@article{OPUS4-47023,
  title     = {27. Collocations et traditions discursives (Actes du Colloque du Coll{\`e}ge Doctoral Franco-allemand (CDFA) tenu {\`a} l'Universit{\´e} de Potsdam le 4 juillet 2018)},
  series = {LINX, Revue des linguistes de l'Universit{\´e} Paris Nanterre},
  volume    = {2020},
  journal   = {LINX, Revue des linguistes de l'Universit{\´e} Paris Nanterre},
  number    = {13},
  editor    = {Haßler, Gerda},
  doi       = {10.4000/linx.3837},
  year      = {2020},
  language  = {fr}
}
@article{Lenz2020,
  author    = {Lenz, Markus Alexander},
  title     = {A Prophet of Divine Wisdom?},
  series = {Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico},
  volume    = {5},
  journal   = {Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico},
  number    = {1},
  editor    = {Islam, Dayeh},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {2451-9189},
  issn      = {2451-9197},
  pages     = {50 -- 75},
  year      = {2020},
  abstract  = {In the nineteenth century, the reception of Giambattista Vico's writings came along with nationalist interpretations of his Scienza Nuova as an 'Italian Science'. This tendency was based upon an increased examination of the role that the philosopher Pythagoras and his Italian school of Croton played in Vico's hierarchical conception of the ancient Greek and Italian civilizations. Writers, archaeologists and historians used the New Science as a metonymic reference work for their own nationalist concepts by updating the Pythagorean myth in accordance with relevant narratives of exclusive genealogies concerning an ancient Italian wisdom. These narratives follow tendencies in Vico's own writings that were quoted strategically and mixed with further interpretations of the Scienza Nuova as reliable testimonial for a glorious Italian history. A theological poet characterized by deeper insight into the secrets of nature and some parts of the divine providence, Pythagoras gains his special position in Vico's general conception of knowledge.},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Alexander von Humboldt},
  series = {Offene Horizonte : Sch{\"a}tze zu Humboldts Reisewegen},
  journal   = {Offene Horizonte : Sch{\"a}tze zu Humboldts Reisewegen},
  publisher = {Schmuckmuseum Pforzheim},
  address   = {Pforzheim},
  isbn      = {978-3-933924-25-4},
  pages     = {130 -- 131},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Alexander von Humboldt},
  series = {Offene Horizonte : Sch{\"a}tze zu Humboldts Reisewegen},
  journal   = {Offene Horizonte : Sch{\"a}tze zu Humboldts Reisewegen},
  publisher = {Schmuckmuseum Pforzheim},
  address   = {Pforzheim},
  isbn      = {978-3-933924-25-4},
  pages     = {20 -- 21},
  year      = {2020},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Alexander von Humboldt oder der st{\"a}ndige Impuls},
  series = {Das Jubil{\"a}umsjahr 2019 : Tagungen in Leipzig und Berlin},
  journal   = {Das Jubil{\"a}umsjahr 2019 : Tagungen in Leipzig und Berlin},
  publisher = {Humboldt-Gesellschaft f{\"u}r Wissenschaft, Kunst und Bildung e.V.},
  address   = {Mannheim},
  isbn      = {978-3-940456-93-6},
  pages     = {115 -- 126},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Anton Wilhelm Amo},
  series = {Alexandria dein Magazin f{\"u}r Wissenschaft},
  journal   = {Alexandria dein Magazin f{\"u}r Wissenschaft},
  number    = {1},
  publisher = {Verein f{\"u}r Wissenschaftskommunikation und zur F{\"o}rderung von Wissenschaftler_Innen},
  address   = {Wien},
  pages     = {17 -- 21},
  year      = {2020},
  language  = {de}
}
@incollection{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Aus Freude an der Sprache},
  series = {Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII},
  booktitle = {Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII},
  publisher = {Lit},
  address   = {Wien},
  isbn      = {978-3-643-51010-5},
  pages     = {191 -- 206},
  year      = {2020},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Autopoiesis als Modell interdiskursive Selbst{\"u}bersetzung},
  series = {Selbst{\"u}bersetzung als Wissenstransfer},
  journal   = {Selbst{\"u}bersetzung als Wissenstransfer},
  editor    = {Willer, Stefan and Keller, Andreas},
  publisher = {Kadmos},
  address   = {Berlin},
  isbn      = {978-3-86599-467-7},
  pages     = {279 -- 302},
  year      = {2020},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Autopoiesis als Modell interdiskursive Selbst{\"u}bersetzung},
  series = {Selbst{\"u}bersetzung als Wissenstransfer},
  journal   = {Selbst{\"u}bersetzung als Wissenstransfer},
  editor    = {Willer, Stefan and Keller, Andreas},
  publisher = {Kadmos},
  address   = {Berlin},
  isbn      = {978-3-86599-467-7},
  pages     = {279 -- 301},
  year      = {2020},
  language  = {de}
}
@article{AmatuzziAyresBennettGerstenbergetal.2020,
  author    = {Amatuzzi, Antonella and Ayres-Bennett, Wendy and Gerstenberg, Annette and Schosler, Lene and Skupien-Dekens, Carine},
  title     = {Changement linguistique et p{\´e}riodisation du fran{\c{c}}ais (pr{\´e})classique},
  series = {Journal of French language studies},
  volume    = {30},
  journal   = {Journal of French language studies},
  number    = {3},
  publisher = {Cambridge Univ. Press},
  address   = {Cambridge},
  issn      = {0959-2695},
  doi       = {10.1017/S0959269520000058},
  pages     = {301 -- 326},
  year      = {2020},
