklung der Gattung seit der fr{\"u}hen Neuzeit, nach den Strukturierungen reiseliterarisch dargestellter hermeneutischer Bewegungen, aber auch nach den Figuren von Reisenden und Lesenden. Im Zentrum stehen franz{\"o}sisch-, spanisch- und italienischsprachige Reisen(de), aber auch deutsch- und englischsprachige Texte seit der Fr{\"u}hen Neuzeit sowie reiseliterarische Ausdrucksformen des ausgehenden 20. und beginnenden 21. Jahrhunderts. Sagt uns die Reiseliteratur, wohin die Reise unserer Gesellschaften geht?}, language = {de} } @book{OPUS4-49371, title = {Remembering German-Australian Colonial Entanglements}, series = {Postcolonial Studies ; 21}, journal = {Postcolonial Studies ; 21}, editor = {Eckstein, Lars and Barrett, Lindsay and Schwarz, Anja and Hurley, Andrew Wright}, publisher = {Routledge}, address = {London}, isbn = {978-0-367-42159-5}, pages = {x, 151}, year = {2020}, abstract = {Remembering German- Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook's voyages through to the legacies of 19th- and 20th- century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds - ancestral human remains, rare animal skins, songs and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation. Contributors trace how these entanglements have been commemorated or forgotten over time - by Germans, settler-Australians and Indigenous people. Bringing to light a critical understanding of the German involvement in the Australian colonial project, Remembering German- Australian Colonial Entanglements will be of great interest to scholars of colonialism, postcolonialism, German Studies and Indigenous Studies. But for the editors' substantial new introductory chapter, these contributions originally appeared in a special issue of Postcolonial Studies.}, language = {en} } @article{Hennemann2020, author = {Hennemann, Anja}, title = {Reporting on 'thinking' in Spanish and Portuguese and the role of the subject pronoun}, doi = {10.25932/publishup-47445}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-474455}, pages = {19}, year = {2020}, abstract = {The present paper is concerned with the phenomenon of reporting on the speakers' thinking when both the reporting and the reported clauses originate in one and the same speaker, i.e. the performative uses of the verbs sp. creer and pt. achar ('think'). The data are retrieved from the CdE-NOW and CdP-NOW. Adopting both a quantitative and a qualitative perspective, I concentrate on reporting on thinking with and without the overt expression of the subject pronouns sp. yo and pt. eu. In doing so, the constructions (yo) creo (que) and (eu) acho (que) as well as parenthetic and right-peripheral creo yo and acho eu are studied. According to the corpus data and compared to other possible constructions with creo and acho, creo que and acho que represent the most frequent constructions if searching for the 'node' creo or acho, that is, if the non-use of the subject pronoun exceeds its explicit expression.}, language = {en} } @misc{Hassler2020, author = {Haßler, Gerda}, title = {Rezension zu: De Palo, Marina: Saussure e gli strutturalismi : il soggetto parlante nel pensiero linguistico del Novecento / Prefazione de Tullio de Mauro. - Roma: Carocci, 2016, 314 S. - (Studi Superiori ; 1044). - ISBN 978-88-430-8205-6}, series = {Beitr{\"a}ge zur Geschichte der Sprachwissenschaft}, volume = {30}, journal = {Beitr{\"a}ge zur Geschichte der Sprachwissenschaft}, number = {2}, pages = {317 -- 327}, year = {2020}, language = {it} } @misc{Haeseler2020, author = {H{\"a}seler, Jens}, title = {Rezenzion zu: Vincent Cossarutto ({\´e}d.), Voltaire au service du roi. Un pamphl{\´e}taire politique au temps de la »r{\´e}volution« Maupeou. 