TY - CHAP A1 - Kügler, Frank T1 - Tone and intonation in Akan T2 - Intonation in African Tone Languages N2 - This chapter provides an account of the intonation patterns in Akan (Kwa, Niger-Congo). Tonal processes such as downstep, tonal spreading and tonal replacement influence the surface tone pattern of a sentence. In general, any Akan utterance independent of sentence type shows a characteristic down-trend in pitch. This chapter proposes that Akan employs a simple post-lexical tonal grammar that accounts for the shapes of an intonation contour. The unmarked post-lexical structure is found in simple declaratives. The downward trend of an intonation contour is shaped by local tonal interactions (downstep), and sentence-final tonal neutralization. In polar questions, an iota-phrase-final low boundary tone (L%) accounts for the intensity increase and lengthening of the final vowel compared to a declarative. Complex declaratives and left-dislocations show a partial pitch reset at the left edge of an embedded iota-phrase. Underlying lexical tones are not affected by intonation with the exception of sentence-final H-tones. KW - downstep KW - low boundary tone KW - polar question KW - constituent question KW - imperative KW - complex declarative KW - Akan KW - pitch register reset KW - prosodic phrasing KW - tonal neutralization KW - avoidance KW - lax question prosody Y1 - 2017 SN - 978-3-11-050352-4; 978-3-11-048479-3 U6 - https://doi.org/10.1515/9783110503524-004 SN - 1861-4191 VL - 24 SP - 89 EP - 129 PB - De Gruyter Mouton CY - Berlin ER - TY - JOUR A1 - Kuegler, Frank A1 - Fery, Caroline T1 - Postfocal Downstep in German JF - Language and speech N2 - This article is a follow-up study of Fery and Kugler (2008. Pitch accent scaling on given, new and focused constituents in German. Journal of Phonetics, 36, 680-703). It reports on an experiment of the F0 height of potential pitch accents in the postfocal region of German sentences and addresses in this way an aspect of the influence of information structure on the intonation of sentences that was left open in the previous article. The results of the experiment showed that, when several constituents are located in this position, they are often in a downstep relation, but are rarely upstepped. In 37% of the cases, the pitch accents are only realized dynamically and there is no down- or upstepping. We interpret these results as evidence that postfocal constituents are phrased independently. The data examined speak against a model of postfocal intonation in which postfocal phrasing is eliminated and all accents are reduced to zero. Instead, the pitch accents are often present, although reduced. Moreover, the facts support the existence of prosodic phrasing of the postfocal constituents; the postfocal position implies an extremely compressed register, but no dephrasing or systematic complete deaccentuation of all pitch accents. We propose adopting a model of German intonation in which prosodic phrasing is determined by syntactic structure and cannot be changed by information structure. The role of information structure in prosody is limited to changes in the register relationship of the different parts of the sentence. Prefocally, there is no or only little register compression because of givenness. Postfocally, register compression is the rule. A model of intonation must take this asymmetry into account. KW - German intonation KW - postfocal givenness KW - downstep KW - pitch register KW - postfocal compression Y1 - 2017 U6 - https://doi.org/10.1177/0023830916647204 SN - 0023-8309 SN - 1756-6053 VL - 60 SP - 260 EP - 288 PB - Sage Publ. CY - London ER -