TY - JOUR A1 - Kraft, Tobias A1 - Päßler, Ulrich ED - Ette, Ottmar ED - Knobloch, Eberhard T1 - Das Ganze erfassen BT - dem Alexander-von-Humboldt-Forscher Eberhard Knobloch zum 80. Geburtstag JF - HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies N2 - Der Wissenschaftshistoriker Eberhard Knobloch beschäftigt sich seit rund zwanzig Jahren mit Leben und Werk Alexander von Humboldts. Er zeigt, dass Humboldts Wissenschaftstheorie vom Naturbild der pythagoreischen Schule inspiriert war, seine wissenschaftliche Methode hingegen dem Vorbild der Himmelsmechanik Laplaces folgte. Humboldt entwickelte aus diesen Quellen ein auf Zahlenverhältnisse und Mittelwerte gegründetes Erkenntnismodell, das wegweisend für die datenbasierten Bio- und Geowissenschaften wurde. Die wechselseitige Verbundenheit der verschiedenen Naturphänomene visualisierte Humboldt in seinem ‚Tableau physique des Andes‘. In mehreren Aufsätzen entschlüsselte Eberhard Knobloch auf anschauliche Weise diesen komplexen Blick ins Ganze der Natur. N2 - The historian of science Eberhard Knobloch has been studying the life and work of Alexander von Humboldt for over twenty years. He has shown that Humboldt’s theory of science was inspired by the Pythagorean School’s view of nature, while his scientific method followed the example of Laplace’s Celestial Mechanics. From these sources, Humboldt developed an epistemological model centered on numerical ratios and averages that led the way for databased life and earth sciences. Humboldt visualized the interconnectedness of the various natural phenomena in his ‘Tableau physique des Andes’. In several essays, Eberhard Knobloch decoded this complex view into the unity of nature in a comprehensible way. N2 - El historiador de la ciencia Eberhard Knobloch lleva unos veinte años estudiando la vida y la obra de Alexander von Humboldt. Ha demostrado que la teoría de la ciencia de Humboldt se inspiraba en la visión de la naturaleza de la Escuela Pitagórica, mientras que su método científico seguía el ejemplo de la Mecánica Celeste de Laplace. A partir de estas fuentes, Humboldt desarrolló un modelo epistemológico centrado en proporciones y promedios numéricos que abrió el camino a las bio- y geociencias basadas en datos. Humboldt visualizó la interconexión de los diversos fenómenos naturales en su “Tableau physique des Andes”. En varios ensayos, Eberhard Knobloch descifró esta compleja visión de la totalidad de la naturaleza de una forma comprensible. KW - Eberhard Knobloch KW - 80. Geburtstag Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-617753 SN - 2568-3543 SN - 1617-5239 VL - XXIV IS - 47 SP - 15 EP - 27 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Knobloch, Eberhard ED - Ette, Ottmar ED - Knobloch, Eberhard T1 - Alexander von Humboldts Naturgemälde der Anden JF - HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies N2 - Redaktionelle Bearbeitung: Ulrich Päßler und Ingo Schwarz Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-617900 SN - 2568-3543 SN - 1617-5239 VL - XXIV IS - 47 SP - 109 EP - 122 ER - TY - JOUR A1 - Kraft, Tobias A1 - Päßler, Ulrich ED - Ette, Ottmar ED - Knobloch, Eberhard T1 - Schriftenverzeichnis: Publikationen von Eberhard Knobloch zu Alexander von Humboldt JF - HiN : Alexander von Humboldt im Netz ; International Review for Humboldtian Studies N2 - Zusammengestellt von Tobias Kraft und Ulrich Päßler. KW - Schriftenverzeichnis KW - Bibliografie KW - Eberhard Knobloch Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-617879 SN - 2568-3543 SN - 1617-5239 VL - XXIV IS - 47 SP - 103 EP - 108 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Sanchez Sanz, Arturo ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - La heráldica amazónica JF - thersites 16 N2 - Nowadays, we know about 4,475 iconographic representations dedicated to the Amazonian universe in Antiquity. Most of them belong to vase painting pieces (3,448). This current work analyze the Amazonian emblems that appear in a high percentage of these representations (725), together with the few examples associated with other artistic supports. In that way, we will study the chosen designs, which of them achieved greater popularity and the possible reasons why some of them were more popular in certain contexts. According to the results, we can discover that the Amazons present a type of emblem very similar to that used by the hoplites who fought against them in the same representation of the Amazonomachy. It is true that we appreciate a greater interest in certain models within a broad group of options that became traditional for Amazonian representations, but the results of this study suggest that the artists freely chose between them. However, his decision could be influenced by aspects such as the predominant trends in each period, the tastes of the export markets or the influence