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Antisemitism in muslim communities and muslim countries: debates and studies of a complex issue
(2015)
In this article, I discuss surveys, academic debates, and research on antisemitism among Muslims in Muslim-majority countries and in Europe today. After a review of antisemitism in both cases, different explanations for its causes are presented. Negative attitudes towards Jews in Muslim countries are the rule, not the exception. An important factor in almost all Muslim countries are anti-Zionist attitudes and agitations that are mixed with antisemitic stereotypes and conspiracy theories. In Europe, antisemitism is more prevalent among Muslims than among non-Muslims and Muslims are disproportionately often involved in antisemitic incidents.
It turns out that antisemitism among Muslims is manifested in many ways and that it has many causes. One-dimensional explanations are not sufficient. Arguments that antisemitism is primarily a result of the Middle East conflict or of discrimination/colonization seem to be outdated in view of new research. Historically, the interaction of Arab nationalism, Islamist movements, and the collaboration with the Nazis in the middle of the 20th century played a significant role in ensuring that the discriminatory treatment of Jews in Islam in the Middle Ages did not disappear in the course of establishing nation states, but was converted to a large extent into antisemitism. Today, Islamist influences and stereotypes that are passed on by media and within social circles are essential factors for the prevalence of antisemitic attitudes among Muslims.
From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women’s fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion’s worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word “fashion” are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion.
Amour - Passion?
(2005)
Allemand
(1992)