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Tragédie et psychologie

  • His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude.

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Author details:Brigitte SändigGND
DOI:https://doi.org/10.1075/rro.52.1.07san
ISSN:0035-3906
ISSN:1600-0811
Title of parent work (French):Revue romane : langue et littérature
Subtitle (English):Camus devant le roman de Faulkner Requiem for a Nun
Publisher:Benjamins
Place of publishing:Amsterdam
Publication type:Article
Language:English
Date of first publication:2017/04/24
Publication year:2017
Release date:2022/11/18
Tag:Albert; Camus; Requiem for a Nun / Requiem pour une nonne; Theater; William Faulkner; ancient tragedy; psychology
Volume:52
Issue:1
Number of pages:10
First page:70
Last Page:79
Organizational units:Philosophische Fakultät / Institut für Romanistik
DDC classification:1 Philosophie und Psychologie / 15 Psychologie / 150 Psychologie
4 Sprache / 44 Französisch, romanische Sprachen allgemein / 440 Romanische Sprachen; Französisch
Peer review:Referiert
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