  abstract  = {RESUME Cette etude propose d'explorer et d'identifier des moments particuliers oU le changement linguistique se produit, afin de confirmer ou de rejeter l'idee d'une periode specifique designee par le terme << francais preclassique >>, avec une rupture - ou frontiere chronolectale - detectable autour de 1630 (cf. Ayres-Bennett et Caron, 2016). Afin de verifier dans quelle mesure cette chronologie peut etre confirmee, il est necessaire de multiplier des analyses fines et pointues sur des traits linguistiques qui ont subi des changements a l'epoque en question et d'interroger une gamme de textes qui refletent la variation discursive et pragmatique, au lieu de consulter le canon des traditions textuelles actuellement disponibles sur des bases numerisees, qui sont essentiellement litteraires. C'est pourquoi nous avons consulte des sources de nature differente, qui pourraient attester des usages emergents, a savoir les corpus du Reseau Corpus Francais Preclassique et Classique (RCFC). Seront presentes les resultats de deux etudes de cas (la recategorisation des formes dedans/dessous/dessus/dehors et la montee des clitiques), abondamment discutes par les remarqueurs.},
  language  = {fr}
}
@book{Parisse2020,
  author    = {Parisse, Lydie},
  title     = {Die Gegenspielerin},
  editor    = {Klettke, Cornelia and Kilian, Sven Thorsten},
  publisher = {Edition Noack \& Block},
  address   = {Berlin},
  isbn      = {978-3-86813-088-1},
  pages     = {190},
  year      = {2020},
  language  = {de}
}
@incollection{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Die Kontinuit{\"a}t der Remarqueurs im Internet},
  series = {Fehler - Abweichung - Variation. Sprachnormen aus linguistischer und didaktischer Sicht},
  booktitle = {Fehler - Abweichung - Variation. Sprachnormen aus linguistischer und didaktischer Sicht},
  publisher = {Lang},
  address   = {Berlin},
  isbn      = {978-3-631-81819-0},
  pages     = {15 -- 37},
  year      = {2020},
  language  = {de}
}
@phdthesis{Arndt2020,
  author    = {Arndt, Mario},
  title     = {Die portugiesisch-basierten Kreolsprachen S{\"u}dostasiens im Sprachkontakt},
  series = {Sprachkontakte. Variation, Migration und Sprachdynamik / Language contacts. Variation, migration and dynamics of languages / Contacts linguistiques. Variation, migration et dynamique linguistique ; 5},
  journal   = {Sprachkontakte. Variation, Migration und Sprachdynamik / Language contacts. Variation, migration and dynamics of languages / Contacts linguistiques. Variation, migration et dynamique linguistique ; 5},
  publisher = {Peter Lang GmbH},
  address   = {Frankfurt am Main},
  isbn      = {978-3-631-82570-9},
  issn      = {1868-176X},
  doi       = {10.3726/b17106},
  pages     = {311},
  year      = {2020},
  abstract  = {Ein Ergebnis der interkulturellen Beziehungen in S{\"u}dostasien sind die immer noch existierenden portugiesisch-basierten Kreolsprachen Papia Kristang und Maca{\´i}sta, die zu Muttersprachen von Generationen von Menschen in Malakka und Macau geworden sind. Welche Faktoren bewirken den Sprachwandel dieser Idiome, und wie ist dieser erkennbar? Dieser Band besch{\"a}ftigt sich nicht nur mit der Sprachdynamik der portugiesisch-basierten Kreolsprachen S{\"u}dostasiens, sondern auch mit anderen wesentlichen Fragestellungen der Variationslinguistik. Als Basis dienen die Ergebnisse einer empirischen Datenerhebung, die insbesondere die Ver{\"a}nderungen im Sprachgebrauch dokumentieren. Dar{\"u}ber hinaus stellt der Autor neue Resultate hinsichtlich der Sprachidentifikationen vor, die nicht nur f{\"u}r die Kreolistik von Bedeutung sind, sondern auch fach{\"u}bergreifend f{\"u}r das Interesse der allgemeinen Sprachwissenschaft.},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Die Tierfl{\"u}sterer. Konrad Lorenz, Niko Tinbergen und die "poetische Lizenz" des ethologischen Genres seit den 1960er Jahren},
  series = {Animal Print : Das popul{\"a}re Tiersachbuch (Non-Fiktion. Arsenal der anderen Gattung)},
  volume    = {15},
  journal   = {Animal Print : Das popul{\"a}re Tiersachbuch (Non-Fiktion. Arsenal der anderen Gattung)},
  number    = {1/2},
  editor    = {Schikowski, Michael and Schneider, Ute},
  publisher = {Wehrhahn Verlag},
  address   = {Hannover},
  isbn      = {978-3-86525-823-6},
  issn      = {1862-9563},
  pages     = {103 -- 122},
  year      = {2020},
  language  = {de}
}
@article{EtteSoethe2020,
  author    = {Ette, Ottmar and Soethe, Paulo Astor},
  title     = {Einleitung},
  series = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen},
  journal   = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen},
  editor    = {Ette, Ottmar and Soethe, Paulo Astor},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-067770-6},
  pages     = {1 -- 5},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Escritura breve y estructura relacional},
  series = {Vivir lo breve : nanofilolog{\´i}a y microformatos en las letras y culturas hisp{\´a}nicas contempor{\´a}neas},
  journal   = {Vivir lo breve : nanofilolog{\´i}a y microformatos en las letras y culturas hisp{\´a}nicas contempor{\´a}neas},
  editor    = {Ette, Ottmar and S{\´a}nchez, Yvette},
  publisher = {Iberoamericana},
  address   = {Madrid},
  isbn      = {978-3-96869-038-4},
  pages     = {303 -- 339},
  year      = {2020},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Exploring the World: On Vectopia},
  series = {Doing Humanities in Nineteenth-Century Germany},
  journal   = {Doing Humanities in Nineteenth-Century Germany},
  editor    = {Pdoksik, Efraim},
  publisher = {Brill},
  address   = {Leiden},
  isbn      = {978-90-04-36117-1},
  pages     = {214 -- 242},