1770-1775, Besan{\c{c}}on: (Presses universitaires de Franche-Comt{\´e}), 2019, 359 p. - (Annales litt{\´e}raires de l'universit{\´e} de Franche-Comt{\´e}, 997), ISBN 978-2-84867-647-0}, series = {Francia. Recensio}, volume = {2020}, journal = {Francia. Recensio}, number = {2}, publisher = {Thorbecke}, address = {Ostfildern}, issn = {2425-3510}, doi = {10.11588/frrec.2020.2.73291}, pages = {3}, year = {2020}, language = {de} } @book{Ette2020, author = {Ette, Ottmar}, title = {Roland Barthes}, publisher = {Caj{\´o}n de sastre}, address = {Bogota}, isbn = {978-958-48-8719-1}, pages = {159}, year = {2020}, language = {es} } @article{Ette2020, author = {Ette, Ottmar}, title = {Romanistik als Lust. Kleines romanistisches ABC}, series = {Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII}, journal = {Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII}, editor = {Ertler, Klaus-Dieter}, publisher = {LIT Verlag}, address = {Wien}, isbn = {978-3-643-51010-5}, pages = {165 -- 189}, year = {2020}, language = {de} } @article{Pinsdorf2020, author = {Pinsdorf, Christina}, title = {Romantischer Empirismus im Anthropoz{\"a}n. A. v. Humboldts und F. W. J. Schellings Ideen f{\"u}r die Environmental Humanities}, series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies}, volume = {XXI}, journal = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies}, number = {40}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, issn = {1617-5239}, doi = {10.25932/publishup-47355}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-473555}, pages = {59 -- 97}, year = {2020}, abstract = {Im Anthropoz{\"a}n wird eine naturphilosophischethische Neubestimmung des vorherrschenden Mensch-Natur-Verh{\"a}ltnisses virulent. Die Interdependenz von Natur und Kultur ist mehr denn je offensichtlich und die durch den Menschen verursachte {\"o}kologische Krise samt Klimawandel und massivem Artensterben hat sich zur umfassenden Bedrohung auch f{\"u}r die menschliche Lebensform selbst ausgewachsen. In der letzten Dekade hat hierauf insbesondere das interdisziplin{\"a}re Forschungsfeld der Environmental Humanities reagiert. Im Sinne dieser Forschungsausrichtung werden der Naturforscher A. v. Humboldt und der Naturphilosoph F. W. J. Schelling beleuchtet und auf ihre Relevanz f{\"u}r die Auseinandersetzung mit aktuellen {\"o}kologischen Problemstellungen {\"u}berpr{\"u}ft. Anleitend hierf{\"u}r ist die Annahme, dass beide Wissenschaftler die Position eines romantischen Empirismus vertreten haben, der ideengebendes Potenzial f{\"u}r eine Revision des Mensch-Natur-Verh{\"a}ltnisses birgt.}, language = {de} } @article{Ette2020, author = {Ette, Ottmar}, title = {Saga-Like World-Fractals: Jo{\~a}o Guimar{\~a}es Rosa, "Sagarana", and the Literatures of the World}, series = {Journal of Foreign Languages and Cultures}, volume = {IV}, journal = {Journal of Foreign Languages and Cultures}, number = {1}, publisher = {Hunan Normal University}, address = {Changsha}, pages = {1 -- 21}, year = {2020}, abstract = {This article presents and discusses Jo{\~a}o Guimar{\~a}es Rosa as an outstanding Brazilian author whose literary work, especially Sagarana, expresses aesthetically different ways of life-forms between human beings, animals, plants, and landscapes. Movement and transformations are the basic principles in which the melody of prose expresses itself as a language in and as motion. Although based in Brazilian culture, Rosa shows the conviviality of different logics which are not reduced to one myth of the Brazilian people, but produce multiple ways of co-existence between different life-forms and culture narratives. The translingual title "Sagarana" already alludes to the