TY - JOUR A1 - Wiemann, Dirk A1 - Eckstein, Lars T1 - Introduction : towards a cultural politics of passion Y1 - 2013 SN - 978-3-631-60196-9 ER - TY - INPR A1 - Eckstein, Lars A1 - Wiemann, Dirk A1 - Waller, Nicole A1 - Bartels, Anke T1 - Postcolonial Justice BT - An Introduction N2 - In July 2014, some of us participated in a handover ceremony of 14 ancestral remains to their Australian traditional owners, performed on the premises of the Charité Campus in Berlin. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103220 ER - TY - INPR A1 - Eckstein, Lars A1 - Wiemann, Dirk T1 - Introduction BT - towards a cultural politics of passion Y1 - 2013 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85457 ER - TY - INPR A1 - Eckstein, Lars A1 - Wiemann, Dirk T1 - Kleine Kosmopolitismen N2 - Das große Projekt der Aufklärung und damit auch der kosmopolitischen Idee war bereits in seinen Ursprüngen ambivalenter als gemeinhin anerkannt wird. Denn sein normatives Menschenbild war (und bleibt) implizit männlich, bürgerlich und nicht zuletzt weiß. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103261 ER - TY - JOUR A1 - Eckstein, Lars A1 - Wiemann, Dirk T1 - Kleine Kosmopolitismen JF - Global Citizenship – Perspektiven einer Weltgemeinschaft Y1 - 2017 SN - 978-3-95829-211-6 SP - 44 EP - 53 PB - Steidel CY - Göttingen ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - The making of Tupaia’s map BT - a story of the extent and mastery of Polynesian navigation, competing systems of wayfinding on James Cook’s endeavour, and the invention of an ingenious cartographic system JF - The journal of pacific history N2 - Tupaia’s Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra‘iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook’s Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart’s cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia’s Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models. KW - Cartography KW - first contact KW - wayfinding KW - star navigation KW - sea of islands KW - translation KW - Indigenous knowledges and ontologies KW - Tupaia Y1 - 2019 U6 - https://doi.org/10.1080/00223344.2018.1512369 SN - 0022-3344 SN - 1469-9605 VL - 54 IS - 1 SP - 1 EP - 95 PB - Routledge, Taylor & Francis Group CY - London ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - Oceanic modernity : indigeneity, globality and cultural translation Y1 - 2012 SN - 978-8-48-489670-8 ER - TY - GEN A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - Authors’ Response: The Making of Tupaia's Map Revisited T2 - The journal of pacific history Y1 - 2019 U6 - https://doi.org/10.1080/00223344.2019.1657500 SN - 1469-9605 SN - 0022-3344 VL - 54 IS - 4 SP - 549 EP - 561 PB - Routledge CY - London ER - TY - GEN A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - The Making of Tupaia’s Map BT - a Story of the Extent and Mastery of Polynesian Navigation, Competing Systems of Wayfinding on James Cook’s Endeavour, and the Invention of an Ingenious Cartographic System T2 - Postprints der Universität Potsdam Philosophische Reihe N2 - Tupaia’s Map is one of the most famous and enigmatic artefacts to emerge from the early encounters between Europeans and Pacific Islanders. It was drawn by Tupaia, an arioi priest, chiefly advisor and master navigator from Ra‘iātea in the Leeward Society Islands in collaboration with various members of the crew of James Cook’s Endeavour, in two distinct moments of mapmaking and three draft stages between August 1769 and February 1770. To this day, the identity of many islands on the chart, and the logic of their arrangement have posed a riddle to researchers. Drawing in part on archival material hitherto overlooked, in this long essay we propose a new understanding of the chart’s cartographic logic, offer a detailed reconstruction of its genesis, and thus for the first time present a comprehensive reading of Tupaia’s Map. The chart not only underscores the extent and mastery of Polynesian navigation, it is also a remarkable feat of translation between two very different wayfinding systems and their respective representational models. T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 154 KW - artography KW - first contact KW - wayfinding KW - star navigation KW - sea of islands KW - translation KW - Indigenous knowledges and ontologies KW - Tupaia Y1 - 2019 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-423091 SN - 1866-8380 IS - 154 ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - Vision d'une mer faite d'îles: la carte de Tupaia (1769-1770) JF - Bulletin de la Société des Etudes Océaniennes : Polynésie Orientale Y1 - 2019 SN - 0373-8957 SN - 0378-083X VL - 347 IS - Janvier / Avril SP - 6 EP - 23 PB - Soc. CY - Papeete ER - TY - GEN