TY - JOUR A1 - Pezzini, Giuseppe ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - (Classical) Narratives of Decline in Tolkien: Renewal, Accommodation, Focalisation JF - thersites 15 N2 - The paper investigates Tolkien’s narratives of decline through the lens of their classical ancestry. Narratives of decline are widespread in ancient culture, in both philosophical and literary discourses. They normally posit a gradual degradation (moral and ontological) from an idealized Golden Age, which went hand-in-hand with increasing detachment of gods from mortal affairs. Narratives of decline are also at the core of Tolkien’s mythology, constituting yet another underresearched aspect of classical influence on Tolkien. Such Classical narratives reverberate e.g. in Tolkien’s division of Arda’s history into ages, from an idealized First Age filled with Joy and Light to a Third Age, described as “Twilight Age (…) the first of the broken and changed world” (Letters 131). More generally, these narratives are related to Tolkien’s notorious perception of history as a “long defeat” (Letters 195) and to that “heart-racking sense of the vanished past” which pervades Tolkien’s works – the emotion which, in his words, moved him “supremely” and which he found “small difficulty in evoking” (Letters 91). The paper analyses the reception of narratives of decline in Tolkien’s legendarium, pointing out similarities but also contrasts and differences, with the aim to discuss some key patterns of (classical) reception in Tolkien’s theory and practice (‘renewal’, ‘accommodation’, ‘focalization’). KW - narrative of decline KW - Hesiod KW - reception KW - focalization KW - accommodation Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.213 SN - 2364-7612 VL - 2022 IS - 15 SP - 25 EP - 51 ER - TY - JOUR A1 - Cristini, Marco ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - The Fall of Two Cities: Troy and Gondolin JF - thersites 15 N2 - Vergil was a fundamental source of inspiration for Tolkien, not only when writing the Lord of the Rings, but also at the beginning of his “world-building”. The Fall of Gondolin, written in 1916, was modeled upon the Aeneid, whose second book shares many similarities with the description of Gondolin’s last day. For instance, the attack that seals the fate of the city takes place during a feast in both works, whereas both protagonists (Aeneas and Tuor) leave wives and sons to fight the enemy and witness deaths of their kings (Priam/Turgon). Other analogies include the topos of the fall of the tallest tower of the city as well as the scenes of Creusa/Idril clasping the knees of her husband and begging him not to go back to the battle. Tolkien chose the Aeneid as his main model because, in his opinion, the Aeneid and The Fall of Gondolin evoked the air of antiquity and melancholy. Vergil’s nostalgia for a “lost world” conveyed in the Aeneid greatly resembles the nostalgia pervading both Tolkien’s writing and life. KW - Tolkien KW - reception of Vergil KW - Aeneid KW - Troy KW - Gondolin Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.200 VL - 2022 IS - 15 SP - 1 EP - 24 ER - TY - JOUR A1 - Matz, Alicia A1 - Paprocki, Maciej ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - There and Back Again: Tolkien and Greco-Roman Antiquity JF - thersites 15 N2 - The following introduction sketches the status questionis of the research on the influence of Greco-Roman antiquity on the works of Tolkien and provides details about the volume’s theoretical impetus and its broad themes. The editors discuss Tolkien’s complicated and indirect relationship with classical models, underscoring certain emergent themes in volume’s contributions, such as decline, multifocal reception and relationship with nature. KW - Tolkien KW - classical reception Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol15.228 SN - 2364-7612 VL - 2022 IS - 15 SP - i EP - xii ER - TY - JOUR A1 - Wyrwa, Ulrich T1 - Zum Hundertsten nichts Neues T1 - For the Hundredth nothing BT - Deutschsprachige Neuerscheinungen zum Ersten Weltkrieg (Teil III) BT - New German Language New Releases to the First