transitions between two languages, regions, and cultures: the Icelandic "saga-" and the Tupic-Word "rana" which means "similar" or "alike." The interpretation figures out the correlation of different provenances ("Herk{\"u}nfte") which emerge from Rosa's craft of storytelling. In its center, the Sert{\~a}o arises as a region of nature whose forces are connected with the life of human beings. As fractal of the world, it symbolizes Brazilian relations as a world of its own and at the same time as a part of the world of others. From this point of view the essay turns world literature upside down: it emphasizes on the one hand that the epoch of world literature since Goethe has come to an end and that the meridian has shifted to Latin America. On the other hand it can be observed that the lusophonic world between Brazil and Angola, Portugal and Kap Verde develops new perspectives on literatures of the world beyond the fixed coordinations of periphery and center. Rosa's ways of world making already shift the perspective from the local to the global as a miniatured model of a universe which reveals interpretations of a better understanding of the world as world fractals.}, language = {en} } @article{Ette2020, author = {Ette, Ottmar}, title = {Sagenhafte WeltFraktale}, series = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen}, journal = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen}, editor = {Ette, Ottmar and Soethe, Paulo Astor}, publisher = {de Gruyter}, address = {Berlin-Boston}, isbn = {978-3-11-067770-6}, pages = {25 -- 52}, year = {2020}, language = {de} } @article{Ette2020, author = {Ette, Ottmar}, title = {Siempre me ha ispirado horror pensar el mundo desde una sola perspectiva}, series = {Chuy : revista de estudios literarios latinoamericanos}, volume = {8}, journal = {Chuy : revista de estudios literarios latinoamericanos}, number = {julio}, publisher = {Universidad Nacional}, address = {Buenos Aires}, pages = {170 -- 176}, year = {2020}, language = {es} } @phdthesis{Verdiani2020, author = {Verdiani, Silvia}, title = {Silenzio, immagini e parole. La costruzione del significato nella multimodalit{\`a} digitale}, isbn = {9788875901516}, doi = {10.25932/publishup-52359}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-523590}, school = {Universit{\"a}t Potsdam}, pages = {409}, year = {2020}, abstract = {Internetsprache weist besondere Merkmale auf, denn neben dem verbalen Text sind auch andere Elemente wichtig: die Reaktionszeit, das Fehlen einer Antwort sowie die umfangreiche Verwendung von Bild- und Multimedia-Elementen. Greg Myers (2010: 15) verwendet in diesem Zusammenhang den Begriff - und das Sprachspiel - aural materials: Bild-, Multimedia- und Sprachmaterial haben im Computer Mediated Communication (CMC) als Referent ein bestimmtes Interpretationsfeld. In dieser Perspektive funktioniert verbale Sprache als Aktivator der m{\"o}glichen inferentialen Wege und Kontexte innerhalb unserer Welt. Wichtig sind die Kultur- und Lebenserfahrungen der Teilnehmer (Basile 2012: 21), die uns erm{\"o}glichen die Nachricht zu verstehen und an der Kommunikation teilzunehmen. Die indexikalische Rolle der verbalen Sprache in Bezug auf Bilder und Multimedia, so wie sie in der Online-Kommunikation verwendet wird, ist von zentraler Bedeutung. Die Einbeziehung dieser Referenzdatei erregt die Aufmerksamkeit der Leser: Das Multimedia-Material ist sowohl ein integraler Bestandteil der Interaktion als auch deren Ausdrucksweise, Focus des Gespr{\"a}chs und gemeinsame Bildsprache. Die Anwendungsbereiche sind vielf{\"a}ltig, denn der Prozess des Bildlesens ist in der Rezeption, aber auch in der k{\"u}nstlerischen Produktion, in der