TY - JOUR A1 - Boll-Avetisyan, Natalie A1 - Bhatara, Anjali A1 - Höhle, Barbara T1 - Processing of rhythm in speech and music in adult dyslexia JF - Brain Sciences N2 - Recent studies have suggested that musical rhythm perception ability can affect the phonological system. The most prevalent causal account for developmental dyslexia is the phonological deficit hypothesis. As rhythm is a subpart of phonology, we hypothesized that reading deficits in dyslexia are associated with rhythm processing in speech and in music. In a rhythmic grouping task, adults with diagnosed dyslexia and age-matched controls listened to speech streams with syllables alternating in intensity, duration, or neither, and indicated whether they perceived a strong-weak or weak-strong rhythm pattern. Additionally, their reading and musical rhythm abilities were measured. Results showed that adults with dyslexia had lower musical rhythm abilities than adults without dyslexia. Moreover, lower musical rhythm ability was associated with lower reading ability in dyslexia. However, speech grouping by adults with dyslexia was not impaired when musical rhythm perception ability was controlled: like adults without dyslexia, they showed consistent preferences. However, rhythmic grouping was predicted by musical rhythm perception ability, irrespective of dyslexia. The results suggest associations among musical rhythm perception ability, speech rhythm perception, and reading ability. This highlights the importance of considering individual variability to better understand dyslexia and raises the possibility that musical rhythm perception ability is a key to phonological and reading acquisition. KW - developmental dyslexia KW - Iambic/Trochaic Law KW - rhythmic grouping KW - musicality KW - speech perception KW - rhythm perception Y1 - 2020 U6 - https://doi.org/10.3390/brainsci10050261 SN - 2076-3425 VL - 10 IS - 5 PB - MDPI CY - Basel ER - TY - GEN A1 - Boll-Avetisyan, Natalie A1 - Bhatara, Anjali A1 - Höhle, Barbara T1 - Processing of rhythm in speech and music in adult dyslexia T2 - Postprints der Universität Potsdam : Humanwissenschaftliche Reihe N2 - Recent studies have suggested that musical rhythm perception ability can affect the phonological system. The most prevalent causal account for developmental dyslexia is the phonological deficit hypothesis. As rhythm is a subpart of phonology, we hypothesized that reading deficits in dyslexia are associated with rhythm processing in speech and in music. In a rhythmic grouping task, adults with diagnosed dyslexia and age-matched controls listened to speech streams with syllables alternating in intensity, duration, or neither, and indicated whether they perceived a strong-weak or weak-strong rhythm pattern. Additionally, their reading and musical rhythm abilities were measured. Results showed that adults with dyslexia had lower musical rhythm abilities than adults without dyslexia. Moreover, lower musical rhythm ability was associated with lower reading ability in dyslexia. However, speech grouping by adults with dyslexia was not impaired when musical rhythm perception ability was controlled: like adults without dyslexia, they showed consistent preferences. However, rhythmic grouping was predicted by musical rhythm perception ability, irrespective of dyslexia. The results suggest associations among musical rhythm perception ability, speech rhythm perception, and reading ability. This highlights the importance of considering individual variability to better understand dyslexia and raises the possibility that musical rhythm perception ability is a key to phonological and reading acquisition. T3 - Zweitveröffentlichungen der Universität Potsdam : Humanwissenschaftliche Reihe - 630 KW - developmental dyslexia KW - Iambic/Trochaic Law KW - rhythmic grouping KW - musicality KW - speech perception KW - rhythm perception Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-469781 SN - 1866-8364 IS - 630 ER - TY - JOUR A1 - Boll-Avetisyan, Natalie A1 - Bhatara, Anjali A1 - Höhle, Barbara T1 - Effects of musicality on the perception of rhythmic structure in speech JF - Laboratory phonology N2 - Language and music share many rhythmic properties, such as variations in intensity and duration leading to repeating patterns. Perception of rhythmic properties may rely on cognitive networks that are shared between the two domains. If so, then variability in speech rhythm perception may relate to individual differences in musicality. To examine this possibility, the present study focuses on rhythmic grouping, which is assumed to be guided by a domain-general principle, the Iambic/Trochaic law, stating that sounds alternating in intensity are grouped as strong-weak, and sounds alternating in duration are grouped as weak-strong. German listeners completed a grouping task: They heard streams of syllables alternating in intensity, duration, or neither, and had to indicate whether they perceived a strong-weak or weak-strong pattern. Moreover, their music perception