Hildegard L. C. Tristram

• A report of Mikhail Gasparov's 1989 book on the 'History of European Versification' is the starting point of the discussion in this article of the types of versification found in the Insular Celtic literatures from their first documenation in the early middle ages to the present day, as Gasparov's survey does not cover these poetries. It is claimed here that their metrical constraints were pre-literate and first and foremost geared at aural reception. The introduction of writing led to an increase in metrical sophistication which, while still basically oral, because of the process of "prelecting" (i.e. reading out aloud to illiterate or semi-literate audiences), required a very careful appreciation of their metrical skills. Contact with English and French syllabic poetry in the later middle ages and particularly in the modern period produced so-called "free verse" poetry. The word "free" in this particular context meant that the rather loose metrical constraints of these majority literatures in no way compared with the extraordinarilyA report of Mikhail Gasparov's 1989 book on the 'History of European Versification' is the starting point of the discussion in this article of the types of versification found in the Insular Celtic literatures from their first documenation in the early middle ages to the present day, as Gasparov's survey does not cover these poetries. It is claimed here that their metrical constraints were pre-literate and first and foremost geared at aural reception. The introduction of writing led to an increase in metrical sophistication which, while still basically oral, because of the process of "prelecting" (i.e. reading out aloud to illiterate or semi-literate audiences), required a very careful appreciation of their metrical skills. Contact with English and French syllabic poetry in the later middle ages and particularly in the modern period produced so-called "free verse" poetry. The word "free" in this particular context meant that the rather loose metrical constraints of these majority literatures in no way compared with the extraordinarily high metrical sophistication of the native oral derived or "bardic" poetry.…