Werbung, der politischen Propaganda und dar{\"u}ber hinaus in der multimedialen Kommunikation pr{\"a}sent. Die Konglomerate von Sprache und Bild sind in der Lage, komplexe Begriffe zu synthetisieren, aber auch in der Erinnerung der Empf{\"a}nger genau zu haften, und zwar aufgrund ihres gemischten Codes und ihrer syn{\"a}sthetischen Natur. Dies ist funktional f{\"u}r die digitale Kommunikation, die sich auf die phatischen und spielerischen Aspekte der Interaktion konzentriert. Die Auswirkungen auf die sprachliche Verwendung sind zweifellos einer der interessantesten und aktuellsten Aspekte dieser Art von hybriden Kommunikation, die Neuheit liegt nicht so sehr in der Wahl einer medien{\"u}bergreifenden expressiven Dimension - auch in der Vergangenheit vielseitig bezeugt -, sondern in ihrer aktuellen Verbreitung, denn sie ist in der Tat die normale kommunikative Dimension f{\"u}r eine immer gr{\"o}ßere Anzahl von Benutzern geworden.}, language = {it} } @article{Hassler2020, author = {Haßler, Gerda}, title = {Sprache als Epiph{\"a}nomen in der Geschichte der Sprachwissenschaft}, series = {Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019)}, volume = {VIII /2019}, journal = {Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019)}, number = {1-2}, publisher = {Edizioni ETS}, address = {Pisa}, isbn = {88-467-5675-4}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-441580}, pages = {191 -- 206}, year = {2020}, abstract = {The notion of 'epiphenomenon' is usually used to exclude certain aspects of a scientific object because they are considered to be deduced from others. In linguistics, restrictions of the research object were made, invoking the notion of 'epiphenomenon', which was partially done with a polemical attitude, and was always responded to polemically. The best-known definition of languages as an epiphenomenon is that proposed by Chomsky, who declared that the specific realisations of language do not warrant scientific attention, but there were early relegations of properties of individual languages to the domain of an epiphenomenon of grammar, to the domain of an art and not a science. These relegations from a certain point of abstraction did advance theories of language, even though they took a point of abstraction that did not correspond to the complexity of language.}, language = {de} } @article{Hennemann2020, author = {Hennemann, Anja}, title = {Tal vez es x vs. Tal ves sea X. Construcciones de probabilidad y el uso de los modos}, series = {Romanica Olomucensia}, volume = {32}, journal = {Romanica Olomucensia}, number = {1}, publisher = {Univerzita Palack{\´e}ho v Olomouci}, address = {Olomouc}, issn = {1803-4136}, doi = {10.5507/ro.2020.003}, pages = {51 -- 71}, year = {2020}, abstract = {This paper is concerned with constructions that express probability and their interaction with the indicative and subjunctive mood, as well as with other contextual elements. In detail, the paper deals with the constructions [sin duda + indicative/subjunctive], [tal vez + indicative/subjunctive], [probablemente + indicative/subjunctive] and [posiblemente + indicative/subjunctive]. In their interaction with mood, the constructions are understood as different microconstructions. For example, [sin duda + indicative] and [sin duda + subjunctive] are seen as different microconstructions of the superordinate mesoconstruction [modal construction (of probability) + verb]. In a qualitative analysis examples from the CREA, CORPES XXI, and CdE corpora are examined regarding the interaction of [expression of probability] + [mood]. Following the Principle of No Synonymy of Grammatical Forms, the analysis confirms that the use of mood additionally