@incollection{HoffmannSchwartzWentker2017,
  author    = {Hoffmann, Dierk and Schwartz, Michael and Wentker, Hermann},
  title     = {Die DDR als Chance},
  series = {Diktatur und Demokratie im Unterricht : der Fall DDR},
  booktitle = {Diktatur und Demokratie im Unterricht : der Fall DDR},
  editor    = {H{\"u}ttmann, Jens and von Arnim-Rosenthal, Anna},
  publisher = {Metropol},
  address   = {Berlin},
  isbn      = {978-3-86331-337-1},
  pages     = {39 -- 53},
  year      = {2017},
  language  = {de}
}
@book{OPUS4-57966,
  title     = {Entre los mundos},
  editor    = {Ferrer-Maestro, Juan Jos{\´e} and Kunst, Christiane and de la Fuente, David Hern{\´a}ndez and Faber, Eike},
  publisher = {Presses universitaires de Franche-Comt{\´e}},
  address   = {Besan{\c{c}}on},
  isbn      = {978-2848675787},
  pages     = {802},
  year      = {2017},
  language  = {es}
}
@article{BrechenmacherDelgado2017,
  author    = {Brechenmacher, Thomas and Delgado, Mariano},
  title     = {Re-formation - zu einem Strukturprinzip der Christentums- und Religionsgeschichte},
  series = {Historisches Jahrbuch},
  volume    = {137},
  journal   = {Historisches Jahrbuch},
  publisher = {Alber},
  address   = {Freiburg, Breisgau},
  isbn      = {978-3-495-45294-3},
  issn      = {0018-2621},
  pages     = {3 -- 6},
  year      = {2017},
  language  = {de}
}
@article{Wyrwa2017,
  author    = {Wyrwa, Ulrich},
  title     = {Zum Hundertsten nichts Neues},
  series = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  volume    = {65},
  journal   = {Deutsche Zeitschrift f{\"u}r Geschichtswissenschaft},
  number    = {11},
  publisher = {Metropol-Verl.},
  address   = {Berlin},
  issn      = {0044-2828},
  pages     = {955 -- 976},
  year      = {2017},
  language  = {de}
}
@article{Martykanova2017,
  author    = {Martykanova, Darina},
  title     = {A Gateway to the World},
  series = {Diasporas : circulations, migrations, histoire},
  volume    = {29},
  journal   = {Diasporas : circulations, migrations, histoire},
  publisher = {Presses Universitaires du Midi},
  address   = {Toulouse},
  issn      = {1637-5823},
  doi       = {10.4000/diasporas.718},
  pages     = {33 -- 51},
  year      = {2017},
  abstract  = {In the second half of the 19th century, the French {\´E}cole centrale des arts et manufactures became one of the engineering schools that enjoyed a worldwide reputation. There were many foreigners among its students. This article focuses on the graduates born in the Ottoman Empire, particularly on Jews and Armenians. It analyses their backgrounds, their common features and their professional careers, tracing their links with other centraliens. The patterns in the Ottoman centraliens' professional trajectories help us picture a world full of opportunities where highly qualified men could cross borders and build careers with ease, but where, at the same time, origins, allegiances, contacts and credentials mattered greatly.},
  language  = {en}
}
@periodical{OPUS4-56077,
  title     = {Imagines},
  editor    = {Carl{\`a}-Uhink, Filippo and Lindner, Martin},
  publisher = {Bloomsbury Academic},
  address   = {London},
  year      = {2017},
  abstract  = {This series seeks to broaden the scholarly community's understanding of the reception of classical antiquity in the visual and performing arts. A particular focus will be drawn on the 20th and 21st centuries and on media that have been traditionally neglected because considered "commercial" and/or "popular", such as comics, advertising, digital media, design, fashion, and theme parks. It challenges traditional, and still very widespread, assumptions that distinguish "high" from "popular" culture, but also demonstrates the indisputable importance that classical antiquity enjoys in the modern and postmodern world, and all across the planet, carefully looking at forms of Classical Receptions outside the "traditional" regions object of such studies. Through a consistent shift from the traditional, academic approach, the series is the product of a continuous dialogue between scholars on the one side, and "producers" of classical reception - painters, sculptors, photographs, architects, designers, etc. -on the other, who write about their mechanisms of appropriation of the Ancient world . Each book highlights the popularity of antiquity today and reveals the forms and mechanisms of its reception. The series thus explains the choice of subjects and motives, the elaboration and re-mediatization processes taking place in the creative act, as well as the complexity of the "reception chains", which make it today impossible, for instance, to visualize the ancient world without the filter of historical movies.},
  language  = {en}
}
@misc{Kay2017,
  author    = {Kay, Alex J.},
  title     = {Disagreement is fine. Misrepresentation is not},
  series = {The international history review},
  volume    = {39},
  journal   = {The international history review},
  publisher = {Routledge, Taylor \& Francis Group},
  address   = {Abingdon},
  issn      = {0707-5332},
  doi       = {10.1080/07075332.2017.1354547},
  pages     = {929 -- 930},
  year      = {2017},
  language  = {en}
}
@article{Boesch2017,
  author    = {B{\"o}sch, Frank},
  title     = {Taming Nuclear Power},
  series = {German history : the journal of the German History Societ},
  volume    = {35},
  journal   = {German history : the journal of the German History Societ},
  number    = {1},
  publisher = {Oxford Univ. Press},
  address   = {Oxford},
  issn      = {0266-3554},
  doi       = {10.1093/gerhis/ghw143},
  pages     = {71 -- 95},
  year      = {2017},
  abstract  = {In 2011 a broad majority in the German Federal Parliament voted to abandon nuclear energy. This article explores the origins of the change in attitude towards nuclear energy and argues that seven years before the Chernobyl disaster, the accident at the U.S. power plant Three Mile Island near Harrisburg, Pennsylvania, in 1979, had a profound impact which nowadays seems to be largely forgotten in Europe. The article identifies the structural causes underlying the transnational reception of the Three Mile Island accident and explores international reactions, particularly in the Federal Republic of Germany. The accident near Harrisburg led to a loss of public confidence and created unease about nuclear expansion in many industrialized nations. Reactions to the accident can be understood as an attempt to tame nuclear energy both technically, by increasing safety measures and abandoning plans for new nuclear power stations, and politically, with a more critical appraisal of nuclear energy and with semantics that encouraged a long-term withdrawal from nuclear power. Critics were now also accepted as experts. Nuclear policy in all countries became closely dependent on public opinion, indicating a high level of political responsiveness. Various factors, however, including the contemporaneous oil crisis put the brakes on this critical approach to nuclear power, while safety improvements and the limited expansion of nuclear power created new confidence in the early 1980s.},
  language  = {en}
}
@article{BehrendsKatzerLindenberger2017,
  author    = {Behrends, Jan C. and Katzer, Nikolaus and Lindenberger, Thomas},
  title     = {100 Jahre Roter Oktober},
  series = {100 Jahre Roter Oktober : zur Weltgeschichte der russischen Revolution},
  journal   = {100 Jahre Roter Oktober : zur Weltgeschichte der russischen Revolution},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0081-6},
  pages     = {9 -- 27},
  year      = {2017},
  language  = {de}
}
@article{OPUS4-54323,
  title     = {100 Jahre Roter Oktober},
  editor    = {Behrends, Jan C. and Katzer, Nikolaus and Lindenberger, Thomas},
  publisher = {bpb, Bundeszentrale f{\"u}r politische Bildung},
  address   = {Berlin},
  isbn      = {978-3-7425-0081-6},
  pages     = {350},
  year      = {2017},
  language  = {de}
}