TY - JOUR A1 - Avalli, Andrea ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Review of Dario Barbera: Processo al Classico. L’epurazione dell’archeologia fascista BT - ETS (Pisa 2022) (= Studi di archeologia e storia del mondo antico e medievale), 264 pp. ISBN: 9788846762191, € 25 JF - thersites 16 Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.233 SN - 2364-7612 VL - 2023 IS - 16 SP - 168 EP - 172 ER - TY - JOUR A1 - Beck, Christian ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Review of Hamish Williams: Tolkien and the Classical World BT - Walking Tree Publishers (Zurich/Jena 2021) (= Cormarë Series No. 45), 414 pp . ISBN: 978-3-905703-45-0, 44 € JF - thersites 15 Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.230 SN - 2364-7612 VL - 2022 IS - 15 SP - 314 EP - 320 ER - TY - JOUR A1 - Berg, Holger T1 - Military Occupation under the Eyes of the Lord BT - Studies in Erfurt during the Thirty Years War JF - Militär und Gesellschaft in der frühen Neuzeit Y1 - 2008 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-21318 SN - 1861-910X SN - 1617-9722 VL - 12 IS - 1 SP - 53 EP - 57 ER - TY - JOUR A1 - Bièvre-Perrin, Fabien ED - Bièvre-Perrin, Fabien ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - “Everything is a copy of a copy of a copy” BT - Preface JF - thersites 13: Antiquipop – Chefs d’œuvres revisités N2 - A quote from Fight Club (Chuck Palahniuk, 1996) may seem unusual for a Classicist. Nevertheless, this famous sentence summarises the contents of this special issue of thersites perfectly. As specialists in classical reception frequently witness, there is a sort of déjà-vu effect when it comes to the presence of Antiquity within popular culture. In 2019, to try to better understand the phenomenon, Antiquipop invited researchers to take an interest in the construction and semantic path of these “masterpieces” in contemporary popular culture, with a particular focus on the 21st century. Y1 - 2021 U6 - https://doi.org/10.34679/thersites.vol13.191 SN - 2364-7612 VL - 2021 IS - 13 SP - i EP - v ER - TY - JOUR A1 - Brilke, Clara A1 - Werner, Eva ED - Rollinger, Christian T1 - I am not sure that I feel like singing, thanks very much for asking! BT - Interview with Natalie Haynes JF - thersites 12 N2 - In her writings on ancient myth, the British author Natalie Haynes moves women to the centre of attention. Her two latest books, A Thousand Ships and Pandora’s Jar – a fiction novel and a non-fiction one – approach this topic from two different perspectives. This interview takes stock of Haynes’ motives and methodology as well as of the challenges she faces in the process of writing. KW - Women in Ancient Myth KW - Classical Reception KW - Classics in Popular Culture Y1 - 2021 U6 - https://doi.org/10.34679/thersites.vol12.189 SN - 2364-7612 VL - 2020 IS - 12 SP - 104 EP - 115 ER - TY - JOUR A1 - Capra, Elena Sofia ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - "Orfeo out of Care" BT - The Reception of the Classical Myth of Orpheus from Sir Orfeo to Tolkien JF - thersites 15 N2 - The paper focuses on an example of multiple-step reception: the contribution of the classical story of Orpheus and Eurydice and the mediaeval lay Sir Orfeo to Tolkien’s work. In the first part, I compare the lay with Virgilian and Ovidian versions of Orpheus’ myth. This comparison shows the anonymous author’s deep knowledge of the ancient texts and complex way of rewriting them through stealing and hybridization. The lay was highly esteemed by Tolkien, who translated it and took inspiration from it while describing the Elven kingdom in The Hobbit and building the storyline of Beren and Lúthien in The Silmarillion. Through this key tale, Orpheus/Orfeo’s romance has a deep influence also on Aragorn and Arwen’s story in The Lord of the Rings. The most important element that Tolkien takes from the Sir Orfeo figuration of the ancient story is undoubtedly the insertion of political theme: the link established between the recovery of the main character’s beloved and the return to royal responsability. The second part of the paper is, thus, dedicated to the reception of Sir Orfeo and the classical myth in Tolkien. It shows how in his work the different steps of the tradition of Orpheus’ story are co-present, creating an inextricable substrate of inspiration that nourishes his imagination. KW - Orpheus and Eurydice KW - Sir Orfeo KW - reception KW - Tolkien KW - Beren and