generated by other types of works (mainly paintings, reliefs or sculptures) whose popularity made them models. KW - Amazons KW - gender KW - woman KW - heraldry KW - shields Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.202 SN - 2364-7612 VL - 2023 IS - 16 SP - 1 EP - 82 ER - TY - JOUR A1 - Weiß, Adrian A1 - Werner, Eva ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Geschlechterverhältnisse im Dialog BT - Ein Interview mit Katharina Wesselmann über Die abgetrennte Zunge JF - thersites 16 N2 - Die abgetrennte Zunge by Katharina Wesselmann deals with gender and power relations in ancient literature and beyond. It has received widespread attention, particularly in popular media. In this interview, thersites examines the book from an academic perspective. We talk to Katharina Wesselmann about the reactions to her work, her methodology and her conclusions. The primary focus of this interview is on what ancient texts may tell us about today’s gender issues and vice versa – it, thus, entails a broader discussion about modern Classics. KW - gender studies KW - classical reception KW - classics in popular culture Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.216 SN - 2364-7612 VL - 2023 IS - 16 SP - 128 EP - 138 ER - TY - JOUR A1 - Laudenbach, Benoît ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Sophocle sur Netflix BT - Deux cas récents d’utilisation de la tragédie grecque à l’écran JF - thersites 16 N2 - The paper focuses on two recent occurrences of a Sophoclean drama on screen, Electra in the romantical movie Marriage Story, and Philoctetes in an episode of the mainstream medical series New Amsterdam, both productions currently available on the popular streaming service Netflix. The case studies explore the mechanisms of the use of these dramas and their significance in both productions, showing that they are partly used for their “classical” authority, are deeply integrated within the scenarios, and help to design the narratives, the characters and their (social and personal) relationships. KW - Greek tragedy KW - marriage story KW - New Amsterdam KW - Sophocles’ Electra KW - Sophocles’ Philoctetes Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol16.222 SN - 2364-7612 VL - 2023 IS - 16 SP - 83 EP - 127 ER - TY - JOUR A1 - Skibinski, Connie ED - Potter, Amanda ED - Gardner, Hunter H. T1 - ‘Crazy Man-Killing Monsters’ BT - The Inimical Portrayal of the Amazons in Supernatural’s ‘Slice Girls’ JF - thersites 17 N2 - The Amazons have a long legacy in literature and the visual arts, extending from antiquity to the present day. Prior scholarship tends to treat the Amazons as hostile ‘Other’ figures, embodying the antithesis of Greco-Roman cultural norms. Recently, scholars have begun to examine positive portrayals of Amazons in contemporary media, as role models and heroic figures. However, there is a dearth of scholarship examining the Amazons’ inherently multifaceted nature, and their subsequent polarised reception in popular media. This article builds upon the large body of scholarship on contemporary Amazon narratives, in which the figures of Wonder Woman and Xena, Warrior Princess dominate scholarly discourse. These ‘modern Amazon’ figures epitomise the dominant contemporary trend of portraying Amazons as strong female role models and feminist icons. To highlight the complexity of the Amazon image in contemporary media, this article examines the representation of the Amazons in the Supernatural episode ‘Slice Girls’ (S7 E13, 2012), where their portrayal as hostile, monstrous figures diverges greatly from the positive characterisation of Wonder Woman and Xena. I also consider the show’s engagement with ancient written sources, to examine how the writers draw upon the motifs of ancient Amazon narratives when crafting their unique Amazon characters. By contrasting the Amazons of ‘Slice Girls’ to contemporary figures and ancient narratives, this article examines how factors such as feminist ideology, narrative story arcs, characters’/audience’s perspectives and male bias shape the representation of Amazons post-antiquity. KW - Amazons KW - Warrior women KW - Classical reception KW - Supernatural KW - Monsters Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.240 SN - 2364-7612 VL - 2023 IS - 17 SP - 183 EP - 211 ER - TY - JOUR A1 - Martínez Jiménez, Javier ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Lycaon and classical versipelles in MTV’s Teen Wolf JF - thersites 17 N2 - The modern conception of the werewolf is heavily influenced by Gothic reinterpretations of medieval European stories. This kind of werewolf is the one that has appeared on screen and written fiction for decades, but MTV’s Teen Wolf, a re-boot of the 1980s film which aired between 2011 – 17, is different. In this young adult supernatural drama, werewolves descend directly from