influences the expressed degree of probability of the constructions. For instance, while probablemente generally expresses a slightly higher probability than posiblemente, a fine-tuned analysis shows that the expressed degrees of probability of [probablemente + subjunctive] and [posiblemente + indicative] are highly similar. This is also often confirmed by further contextual information. In summary, the paper shows that Cognitive Construction Grammar is a very suitable background against which to investigate modal phenomena, as cognitive approaches generally deal with the ways in which language users conceptualize the world from their own point of view, and as expressions of modality, more precisely, probability, are also closely related to speakers' attitudes or perspectives.}, language = {es} } @article{Hassler2020, author = {Haßler, Gerda}, title = {The Functional-Communicative Approach to Language of the Potsdam School in the German Democratic Republic}, series = {History of Humanities}, volume = {5}, journal = {History of Humanities}, number = {1}, publisher = {The University of Chicago Press Journals}, address = {Chicago}, issn = {2379-3163}, pages = {31 -- 49}, year = {2020}, language = {en} } @phdthesis{Hennemann2020, author = {Hennemann, Anja}, title = {Topic and Focus Markers in Spanish, Portuguese and French}, series = {Potsdam linguistic investigations ; 30}, journal = {Potsdam linguistic investigations ; 30}, publisher = {Lang}, address = {Berlin}, isbn = {978-3-631-82392-7}, school = {Universit{\"a}t Potsdam}, pages = {307}, year = {2020}, abstract = {This book is concerned with the diachronic development of selected topic and focus markers in Spanish, Portuguese and French. On the one hand, it focuses on the development of these structures from their relational meaning to their topic-/ focus-marking meaning, and on the other hand, it is concerned with their current form und use. Thus, Romance topic and focus markers - such as sp. en cuanto a, pt. a prop{\´o}sito de, fr. au niveau de or sentence-initial sp. Lo que as well as clefts and pseudo-clefts - are investigated from a quantitative and qualitative perspective. The author argues that topic markers have procedural meaning and that their function is bound to their syntactic position. An important contribution of this study is the fact that real linguistic evidence (in the form of data from various corpora) is analyzed instead of operating with constructed examples.}, language = {en} } @article{Ette2020, author = {Ette, Ottmar}, title = {Towards a polylogical Philology of the Literatures of the World}, series = {Abralic}, journal = {Abralic}, pages = {41}, year = {2020}, language = {en} } @incollection{Hassler2020, author = {Haßler, Gerda}, title = {Unterschiedliche Darstellungsperspektiven von Konflikten}, series = {Demokratie- und Europabildung. Krisen und Konflikte und deren didaktisches Potential f{\"u}r den Fremdsprachenunterricht Franz{\"o}sisch}, booktitle = {Demokratie- und Europabildung. Krisen und Konflikte und deren didaktisches Potential f{\"u}r den Fremdsprachenunterricht Franz{\"o}sisch}, publisher = {WVT Wissenschaftlicher Verlag}, address = {Trier}, isbn = {978-3-86821-870-1}, pages = {23 -- 38}, year = {2020}, language = {de} } @book{Ette2020, author = {Ette, Ottmar}, title = {Vivir lo breve}, series = {Ediciones de Iberoamericana ; 115}, journal = {Ediciones de Iberoamericana ; 115}, editor = {Ette, Ottmar and S{\´a}nchez, Yvette}, publisher = {Iberoamericana}, address = {Madrid}, isbn = {978-3-96869-038-4}, issn = {2567-9147}, pages = {415}, year = {2020}, abstract = {El volumen pone de relieve el impacto de los microformatos literarios y art{\´i}sticos