abilities were measured, and they filled out a questionnaire reporting their productive musical experience. Results showed that better musical rhythm perception - ability was associated with more consistent rhythmic grouping of speech, while melody perception - ability and productive musical experience were not. This suggests shared cognitive procedures in the perception of rhythm in music and speech. Also, the results highlight the relevance of - considering individual differences in musicality when aiming to explain variability in prosody perception. KW - Musical ability KW - rhythm KW - grouping KW - Iambic/Trochaic law KW - speech KW - speech perception KW - musicality KW - prosody KW - domain-general KW - German Y1 - 2017 U6 - https://doi.org/10.5334/labphon.91 SN - 1868-6346 SN - 1868-6354 VL - 8 IS - 1 PB - Ubiquity Press CY - London ER - TY - GEN A1 - Bhatara, Anjali A1 - Laukka, Petri A1 - Boll-Avetisyan, Natalie A1 - Granjon, Lionel A1 - Elfenbein, Hillary Anger A1 - Bänziger, Tanja T1 - Second language ability and emotional prosody perception T2 - Postprints der Universität Potsdam : Humanwissenschaftliche Reihe N2 - The present study examines the effect of language experience on vocal emotion perception in a second language. Native speakers of French with varying levels of self-reported English ability were asked to identify emotions from vocal expressions produced by American actors in a forced-choice task, and to rate their pleasantness, power, alertness and intensity on continuous scales. Stimuli included emotionally expressive English speech (emotional prosody) and non-linguistic vocalizations (affect bursts), and a baseline condition with Swiss-French pseudo-speech. Results revealed effects of English ability on the recognition of emotions in English speech but not in non-linguistic vocalizations. Specifically, higher English ability was associated with less accurate identification of positive emotions, but not with the interpretation of negative emotions. Moreover, higher English ability was associated with lower ratings of pleasantness and power, again only for emotional prosody. This suggests that second language skills may sometimes interfere with emotion recognition from speech prosody, particularly for positive emotions. T3 - Zweitveröffentlichungen der Universität Potsdam : Humanwissenschaftliche Reihe - 503 KW - recognizing emotions KW - basic emotions KW - recognition KW - language KW - vocalizations KW - speech KW - models Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-411860 SN - 1866-8364 IS - 503 ER - TY - GEN A1 - Abboub, Nawal A1 - Boll-Avetisyan, Natalie A1 - Bhatara, Anjali A1 - Höhle, Barbara A1 - Nazzi, Thierry T1 - An exploration of rhythmic grouping of speech sequences by french- and german-learning infants T2 - Postprints der Universität Potsdam : Humanwissenschaftliche Reihe N2 - Rhythm in music and speech can be characterized by a constellation of several acoustic cues. Individually, these cues have different effects on rhythmic perception: sequences of sounds alternating in duration are perceived as short-long pairs (weak-strong/iambicpattern), whereas sequences of sounds alternating in intensity or pitch are perceived as loud-soft, or high-low pairs (strong-weak/trochaic pattern). This perceptual bias-called the lambic-Trochaic Law (ITL) has been claimed to be an universal property of the auditory system applying in both the music and the language domains. Recent studies have shown that language experience can modulate the effects of the ITL on rhythmic perception of both speech and non-speech sequences in adults, and of non-speech sequences in 7.5-month-old infants. The goal of the present study was to explore whether language experience also modulates infants' grouping of speech. To do so, we presented sequences of syllables to monolingual French- and German-learning 7.5-month-olds. Using the Headturn Preference Procedure (HPP), we examined whether they were able to perceive a rhythmic structure in sequences of syllables that alternated in duration, pitch, or intensity. Our findings show that both French- and German-learning infants perceived a rhythmic structure when it was cued by duration or pitch but not intensity. Our findings also show differences in how these infants use duration and pitch cues to group syllable sequences, suggesting that pitch cues were the easier ones to use. Moreover, performance did not differ across languages, failing to reveal early language effects on rhythmic perception. These results contribute to our understanding of the origin of rhythmic perception and perceptual mechanisms shared across music and speech, which may bootstrap language acquisition. T3 - Zweitveröffentlichungen der Universität Potsdam : Humanwissenschaftliche Reihe - 427 KW - language acquisition KW - prosody KW - grouping KW - iambic-trochaic law KW - perceptual biases KW - french-learning infants KW - german-learning infants Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-407201 IS - 427 