A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - La carte de Tupaia, maître d'astres et de navigation polynésienne T2 - Postprints der Universität Potsdam : Philosophische Reihe N2 - La carte de Tupaia constitue l’un des artéfacts les plus célèbres et les plus énigmatiques à émerger des toutes premières rencontres entre Européens et îliens du Pacifique. Elle a été élaborée entre août 1769 et février 1770 par Tupaia, prêtre ’arioi, conseiller royal et maître de navigation originaire de Ra’iātea, aux Îles Sous-le-Vent de la Société. En collaboration avec divers membres d’équipage de l’Endeavour de James Cook, en deux temps distincts de cartographie et trois ébauches. L’identité de bien des îles qui y figurent et la logique de leur agencement demeuraient jusqu’à présent des énigmes. En se fiant en partie à des pièces d’archives restées ignorées, nous proposons, dans ce long essai, une nouvelle compréhension de sa logique cartographique, une reconstitution détaillée de sa genèse et donc, pour la toute première fois, une lecture exhaustive. La carte de Tupaia n’illustre pas seulement la magnitude et la maîtrise de la navigation polynésienne, elle réalise aussi une remarquable synthèse représentationnelle de deux systèmes d’orientation très différents. T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 170 KW - Cartographie KW - premiers contacts KW - orientation KW - navigation aux étoiles KW - ‘mer des îles’ KW - traduction KW - connaissances et ontologies autochtones KW - Tupaia Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-445381 SN - 1866-8380 IS - 170 ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - La carte de Tupaia, maître d'astres et de navigation polynésienne JF - Bulletin de la Societé des Études Océaniennes (Polynésie orientale) N2 - La carte de Tupaia constitue l’un des artéfacts les plus célèbres et les plus énigmatiques à émerger des toutes premières rencontres entre Européens et îliens du Pacifique. Elle a été élaborée entre août 1769 et février 1770 par Tupaia, prêtre ’arioi, conseiller royal et maître de navigation originaire de Ra’iātea, aux Îles Sous-le-Vent de la Société. En collaboration avec divers membres d’équipage de l’Endeavour de James Cook, en deux temps distincts de cartographie et trois ébauches. L’identité de bien des îles qui y figurent et la logique de leur agencement demeuraient jusqu’à présent des énigmes. En se fiant en partie à des pièces d’archives restées ignorées, nous proposons, dans ce long essai, une nouvelle compréhension de sa logique cartographique, une reconstitution détaillée de sa genèse et donc, pour la toute première fois, une lecture exhaustive. La carte de Tupaia n’illustre pas seulement la magnitude et la maîtrise de la navigation polynésienne, elle réalise aussi une remarquable synthèse représentationnelle de deux systèmes d’orientation très différents. Y1 - 2019 SN - 2605-8375 VL - Mai/Août 2019 IS - 348 SP - 7 EP - 152 PB - Société des études océaniennes CY - Tahiti ER - TY - GEN A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - Postcolonial piracy BT - Media distribution and cultural production in the global south T2 - Theory for a global age N2 - Across the global South, new media technologies have brought about new forms of cultural production, distribution and reception. The spread of cassette recorders in the 1970s; the introduction of analogue and digital video formats in the 80s and 90s; the pervasive availability of recycled computer hardware; the global dissemination of the internet and mobile phones in the new millennium: all these have revolutionised the access of previously marginalised populations to the cultural flows of global modernity. Yet this access also engenders a pirate occupation of the modern: it ducks and deranges the globalised designs of property, capitalism and personhood set by the North. Positioning itself against Eurocentric critiques by corporate lobbies, libertarian readings or classical Marxist interventions, this volume offers a profound postcolonial revaluation of the social, epistemic and aesthetic workings of piracy. It projects how postcolonial piracy persistently negotiates different trajectories of property and self at the crossroads of the global and the local. T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 89 Y1 - 2014 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-72189 ER - TY - GEN A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - Luhmann in the Contact Zone BT - zur Theorie einer transkulturellen Moderne T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 90 Y1 - 2014 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85488 SP - 107 EP - 124 ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - The Parody of "Parody as Cultural Memory" in Richard Powers" Galatea 2.2 : a