TY  - JOUR
A1  - Kunow, Rüdiger
T1  - The coming of age : the descriptive organization of later life
Y1  - 2009
SN  - 978-3-8253-1260-2
ER  - 
TY  - THES
A1  - Havemann-Sendker, Anna
T1  - Swinging the doors wide open : women artists securing their place at the Pennsylvania Academy of the fine arts in the course of the nineteenth century
Y1  - 2009
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
A1  - Reinfandt, Christoph
T1  - The adventures of William Bloke, or : romanticism today and how it got here
Y1  - 2009
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - "Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores
Y1  - 2009
SN  - 978-3-86821-141-2
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting
Y1  - 2009
SN  - 978-3-86821-194-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Witi Ihimaera, The Whale Rider
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Alan Duff Once Were Warriors
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Maurice Duggan
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Alan Duff
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - JOUR
A1  - Eckstein, Lars
T1  - Maurice Duggan Summer in the Gravel Pit
Y1  - 2009
SN  - 978-3- 476-04000-8
ER  - 
TY  - JOUR
A1  - Barth-Weingarten, Dagmar
T1  - Contrasting and turn transition : prosodic projection with parallel-opposition constructions
N2  - The parallel-opposition construction has not yet been widely described as an independent construction type. This article reports on its realization in everyday British-English conversation. In particular, it focusses on prosodic projection in the lexically and syntactically unmarked first component of this syntactic pattern, and thus adds to the body of research investigating the organization of turn-taking in the context of bi-clausal constructions with which the first part lacks explicit lexical hint, to their continuation. It is shown that the parallel-opposition construction, next to specific semantic-pragmatic, syntactic and lexical features, also exhibits a relatively fixed range of prosodic features in the first conjunct, among these narrow focus, continuing intonation and/or the avoidance of intonation-unit boundary signals. These are used to project continuation of an otherwise complete utterance and, thus, to secure the floor for the expression of contrast. In addition, the detailed analysis of apparently deviant cases, which takes into account the on-line production of syntax, shows that a lack of prosodically projective features in the first component of the parallel-opposition construction can be explained by the strategic, retrospective use of the construction to resolve problems in turn transition.
Y1  - 2009
UR  - http://www.sciencedirect.com/science/journal/03782166
U6  - https://doi.org/10.1016/j.pragma.2009.03.007
SN  - 0378-2166
ER  - 
TY  - BOOK
ED  - Eckstein, Lars
ED  - Reinfandt, Christoph
T1  - Romanticism today : selected papers from the Tübingen conference of the German Society for English Romanticism
T3  - Studien zur englischen Romantik
Y1  - 2009
SN  - 978-3-86821-147-4
VL  - N.F., 6
PB  - WVT Wiss. Verl. Trier
CY  - Trier
ER  - 
TY  - BOOK
ED  - Eckstein, Lars
ED  - Reinfandt, Christoph
T1  - Proceedings / Anglistentag 2008 Tübingen
T3  - Verband Deutscher Anglisten : Proceedings of the conference of teh German Association of University Teachers o
Y1  - 2009
SN  - 978-3-86821-179-5
PB  - WVT Wiss. Verl. Trier
CY  - Trier
ER  - 
TY  - BOOK
ED  - Kunow, Rüdiger
ED  - Hornung, Alfred
T1  - Representation and Decoration in a postmoderne age
T3  - American studies
Y1  - 2009
SN  - 978-3-8253-1260-2
VL  - 94
PB  - Winter
CY  - Heidelberg
ER  -