World War (Part III) JF - Deutsche Zeitschrift für Geschichtswissenschaft Y1 - 2017 SN - 0044-2828 VL - 65 IS - 11 SP - 955 EP - 976 PB - Metropol-Verl. CY - Berlin ER - TY - JOUR A1 - Renault, Manon ED - Bièvre-Perrin, Fabien ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Antiquités et pop cultures dans la haute couture et le prêt-à-porter des années 2010 JF - thersites 13: Antiquipop – Chefs d’œuvres revisités N2 - From the fluid dresses woven from precious materials evoking the iconic statues of Antiquity to the revival of Spartan shoes, two emblematic fashion trends will help us study the place of Greek Antiquity in contemporary women’s fashion collections. Ordinary as well as extraordinary, what do these reminiscences tell? Can they permit to understand the boundaries that structure and govern the fashion’s worlds? Numerous and diverse, the differences and the similarities of the ways in which classical references are used allow us to study the relations of power in which the specificities of haute couture and ready-to-wear are defined. The values, the entry criteria, the operating hierarchies as well as the very acceptance of the word “fashion” are different from one environment to another. From the catwalks of big fashion houses on Avenue Montaigne such as Chanel to the youngest brands, the differentiated readings and uses of Antiquity raise the question of the symbolic value of classics in fashion. KW - fashion KW - antiquity KW - sociology KW - Fashion Studies KW - pop culture Y1 - 2021 U6 - https://doi.org/10.34679/thersites.vol13.149 VL - 2021 IS - 13 SP - 125 EP - 140 ER - TY - JOUR A1 - D'Aprile, Iwan-Michelangelo T1 - Post aus Felsenburg BT - Erzählmuster und Nachrichtenverkehr in Johann Gottfried Schnabels Wunderliche Fata einiger Seefahrer JF - 300 Jahre "Robinson Crusoe" : ein Weltbestseller und seine Rezeptionsgeschichte N2 - 2019 jährte sich das Erscheinen von Defoes Robinson Crusoe zum 300. Mal. Zu diesem Anlass fand am Zentrum für Buchwissenschaft der LMU München eine Tagung statt, bei der buchhandelsgeschichtliche Kontexte des Romans dargelegt, neue Interpretationen diskutiert sowie die Rezeption des Robinson Crusoe untersucht wurden. In der Einleitung des Sammelbandes legt Christine Haug dar, unter welchen presse- und buchgeschichtlichen Voraussetzungen sich Daniel Defoe im frühkapitalistischen London als Bestsellerautor und politischer Journalist etablieren konnte. Die folgenden Beiträge behandeln motivgeschichtliche, ökonomische, kultur- und rechtsgeschichtliche Aspekte des Robinson Crusoe (Oliver Bach, Anne Enderwitz, Hania Siebenpfeiffer, Daniel Syrovy), befassen sich mit der Gattung der Robinsonade ( Iwan Michelangelo d'Aprile, Norbert Bachleitner, Wolfram Malte Fues, Wynfrid Kriegleder), mit jugendliterarischen Bearbeitungen des Stoffes (Andrew O`Malley, Peter Pohl, Hans-Heino Ewers) und mit der Robinson-Rezeption in der Lyrik und im Roman des 19. und 20. Jahrhunderts (Bill Bell, Daniela Jancsó). Der vorliegende Sammelband gehört zu den wenigen neuen Neuerscheinungen, die zum Robinson-Jahr veröffentlicht wurden. Erstmals wird darin im deutschsprachigen Raum die aktuelle internationale Forschung zu Defoe ausführlich dargestellt und mit einer innovativen Sicht auf den in Entstehung begriffenen globalen Buchmarkt verbunden. N2 - The year 2019 marked the 300th anniversary of Daniel Defoe's Robinson Crusoe. His novel was a huge success right away and was soon followed by bootlegs and translations. With the robinsonade, an independent genre of adventure literature was born. These contributions examine the novel within the context of bookselling history, provide new interpretations, and shed light on its multifaceted adaptation history up into the twenty-first century. Y1 - 2022 SN - 978-3-11-077606-5 SN - 978-3-11-077619-5 U6 - https://doi.org/10.1515/9783110776195-008 SP - 145 EP - 166 PB - de Gruyter CY - Berlin ER - TY - JOUR A1 - Carlà-Uhink, Filippo A1 - Freitag, Florian T1 - Theme Park Imitations BT - the Case of Happy World (Happy Valley Beijing) JF - Cultural History N2 - Theme parks frequently draw not only on historical themes, from