response to Anca Rosu Y1 - 2003 ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - The adventures of William Bloke, or : romanticism today and how it got here Y1 - 2009 ER - TY - JOUR A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - On dancing about architecture : words and music between cultural practise and transcendence Y1 - 2006 ER - TY - GEN A1 - Eckstein, Lars A1 - Reinfandt, Christoph T1 - The cultural validity of music in contemporary fiction T2 - Special Issues of Zeitschrift für Anglistik und Amerikanistik (ZAA) Y1 - 2006 SN - 3-8260-3365-5 VL - 54.2006,1 PB - Königshausen u. Neumann CY - Würzburg ER - TY - INPR A1 - Eckstein, Lars A1 - Reindfandt, Christoph T1 - Luhmann in da Contact Zone BT - Towards a Postcolonial Critique of Sociological Systems Theory N2 - Our aim in this contribution is to productively engage with the abstractions and complexities of Luhmann’s conceptions of society from a postcolonial perspective, with a particular focus on the explanatory powers of his sociological systems theory when it leaves the realms of Europe and ventures to describe regions of the global South. In view of its more recent global reception beyond Europe, our aim is to thus – following the lead of Dipesh Chakrabarty – provincialize Luhmann’s system theory especially with regard to its underlying assumptions about a global “world society”. For these purposes, we intend to revisit Luhmann in the post/colonial contact zone: We wish to reread Luhmann in the context of spaces of transcultural encounter where “global designs and local histories” (Mignolo), where inclusion into and exclusion from “world society” (Luhmann) clash and interact in intricate ways. The title of our contribution, ‘Luhmann in da Contact Zone’ is deliberately ambiguous: On the one hand, we of course use ‘Luhmann’ metonymically, as representative of a highly complex theoretical design. We shall cursorily outline this design with a special focus on the notion of a singular, modern “world society”, only to confront it with the epistemic challenges of the contact zone. On the other hand, this critique will also involve the close observation of Niklas Luhman as a human observer (a category which within the logic of systems theory actually does not exist) who increasingly transpires in his late writings on exclusion in the global South. By following this dual strategy, we wish to trace an increasing fracture between one Luhmann and the other, between abstract theoretical design and personalized testimony. It is by exploring and measuring this fracture that we hope to eventually be able to map out the potential of a possibly more productive encounter between systems theory and specific strands of postcolonial theory for a pluritopic reading of global modernity. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103298 ER - TY - JOUR A1 - Eckstein, Lars A1 - Peitsch, Helmut A1 - Schwarz, Anja T1 - Tusitalas Wandlungen BT - Spuren Robert Louis Stevensons in deutscher Literatur über Samoa JF - Pazifikismus : Poetiken des Stillen Ozeans Y1 - 2017 SN - 978-3-8260-6169-1 SP - 443 EP - 460 PB - Königshausen & Neumann CY - Würzburg ER - TY - JOUR A1 - Eckstein, Lars A1 - Lutz, Andrea T1 - Literary missions and global ethic Y1 - 2001 SN - 3-86057-741-7 ER - TY - JOUR A1 - Eckstein, Lars A1 - Leypoldt, Günter T1 - T.S. Eliot and the transcultural sublime Y1 - 2007 SN - 978-3-88476-976-8 ER - TY - JOUR A1 - Eckstein, Lars A1 - Krämer, Lucia T1 - Introduction : postcolonial media cultures Y1 - 2011 SN - 978-3- 86821-332-4 ER - TY - JOUR A1 - Eckstein, Lars A1 - Korte, Barbara A1 - Pirker, Ulrike A1 - Reinfandt, Christoph T1 - A divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millenium Y1 - 2008 SN - 978-90-420-2497-7 ER - TY - BOOK A1 - Eckstein, Lars A1 - Korte, Barbara A1 - Pinker, Ulrike A1 - Reinfandt, Christoph T1 - Multi-ethnic Britain 2000+ : new perspectives in literature, film and the arts T3 - Internationale Forschungen zur allgemeinen und vergleichenden Literaturwissenschaft Y1 - 2008 SN - 978-90-420-2497-7 VL - 121 PB - Rodopi CY - Amsterdam, New York ER - TY - INPR A1 - Eckstein, Lars A1 - Hurley, Andrew Wright T1 - German-Australian Colonial Entanglements BT - On German Settler Colonialism, the Wavering Interests of Exploration, Science, Mission and Migration, and the Contestations of Travelling Memory N2 - Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation. Y1 - 2020 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-444490 ER - TY - JOUR A1 - Eckstein, Lars A1 - Hurley, Andrew T1 - German-Australian Colonial Entanglements BT - On German Settler Colonialism, the Wavering Interests of Exploration, Science, Mission and Migration, and the Contestations of Travelling Memory JF - Remembering German-Australian