en nuestro pensamiento, analizando aquellas manifestaciones que a diario buscan adiestrarnos en la lectura de textos ultracortos, cuyas dimensiones van del pajarillo de Twitter al program{\´a}tico dinosaurio. Re{\´u}ne veinte trabajos, firmados por renombrados nanofil{\´o}logos, cuyas reflexiones te{\´o}ricas sobre la clasificaci{\´o}n del g{\´e}nero y po{\´e}tica ponen de manifiesto una cosmovisi{\´o}n discontinua de la realidad as{\´i} como nuevas v{\´i}as de sensibilidad en la convivencia (y supervivencia) cotidiana, social y pol{\´i}tica. Otras diez contribuciones creativas, procedentes de las letras (por ejemplo, de la tuiteratura) y dem{\´a}s artes (una micropartitura para canto, grafiti, c{\´o}mic o micrometraje audiovisual), subrayan asimismo el br{\´i}o de las formas breves.}, language = {es} } @article{Ette2020, author = {Ette, Ottmar}, title = {Vorwort}, series = {Anton Wilhelm Amo: Philosophieren ohne festen Wohnsitz}, journal = {Anton Wilhelm Amo: Philosophieren ohne festen Wohnsitz}, editor = {Ette, Ottmar}, edition = {2}, publisher = {Kulturverlag Kadmos}, address = {Berlin}, isbn = {978-3-86599-470-7}, pages = {vii -- xiii}, year = {2020}, language = {de} } @article{Ette2020, author = {Ette, Ottmar}, title = {Vorwort zur zweiten Auflage im Januar 2020 : Alexander von Humboldt oder ein Werk in st{\"a}ndiger Bewegung}, series = {Weltbewusstsein : Alexander von Humboldt oder das unvollendete Projekt einer anderen Moderne}, journal = {Weltbewusstsein : Alexander von Humboldt oder das unvollendete Projekt einer anderen Moderne}, editor = {Ette, Ottmar}, edition = {2}, publisher = {Velbr{\"u}ck Wissenschaft}, address = {Weilerswist}, isbn = {978-3-95832-220-2}, pages = {3 -- 8}, year = {2020}, language = {de} } @article{Pchalek2020, author = {Pchalek, Magda}, title = {War Alexander von Humboldt Bio{\"o}konom?}, series = {Portal: Das Potsdamer Universit{\"a}tsmagazin - Bio{\"o}konomie}, journal = {Portal: Das Potsdamer Universit{\"a}tsmagazin - Bio{\"o}konomie}, number = {1}, issn = {1618-6893}, pages = {15 -- 15}, year = {2020}, language = {de} } @article{Ette2020, author = {Ette, Ottmar}, title = {Wilhelm \& Alexander von Humboldt or: Humboldtian Science}, series = {Wilhelm und Alexander von Humboldt - Berlin Cosmos}, journal = {Wilhelm und Alexander von Humboldt - Berlin Cosmos}, editor = {Spies, Paul and Tintemann, Ute and Mende, Jan}, publisher = {Wienand}, address = {K{\"o}ln}, isbn = {978-3-86832-559-1}, pages = {19 -- 23}, year = {2020}, language = {en} } @article{Lenz2020, author = {Lenz, Markus Alexander}, title = {Zone: une 'dialectique n{\´e}gative' de la conscience?}, series = {Mathias {\´E}nard et l'{\´e}rudition du roman}, journal = {Mathias {\´E}nard et l'{\´e}rudition du roman}, number = {439}, editor = {Messling, Markus and Ruhe, Cornelia and Seauve, Lena and De Senarclens, Vanessa}, publisher = {Brill Rodopi}, address = {Leiden}, isbn = {978-90-04-42396-1}, pages = {183 -- 199}, year = {2020}, abstract = {Depuis plus de dix ans, les romans de Mathias {\´E}nard connaissent un succ{\`e}s qui ne se d{\´e}ment pas. La Perfection du tir en 2003, mais aussi Zone en 2008, Parle-leur de batailles, de rois et d'{\´e}l{\´e}phants en 2010 et Rue des voleurs en 2012 ont remport{\´e} des prix litt{\´e}raires de grand renom. Enfin, le jury du prix Goncourt a opt{\´e} en 2015 avec Boussole pour un roman dans lequel « l'imagination » romanesque a pour support une {\´e}poustouflante {\´e}rudition portant sur l'Orient. Ce volume cherche {\`a} {\´e}clairer les modalit{\´e}s narratives qui permettent {\`a} l'auteur de transformer l'{\´e}rudition en roman, mais aussi {\`a} situer son œuvre dans le contexte litt{\´e}raire