antiquity to the roaring twenties, but also on their own history – that is, the history of the medium of the theme park itself. This article uses the example of the Happy World ride at Happy Valley Beijing (China) to discuss theme park imitations, that is, the fact that theme parks frequently borrow individual elements (themes, technologies, visuals, layouts, names) and/or entire units (rides, restaurants, themed areas) from each other. Opened in 2014 in the Greek-themed Aegean Harbour section of Happy Valley Beijing, Happy World may upon first sight look like an almost exact copy of Disney’s ‘it’s a small world’ (opened at Disneyland in California in 1966) but turns out to be, upon closer examination, a complex refunctionalization of central elements of ‘it’s a small world’ that establishes meaningful connections between (ancient) Greece and the city of Beijing via the theme of the Olympic Games: drawing on the origins of ‘it’s a small world’ in the 1964–5 New York World’s Fair and the latter’s motto of ‘Peace through Understanding’, Happy World takes visitors on a journey from the ancient Olympiad to contemporary Beijing (the site of the 2008 Summer and the 2022 Winter Olympic Games) to offer a theme park rendition of the 2008 Olympic torch relay as an homage to ‘the spirit [of peace, respect, and friendship] in the people’s [sic] of the world’. KW - China KW - Disney KW - Happy Valley KW - ‘it’s a small world’ KW - imitation KW - Olympic Games Y1 - 2022 U6 - https://doi.org/10.3366/cult.2022.0267 SN - 2045-290X SN - 2045-2918 VL - 11 IS - 2 SP - 181 EP - 198 PB - Edinburgh University Press CY - Edinburgh ER - TY - JOUR A1 - Glöckner, Olaf T1 - Trauma, Sieger, Selbstbehauptung BT - im Deutschland von heute treffen verschiedene jüdische Erinnerungen aufeinander JF - Dynamiken des Erinnerns : der Zukunft ein Gedächtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps Y1 - 2022 SN - 978-3-95565-541-9 SP - 117 EP - 122 PB - Hentrich und Hentrich Verlag Berlin CY - Berlin ER - TY - JOUR A1 - Kotowski, Elke-Vera T1 - Die Geschichte als Sinngebung ... BT - Gedanken über den stets unzeitgemäßen Theodor Lessing JF - Dynamiken des Erinnerns : der Zukunft ein Gedächtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps Y1 - 2022 SN - 978-3-95565-541-9 SP - 79 EP - 84 PB - Hentrich und Hentrich Verlag Berlin CY - Berlin ER - TY - JOUR A1 - Homolka, Walter T1 - Konvergenzen: Rationale Theologie als Moment christlich-jüdischer Annäherung JF - Dynamiken des Erinnerns : der Zukunft ein Gedächtnis geben. Festschrift zum 80. Geburtstag von Julius H. Schoeps Y1 - 2022 SN - 978-3-95565-541-9 SP - 49 EP - 57 PB - Hentrich und Hentrich Verlag Berlin CY - Berlin ER - TY - JOUR A1 - Martykanova, Darina T1 - A Gateway to the World BT - Jewish and Armenian Engineers of Ottoman Background at the Ecole centrale des arts et manufactures (1853-1923) JF - Diasporas : circulations, migrations, histoire N2 - In the second half of the 19th century, the French École centrale des arts et manufactures became one of the engineering schools that enjoyed a worldwide reputation. There were many foreigners among its students. This article focuses on the graduates born in the Ottoman Empire, particularly on Jews and Armenians. It analyses their backgrounds, their common features and their professional careers, tracing their links with other centraliens. The patterns in the Ottoman centraliens’ professional trajectories help us picture a world full of opportunities where highly qualified men could cross borders and build careers with ease, but where, at the same time, origins, allegiances, contacts and credentials mattered greatly. N2 - Dans la seconde moitié du xixe siècle, l’École centrale des arts et manufactures française devint une école d’ingénieurs jouissant d’une réputation internationale ; les étudiants étrangers y furent nombreux. Cet article porte sur les diplômés nés dans l’Empire ottoman, en particuliers les étudiants juifs et arméniens ; il s’attache à leur parcours, à leurs caractéristiques et à leurs carrières professionnelles et restitue leurs liens avec les autres centraliens. L’étude de