  year      = {2020},
  language  = {en}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Feld und Stil},
  series = {Stilwechsel und ihre Funktionen in Textsorten der Fach- und Wissenschaftskommunikation},
  journal   = {Stilwechsel und ihre Funktionen in Textsorten der Fach- und Wissenschaftskommunikation},
  editor    = {Adamzik, Kirsten and Kessanlis, Mikaela},
  publisher = {Narr Verlag},
  address   = {T{\"u}bingen},
  isbn      = {978-3-8233-8223-2},
  pages     = {111 -- 145},
  year      = {2020},
  language  = {de}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Feuer und Flamme},
  series = {Deutsches Dante-Jahrbuch},
  volume    = {95},
  journal   = {Deutsches Dante-Jahrbuch},
  number    = {1},
  publisher = {de Gruyter},
  address   = {Berlin},
  doi       = {https://doi.org/10.1515/dante-2020-0002},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {Il contributo prende in esame la poetizzazione dell'elemento ›fuoco‹ nell'aldil{\`a} dantesco. Nell'Inferno, l'universo metaforico associato al fuoco fa da contrappunto all'interiorizzazione e alla trascendenza che stanno alla base della concezione del fuoco nel Paradiso, dove esso, in senso astratto, viene trasformato in luce e rappresenta anche l'illuminazione spirituale. Dante mette in scena san Tommaso, presentando nelle varie figure il corpus spirituale, che tuttavia nell'Inferno era stato pervertito e caricato di una connotazione quasi parodistica, se confrontato alla solennit{\`a} sacrale della luce spirituale nel Paradiso. Nella sua qualit{\`a} di luce, l'elemento ›fuoco‹ diventa la componente pi{\`u} importante delle sfere del Paradiso. L'idea della permanenza di un regno di Dio {\`e} simbolicamente veicolata da un uso virtuosistico della gamma metaforica associata alla luce: la visualizzazione del principio supremo del Divino, come esso si costituisce nella dottrina cristiana, {\`e} affidata alla forza suggestiva della travolgente poesia.},
  language  = {de}
}
@article{Gwozdz2020,
  author    = {Gwozdz, Patricia Aneta},
  title     = {Figura Tropicana},
  series = {Ding und Bild in der Europ{\"a}ischen Romantik},
  journal   = {Ding und Bild in der Europ{\"a}ischen Romantik},
  editor    = {Heller, Jakob and Sch{\"o}nbeck, Sebastian and Martik, Erik},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-068598-5},
  doi       = {10.1515/9783110686197-007},
  pages     = {135 -- 156},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {From the Transarchip{\´e}lique Antilles},
  series = {Ameena Gafoor Institute},
  journal   = {Ameena Gafoor Institute},
  pages     = {11},
  year      = {2020},
  abstract  = {Ottmar Ette: TransArea : a literary history of globalization. Translated by Mark W. Person, Berlin, Boston, Walter de Gruyter, 2016. - 356 S. - ISBN 978-3-11-047773-3},
  language  = {en}
}
@book{OPUS4-49429,
  title     = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen},
  series = {Mimesis ; Band 84},
  journal   = {Mimesis ; Band 84},
  editor    = {Ette, Ottmar and Soethe, Paulo Astor},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-067770-6},
  pages     = {VI, 284},
  year      = {2020},
  abstract  = {Jo{\~a}o Guimar{\~a}es Rosa (1908-1967) ist der wichtigste Romancier Brasiliens aus der Zeit seiner literarischen Schaffensperiode in der Mitte des 20. Jahrhunderts. Von 1938-1942 wirkte er als Vizekonsul Brasiliens in Hamburg und war somit der einzige lateinamerikanische Intellektuelle seines Rangs, der w{\"a}hrend der Nazi-Diktatur derart lange in Deutschland lebte. Diese Erfahrung, die einem seit der Kindheit idealisierten Bezug zur deutschen Sprache viel differenziertere F{\"a}rbungen verlieh, verst{\"a}rkte trotz der ern{\"u}chternden Konfrontation mit dem Land unter dem Naziregime die geistigen Bande, die ihn und das kulturelle Erbe vom deutschsprachigen Europa zusammenhielten. Zu der Zeit verbrachte der k{\"u}nftige deutsche {\"U}bersetzer von Rosa, Curt Meyer-Clason (1910-2012) seine Jugendjahre in Brasilien als Kaufmann im Baumwollimport und geriet somit in Kontakt mit Agenten des NS-Regimes. Auf Befehl brasilianischer Beh{\"o}rden wurde er deshalb von 1942-1946 interniert. In der Haftzeit begann seine Beziehung zur Literatur, der er sich nach der R{\"u}ckkehr nach Europa bis zu seinem Lebensende hauptberuflich widmete. In relativ kurzer Zeit machte sich Meyer-Clason einen Namen als {\"U}bersetzer iberoamerikanischer Literatur, insbesondere des mittlerweile international anerkannten Guimar{\~a}es Rosa. Der vorliegende Band mit Beitr{\"a}gen von prominenten deutschen, brasilianischen und portugiesischen Literaturwissenschaftler*innen setzt sich mit der intellektuellen Zusammenarbeit zwischen dem Schriftsteller und dem {\"U}bersetzer, einem besonderen Fall im transarealen Raum der deutsch-brasilianischen Kulturbeziehungen.},
  language  = {de}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Humboldts Konzept einer sprachlichen Weltansicht und seine Stellung in der Geschichte des sprachlichen Relativismus},
  series = {Aesthetics and Politics in Wilhelm von Humboldt},
  volume    = {6},
  journal   = {Aesthetics and Politics in Wilhelm von Humboldt},
  number    = {1},
  publisher = {Universit{\`a} di Pisa},
  address   = {Pisa},
  issn      = {2465-1060},
  pages     = {21 -- 63},
  year      = {2020},
