TY  - JOUR
A1  - Schmid, Herta
T1  - Das Concetto im polnischen Barock : am Beispiel Zbigniew Morsztyns und mit einem Blick auf Bruno Schlulz
Y1  - 2005
ER  - 
TY  - JOUR
A1  - Schmid, Herta
A1  - Berwanger, Katrin
T1  - Memorandum on the state of Slavic Studies in Germany
N2  - The list of Polish, Czech, and Russian Nobel laureates for literature, Slavic painters, composers, and directors, the achievements in philosophy, logic, rhetoric, theology, modern linguistics, aesthetics, and literature theory is long. Names such as Comenius, Bolzano, Dvorak, Kandinskii, Wajda, Stanislavskii, Rimskii-Korsakov, Szymborska, Mrozek, Capek, and Havel are known around the world. But who in Germany can truly appreciate their contributions to European culture? Given the centuries of close interaction between German and Slavic cultures in art, literature, business and commerce, political thought, and religion, it is time German institutes of higher learning also overcome the disastrous division of Europe that followed the Second World War. Slavic cultures constitute a part of European culture and learning that is just as important as Western culture. They can no longer be marginalised
Y1  - 2005
ER  - 
TY  - JOUR
A1  - Schmid, Herta
T1  - От психологического комизма к механическому комизму
T1  - From psychological humour to mechanical humour
BT  - Разговор на большой дороге И. С. Тургенева и Женский вопрос Надежды Тэффи
BT  - I. S. Turgenev’s Conversation on a highroad and Nadezhda Teffi’s The Woman Question
JF  - Russian literature
N2  - Research has characterized Nadezhda Teffi as the female Chekhov.1 However, connections can also be found between her work and that of Ivan S. Turgenev. In particular the one-act plays (Conversation on a Highroad; 1851) and (The Woman Question; 1907) are suitable for comparison. Not only does my comparison consider the gender conflict between man and woman, but also a dialectic method which Teffi may have discovered in Turgenev's work and elaborated further. The dialectical considerations are connected with different comic approaches: the psychological comedy of the realist Turgenev in the middle of the 19th century and the mechanical comedy of the utopian Teffi at the start of the 20th century. Its mechanical comicality shows that relates to an international debate, in which Paul Julius Mobius' essay 'Uber den physiologischen Schwachsinn des Weibes' ('On the Physiological Idiocy of the Female'; 1900) may well have played an unfavourable role.
KW  - Teffi
KW  - Turgenev
KW  - Dialectic
KW  - Comedy
KW  - Gender
KW  - Paul Julius Mobius
Y1  - 2021
U6  - https://doi.org/10.1016/j.ruslit.2021.11.006
SN  - 0304-3479
SN  - 1878-3678
VL  - 125-126
SP  - 89
EP  - 107
PB  - Elsevier
CY  - Amsterdam
ER  - 
TY  - JOUR
A1  - Schmid, Herta
T1  - Jiri Veltruskys Vermächtnis an die Theaterwissenschaft
Y1  - 1997
ER  - 
TY  - JOUR
A1  - Schmid, Herta
T1  - Prístupy k subjektu v prazskej strukturalistickej antropológii a v genetickom strukturalizme Ernsta Cassirera
Y1  - 1998
ER  - 
TY  - JOUR
A1  - Schmid, Herta
T1  - Mrozek auf deutschsprachigen Bühnen : Schwierigkeiten im deutsch-polnischen Dialog
Y1  - 1998
ER  - 
TY  - JOUR
A1  - Schmid, Herta
T1  - Das Problem des Individuums im tschechischen Strukturalismus
Y1  - 1997
ER  - 
TY  - JOUR
A1  - Schmid, Herta
T1  - Gewalt wider Körper, Geist und Seele : zwei Lesarten von Mrozeks "Strip-tease"
Y1  - 1998
ER  - 
TY  - JOUR
A1  - Schmid, Herta
T1  - Zur Geschichte der normativen Poetik des Dramas : Josef Jungmanns Dramenpoetik
Y1  - 1998
ER  - 
TY  - JOUR
A1  - Schmid, Herta
T1  - Sprachursprungstheorien bei Boleslaw Lesmian und Bruno Schulz
Y1  - 1998
ER  -