leurs trajectoires professionnelles permet d’appréhender un monde riche en opportunités, où des hommes hautement qualifiés pouvaient aisément traverser les frontières et construire une carrière, mais où, dans le même temps, les origines, les réseaux d’allégeance, les relations et les diplômes jouent un rôle de premier plan. KW - Engineers KW - Jews KW - Armenians KW - Ottomans KW - Ecole centrale des arts et manufactures KW - networks KW - Ottoman Empire KW - France KW - transnational Y1 - 2017 U6 - https://doi.org/10.4000/diasporas.718 SN - 1637-5823 SN - 2431-1472 VL - 29 SP - 33 EP - 51 PB - Presses Universitaires du Midi CY - Toulouse ER - TY - JOUR A1 - Rürup, Miriam T1 - Kommentar zum Beitrag von Marion Röwekamp JF - Emanzipation und Recht : Zur Geschichte der Rechtswissenschaft und der jüdischen Gleichberechtigung Y1 - 2021 SN - 978-3-465-04535-9 SN - 978-3-465-14535-6 SN - 1610-6040 SP - 197 EP - 204 PB - Klostermann CY - Frankfurt am Main ER - TY - JOUR A1 - Bösch, Frank T1 - Taming Nuclear Power BT - the Accident near Harrisburg and the Change in West German and International Nuclear Policy in the 1970s and early 1980s JF - German history : the journal of the German History Societ N2 - In 2011 a broad majority in the German Federal Parliament voted to abandon nuclear energy. This article explores the origins of the change in attitude towards nuclear energy and argues that seven years before the Chernobyl disaster, the accident at the U.S. power plant Three Mile Island near Harrisburg, Pennsylvania, in 1979, had a profound impact which nowadays seems to be largely forgotten in Europe. The article identifies the structural causes underlying the transnational reception of the Three Mile Island accident and explores international reactions, particularly in the Federal Republic of Germany. The accident near Harrisburg led to a loss of public confidence and created unease about nuclear expansion in many industrialized nations. Reactions to the accident can be understood as an attempt to tame nuclear energy both technically, by increasing safety measures and abandoning plans for new nuclear power stations, and politically, with a more critical appraisal of nuclear energy and with semantics that encouraged a long-term withdrawal from nuclear power. Critics were now also accepted as experts. Nuclear policy in all countries became closely dependent on public opinion, indicating a high level of political responsiveness. Various factors, however, including the contemporaneous oil crisis put the brakes on this critical approach to nuclear power, while safety improvements and the limited expansion of nuclear power created new confidence in the early 1980s. KW - Nuclear energy KW - experts KW - social movements KW - media KW - 1970s KW - Germany Y1 - 2017 U6 - https://doi.org/10.1093/gerhis/ghw143 SN - 0266-3554 SN - 1477-089X VL - 35 IS - 1 SP - 71 EP - 95 PB - Oxford Univ. Press CY - Oxford ER - TY - JOUR A1 - Altieri, Riccardo A1 - Keßler, Mario T1 - Arbeiterbewegung, Antisemitismus und jüdische Emanzipation JF - Jüdisches Leben in Deutschland Y1 - 2022 SN - 978-3-7425-0799-0 SP - 82 EP - 92 PB - bpb, Bundeszentrale für politische Bildung CY - Bonn ER - TY - JOUR A1 - Görtemaker, Manfred T1 - Die aktuelle geschichtspolitische Debatte und die Kommission des Bundesministeriums der Justiz JF - Aufarbeitung des Nationalsozialismus : ein Kompendium Y1 - 2021 SN - 978-3-7425-0772-3 SP - 455 PB - bpb, Bundeszentrale für politische Bildung CY - Bonn ER - TY - JOUR A1 - Dix, Sophie A1 - Klohr, Silvia ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Ein studentischer Bericht zur Tagung „IMAGINES VII: PLAYFUL CLASSICS“ (05. – 06. 03. 