  abstract  = {The idea of a linguistic worldview was clearly expressed in German national romantic thought of the early 19th century, where language was seen as the expression of the spirit of a nation. Wilhelm von Humboldt argued that every language shaped the world-view of its speakers, but he also saw a possibility to improve human knowledge in the co-action of languages. The idea of linguistic relativity can be found in John Locke's statement that words interpose themselves between our understandings and the truth which it would contemplate and apprehend. In the 18th century, we can find formulations that our language accustoms us to arrange our ideas in a specific way, that some languages are more suitable for certain kinds of thought, or that metaphors have significant influence on peoples' thought. In the 20thcentury the Neo-Humboldtian school revitalised the idea of an influence of language on thought in a reductionist way. At the end of the 20th century, some authors, for example John J. Gumperz and Stephen C. Levinson, tried to rethink linguistic relativity and to prove it by empirical results.},
  language  = {de}
}
@incollection{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Kollokationen in der Pressesprache und in politischen Reden},
  series = {Dynamische Approximationen. Festschriftliches p{\"u}nktlichst zu Eva Lavrics 62,5. Geburtstag},
  booktitle = {Dynamische Approximationen. Festschriftliches p{\"u}nktlichst zu Eva Lavrics 62,5. Geburtstag},
  publisher = {Lang},
  address   = {Berlin, Bern},
  isbn      = {978-3-631-79973-4},
  doi       = {10.3726/b16043},
  pages     = {351 -- 369},
  year      = {2020},
  language  = {de}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Kunst als ,voie n{\´e}gativeʻ und {\´e}criture der Landschaft in L'Opposante von Lydie Parisse},
  series = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch},
  journal   = {Die Gegenspielerin : Dramatische Erz{\"a}hlung. Franz{\"o}sisch / Deutsch},
  editor    = {Klettke, Cornelia},
  publisher = {Edition Noack \& Block},
  address   = {Berlin},
  isbn      = {978-3-86813-088-1},
  pages     = {155 -- 168},
  year      = {2020},
  language  = {de}
}
@article{Lenz2020,
  author    = {Lenz, Markus Alexander},
  title     = {La guerre et le t{\´e}moin},
  series = {(Post-)koloniale frankophone Kriegsreportagen : Genrehybridisierungen, Medienkonkurrenzen},
  journal   = {(Post-)koloniale frankophone Kriegsreportagen : Genrehybridisierungen, Medienkonkurrenzen},
  editor    = {Izzo, Sara},
  publisher = {Lang},
  address   = {Berlin},
  isbn      = {978-3-631-82881-6},
  doi       = {https://doi.org/10.3726/b17241},
  pages     = {75 -- 89},
  year      = {2020},
  abstract  = {En 2012, l'{\´e}crivain Jonathan Littell s'est rendu dans la ville syrienne de Homs, marqu{\´e}e par la guerre civile, pour rendre compte de cette guerre dans le quotidien Le Monde. Toutefois, il a publi{\´e} ses notes non seulement sous la forme d'une s{\´e}rie d'articles, mais aussi comme un livre ind{\´e}pendant. Dans ce contexte, la question se pose de savoir pourquoi cette d{\´e}cision a {\´e}t{\´e} prise. Le statut de t{\´e}moin de guerre acquiert-il une qualit{\´e} diff{\´e}rente avec une autre forme de publication ? En outre, il faut souligner la probl{\´e}matique de la recontextualisation et de l'esth{\´e}tisation du reportage quotidien de guerre {\`a} travers une allocation formelle et archi-textuelle de l'{\´e}crit du domaine journalistique au domaine litt{\´e}raire. Car la publication d'un journal de guerre {\´e}dit{\´e} doit s'inscrire dans une longue tradition, comme on l'appellera dans l'article {\`a} l'exemple des œuvres d'Ernst J{\"u}nger, dont les relations avec l'{\´e}criture de Jonathan Littell sont {\`a} remettre en question ici.},
  language  = {fr}
}
@misc{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {La integraci{\´o}n del concepto de «aspectualidad» en gram{\´a}ticas espa{\~n}olas},
  series = {Reuni{\´o}n del Grupo Gram{\´a}tica descriptiva e historiograf{\´i}a de la gram{\´a}tica espa{\~n}ola (GramHisGram) (Salamanca, 21.-22. Februar 2020)},
  journal   = {Reuni{\´o}n del Grupo Gram{\´a}tica descriptiva e historiograf{\´i}a de la gram{\´a}tica espa{\~n}ola (GramHisGram) (Salamanca, 21.-22. Februar 2020)},
  publisher = {Universidad de Salamanca},
  address   = {Salamanca},
  year      = {2020},
  language  = {es}
}
@book{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {La Po{\´e}tique de l'{\´e}criture-simulacre et les grands mod{\`e}les},
  series = {Th{\´e}orie de la litt{\´e}rature (En ligne) ; 23},
  journal   = {Th{\´e}orie de la litt{\´e}rature (En ligne) ; 23},
  publisher = {Classiques Garnier},
  address   = {Paris},
  isbn      = {978-2-406-09396-1},
  issn      = {2261-5717},
  publisher      = {Universit{\"a}t Potsdam},
  year      = {2020},
  abstract  = {Cet ouvrage d{\´e}crit le r{\^o}le du simulacre dans la litt{\´e}rature. Les analyses de textes modernes et postmodernes permettent de cerner le simulacre, son potentiel infini de m{\´e}tamorphoses, son caract{\`e}re multiforme et h{\´e}t{\´e}rog{\`e}ne, de comprendre sa complexit{\´e} et de reconna{\^i}tre ses effets.},
  language  = {fr}
}
@article{SanchezGarcia2020,
  author    = {Sanchez Garcia, Maria Clemencia},
  title     = {Las unidades fraseol{\´o}gicas del parlache como elementos evocadores de la oralidad ficcional en la novela Rosario Tijeras, de Jorge Franco y su traducci{\´o}n al alem{\´a}n},
  series = {Ling{\"u}{\´i}stica y literatura},
  volume    = {41},
  journal   = {Ling{\"u}{\´i}stica y literatura},
  number    = {77},
  publisher = {Universidad de Antioquia},
  address   = {Medell{\´i}n},
  issn      = {0120-5587},
  doi       = {10.17533/udea.lyl.n77a17},