ER - TY - JOUR A1 - Bhatara, Anjali A1 - Boll-Avetisyan, Natalie A1 - Agus, Trevor A1 - Höhle, Barbara A1 - Nazzi, Thierry T1 - Language Experience Affects Grouping of Musical Instrument Sounds JF - Cognitive science : a multidisciplinary journal of anthropology, artificial intelligence, education, linguistics, neuroscience, philosophy, psychology ; journal of the Cognitive Science Society KW - Cross-linguistic KW - French KW - German KW - Auditory perception KW - Music KW - Rhythmic grouping Y1 - 2016 U6 - https://doi.org/10.1111/cogs.12300 SN - 0364-0213 SN - 1551-6709 VL - 40 SP - 1816 EP - 1830 PB - Wiley-Blackwell CY - Hoboken ER - TY - JOUR A1 - Abboub, Nawal A1 - Boll-Avetisyan, Natalie A1 - Bhatara, Anjali A1 - Höhle, Barbara A1 - Nazzi, Thierry T1 - An Exploration of Rhythmic Grouping of Speech Sequences by French- and German-Learning Infants JF - Frontiers in human neuroscienc N2 - Rhythm in music and speech can be characterized by a constellation of several acoustic cues. Individually, these cues have different effects on rhythmic perception: sequences of sounds alternating in duration are perceived as short-long pairs (weak-strong/iambic pattern), whereas sequences of sounds alternating in intensity or pitch are perceived as loud-soft, or high-low pairs (strong-weak/trochaic pattern). This perceptual bias—called the Iambic-Trochaic Law (ITL)–has been claimed to be an universal property of the auditory system applying in both the music and the language domains. Recent studies have shown that language experience can modulate the effects of the ITL on rhythmic perception of both speech and non-speech sequences in adults, and of non-speech sequences in 7.5-month-old infants. The goal of the present study was to explore whether language experience also modulates infants’ grouping of speech. To do so, we presented sequences of syllables to monolingual French- and German-learning 7.5-month-olds. Using the Headturn Preference Procedure (HPP), we examined whether they were able to perceive a rhythmic structure in sequences of syllables that alternated in duration, pitch, or intensity. Our findings show that both French- and German-learning infants perceived a rhythmic structure when it was cued by duration or pitch but not intensity. Our findings also show differences in how these infants use duration and pitch cues to group syllable sequences, suggesting that pitch cues were the easier ones to use. Moreover, performance did not differ across languages, failing to reveal early language effects on rhythmic perception. These results contribute to our understanding of the origin of rhythmic perception and perceptual mechanisms shared across music and speech, which may bootstrap language acquisition. KW - language acquisition KW - prosody KW - grouping KW - iambic-trochaic law KW - perceptual biases KW - french-learning infants KW - german-learning infants Y1 - 2016 U6 - https://doi.org/10.3389/fnhum.2016.00292 SN - 1662-5161 VL - 10 SP - 6707 EP - 6712 PB - Frontiers Research Foundation CY - Lausanne ER - TY - JOUR A1 - Bhatara, Anjali A1 - Laukka, Petri A1 - Boll-Avetisyan, Natalie A1 - Granjon, Lionel A1 - Elfenbein, Hillary Anger A1 - Banziger, Tanja T1 - Second Language Ability and Emotional Prosody Perception JF - PLoS one N2 - The present study examines the effect of language experience on vocal emotion perception in a second language. Native speakers of French with varying levels of self-reported English ability were asked to identify emotions from vocal expressions produced by American actors in a forced-choice task, and to rate their pleasantness, power, alertness and intensity on continuous scales. Stimuli included emotionally expressive English speech (emotional prosody) and non-linguistic vocalizations (affect bursts), and a baseline condition with Swiss-French pseudo-speech. Results revealed effects of English ability on the recognition of emotions in English speech but not in non-linguistic vocalizations. Specifically, higher English ability was associated with less accurate identification of positive emotions, but not with the interpretation of negative emotions. Moreover, higher English ability was associated with lower ratings of pleasantness and power, again only for emotional prosody. This suggests that second language skills may sometimes interfere with emotion recognition from speech prosody, particularly for positive emotions. Y1 - 2016 U6 - https://doi.org/10.1371/journal.pone.0156855 SN - 1932-6203 VL - 11 PB - PLoS CY - San Fransisco ER - TY - JOUR A1 - Boll-Avetisyan, Natalie A1 - Bhatara, Anjali A1 - Unger, Annika A1 - Nazzi, Thierry A1 - Höhle, Barbara T1 - Rhythmic grouping biases in simultaneous bilinguals JF - Bilingualism : language and cognition N2 - This study provides a novel approach for testing the universality of perceptual biases by looking at speech processing in simultaneous bilingual adults learning two languages that support the maintenance of this bias to different degrees. Specifically, we investigated