actuel}, language = {fr} } @article{Krumpel2020, author = {Krumpel, Sebastian}, title = {Zur quantitativen Auswertung der intertextuellen Bez{\"u}ge Humboldts in seinem Essai politique sur le royaume de la Nouvelle-Espagne}, series = {HiN : Alexander von Humboldt im Netz ; international review for Humboldtian studies}, volume = {XXI}, journal = {HiN : Alexander von Humboldt im Netz ; international review for Humboldtian studies}, number = {40}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, issn = {2568-3543}, doi = {10.25932/publishup-47350}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-473508}, pages = {35 -- 44}, year = {2020}, abstract = {Losgel{\"o}st vom eurozentrischen Systemdenken sowie den Vorurteilen der Philosophie und Wissenschaften bediente sich Alexander von Humboldt eines transnationalen Wissensreservoirs, das er in seinen Werken zu einem l{\"a}nder- und sprach{\"u}bergreifenden Wissensnetzwerk verband. Die vorliegende quantitative Auswertung der intertextuellen Bez{\"u}ge des Essai politique sur le royaume de la Nouvelle-Espagne zeigt zum einen deren Vielzahl und Komplexit{\"a}t auf, zum anderen, inwieweit Humboldt sich zwischen zwei sich diskursiv abgrenzenden Welten bewegt und sich unabh{\"a}ngig von der Abstammung oder Herkunft der Autoren mit deren Forschungsergebnissen auseinandersetzt. Der relativ große Anteil an amerikanischen Werken, auf die Humboldt in seinem Essai Bezug nimmt, verdeutlicht im Besonderen den hohen Stellenwert, den sie f{\"u}r seine eigenen Forschungen einnahmen und im Allgemeinen den Beginn der wachsenden Bedeutung der Wissenschaft in Amerika.}, language = {de} } @article{Ette2020, author = {Ette, Ottmar}, title = {{\"A}sthetik der Natur und Natur der {\"A}sthetik}, series = {Humboldt, Alexander von: Geographie der Pflanzen : Unver{\"o}ffentlichte Schriften aus dem Nachlass}, journal = {Humboldt, Alexander von: Geographie der Pflanzen : Unver{\"o}ffentlichte Schriften aus dem Nachlass}, editor = {P{\"a}ßler, Ulrich}, publisher = {Metzler}, address = {Stuttgart}, isbn = {978-3-476-04965-0}, pages = {XI -- XIV}, year = {2020}, language = {de} } @article{Maennl2020, author = {M{\"a}nnl, Ingrid}, title = {„… durch die Bereisung der dargestellten Gegenden der Wissenschaft und ihrer Nation ein so sch{\"o}nes Denkmal gesetzt …". Zu Friedrich Georg Weitschs Gem{\"a}lde, das Alexander von Humboldt und Aim{\´e} Bonpland vor dem Chimborazo zeigt}, series = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies}, volume = {XXI}, journal = {HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies}, number = {40}, publisher = {Universit{\"a}tsverlag Potsdam}, address = {Potsdam}, issn = {1617-5239}, doi = {10.25932/publishup-47351}, url = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-473510}, pages = {45 -- 58}, year = {2020}, abstract = {Der Hofmaler Friedrich Georg Weitsch begann 1806 ein Gem{\"a}lde, das Humboldt vor dem Chimborazo zeigt. Eine Akte im Geheimen Staatsarchiv Preußischer Kulturbesitz liefert neue Erkenntnisse dazu. Weitsch fertigte das Gem{\"a}lde, das die Preußische Akademie der Wissenschaften in Auftrag gegeben hatte und das dann der preußische K{\"o}nig f{\"u}r sich bestellte, nach Humboldts Anleitung an. Vermutlich eigenm{\"a}chtig f{\"u}gte er eine Aufschrift auf den Expeditionskisten hinzu, um Humboldts Amerikareise als preußische Expedition zu deklarieren und dem K{\"o}nig als Landesherrn zu erm{\"o}glichen, an dem großen Ruhm der naturwissenschaftlichen Unternehmung Anteil zu nehmen. Der Untertitel des Gem{\"a}ldes lautet nicht wie bisher angenommen „Preußische Expedition von Alexander von Humboldt", sondern „Beschrieben von Alexander von Humboldt".}, language = {de} }