  pages     = {385 -- 409},
  year      = {2020},
  abstract  = {Este estudioanaliz{\´o}c{\´o}mose evoca la oralidad ficcional en la novela Rosario Tijerasa trav{\´e}s de la variaci{\´o}n ling{\"u}{\´i}stica. Para ello, se analiz{\´o}un corpus de veinteunidades fraseol{\´o}gicas presentes en la novela y su traducci{\´o}n al alem{\´a}n. En esta novela negra, el autor recurri{\´o}a un lenguaje coloquial llamado parlache. Este art{\´i}culo, por tanto,se pretender{\´a} establecer c{\´o}mo estas unidades fraseol{\´o}gicas t{\´i}picas del parlachecontribuyerona la construcci{\´o}n de un di{\´a}logo hablado veros{\´i}mil, adem{\´a}s de determinar las divergencias de traducci{\´o}n y profundizar en la descripci{\´o}n de la variaci{\´o}n ling{\"u}{\´i}stica a trav{\´e}s de las unidades fraseol{\´o}gicas.},
  language  = {es}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Le tournant dans l'enseignement des langues {\´e}trang{\`e}res chez Wilhelm Vi{\"e}tor dans le contexte linguistique de l'{\´e}poque},
  series = {Documents pour l'histoire du fran{\c{c}}ais langue {\´e}trang{\`e}re ou seconde : revue semestrielle},
  journal   = {Documents pour l'histoire du fran{\c{c}}ais langue {\´e}trang{\`e}re ou seconde : revue semestrielle},
  number    = {64-65},
  publisher = {SIHFLES},
  address   = {Paris},
  issn      = {0992-7654},
  pages     = {75 -- 94},
  year      = {2020},
  language  = {fr}
}
@book{Ette2020,
  author    = {Ette, Ottmar},
  title     = {LiebeLesen},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-066506-2},
  doi       = {https://doi.org/10.1515/9783110665093},
  pages     = {VI, 795},
  year      = {2020},
  abstract  = {Unsere Vorlesung versucht, einem verf{\"u}hrerisch vielf{\"a}ltigen und unendlich verwirrenden Thema n{\"a}her und auf die Schliche zu kommen: der Liebe. Und zugleich einer T{\"a}tigkeit und kulturellen Praxis, die Literatur erst zum Leben erweckt: dem Lesen. Was haben Leben und Liebe mit dem Lesen, mit dem Akt der Lekt{\"u}re zu tun? Es geht beim Lesen immer um die Sehnsucht nach einer Ganzheit von Leben und Liebe, um die Herstellung jener Totalit{\"a}t, die uns Menschen im realen Leben grundlegend entzogen ist. Allein die Literatur erlaubt es uns, {\"u}ber die Totalit{\"a}t eines Lebens mit seinen Anf{\"a}ngen und seinen Enden zu verf{\"u}gen. Und genau dies gilt auch und gerade f{\"u}r die Liebe und deren Geschichten und Vorgeschichten. Von der Liebe und dem Abendland (Denis de Rougemont) bis zu den Fragmenten einer Sprache der Liebe (Roland Barthes), den Schreibformen des Marquis de Sade, von Giacomo Casanova oder Italo Calvino {\"u}ber die Liebes- und Lesekristallisationen Prousts bis hin zur Liebe in den Zeiten der Cholera (Gabriel Garc{\´i}a M{\´a}rquez), von der Liebe zwischen zwei Dichtern und der Transzendenz ihres Begehrens (Juana Borrero) zu den Liebesgeschichten zwischen den Sprachen und Kulturen (Assia Djebar), hin zu den Theorien der Liebesgeschichten nach der Liebe (Michel Houellebecq), von Tristan und Isolde {\"u}ber Don Juan sowie Romeo und Julia bis zu Sab, Emma Bovary und den Versatzst{\"u}cken aktueller Massenkommunikation zwischen Lese- und Liebesrevolution soll das Verh{\"a}ltnis von Liebe, Leben und Lesen, von Literatur und Leidenschaft leidenschaftslos analysiert werden.},
  language  = {de}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Lʼart en tant que "voie n{\´e}gative" et {\´e}criture du paysage dans L'Opposante de Lydie Parisse},
  series = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte/Cahiers d'Histoire des Litt{\´e}ratures Romanes / Cahiers d'Histoire des Litt{\´e}ratures Romanes},
  volume    = {44},
  journal   = {Romanistische Zeitschrift f{\"u}r Literaturgeschichte/Cahiers d'Histoire des Litt{\´e}ratures Romanes / Cahiers d'Histoire des Litt{\´e}ratures Romanes},
  number    = {3/4},
  publisher = {Universit{\"a}tsverlag Winter},
  address   = {Heidelberg},
  issn      = {0343-379X},
  pages     = {441 -- 450},
  year      = {2020},
  language  = {fr}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {L'Isola delle isole},
  series = {Between the Adriatic and the Ionian Seas. The literary imagination of journey. Proceedings of the 1st International Study Conference promoted as part of the Interreg Polysemi Project activities (Bari, 24-25 June 2019)},
  journal   = {Between the Adriatic and the Ionian Seas. The literary imagination of journey. Proceedings of the 1st International Study Conference promoted as part of the Interreg Polysemi Project activities (Bari, 24-25 June 2019)},
  editor    = {Dell'Aquila, Giulia},
  publisher = {Cacucci},
  address   = {Bari},
  pages     = {173 -- 192},
  year      = {2020},
  language  = {it}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Mi primera lectura acad{\´e}mica},
  series = {{\´A}labe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  journal   = {{\´A}labe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  number    = {22},
  publisher = {Universidad de Almer{\´i}a},
  address   = {Almer{\´i}a},
  issn      = {2171-9624},
  doi       = {10.15645/Alabe2020.22.13},
  pages     = {4},
  year      = {2020},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Mi primera lectura acad{\´e}mica: "Mimesis", de Erich Auerbach},
  series = {Alabe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  volume    = {22},
  journal   = {Alabe : Revista de Investigaci{\´o}n sobre Lectura y Escritura},
  number    = {julio-diciembre},
  issn      = {2171-9624},
  pages     = {4},
  year      = {2020},
  language  = {es}
