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At Opposite Ends of Asia – Contact between East Asian Culture and Modern Hebrew Literature from the Late Nineteenth Century until Today. A Historiographical and Linguistic Study

  • This article deals with contact between East Asian thought and modern Hebrew Literature from the late nineteenth century through the twentieth century, until today. In the first part, the article suggests that from a historiographical perspective, one may outline three waves of contact between these two cultural phenomena, at opposite ends of Asia. In the first wave, which began in the early twentieth century, Asian influence on Hebrew literature written in Europe was mediated mainly through the philosophers Schopenhauer and Nietzsche. The second wave, which emerged in the 1950s, relates to the influence of the leaders of the Beat Generation, who, in turn, were influenced by modernist poetry in English, which was colored by contact with Asian poetry. The third wave is part of the glocal New Age phenomenon and its appropriation of certain Buddhist traits. The second part of the article presents several theoretical possibilities of symbioses between cultures, as they appear within language. The third part presents the symptomaticThis article deals with contact between East Asian thought and modern Hebrew Literature from the late nineteenth century through the twentieth century, until today. In the first part, the article suggests that from a historiographical perspective, one may outline three waves of contact between these two cultural phenomena, at opposite ends of Asia. In the first wave, which began in the early twentieth century, Asian influence on Hebrew literature written in Europe was mediated mainly through the philosophers Schopenhauer and Nietzsche. The second wave, which emerged in the 1950s, relates to the influence of the leaders of the Beat Generation, who, in turn, were influenced by modernist poetry in English, which was colored by contact with Asian poetry. The third wave is part of the glocal New Age phenomenon and its appropriation of certain Buddhist traits. The second part of the article presents several theoretical possibilities of symbioses between cultures, as they appear within language. The third part presents the symptomatic example of the work of contemporary Hebrew writer Yoel Hoffmann, who appears to be a representative of the second wave; however, his work maintains dialogue with the first wave, and its current popularity is part of the third wave. Hoffmann’s work serves as an example of how to apply the theoretical possibilities presented in the second part of the article, as an instance of literary contact between two cultures and their respective languages.show moreshow less

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Metadaten
Author details:Rachel Albeck-GidronGND
URN:urn:nbn:de:kobv:517-opus4-408931
ISBN:978-3-86956-418-0
ISSN:1614-6492
ISSN:1862-7684
Title of parent work (English):PaRDeS : Journal of the Association of Jewish Studies [23 (2017)] = JewBus, Jewish Hindus & other Jewish Encounters with East Asian Religions
Title of parent work (German):Sprache Deutsch PaRDeS : Zeitschrift der Vereinigung für Jüdische Studien [23 (2017)] = JewBus, Jewish Hindus & other Jewish Encounters with East Asian Religions
Publisher:Universitätsverlag Potsdam
Place of publishing:Potsdam
Publication type:Article
Language:English
Date of first publication:2018/03/16
Publication year:2018
Publishing institution:Universität Potsdam
Publishing institution:Universitätsverlag Potsdam
Release date:2018/03/23
Issue:23
First page:95
Last Page:118
Source:PaRDeS : Zeitschrift der Vereinigung für Jüdische Studien [23 (2017)] | ISBN 978-3-86956-418-0 | S. 95-118
RVK - Regensburg classification:BD 1680
Organizational units:Extern / Vereinigung für Jüdische Studien e. V.
DDC classification:2 Religion / 20 Religion / 200 Religion
Peer review:Referiert
Publishing method:Open Access
Universitätsverlag Potsdam
Collection(s):Universität Potsdam / Zeitschriften / PaRDeS : Zeitschrift der Vereinigung für Jüdische Studien e.V., ISSN 1862-7684 / PaRDeS (2017) 23 / Articles
License (German):License LogoKeine öffentliche Lizenz: Unter Urheberrechtsschutz
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