colonial entanglements N2 - Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation. Y1 - 2020 SN - 978-0-367-42159-5 SP - 1 EP - 21 PB - Routledge CY - London ER - TY - BOOK A1 - Eckstein, Lars A1 - Dengel-Janic, Ellen T1 - Bridehood revisited : disarming concepts of gender and culture in recent asian british film Y1 - 2008 SN - 978-90-420-2497-7 ER - TY - INPR A1 - Eckstein, Lars A1 - Dengel-Janic, Ellen T1 - Bridehood revisited BT - disarming concepts of gender and culture in recent Asian British film Y1 - 2008 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85555 ER - TY - BOOK A1 - Eckstein, Lars A1 - Bartels, Anke A1 - Waller, Nicole A1 - Wiemann, Dirk T1 - Postcolonial Literatures in English: An Introduction N2 - Postcoloniale Literatur bezeichnet die nationalen anglophonen Literaturen in den Amerikas, Asien, Afrika und Ozeanien (zeitweise auch New English Literatures genannt). Eine Darstellung nach Regionen ist wegen der migrantischen Bewegungen der Autor/innen allerdings nicht zu leisten. Daher behandelt der Band die zentralen Themen der postkolonialen Debatte, die jeweils Autor/innen aus verschiedenen Regionen betreffen. Y1 - 2019 SN - 978-3-476-02674-3 PB - Metzler CY - Berlin ER - TY - GEN A1 - Eckstein, Lars T1 - Recollecting bones BT - the remains of German-Australian colonial entanglements T2 - Postcolonial Studies N2 - This article critically engages with the different politics of memory involved in debates over the restitution of Indigenous Australian ancestral remains stolen by colonial actors in the nineteenth and early twentieth centuries and brought to Berlin in the name of science. The debates crystallise how deeply divided German scientific discourses still are over the question of whether the historical and moral obligations of colonial injustice should be accepted or whether researchers should continue to profess scientific disinterest'. The debates also reveal an almost unanimous disavowal of Indigenous Australian knowledges and mnemonic conceptions across all camps. The bitter ironies of this disavowal become evident when Indigenous Australian quests for the remains of their ancestral dead lost in the limbo of German scientific collections are juxtaposed with white Australian (fictional) quests for the remains of Ludwig Leichhardt, lost in the Australian interior. T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 147 KW - memory KW - ancestral remains KW - museums and anthropological collections KW - restorative justice KW - indigenous knowledge KW - Ludwig Leichhardt Y1 - 2018 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-413654 ER - TY - JOUR A1 - Eckstein, Lars T1 - V.S. Reid Y1 - 2004 SN - 3-520-83804-4 ER - TY - JOUR A1 - Eckstein, Lars T1 - Wilson Harris Y1 - 2004 SN - 3-520-83804-4 ER - TY - INPR A1 - Eckstein, Lars T1 - Performing jazz, defying essence BT - music as a metaphor of being in Jackie Kay’s trumpet Y1 - 2006 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85574 ER - TY - INPR A1 - Eckstein, Lars T1 - Monk Lewis’s Timour the Tartar, grand romantic orientalism and imperial melancholy Y1 - 2013 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85503 ER - TY - INPR A1 - Eckstein, Lars T1 - Politics of passion and the production of human illegality Y1 - 2013 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85512 ER - TY - INPR A1 - Eckstein, Lars T1 - Think local sell global BT - magical realism, The Whale Rider and the market Y1 - 2010 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85537 ER - TY - INPR A1 - Eckstein, Lars T1 - Filming illegals BT - clandestine translocation and the representation of bare life Y1 - 2013 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85491 ER - TY - INPR A1 - Eckstein, Lars T1 - ‘We’re destroyed if we mix. And we’re destroyed if we don’t’ BT - indigeneity in the modern World system and the politics of Tricksterese in Pauline Melville’s The Ventriloquist’s Tale Y1 - 2012 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85529 ER - TY - INPR A1 - Eckstein, Lars T1 - Transatlantic slavery and the literary imagination Y1 - 2009 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85548 ER - TY - INPR A1 - Eckstein, Lars T1 - Recollecting Bones BT - The Remains of German-Australian Colonial Entanglements N2 - In the same “guarded, roundabout and reticent way” which Lindsay Barrett invokes for Australian conversations about imperial injustice, Germans, too, must begin to more systematically explore, in Paul Gilroy’s words, “the connections and the differences between anti-semitism and anti-black and other racisms and asses[s] the issues that arise when it can no longer be denied that they interacted over a long time in what might be seen as Fascism’s intellectual, ethical and scientific pre-history” (Gilroy 1996: 26). In the meantime, we need to care for the dead. We need to return them, first, from the status of scientific objects to the status of ancestral human beings, and then progressively, and proactively, as close as possible to the care of those communities from whom they were stolen. