@book{ZemannJentsch1999,
  author    = {Zemann, Uta and Jentsch, Katja},
  title     = {Zu den Errungenschaften der "Mannheimer" unter besonderer Ber{\"u}cksichtigung der Kammermusik / U. Zehman. Johannes Brahms und sein vokalsinfonisches Werk "Ein deutsches Requiem" / Katja Jentsch (Riemer)},
  series = {Musikwissenschaftliche Lehr- und Forschungsmaterialien der Universit{\"a}t Potsdam},
  volume    = {6},
  journal   = {Musikwissenschaftliche Lehr- und Forschungsmaterialien der Universit{\"a}t Potsdam},
  editor    = {Beinroth, Fritz and Cheim-Gr{\"u}tzner, Vera},
  publisher = {Univ.},
  address   = {Potsdam},
  issn      = {1434-5358},
  pages     = {52 S. : Notenbeisp.},
  year      = {1999},
  language  = {de}
}
@phdthesis{Zacher2005,
  author    = {Zacher, Gerd},
  title     = {Die Gitarre im Schaffen von Heitor Villa-Lobos : Aspekte ihrer Bedeutung f{\"u}r die brasilianische Nationalmusik und f{\"u}r die Internationalisierung der Musik im 20. Jahrhundert},
  pages     = {183 Bl. : Ill.},
  year      = {2005},
  language  = {de}
}
@article{Wysujack2018,
  author    = {Wysujack, Jan},
  title     = {K{\"u}nstlerische Stimmarbeit mit Menschen mit dem Down-Syndrom},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-417623},
  pages     = {63 -- 95},
  year      = {2018},
  language  = {de}
}
@article{Wittram2020,
  author    = {Wittram, Karin},
  title     = {Vermittlung demokratischer Werte in Lehrkr{\"a}ftefortbildungen f{\"u}r den Musikunterricht},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {8},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  isbn      = {978-3-86956-491-3},
  issn      = {1861-8529},
  doi       = {10.25932/publishup-48784},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-487844},
  pages     = {153 -- 171},
  year      = {2020},
  language  = {de}
}
@article{Westphal1994,
  author    = {Westphal, Anke},
  title     = {Zu einigen Fragen der Geschlechtsspezifik musikalischer Leistungsmotivation},
  year      = {1994},
  language  = {de}
}
@phdthesis{Westphal1996,
  author    = {Westphal, Anke},
  title     = {Geschlechtsspezifische Aspekte der Leistungsmotivation im Instrumentalspiel Jugendlicher : eine empirische Untersuchung zur Wertorientierung von Lernenden an Brandenburger Musikschulen},
  pages     = {129 S.},
  year      = {1996},
  language  = {de}
}
@article{Waterfeld2018,
  author    = {Waterfeld, Sarah},
  title     = {B6112—Art after All},
  series = {Theatre Survey},
  volume    = {59},
  journal   = {Theatre Survey},
  number    = {2},
  publisher = {Cambridge Univ. Press},
  address   = {New York},
  issn      = {0040-5574},
  doi       = {10.1017/S0040557418000108},
  pages     = {276 -- 281},
  year      = {2018},
  abstract  = {B6112 is a collective anticapitalist, feminist, antiracist, and queer transmedial theatre production. Welcome to our artwork! Our theatre, our art, our poetry, and our work are weapons of struggle. Art does not take place in a political, social, or economic vacuum. Art takes place in world structured by imperialism and its slaughter, war, destruction, commerce, and slavery. Art must engage with this in both content and form. Otherwise it is obsolete. B6112 advocates a theatre that calls for revolution, reveals relationships of domination, denounces grievances, names guilty parties, presents resistance strategies, explores them, rejects them. B6112 stands for the elimination of nationalisms and gender inequality, for a global citizenship, for a world community in which all people peacefully coexist in equal living conditions. B6112 stands for self-organization and emancipation, for a hierarchy-free theatre that has a mimetic and thus exemplary effect on society. In the face of global disasters, we reject an entertainment theatre or a theatre of display that acts as an opiate in the society. Only when our goals have been achieved will we be able to renegotiate the role of the theatre for our society, redefine its content, and redefine the question of relevance.},
  language  = {en}
}
@article{Walf2013,
  author    = {Walf, Leonard},
  title     = {Binnendifferenzierung im Musikunterricht},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  number    = {3},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus-65662},
  pages     = {67 -- 70},
  year      = {2013},
  abstract  = {1. Individuelle F{\"o}rderung als Hauptbestandteil der Binnendifferenzierung 2. Binnendifferenzierung in der Praxis 3. Binnendifferenzierung als Chance f{\"u}r den Musikunterricht 4. Literatur},
  language  = {de}
}
@article{Wagner2018,
  author    = {Wagner, Robert},
  title     = {Schulpraktisches Klavierspiel und inklusives Musizieren im schulischen Kontext},
  series = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  journal   = {Potsdamer Schriftenreihe zur Musikp{\"a}dagogik},
  publisher = {Universit{\"a}tsverlag Potsdam},
  address   = {Potsdam},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-417674},
  pages     = {139 -- 151},
  year      = {2018},
  language  = {de}
}
@book{Vogt1994,
  author    = {Vogt, Heide},
  title     = {Die Pers{\"o}nlichkeit des Instrumentalsch{\"u}lers im Einzelunterricht},
  series = {Musikp{\"a}dagogische Impulse},
  volume    = {1},
  journal   = {Musikp{\"a}dagogische Impulse},
  editor    = {G{\"u}nther, Ulrich and Jank, Birgit and Ott, Thomas},
  publisher = {Musikverl. Muth},
  address   = {Fernwald},
  isbn      = {3-929379-00-7},
  pages     = {124 S.},
  year      = {1994},
  language  = {de}
}