@article{Moser2022,
  author    = {Moser, Natalie},
  title     = {Kitsch oder Kanon?},
  series = {Literatur f{\"u}r Leser:innen},
  volume    = {43},
  journal   = {Literatur f{\"u}r Leser:innen},
  number    = {2},
  publisher = {Peter Lang},
  address   = {Berlin},
  issn      = {0343-1657},
  doi       = {10.3726/lfl.2020.02.06},
  pages     = {147 -- 162},
  year      = {2022},
  language  = {de}
}
@article{Moser2022,
  author    = {Moser, Natalie},
  title     = {Erz{\"a}hlte Provinz in Wolfram Paulus' fr{\"u}hen Filmen "Heidenl{\"o}cher", "Nachsaison" und "Die Ministranten"},
  publisher = {Verlag filmarchiv austria},
  address   = {Wien},
  isbn      = {978-3-902781-94-9},
  doi       = {10.55192/j2978},
  pages     = {97 -- 118},
  year      = {2022},
  language  = {de}
}
@article{Moser2023,
  author    = {Moser, Natalie},
  title     = {Objektivit{\"a}t},
  series = {Theodor Fontane Handbuch},
  journal   = {Theodor Fontane Handbuch},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-054437-4},
  doi       = {10.1515/9783110545388-142},
  pages     = {1003 -- 1009},
  year      = {2023},
  language  = {de}
}
@article{Moser2023,
  author    = {Moser, Natalie},
  title     = {Heimat},
  series = {Theodor Fontane Handbuch},
  journal   = {Theodor Fontane Handbuch},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11-054437-4},
  doi       = {10.1515/9783110545388-166},
  pages     = {1186 -- 1192},
  year      = {2023},
  language  = {de}
}
@article{Moser2023,
  author    = {Moser, Natalie},
  title     = {"Fernrohrrahmenschau" innerhalb eines Panoramas},
  series = {Michael Lentz' ›Schattenfroh‹ : Lekt{\"u}rewege in eine komplexe Prosa-Enzyklop{\"a}die},
  journal   = {Michael Lentz' ›Schattenfroh‹ : Lekt{\"u}rewege in eine komplexe Prosa-Enzyklop{\"a}die},
  publisher = {De Gruyter},
  address   = {Berlin},
  isbn      = {978-3-11074-436-1},
  doi       = {10.1515/9783110744361-003},
  pages     = {63 -- 85},
  year      = {2023},
  language  = {de}
}
@article{Moser2023,
  author    = {Moser, Natalie},
  title     = {Flanieren zwischen Kollaps und Hoffnung},
  series = {Neue Gesellschaft, Frankfurter Hefte : NG, FH},
  volume    = {12},
  journal   = {Neue Gesellschaft, Frankfurter Hefte : NG, FH},
  publisher = {Dietz},
  address   = {Bonn},
  issn      = {0177-6738},
  year      = {2023},
  language  = {de}
}
@article{Moser2022,
  author    = {Moser, Natalie},
  title     = {Ikonischer {\"U}berschuss},
  series = {Gottfried Kellers Moderne},
  journal   = {Gottfried Kellers Moderne},
  publisher = {de Gruyter},
  address   = {Boston},
  isbn      = {978-3-11-069862-6},
  doi       = {10.1515/9783110698794-011},
  pages     = {177 -- 192},
  year      = {2022},
  language  = {de}
}
@article{Moser2022,
  author    = {Moser, Natalie},
  title     = {Ablagerungen und Ansammlungen},
  series = {Inter- und transmediale {\"A}sthetik bei Josef Winkler},
  journal   = {Inter- und transmediale {\"A}sthetik bei Josef Winkler},
  publisher = {Metzler},
  address   = {Berlin},
  isbn      = {978-3-662-63786-9},
  doi       = {https://doi.org/10.1007/978-3-662-63787-6_11},
  pages     = {161 -- 176},
  year      = {2022},
  abstract  = {Der Beitrag fragt nach Anzeichen einer transmedialen {\"A}sthetik in Texten, die Josef Winkler um die Jahrtausendwende ver{\"o}ffentlicht hat. In einem ersten Teil werden inhaltliche und strukturelle Gemeinsamkeiten von Natura morta (1998) und Wenn es soweit ist (2001) herausgearbeitet. Der Fokus der Untersuchung liegt auf dem Verfahren der Wiederholung und damit verbunden auf Kontinuit{\"a}ten zwischen den beiden Texten. Zweitens werden die Organisations- und Strukturprinzipien der Texte anhand zweier r{\"a}umlicher Modelle, des Ablagerungs- und Ansammlungsmodells, analysiert und miteinander verglichen. Drittens werden ausgehend vom Prinzip der Wiederholung, das den beiden Modellen Ablagerung und Ansammlung zugrunde liegt, performative Aspekte von Winklers Erz{\"a}hlen aufgezeigt und erste Spuren einer transmedialen {\"A}sthetik in Winklers Œuvre freigelegt.},
  language  = {de}
}
@article{LampartMoser2021,
  author    = {Lampart, Fabian and Moser, Natalie},
  title     = {Wirtschaftsroman oder Wirtschaftspop?},
  series = {Kredit und Bankrott in der deutschsprachigen Literatur},
  journal   = {Kredit und Bankrott in der deutschsprachigen Literatur},
  publisher = {Springer},
  address   = {Berlin},
  isbn      = {978-3-662-62287-2},
  doi       = {10.1007/978-3-662-62288-9_13},
  pages     = {261 -- 279},
  year      = {2021},
  abstract  = {Rainald Goetz' novel Johann Holtrop has repeatedly been read as a failed satire of the 21st century's financial crisis: On the one hand, its descriptions were understood as opinionated and sententious. On the other hand, critics were irritated by what was seen as an inconsequent integration of realistic narration into Goetz' hyperbolic style of writing. This paper takes a different stance on the text: First, it discusses the work's allusions to realistic narration and the financial crisis in detail. Second, it argues that Johann Holtrop transfers the idea of a collapsing economy into an only partially realistic poetic of distortion. Third, it suggests that this strategy can be fruitfully compared to a crumbling system of credit. On this basis, the novel is read as an inherently literary depiction of the financial crisis.},
  language  = {de}
}
@article{MoserSchneider2021,
  author    = {Moser, Natalie and Schneider, Ulrike},
  title     = {Dorf/Stadt erz{\"a}hlen in der deutschsprachigen Gegenwartsliteratur},
  series = {Gutes Leben auf dem Land? : Imaginationen und Projektionen vom 18. Jahrhundert bis zur Gegenwart},
  journal   = {Gutes Leben auf dem Land? : Imaginationen und Projektionen vom 18. Jahrhundert bis zur Gegenwart},
  publisher = {Transcript},
  address   = {Bielefeld},
  isbn      = {978-3-8376-5425-7},
  pages     = {341 -- 366},
  year      = {2021},
  language  = {de}
}