Lúthien Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.209 SN - 2364-7612 VL - 2022 IS - 15 SP - 52 EP - 89 ER - TY - JOUR A1 - Chinn, Christopher A1 - Thompson, Phoebe ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Tolkien’s Ithilien and the Landscape of the Ancient Mediterranean JF - thersites 15 N2 - This paper examines the intertext between Tolkien’s Ithilien episode in Two Towers and artistic presentations of plants in the art and literature of Augustan Rome. We argue that the evident ‘superbloom’ depicted in the ekphrasis of the flora of Ithilien recalls both Vergilian botanical adynata (especially in the Georgics) and Roman wall paintings of the Augustan period. KW - Tolkien KW - Vergil KW - ecocriticism KW - Ithilien KW - flora Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.211 SN - 2364-7612 VL - 2022 IS - 15 SP - 163 EP - 203 ER - TY - JOUR A1 - Colbert, Vivian ED - Rollinger, Christian T1 - Queen Zenobia’s ‘Campaign’ for British Women’s Suffrage JF - thersites 12 N2 - This article focuses on the feminist reception of Zenobia of Palmyra in Great Britain during the long nineteenth century and the early twentieth century. A special focus lies on her reception by the British suffragettes who belonged to the Women’s Social and Political Union. Even though Zenobia’s story did not end happily, the warrior queen’s example served to inspire these early feminists. Several products of historical culture – such as books, pieces of art, newspaper articles and theatre plays – provide insight into the reception of her as an historical figure, which is dominated by the image of a strong and courageous woman. The article will shed light on how exactly Zenobia’s example was instrumentalised throughout the first feminist movement in Britain. KW - Zenobia KW - reception studies KW - British suffrage movement KW - nineteenth century KW - feminism Y1 - 2021 U6 - https://doi.org/0.34679/thersites.vol12.186 SN - 2364-7612 VL - 2020 IS - 12 SP - 71 EP - 94 ER - TY - JOUR A1 - Collstedt, Christopher T1 - The morality tale of a duellist BT - narratives of duelling in early modern Swedish courts : the duel in Stralsund 1712 JF - Militär und Gesellschaft in der Frühen Neuzeit Y1 - 2008 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-27409 SN - 1617-9722 SN - 1861-910X VL - 12 IS - 2 SP - 153 EP - 173 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Cristini, Marco ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - The Fall of Two Cities: Troy and Gondolin JF - thersites 15 N2 - Vergil was a fundamental source of inspiration for Tolkien, not only when writing the Lord of the Rings, but also at the beginning of his “world-building”. The Fall of Gondolin, written in 1916, was modeled upon the Aeneid, whose second book shares many similarities with the description of Gondolin’s last day. For instance, the attack that seals the fate of the city takes place during a feast in both works, whereas both protagonists (Aeneas and Tuor) leave wives and sons to fight the enemy and witness deaths of their kings (Priam/Turgon). Other analogies include the topos of the fall of the tallest tower of the city as well as the scenes of Creusa/Idril clasping the knees of her husband and begging him not to go back to the battle. Tolkien chose the Aeneid as his main model because, in his opinion, the Aeneid and The Fall of Gondolin evoked the air of antiquity and melancholy. Vergil’s nostalgia for a “lost world” conveyed in the Aeneid greatly resembles the nostalgia pervading both Tolkien’s writing and life. KW - Tolkien KW - reception of Vergil KW - Aeneid KW - Troy KW - Gondolin Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.200 VL - 2022 IS - 15 SP - 1 EP - 24 ER - TY - JOUR A1 - Cromwell, Jennifer ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - From Pyramids to Obscure Gods BT - The Creation of an Egyptian World in Persona 5 JF - thersites 14 N2 - Within Persona 5’s modern Tokyo setting, imagined worlds are created that represent the cognitive processes of various characters. These ‘palaces’ allow the player to explore locations far removed from the game’s real-world, contemporary backdrop. One episode creates an ancient Egyptian world. This article examines how this world has been produced and the different transmedial tropes and other influences that its developers have drawn upon. Many references are recognisable to a broad audience (pyramids, gods, hieroglyphs), while others reflect Japanese