Lycaon, and a substantial proportion of the show’s werewolf lore derives from Graeco-Roman stories about wolf-shifters and versipelles. This paper wants to explore the extent of the use in the show of the myth of Lycaon in particular, of Classical versipelles in general, the significance of these two references for the narrative, and the degree of innovation in modern supernatural fiction of this adaptation of Greek and Roman stories. KW - Teen Wolf KW - Werewolves KW - Versipelles KW - Lycaon KW - Television series KW - World-building Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.248 SN - 2364-7612 VL - 2023 IS - 17 SP - 212 EP - 244 ER - TY - JOUR A1 - Maurice, Lisa ED - Potter, Amanda ED - Gardner, Hunter H. T1 - From Olympian to Christ-figure: Lucifer (2016 – 2021) JF - thersites 17 N2 - On the surface the television series Lucifer (2016 – 21) is a simple police procedural but, in actuality, the criminal cases in the show serve merely as window-dressing and structure for the deeper consideration of issues, such as guilt, shame, love, and even the meaning of life on both an individual and universal level. These topics are explored through the ever-developing character of Lucifer himself, who, like other recent anti-hero depictions, is initially presented in a manner that is very different from traditional portrayals of the Devil, and is, in fact, far closer to that of the Greek Olympian gods. Over the course of six seasons, the depiction of Lucifer alters, however, as he becomes a figure that is in many ways Christ-like, but with a 21st century twist that places the individual in an exalted position that is superior to that of divinity. KW - Lucifer KW - Devil KW - Olympians KW - God KW - Christ Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.244 SN - 2364-7612 VL - 2023 IS - 17 SP - 245 EP - 272 ER - TY - JOUR A1 - Potter, Amanda ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Classical Monsters and Hero(ines) in InSEXts, Eros/Psyche and Porcelain JF - thersites 17 N2 - This paper applies Monster Theory to the use of Greek mythology in three creator-owned comic series by female writers: InSEXts (2016 – 2017) by American comic writer Marguerite Bennett and Indonesian artist working in America Ariela Kristantina as well as Eros/Psyche (2021) and Porcelain (2021) by Maria Llovet, a comic writer and artist from Barcelona. In the first volume of InSEXts, set in Victorian London, there are allusions to the Furies and Pandora, linked with the discourse of the repression of women. In the second volume, set in the late nineteenth century Paris art world, the representation of classical subjects in art becomes a means to repress women, and a goddess with a Gorgon-like appearance takes revenge on the male repressors. In Eros/Psyche the story of Eros and Psyche and broken statues forms the backdrop and context for a tale of love and deception at a girls’ school, and in Porcelain a girl is faced with a choice of paths towards Eros or Thanatos, like Herakles at the crossroads choosing between the paths of virtue and vice. With reference to Cohen’s seven theses of Monster Culture I examine how Bennett and Lovett subvert the idea of the monster and the hero. KW - Comics KW - Eros KW - Psyche KW - Pygmalion KW - Medusa Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.247 SN - 2364-7612 VL - 2023 IS - 17 SP - 96 EP - 124 ER - TY - JOUR A1 - Toscano, Margaret Merrill ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Varieties of Supernatural Depictions BT - Classics in Contemporary Media JF - thersites 17 N2 - This article proposes several conceptual frameworks for examining the widespread use of classical intertexts depicting the supernatural in popular media. Whether the supernatural is viewed as reality or simply a trope, it represents the human capacity and desire to explore worlds and meanings beyond the obvious and mundane. Representations of classical gods, heroes, and monsters evoke the power of mythic stories to probe and explain human psychology, social concerns, philosophical questions, and religious beliefs, including belief about the paranormal and supernatural. The entertainment value of popular media allows creators and audiences to engage with larger issues in non-dogmatic and playful ways that help them negotiate tensions among various beliefs and identities. This paper also gives an overview of the other articles in this journal issue, showing overlapping themes and patterns that connect with these tensions. By combining knowledge of classical myths in their original contexts with knowledge about contemporary culture, classical scholars contribute unique perspectives about why classical intertexts dominate in popular media today. KW - Myth Theory KW - Classical Mythology KW - Supernatural KW - Paranormal KW - Afterlife Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.249 