}
@article{Minnes2020,
  author    = {Minnes, Mark},
  title     = {M{\´a}s all{\´a} de la oscuridad},
  series = {RILCE : revista de filolog{\´i}a hisp{\´a}nica obalizaci{\´o}n moderna},
  volume    = {36},
  journal   = {RILCE : revista de filolog{\´i}a hisp{\´a}nica obalizaci{\´o}n moderna},
  number    = {1},
  publisher = {Ediciones Universidad de Navarra},
  address   = {Pamplona},
  issn      = {0213-2370},
  doi       = {10.15581/008.36.1.387-406},
  pages     = {387 -- 406},
  year      = {2020},
  abstract  = {En los {\´u}ltimos a{\~n}os, la cr{\´i}tica ha vuelto a enfatizar el v{\´i}nculo de la escritura gongorina la {\´e}pica y los subg{\´e}neros denominados "heroicos" (Mercedes Blanco, Jes{\´u}s Ponce C{\´a}rdenas). Esta nueva perspectiva significa un cambio importante respecto a la recepci{\´o}n del poeta instaurada por la Generaci{\´o}n del 27 y en particular por D{\´a}maso Alonso. Limit{\´a}ndose a las Soledades de G{\´o}ngora, el presente art{\´i}culo explora las consecuencias de este nuevo paradigma, m{\´a}s all{\´a} de un G{\´o}ngora puramente l{\´i}rico. Metodol{\´o}gicamente, proponemos dejar atr{\´a}s la dial{\´e}ctica idealista o marxista de forma-contenido (la ideolog{\´i}a de la forma de Fredric Jameson), por considerarla un enfoque anacr{\´o}nico en el caso de G{\´o}ngora. Sin embargo, encontramos un acercamiento filol{\´o}gico viable en el compromiso de la forma del temprano Barthes, que trata de esquivar la dial{\´e}ctica de forma-contenido y volver a un gesto de escritura ({\´e}criture). La hip{\´o}tesis del presente art{\´i}culo ser{\´i}a, pues, que no se ha reflexionado suficientemente sobre el gesto de la escritura gongorina en las Soledades: una escritura que piratea el lenguaje {\´e}pico.},
  language  = {es}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Pasigraf{\´i}a y antipasigraf{\´i}a a finales del siglo XVIII y a principios del siglo XIX},
  volume    = {41},
  editor    = {Calero Vaquerao, Mar{\´i}a Luisa},
  publisher = {Infoling},
  address   = {Barcelona},
  issn      = {1139-8736},
  pages     = {169 -- 192},
  year      = {2020},
  abstract  = {In 1797 a rather short work appeared in Paris in two volumes, under the title Pasigraphie in both its French and German versions. The author, Joseph de Maimieux (1753-1820), is said to have coined the term pasigraphie. With the invention of pasigraphy, Maimieux pursued the goal of creating a conceptually based writing system that could be applied to all languages. In this way, a text written in this script could be read in all languages. The pasigraphic system is based on an a priori system of conceptual classification to which written characters are assigned. It is therefore initially an exclusively written language, on which Maimieux two years later also built a spoken language with the Pasilalie. The first arguments against the endeavour represented by the Pasigraphie were brought forward by Maimieux' immediate contemporaries, the ideologues. These objections were re-affirmed in particular by Johann Severin Vater. The decisive difference between Maimieux and his critics lies in the determination of the role of signs in the formation of concepts. While for Maimieux the signs only name the finished concepts, his critics argued that signs have a function in the constitution of the concepts. A universal language is therefore ultimately not possible, since there are no universal concepts and the individual languages lead to different conceptual structures.},
  language  = {es}
}
@article{Klettke2020,
  author    = {Klettke, Cornelia},
  title     = {Pirandello e Storm: potere e impotenza dell'arte ne I giganti della montagna e Pole Poppensp{\"a}ler},
  series = {Pirandello tra memoria, rappresentazione e immagine : Atti del Convegno di Vienna del novembre 2017},
  journal   = {Pirandello tra memoria, rappresentazione e immagine : Atti del Convegno di Vienna del novembre 2017},
  editor    = {Cicala, Domenica Elisa and De Michele, Fausto},
  publisher = {Peter Lang},
  address   = {Frankfurt a. M.},
  isbn      = {978-1-78997-434-8},
  pages     = {177 -- 198},
  year      = {2020},
  language  = {it}
}
@misc{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Pr{\´e}sentation},
  series = {Collocations et traditions discursives Actes du Colloque du Coll{\`e}ge Doctoral Franco-allemand (CDFA) tenu {\`a} l'Universit{\´e} de Potsdam le 4 juillet 2018 (Linx : revue des linguistes de l'Universit{\´e} Paris Ouest Nanterre La D{\´e}fense)},
  volume    = {2020},
  journal   = {Collocations et traditions discursives Actes du Colloque du Coll{\`e}ge Doctoral Franco-allemand (CDFA) tenu {\`a} l'Universit{\´e} de Potsdam le 4 juillet 2018 (Linx : revue des linguistes de l'Universit{\´e} Paris Ouest Nanterre La D{\´e}fense)},
  number    = {13},
  editor    = {Haßler, Gerda},
  issn      = {2118-9692},
  doi       = {10.4000/linx.3842},
  year      = {2020},
  language  = {en}
}
@book{Ottmar2020,
  author    = {Ottmar, Ette},
  title     = {ReiseSchreiben},
  publisher = {de Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-065310-6},
  doi       = {https://doi.org/10.1515/9783110650686},
  pages     = {XI, 672},
  year      = {2020},
