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"Wann I’ denk wie’s früher war."

  • The successful Austrian pop-musician Andreas Gabalier has devoted several of his songs to his Styrian homeland. Gabalier's work and performance has often been per-ceived as nationalist. When analyzing some of his lyrics, an astonishing observation can be made: Most references to the »homeland« are backward-looking. This article argues that the remarkable lack of a national »future« in Gabalier's work is charac-teristic for contemporary nationalist manifestations, not only in popular culture, but also in ideologies and politics. The article introduces a new typology of nationalist movements. With regard to the character of the related nation-state, three types are discussed: »constructive nationalism« whereby the nationalist movement strives for a future sovereign nation state; »maintaining nationalism« wherein a nation state already exists; and »reconstructive nationalism« where nationalists believe that the nation state has lost its independence, sovereignty, and freedom in the course of globalization and hopeThe successful Austrian pop-musician Andreas Gabalier has devoted several of his songs to his Styrian homeland. Gabalier's work and performance has often been per-ceived as nationalist. When analyzing some of his lyrics, an astonishing observation can be made: Most references to the »homeland« are backward-looking. This article argues that the remarkable lack of a national »future« in Gabalier's work is charac-teristic for contemporary nationalist manifestations, not only in popular culture, but also in ideologies and politics. The article introduces a new typology of nationalist movements. With regard to the character of the related nation-state, three types are discussed: »constructive nationalism« whereby the nationalist movement strives for a future sovereign nation state; »maintaining nationalism« wherein a nation state already exists; and »reconstructive nationalism« where nationalists believe that the nation state has lost its independence, sovereignty, and freedom in the course of globalization and hope for a reconstruction. However, these types are defined here as »ideal types« in a Weberian sense and will hardly be found in their »pure« forms in history or social reality.zeige mehrzeige weniger

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Metadaten
Verfasserangaben:Gideon BotschGND
DOI:https://doi.org/10.14361/9783839455814
ISBN:9783837655810
ISBN:9783839455814
Titel des übergeordneten Werks (Deutsch):One nation under a groove - »Nation« als Kategorie populärer Musik
Untertitel (Deutsch):Nationalismus in der "postnationalen Konstellation"
Verlag:transcript
Verlagsort:Bielefeld
Herausgeber*in(nen):Ralf von Appen, Thorsten Hindrichs
Publikationstyp:Teil eines Buches (Kapitel)
Sprache:Deutsch
Datum der Erstveröffentlichung:01.10.2020
Erscheinungsjahr:2020
Datum der Freischaltung:25.04.2024
Seitenanzahl:15
Erste Seite:15
Letzte Seite:29
Organisationseinheiten:Wirtschafts- und Sozialwissenschaftliche Fakultät / Sozialwissenschaften / Fachgruppe Politik- & Verwaltungswissenschaft
DDC-Klassifikation:3 Sozialwissenschaften / 32 Politikwissenschaft / 320 Politikwissenschaft
Peer Review:Nicht ermittelbar
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