pop-cultural trends (in various manga and anime), including the mention of an obscure Egyptian god, Medjed. The intentionally fictitious nature of these ‘palaces’ means that the Egypt that appears in this game is not bound by the need to replicate an ‘accurate’ landscape. Instead, the developers were free to design a gamescape that combines multiple and diverse receptions of ancient Egypt. KW - Egypt KW - videogames KW - Persona 5 KW - pyramids KW - gods Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol14.199 SN - 2364-7612 VL - 2022 IS - 14 SP - 1 EP - 40 ER - TY - JOUR A1 - Di Rocco, Emilia ED - Ambühl, Annemarie T1 - Review of Silvio Bär & Emily Hauser (eds.), Reading Poetry, Writing Genre. English Poetry and Literary Criticism in Dialogue with Classical Scholarship BT - Bloomsbury Academic (London & New York 2019) (Bloomsbury Studies in Classical Reception), xii & 256 p. ISBN: 978-1-350-03932-2, $ 102.60 (hb) JF - PaRDeS : Zeitschrift der Vereinigung für Jüdische Studien = Transformative Translations in Jewish History and Culture Y1 - 2020 U6 - https://doi.org/10.34679/thersites.vol11.183 SN - 2364-7612 VL - 2020 IS - 11 SP - 370 EP - 378 ER - TY - JOUR A1 - Foster, Frances ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Gods and Magic in Megan Whalen Turner’s The Thief JF - thersites 17 N2 - Megan Whalen Turner’s series The Queen’s Thief (1996 – 2020) centres on the political intrigues in a group of countries which are at once very like – but also very unlike – Bronze Age and archaic Greece threatened by a powerful Persian Empire. The first book in the series, The Thief (1996), begins as a political adventure haunted by stories of the gods. When those gods directly influence the action, the narrative changes from present political intrigue to a fantasy from the distant past. The mythology in The Thief reflects, imitates and distorts archaic Greek creation myths – stories about how the earth and sky were formed, the divine pantheon and heroes. I examine the presentation of this divine pantheon against the narratives about the gods in Hesiod, the Homeric hymns and Homer’s epics. I evaluate how the supernatural element interacts with the largely political narrative of The Thief. In so doing, I explore how the text blends a ‘classical supernatural’ with a world that is like – but in many ways very unlike – Bronze Age and archaic Greece. KW - Greek gods KW - Mythology KW - Young Adult literature KW - Fantasy KW - Magic Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.242 SN - 2364-7612 VL - 2023 IS - 17 SP - 32 EP - 54 ER - TY - JOUR A1 - Glozier, Matthew T1 - William of Orange and the reception of Huguenot Soldiers in the Netherlands and Great Britain 1685-1688 JF - Militär und Gesellschaft in der frühen Neuzeit Y1 - 2005 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-20748 SN - 1861-910X SN - 1617-9722 VL - 9 IS - 2 SP - 133 EP - 145 ER - TY - JOUR A1 - Grewing, Farouk F. ED - Ambühl, Annemarie T1 - A Saturnalian poet as a literary critic BT - the carnivalesque poetics of Martial’s Apophoreta 183-196 JF - thersites = tessellae – Birthday Issue for Christine Walde N2 - This paper analyzes a specific section of Martial’s Apophoreta (Book 14), the ‘list’ of fourteen literary works that the poet-persona suggests to the reader as potentially suitable presents to give to friends on the occasion of the Saturnalia. It focuses strictly on the literary aspects of the poems and their underlying carnivalesque poetics. This includes an assessment of the logic of the poems’ arrangement and alleged inconsistencies. It is suggested that the section be read as a complex statement of Martial’s on various works and genres of Greek and Roman literature. The last couplet of the section (14.196), a certain Calvus’ work ‘On the use of cold water’ (De aquae frigidae usu), which is unidentifiable, receives particular attention, for previous scholarship has wasted a lot of ink on guessing what kind of work this may have been, thereby losing touch with the rich (meta-)poetics the couplet actually conveys. KW - Martial KW - epigram KW - Saturnalia KW - poetics KW - Apophoreta Y1 - 2020 U6 - https://doi.org/10.34679/thersites.vol11.170 SN - 2364-7612 VL - 2020 IS - 11 SP - 176 EP - 204 ER - TY - JOUR A1 - Heinemann, Matthias ED - Ambühl, Annemarie T1 - Review of Eran Almagor and Lisa Maurice (eds.), The Reception of Ancient Virtues and Vices in Modern Popular Culture. Beauty, Bravery, Blood and Glory