  abstract  = {Reiseliteratur besaß als Genre bis weit in die zweite H{\"a}lfte des 20. Jahrhunderts weitgehend marginale Bedeutung und wurde bestenfalls dokumentarisch gelesen oder sozialwissenschaftlich »ausgewertet«. Heute geh{\"o}rt sie zu jenen literarischen Vermittlungsformen, in denen sich am eindringlichsten die Probleme der (europ{\"a}ischen) Moderne, aber auch aktuelle transkulturelle Herausforderungen, Erfahrungsmodi, Projektionen und Sehns{\"u}chte reflektieren. Der vorliegende Band behandelt Reiseliteratur systematisch wie historisch und stellt die Frage nach den {\"o}konomischen, sozialen und politischen Hintergr{\"u}nden des Reisens, nach der Entwicklung der Gattung seit der fr{\"u}hen Neuzeit, nach den Strukturierungen reiseliterarisch dargestellter hermeneutischer Bewegungen, aber auch nach den Figuren von Reisenden und Lesenden. Im Zentrum stehen franz{\"o}sisch-, spanisch- und italienischsprachige Reisen(de), aber auch deutsch- und englischsprachige Texte seit der Fr{\"u}hen Neuzeit sowie reiseliterarische Ausdrucksformen des ausgehenden 20. und beginnenden 21. Jahrhunderts. Sagt uns die Reiseliteratur, wohin die Reise unserer Gesellschaften geht?},
  language  = {de}
}
@book{OPUS4-49371,
  title     = {Remembering German-Australian Colonial Entanglements},
  series = {Postcolonial Studies ; 21},
  journal   = {Postcolonial Studies ; 21},
  editor    = {Eckstein, Lars and Barrett, Lindsay and Schwarz, Anja and Hurley, Andrew Wright},
  publisher = {Routledge},
  address   = {London},
  isbn      = {978-0-367-42159-5},
  pages     = {x, 151},
  year      = {2020},
  abstract  = {Remembering German- Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook's voyages through to the legacies of 19th- and 20th- century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds - ancestral human remains, rare animal skins, songs and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation. Contributors trace how these entanglements have been commemorated or forgotten over time - by Germans, settler-Australians and Indigenous people. Bringing to light a critical understanding of the German involvement in the Australian colonial project, Remembering German- Australian Colonial Entanglements will be of great interest to scholars of colonialism, postcolonialism, German Studies and Indigenous Studies. But for the editors' substantial new introductory chapter, these contributions originally appeared in a special issue of Postcolonial Studies.},
  language  = {en}
}
@misc{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Rezension zu: De Palo, Marina: Saussure e gli strutturalismi : il soggetto parlante nel pensiero linguistico del Novecento / Prefazione de Tullio de Mauro. - Roma: Carocci, 2016, 314 S. - (Studi Superiori ; 1044). - ISBN 978-88-430-8205-6},
  series = {Beitr{\"a}ge zur Geschichte der Sprachwissenschaft},
  volume    = {30},
  journal   = {Beitr{\"a}ge zur Geschichte der Sprachwissenschaft},
  number    = {2},
  pages     = {317 -- 327},
  year      = {2020},
  language  = {it}
}
@misc{Haeseler2020,
  author    = {H{\"a}seler, Jens},
  title     = {Rezenzion zu: Vincent Cossarutto ({\´e}d.), Voltaire au service du roi. Un pamphl{\´e}taire politique au temps de la »r{\´e}volution« Maupeou. 1770-1775, Besan{\c{c}}on: (Presses universitaires de Franche-Comt{\´e}), 2019, 359 p. - (Annales litt{\´e}raires de l'universit{\´e} de Franche-Comt{\´e}, 997), ISBN 978-2-84867-647-0},
  series = {Francia. Recensio},
  volume    = {2020},
  journal   = {Francia. Recensio},
  number    = {2},
  publisher = {Thorbecke},
  address   = {Ostfildern},
  issn      = {2425-3510},
  doi       = {10.11588/frrec.2020.2.73291},
  pages     = {3},
  year      = {2020},
  language  = {de}
}
@book{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Roland Barthes},
  publisher = {Caj{\´o}n de sastre},
  address   = {Bogota},
  isbn      = {978-958-48-8719-1},
  pages     = {159},
  year      = {2020},
  language  = {es}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Romanistik als Lust. Kleines romanistisches ABC},
  series = {Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII},
  journal   = {Romanistik als Passion : Sternstunden der neueren Fachgeschichte VII},
  editor    = {Ertler, Klaus-Dieter},
  publisher = {LIT Verlag},
  address   = {Wien},
  isbn      = {978-3-643-51010-5},
  pages     = {165 -- 189},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Saga-Like World-Fractals: Jo{\~a}o Guimar{\~a}es Rosa, "Sagarana", and the Literatures of the World},
  series = {Journal of Foreign Languages and Cultures},
  volume    = {IV},
  journal   = {Journal of Foreign Languages and Cultures},
  number    = {1},
  publisher = {Hunan Normal University},
  address   = {Changsha},
  pages     = {1 -- 21},
  year      = {2020},
  abstract  = {This article presents and discusses Jo{\~a}o Guimar{\~a}es Rosa as an outstanding Brazilian author whose literary work, especially Sagarana, expresses aesthetically different ways of life-forms between human beings, animals, plants, and landscapes. Movement and transformations are the basic principles in which the melody of prose expresses itself as a language in and as motion. Although based in Brazilian culture, Rosa shows the conviviality of different logics which are not reduced to one myth of the Brazilian people, but produce multiple ways of co-existence between different life-forms and culture narratives. The translingual title "Sagarana" already alludes to the transitions between two languages, regions, and cultures: the Icelandic "saga-" and the Tupic-Word "rana" which means "similar" or "alike." The interpretation figures out the correlation of different provenances ("Herk{\"u}nfte") which emerge from Rosa's craft of storytelling. In its center, the Sert{\~a}o arises as a region of nature whose forces are connected with the life of human beings. As fractal of the world, it symbolizes Brazilian relations as a world of its own and at the same time as a part of the world of others. From this point of view the essay turns world literature upside down: it emphasizes on the one hand that the epoch of world literature since Goethe has come to an end and that the meridian has shifted to Latin America. On the other hand it can be observed that the lusophonic world between Brazil and Angola, Portugal and Kap Verde develops new perspectives on literatures of the world beyond the fixed coordinations of periphery and center. Rosa's ways of world making already shift the perspective from the local to the global as a miniatured model of a universe which reveals interpretations of a better understanding of the world as world fractals.},