SN - 2364-7612 VL - 2023 IS - 17 SP - 2 EP - 31 ER - TY - JOUR A1 - Foster, Frances ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Gods and Magic in Megan Whalen Turner’s The Thief JF - thersites 17 N2 - Megan Whalen Turner’s series The Queen’s Thief (1996 – 2020) centres on the political intrigues in a group of countries which are at once very like – but also very unlike – Bronze Age and archaic Greece threatened by a powerful Persian Empire. The first book in the series, The Thief (1996), begins as a political adventure haunted by stories of the gods. When those gods directly influence the action, the narrative changes from present political intrigue to a fantasy from the distant past. The mythology in The Thief reflects, imitates and distorts archaic Greek creation myths – stories about how the earth and sky were formed, the divine pantheon and heroes. I examine the presentation of this divine pantheon against the narratives about the gods in Hesiod, the Homeric hymns and Homer’s epics. I evaluate how the supernatural element interacts with the largely political narrative of The Thief. In so doing, I explore how the text blends a ‘classical supernatural’ with a world that is like – but in many ways very unlike – Bronze Age and archaic Greece. KW - Greek gods KW - Mythology KW - Young Adult literature KW - Fantasy KW - Magic Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.242 SN - 2364-7612 VL - 2023 IS - 17 SP - 32 EP - 54 ER - TY - JOUR A1 - Lovatt, Helen ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Resurrecting the Argo BT - Supernatural Re-makings in Robert Holdstock’s Merlin Codex JF - thersites 17 N2 - This paper analyses the relationship between the figure of the Argo (ship and character) and the supernatural in the mythic fantasy of Robert Holdstock’s Merlin Codex. It shows how Holdstock’s re-writing of the Argonautica draws on various versions from the Argonautic tradition, including Euripides’ Medea, Apollonius, Valerius Flaccus, Nathaniel Hawthorne, Henry Treece and the 1963 film Jason and the Argonauts. It sets Holdstock’s Argo alongside other representations, as divine herself, possessed by divinity, and a channel of communication with the divine, and in the context of Holdstock’s previous work, particularly Mythago Wood, Lavondyss and Merlin’s Wood. The paper argues that Holdstock uses the Argo as a reflection of myth itself, a version of the forest in Mythago Wood, as well as a metapoetic image for the challenges and complexities of adapting a well-known story, bringing multiple mythological traditions (Arthurian, Finnish and Argonautic) together. It reflects on Holdstock’s relationship to the ancient genres of epic and tragedy, as well as Argo as plot facilitator and mechanism of transformation and transition. Holdstock’s relationship with ancient literature is richer and deeper than previously acknowledged; his self-conscious plays reveal a deep understanding of the polymorphous nature of mythical traditions. KW - Holdstock KW - Merlin Codex KW - Argonauts KW - Argo KW - myth Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.254 SN - 2364-7612 VL - 2023 IS - 17 SP - 55 EP - 95 ER - TY - JOUR A1 - Strong, Anise K. ED - Potter, Amanda ED - Gardner, Hunter H. T1 - The Persistence of Memory BT - Forgiveness, Forgetting, and Cultural Assimilation JF - thersites 17 N2 - The 2017 Pixar film Coco and the 2021 Disney film Encanto form a small part of an increasing modern wave of media focused on parent-child conflicts caused by intergenerational trauma and rejection. Other recent works in this genre include the video game Hades, the films Turning Red and Everything Everywhere All At Once, and the television series Ms. Marvel. The traumas in all these films, some directed explicitly at a younger audience and some pitched more broadly, serve as a distinct set of meditations on the immigrant experience, even while not necessarily focusing on literal immigration. They also all invoke imagery of ghosts and death, both echoing specific classical Mediterranean motifs and tropes and incorporating a wide variety of other cultures’ supernatural traditions. These works’ concern with familial traumas of separation, culture shock, and loss of ancestral memories and connections contrasts sharply with the individual-focused myth of the American Dream common to earlier generations of American media, in which a lone individual typically emigrates, assimilates, and succeeds in a new culture, forming a new family and set of myths. However, themes of assimilation and questions of cultural imperialism also form a bridge between ancient Roman and modern North American anxieties and traditions. KW - Classical Reception KW - Coco KW - Immigration KW - Ancestors KW - Underworld Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.255 SN - 2364-7612 VL - 