the Iambic/Trochaic Law, an assumed universal grouping bias, in simultaneous French-German bilinguals, presenting them with streams of syllables varying in intensity, duration or neither and asking them whether they perceived them as strong-weak or weak-strong groupings. Results showed robust, consistent grouping preferences. A comparison to monolinguals from previous studies revealed that they pattern with German-speaking monolinguals, and differ from French-speaking monolinguals. The distribution of simultaneous bilinguals' individual performance was best explained by a model fitting a unimodal (not bimodal) distribution, failing to support two subgroups of language dominance. Moreover, neither language experience nor language context predicted their performance. These findings suggest a special role for universal biases in simultaneous bilinguals. KW - simultaneous bilingualism KW - universal bias KW - rhythm KW - rhythmic grouping KW - Iambic KW - Trochaic Law Y1 - 2020 U6 - https://doi.org/10.1017/S1366728920000140 SN - 1366-7289 SN - 1469-1841 VL - 23 IS - 5 SP - 1070 EP - 1081 PB - Cambridge Univ. Press CY - New York ER - TY - GEN A1 - Boll-Avetisyan, Natalie A1 - Bhatara, Anjali A1 - Unger, Annika A1 - Nazzi, Thierry A1 - Höhle, Barbara T1 - Effects of experience with L2 and music on rhythmic grouping by French listeners T2 - Postprints der Universität Potsdam : Humanwissenschaftliche Reihe N2 - Rhythm perception is assumed to be guided by a domain-general auditory principle, the Iambic/Trochaic Law, stating that sounds varying in intensity are grouped as strong-weak, and sounds varying in duration are grouped as weak-strong. Recently, Bhatara et al. (2013) showed that rhythmic grouping is influenced by native language experience, French listeners having weaker grouping preferences than German listeners. This study explores whether L2 knowledge and musical experience also affect rhythmic grouping. In a grouping task, French late learners of German listened to sequences of coarticulated syllables varying in either intensity or duration. Data on their language and musical experience were obtained by a questionnaire. Mixed-effect model comparisons showed influences of musical experience as well as L2 input quality and quantity on grouping preferences. These results imply that adult French listeners' sensitivity to rhythm can be enhanced through L2 and musical experience. T3 - Zweitveröffentlichungen der Universität Potsdam : Humanwissenschaftliche Reihe - 450 KW - rhythmic grouping KW - second language acquisition KW - prosody KW - musicality KW - Iambic KW - Trochaic Law Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-413786 IS - 450 ER - TY - JOUR A1 - Bhatara, Anjali A1 - Boll-Avetisyan, Natalie A1 - Unger, Annika A1 - Nazzi, Thierry A1 - Höhle, Barbara T1 - Native language affects rhythmic grouping of speech JF - The journal of the Acoustical Society of America N2 - Perceptual attunement to one's native language results in language-specific processing of speech sounds. This includes stress cues, instantiated by differences in intensity, pitch, and duration. The present study investigates the effects of linguistic experience on the perception of these cues by studying the Iambic-Trochaic Law (ITL), which states that listeners group sounds trochaically (strong-weak) if the sounds vary in loudness or pitch and iambically (weak-strong) if they vary in duration. Participants were native listeners either of French or German; this comparison was chosen because French adults have been shown to be less sensitive than speakers of German and other languages to word-level stress, which is communicated by variation in cues such as intensity, fundamental frequency (F0), or duration. In experiment 1, participants listened to sequences of co-articulated syllables varying in either intensity or duration. The German participants were more consistent in their grouping than the French for both cues. Experiment 2 was identical to experiment 1 except that intensity variation was replaced by pitch variation. German participants again showed more consistency for both cues, and French participants showed especially inconsistent grouping for the pitch-varied sequences. These experiments show that the perception of linguistic rhythm is strongly influenced by linguistic experience. Y1 - 2013 U6 - https://doi.org/10.1121/1.4823848 SN - 0001-4966 SN - 1520-8524 VL - 134 IS - 5 SP - 3828 EP - 3843 PB - American Institute of Physics CY - Melville ER - TY - JOUR A1 - Boll-Avetisyan, Natalie A1 - Bhatara, Anjali A1 - Unger, Annika A1 - Nazzi, Thierry A1 - Höhle, Barbara T1 - Effects of experience with L2 and music on rhythmic grouping by French listeners JF - Bilingualism : language and cognition. KW - rhythmic grouping KW - second language acquisition KW - prosody KW - musicality KW - Iambic KW - Trochaic Law Y1 - 2016 U6 - https://doi.org/10.1017/S1366728915000425 SN - 1366-7289 SN - 1469-1841 VL - 19 SP - 971 EP - 986 PB - Cambridge Univ. Press CY - New York ER -