  language  = {en}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Sagenhafte WeltFraktale},
  series = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen},
  journal   = {Guimar{\~a}es Rosa und Meyer-Clason : Literatur, Demokratie, ZusammenLebenswissen},
  editor    = {Ette, Ottmar and Soethe, Paulo Astor},
  publisher = {de Gruyter},
  address   = {Berlin-Boston},
  isbn      = {978-3-11-067770-6},
  pages     = {25 -- 52},
  year      = {2020},
  language  = {de}
}
@article{Ette2020,
  author    = {Ette, Ottmar},
  title     = {Siempre me ha ispirado horror pensar el mundo desde una sola perspectiva},
  series = {Chuy : revista de estudios literarios latinoamericanos},
  volume    = {8},
  journal   = {Chuy : revista de estudios literarios latinoamericanos},
  number    = {julio},
  publisher = {Universidad Nacional},
  address   = {Buenos Aires},
  pages     = {170 -- 176},
  year      = {2020},
  language  = {es}
}
@article{Hassler2020,
  author    = {Haßler, Gerda},
  title     = {Sprache als Epiph{\"a}nomen in der Geschichte der Sprachwissenschaft},
  series = {Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019)},
  volume    = {VIII /2019},
  journal   = {Per la storia della linguistica. Saggi in onore di Giorgio Graffi per il suo 70esimo compleanno = Blityri. Studi di storia delle idee sui segni e le lingue VIII, 1-2 (2019)},
  number    = {1-2},
  publisher = {Edizioni ETS},
  address   = {Pisa},
  isbn      = {88-467-5675-4},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-441580},
  pages     = {191 -- 206},
  year      = {2020},
  abstract  = {The notion of 'epiphenomenon' is usually used to exclude certain aspects of a scientific object because they are considered to be deduced from others. In linguistics, restrictions of the research object were made, invoking the notion of 'epiphenomenon', which was partially done with a polemical attitude, and was always responded to polemically. The best-known definition of languages as an epiphenomenon is that proposed by Chomsky, who declared that the specific realisations of language do not warrant scientific attention, but there were early relegations of properties of individual languages to the domain of an epiphenomenon of grammar, to the domain of an art and not a science. These relegations from a certain point of abstraction did advance theories of language, even though they took a point of abstraction that did not correspond to the complexity of language.},
  language  = {de}
}
@article{Hennemann2020,
  author    = {Hennemann, Anja},
  title     = {Tal vez es x vs. Tal ves sea X. Construcciones de probabilidad y el uso de los modos},
  series = {Romanica Olomucensia},
  volume    = {32},
  journal   = {Romanica Olomucensia},
  number    = {1},
  publisher = {Univerzita Palack{\´e}ho v Olomouci},
  address   = {Olomouc},
  issn      = {1803-4136},
  doi       = {10.5507/ro.2020.003},
  pages     = {51 -- 71},
  year      = {2020},
  abstract  = {This paper is concerned with constructions that express probability and their interaction with the indicative and subjunctive mood, as well as with other contextual elements. In detail, the paper deals with the constructions [sin duda + indicative/subjunctive], [tal vez + indicative/subjunctive], [probablemente + indicative/subjunctive] and [posiblemente + indicative/subjunctive]. In their interaction with mood, the constructions are understood as different microconstructions. For example, [sin duda + indicative] and [sin duda + subjunctive] are seen as different microconstructions of the superordinate mesoconstruction [modal construction (of probability) + verb]. In a qualitative analysis examples from the CREA, CORPES XXI, and CdE corpora are examined regarding the interaction of [expression of probability] + [mood]. Following the Principle of No Synonymy of Grammatical Forms, the analysis confirms that the use of mood additionally influences the expressed degree of probability of the constructions. For instance, while probablemente generally expresses a slightly higher probability than posiblemente, a fine-tuned analysis shows that the expressed degrees of probability of [probablemente + subjunctive] and [posiblemente + indicative] are highly similar. This is also often confirmed by further contextual information. In summary, the paper shows that Cognitive Construction Grammar is a very suitable background against which to investigate modal phenomena, as cognitive approaches generally deal with the ways in which language users conceptualize the world from their own point of view, and as expressions of modality, more precisely, probability, are also closely related to speakers' attitudes or perspectives.},
  language  = {es}
}