2023 IS - 17 SP - 125 EP - 142 ER - TY - JOUR A1 - Singer-Brehm, Elisabeth T1 - ‚Maise Jeschurun‘ BT - Die Geschichte einer Ritualmordanklage JF - Genisa-Blätter IV Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-584932 SN - 978-3-86956-539-2 SP - 129 EP - 157 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Uličná, Lenka T1 - Zur Unheil abwendenden Funktion der Genisa JF - Genisa-Blätter IV Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-584868 SN - 978-3-86956-539-2 SP - 27 EP - 39 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Cohen-Hattab, Kobi T1 - Pioneers of Independent Jewish Shipping BT - The Emergence of Private Jewish Shipping Companies in Palestine, 1934 – 1939 JF - PaRDeS : Journal of the Association for Jewish Studies in Germany JF - PaRDeS : Zeitschrift der Vereinigung für Jüdische Studien e.V. N2 - The birth of the Yishuv’s national shipping company, ZIM was preceded by private enterprise; the sea had not traditionally been a focus of the Zionist movement. In the 1930s, a five-year span of private commercial shipping saw three companies in the Jewish community in Palestine – Palestine Shipping Company, Palestine Maritime Lloyd, and Atid – before shipping was cut short by the outbreak of the Second World War. Despite their brief lifespans and their negligible contribution to general shipping, these companies constituted an important milestone. Their existence helped shift the Yishuv leadership’s attitudes about shipping’s importance for the community and the need for it to be supported by national institutions. Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-585542 SN - 978-3-86956-552-1 SN - 1614-6492 SN - 1862-7684 IS - 28 SP - 34 EP - 50 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Weinmann, Franziska T1 - Mothers of Seafaring BT - Henrietta Diamond and the Question of Female Representation in the Jewish Maritime Realm JF - PaRDeS : Journal of the Association for Jewish Studies in Germany JF - PaRDeS : Zeitschrift der Vereinigung für Jüdische Studien e.V. N2 - The article aims to trace the contribution of Jewish women in the Yishuv’s maritime history. Taking the example of Henrietta Diamond, a founding member and chairperson of the Zebulun Seafaring Society, the article seeks to explore the representation and role of women in a growing Jewish maritime domain from the 1930s to the 1950s. It examines Zionist narratives on the ‘New Jew’ and the Jewish body and studies their relevance for the emerging field of maritime activities in the Yishuv. By contextualizing the work and depiction of Henrietta Diamond, the article sheds new light on the gendered notions that underlay the emergence of the Jewish maritime domain and illustrates the patterns of inclusion and exclusion in it. Y1 - 2023 U6 - http://nbn-resolving.de/urn/resolver.pl?urn:nbn:de:kobv:517-opus4-585563 SN - 978-3-86956-552-1 SN - 1614-6492 SN - 1862-7684 IS - 28 SP - 52 EP - 67 PB - Universitätsverlag Potsdam CY - Potsdam ER - TY - JOUR A1 - Potter, Amanda A1 - Gardner, Hunter H. ED - Potter, Amanda ED - Gardner, Hunter H. T1 - Classics and the Supernatural in Modern Media JF - thersites 17 N2 - Short preface to the special edition of Thersites. Y1 - 2023 U6 - https://doi.org/10.34679/thersites.vol17.256 SN - 2364-7612 VL - 2023 IS - 17 SP - 1 EP - 1 ER - TY - JOUR A1 - Lessmann, Kai A1 - Kalkuhl, Matthias T1 - Climate finance intermediation BT - interest spread effects in a climate policy model JF - Journal of the Association of Environmental and Resource Economists N2 - Interest rates are central determinants of saving and investment decisions. Costly financial intermediation distorts these price signals by creating a spread between deposit and loan rates. This study investigates how bank spreads affect climate policy in its ambition to redirect capital. We identify various channels through which interest spreads affect carbon emissions in a dynamic general equilibrium model. Interest rate spreads increase abatement costs due to the higher relative price for capital-intensive carbon-free energy, but they also tend to reduce emissions due to lower overall economic growth. For the global average interest rate spread of 5.1 percentage points, global warming increases by 0.2°C compared to the frictionless economy. For a given temperature target to be achieved, interest rate spreads necessitate substantially higher carbon taxes. When spreads arise from imperfect competition in the intermediation sector, the associated welfare costs can be reduced by clean energy subsidies or even eliminated by economy-wide investment subsidies. KW - financial friction KW - banking KW - greenhouse gas mitigation KW - investment subsidy Y1 - 2023 U6 - https://doi.org/10.1086/725920 SN - 2333-5955 SN - 2333-5963 VL - 11 IS - 1 SP - 213 EP - 251 PB - University of Chicago Press CY - Chicago, IL ER -