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103278 ER - TY - GEN A1 - Eckstein, Lars T1 - Sound matters BT - postcolonial critique for a viral age T2 - Postprints der Universität Potsdam : Philosophische Reihe N2 - This essay proposes a reorientation in postcolonial studies that takes account of the transcultural realities of the viral twenty-first century. This reorientation entails close attention to actual performances, their specific medial embeddedness, and their entanglement in concrete formal or informal material conditions. It suggests that rather than a focus on print and writing favoured by theories in the wake of the linguistic turn, performed lyrics and sounds may be better suited to guide the conceptual work. Accordingly, the essay chooses a classic of early twentieth-century digital music – M.I.A.’s 2003/2005 single “Galang” – as its guiding example. It ultimately leads up to a reflection on what Ravi Sundaram coined as “pirate modernity,” which challenges us to rethink notions of artistic authorship and authority, hegemony and subversion, culture and theory in the postcolonial world of today. T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 119 KW - Sound KW - M.I.A KW - Galang KW - music KW - postcolonial critique KW - transculturality KW - pirate modernity KW - Great Britain KW - South asian diaspora Y1 - 2016 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-98393 SN - 1866-8380 IS - 119 ER - TY - INPR A1 - Eckstein, Lars T1 - Reflections of Lusáni Cissé BT - Imperial Images and Sentient Critique N2 - On the last sunny October weekend in 2015 I decided to cycle from my home in Berlin to the small town of Wünsdorf some 40 kilometres south of the city. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103196 ER - TY - INPR A1 - Eckstein, Lars T1 - Belonging in music and the music of unbelonging in Richard Powers’s The Time of Our Singing Y1 - 2005 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-85584 ER - TY - GEN A1 - Eckstein, Lars T1 - The pitfalls of picturing atlantic slavery : Steven Spielbergs Amistad vs. Guy Deslauriers's Middle Passage T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 84 Y1 - 2008 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-59422 ER - TY - GEN A1 - Eckstein, Lars T1 - Transatlantic slavery and the literary imagination N2 - Transatlantic slavery and the literary imagination The challenges of turning transatlantic slavery into literature A polyphony of historical voices: Caryl Phillips’s dialogic imagination Literary imagination and the Zong Massacre: Fred D’Aguiar and David Dabydeen Perspectives T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 81 Y1 - 2009 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-59201 ER - TY - GEN A1 - Eckstein, Lars T1 - M.I.A.’s “Born Free” and the ambivalent politics of authenticity and provocation T3 - Zweitveröffentlichungen der Universität Potsdam : Philosophische Reihe - 83 Y1 - 2010 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-59236 ER - TY - JOUR A1 - Eckstein, Lars T1 - Gegen den Strich : Shakespeares Caliban und das exotische Imaginäre in der britischen Malerei des 18. und 19. Jahrhunderts Y1 - 2011 SN - 978-3-89971-877-5 ER - TY - JOUR A1 - Eckstein, Lars T1 - Ripple, G., Beschreibungs-Kunst: zur intermedialen Poetik angloamerikanischer Ikontexte (1880-2000); München, Fink, 2005 BT - Beschreibungs-Kunst: zur intermedialen Poetik angloamerikanischer Ikontexte (1880-2000) Y1 - 2007 ER - TY - INPR A1 - Eckstein, Lars T1 - Postcolonial Piracy N2 - Media piracy is a contested term in the academic as much as the public debate. It is used by the corporate industries as a synonym for the theft of protected media content with disastrous economic consequences. It is celebrated by technophile elites as an expression of freedom that ensures creativity as much as free market competition. Marxist critics and activists promote flapiracy as a subversive practice that undermines the capitalist world system and its structural injustices. Artists and entrepreneurs across the globe curse it as a threat to their existence, while many use pirate infrastructures and networks fundamentally for the production and dissemination of their art. For large sections of the population across the global South, piracy is simply the only means of accessing the medial flows of a progressively globalising planet. Y1 - 2017 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-103307 ER -