@misc{Kuettner2014,
  author    = {K{\"u}ttner, Uwe-Alexander},
  title     = {Rhythmic analyses as a proof-procedure?},
  series = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  journal   = {Postprints der Universit{\"a}t Potsdam : Philosophische Reihe},
  number    = {172},
  issn      = {1866-8380},
  doi       = {10.25932/publishup-44536},
  url       = {http://nbn-resolving.de/urn:nbn:de:kobv:517-opus4-445363},
  pages     = {26},
  year      = {2014},
  abstract  = {This paper reports a problematic case of unequivocally evidencing participant orientation to the projective force of some turn-initial demonstrative wh-clefts (DCs) within the framework of Conversation Analysis (CA) and Interactional Linguistics (IL). Conducting rhythmic analyses appears helpful in this regard, in that they disclose rhythmic regularities which suggest a speaker's orientation towards a projected turn continuation. In this particular case, rhythmic analyses can therefore be shown to meaningfully complement sequential analyses and analyses of turn-design, so as to gather additional evidence for participant orientations. In conclusion, I will point to possibly more extensive relations between rhythmicity and projection and proffer a tentative outlook for the usability of rhythmic analyses as an analytic tool in CA and IL.},
  language  = {en}
}
@techreport{Kuettner2014,
  author    = {K{\"u}ttner, Uwe-Alexander},
  title     = {Opening Up CA - An Interactional Linguist's View on ICCA-14},
  series = {Gespr{\"a}chsforschung : Online-Zeitschrift zur verbalen Interaktion},
  journal   = {Gespr{\"a}chsforschung : Online-Zeitschrift zur verbalen Interaktion},
  number    = {15},
  publisher = {Verlag f{\"u}r Gespr{\"a}chsforschung},
  address   = {Mannheim},
  issn      = {1617-1837},
  pages     = {264 -- 289},
  year      = {2014},
  language  = {en}
}
@book{KoeserKuettnerKupetzetal.2014,
  author    = {K{\"o}ser, Stephanie and K{\"u}ttner, Uwe-Alexander and Kupetz, Maxi and Trouvain, J{\"u}rgen and Truong, Khiet P. and Bose, Ines and Kurtenbach, Stephanie and Szczepek Reed, Beatrice and Couper-Kuhlen, Elizabeth},
  title     = {Prosodie und Phonetik in der Interaktion},
  editor    = {Barth-Weingarten, Dagmar and Beatrice, Szczepek Reed},
  publisher = {Verlag f{\"u}r Gespr{\"a}chsforschung},
  address   = {Mannheim},
  isbn      = {978-3-936656-60-2},
  year      = {2014},
  abstract  = {Phonetics and prosody have long been recognised as fundamental aspects of spoken discourse. Specifically, the prosody and phonetics of talk-in-interaction have become a field of study in its own right, with the majority of work to date focussing on the structuring of talk, turn-taking, and the contextualization of social practices, actions, genres, styles, affect etc. This volume presents an introduction to basic terms and concepts of prosodic-phonetic research as well as new contributions by young and established researchers in the field, for example, in the area of prosody and phonetics of affect display, public performance, institutional interaction, and sequence organisation. At the same time, it provides a survey of the methods currently employed and is thus aimed at students of language and interaction from a wide range of backgrounds as well as more experienced researchers and novices alike.},
  language  = {de}
}
@article{Kuettner2014,
  author    = {K{\"u}ttner, Uwe-Alexander},
  title     = {Rhythmic analyses as a proof-procedure?},
  series = {Prosodie und Phonetik in der Interaktion = Prosody and phonetics in interaction},
  journal   = {Prosodie und Phonetik in der Interaktion = Prosody and phonetics in interaction},
  publisher = {Verlag f{\"u}r Gespr{\"a}chsforschung},
  address   = {Mannheim},
  isbn      = {978-3-936656-60-2},
  pages     = {46 -- 69},
  year      = {2014},
  abstract  = {This paper reports a problematic case of unequivocally evidencing participant orientation to the projective force of some turn-initial demonstrative wh-clefts (DCs) within the framework of Conversation Analysis (CA) and Interactional Linguistics (IL). Conducting rhythmic analyses appears helpful in this regard, in that they disclose rhythmic regularities which suggest a speaker's orientation towards a projected turn continuation. In this particular case, rhythmic analyses can therefore be shown to meaningfully complement sequential analyses and analyses of turn-design, so as to gather additional evidence for participant orientations. In conclusion, I will point to possibly more extensive relations between rhythmicity and projection and proffer a tentative outlook for the usability of rhythmic analyses as an analytic tool in CA and IL.},
  language  = {en}
}