BT - Brill (Leiden/Boston 2017) (= Metaforms 11), XIV + 424 pp., 32 mostly color illustrations. ISBN: 9789004347724, € 149.00 (hb, also available as e-book) JF - PaRDeS : Zeitschrift der Vereinigung für Jüdische Studien = Transformative Translations in Jewish History and Culture Y1 - 2020 U6 - https://doi.org/0.34679/thersites.vol11.111 SN - 2364-7612 VL - 2020 IS - 11 SP - 392 EP - 400 ER - TY - JOUR A1 - Kambo, Kevin ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Platonic Tripartition and the Peoples of Middle-Earth JF - thersites 15 N2 - Tolkien’s The Hobbit and The Lord of the Rings employ traditional races from fairy tales: elves, men and dwarves. These peoples are differentiated principally by their dominant desires, but also by their speech, diet, and realms. I argue that these three races are significantly inspired by the three aspects that characterize the Republic’s tripartite soul—logistikon, thumoeides, and epithumetikon—along with their respective principal desires: desire for truth, greatness, and material goods. For Tolkien, therefore, these races have a corporate or political psychology that explains who they are as peoples in the history of Middle-earth. I offer a comprehensive view of the major races, connecting the dwarves with the appetitive artisans of the Republic, humans with the honour- and glory-seeking auxiliaries, and elves with the ruling guardians. This treatment explains the artisanal dwarves, as well as the battle-loving men (and women) of Rohan and Gondor, and the nostalgic, ‘anamnetic’ condition of exile that distinguishes the elves. Indeed, the condition of elves in many descriptions recalls a Platonic philosopher returned to the Cave, as well as the Neo-Platonic sagacity pictured in the biographies of Plotinus and Proclus. KW - Plato KW - Tolkien KW - republic KW - Tripartite KW - race Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.219 SN - 2364-7612 VL - 2022 IS - 15 SP - 90 EP - 122 ER - TY - JOUR A1 - Keen, Tony ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Legolas in Troy BT - The influence of Peter Jackson’s Lord of the Rings movies on cinematic portrayals of ancient Greece and Rome JF - thersites 15 N2 - The Lord of the Rings movies were a cinematic phenomenon, extremely popular. They are not often considered as works of Classical Reception. These films’ influence on subsequent ancient world movies has been understudied, and undervalued. A common model of cinematic Greece and Rome in the twenty-first century looks solely back to Gladiator. Undoubtedly Gladiator, and its commercial success, is important to how ancient world movies developed; but focussing solely on Gladiator does not explain a move away from Roman history towards Greek mythology, culminating in a flurry of movies about Greek mythological heroes. Lord of the Rings is an overlooked factor. Already in Troy two LOTR stars are in key roles, and the battle scenes seek to imitate those of Jackson’s trilogy. 300 mythologizes far beyond Frank Miller’s graphic novel, adding several monsters; LOTR’s influence is at play here. LOTR’s influence was one factor in a complex process that saw ancient world movies change in the twentyfirst century. LOTR fed into an atmosphere that moved ancient world movies towards Greece, away from Rome, through promoting the appeal of a combination of epic and the fantastic. KW - classical movies KW - Lord of the Rings KW - classical reception KW - Peter Jackson KW - fantasy movies Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.223 SN - 2364-7612 VL - 2022 IS - 15 SP - 285 EP - 313 ER - TY - JOUR A1 - Klooster, Jacqueline ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian T1 - Review of Sophia Xenophontos and Katerina Oikonomopoulou: Brill’s Companion to the Reception of Plutarch BT - Brill (Leiden 2019) (= Brill’s Companions to Classical Reception 20), 693 pages, 2 figures. ISBN: 978-90-04-28040-3, € 198 JF - thersites 14 Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol14.197 SN - 2364-7612 VL - 2022 IS - 14 SP - 160 EP - 167 ER - TY - JOUR A1 - Krebs, Daniel T1 - "War in an Age of Revolution: The Wars of American Independence and the French Revolution, 1775-1815" BT - (10. bis 12. März 2005 am Deutschen Historischen Institut, Washington D.C.) JF - Militär und Gesellschaft in der frühen Neuzeit Y1 - 2005 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus-20791 SN - 1861-910X SN - 1617-9722 VL - 9 IS - 2 SP - 192 EP - 195 ER -