2021) JF - thersites 14 N2 - In March 2021, the IMAGINES Project – an international and interdisciplinary research network for the modern reception of antiquity in the visual and performing arts – held their seventh conference online. The event focused on PLAYFUL CLASSICS, and was hosted from Göttingen University by the organizers Juliette Harrisson, Antje Kuhle and Martin Lindner. The keynote by Dunstan Lowe on „The Danger of Seriousness: Play and the Future of Classics“ outlined the potential of researching classical reception as a creative process. The following sections brought this to life with in-depth treatments of the underlying mechanics of constructing and deconstructing, playful learning, the „Faces of Antiquity“, forms of interaction and national/nationalistic traditions. The programme combined scholarly contributions with presentations and workshops by various artists and open discussion elements. The shift to an online format allowed the participation of an unusually international audience, while the interactive elements – including a thematic game as a continuous side event – especially encouraged a large number of students to participate actively. Therefore, this conference report will not just summarize the content of the event, but also provide a student perspective on attending a conference on classical reception – a research area which is mostly neglected in the teaching curriculum. Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol14.193 SN - 2364-7612 VL - 2022 IS - 14 SP - 141 EP - 151 ER - TY - JOUR A1 - Hanisch, Xenia ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - Demagogen dichten BT - Antike Szenen als Gegenstand moderner Gedankenexperimente JF - thersites 14 N2 - Manipulative rhetoric is a common issue in ancient sources. As the issue of political populism and rhetoric still attracts a high degree of interest among a wide range of people, the author, a singer-songwriter, attempts to ‘revive’ these ancient sources and to adapt them into a lyrical/musical format for modern audiences, in order to test different strategies of manipulation and gauge the reactions of modern audiences. The following article describes the process of adapting and performing two of these experiments, as well as the results and feedback from audiences. The ancient case studies chosen for this are Thucydides’ description of how Alcibiades lead the Athenians into a fatal expedition to Sicily, and Xenophon’s blames of two public orators for executing Athenian generals after the battle of Arginusae through their manipulative speeches. Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol14.201 SN - 2364-7612 VL - 2022 IS - 14 SP - 121 EP - 140 ER - TY - JOUR A1 - Unceta Gómez, Luis A1 - Carlà-Uhink, Filippo A1 - Freitag, Florian ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - De héroes y efebos. El mundo clásico en la fotografía de desnudo masculino contemporáneo. Entrevista a Carmelo Blázquez JF - thersites 14 N2 - Entrevista a Carmelo Blázquez, fotógrafo especializado en fotografía de desnudo masculino, que trabaja con motivos y modelos procedentes de la Antigüedad grecolatina. Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol14.208 SN - 2364-7612 VL - 2022 IS - 14 SP - 103 EP - 120 ER - TY - JOUR A1 - Brück, Alexander ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - „Rom lernt von den Griechen, Europa von Rom" BT - Fremdheit und Eurozentrismus in lateinischen Lehrwerken JF - thersites 14 N2 - Given the immense ethnic and cultural diversity as well as the vast geographical dimensions of the Roman Empire, the teaching of Roman antiquity comprises an enormous potential to deal with the increasing heterogeneity in German-speaking classrooms. This article aims to show how the majority of contemporaneous Latin textbooks, however, fail to use this potential by being limited to mono-perspective and Eurocentric approaches to the ancient world. In spite of didactical claims to foster students’ intercultural competence, most of the textbooks depict the city of Rome as an ethnically and culturally homogeneous sphere. At the same time, they present the Roman Empire nearly exclusively from the perspective of representatives of Italian-born, powerful upper-class families firmly connected to ‘Roman’ culture. In doing so, the Latin textbooks falsify the ancient historical realities and deprive students of the perspectives of figures like provincials or slaves. Furthermore, the textbooks’ narrative scope clearly focusses on Rome and Greece, still paying noticeable attention to West-European provinces, with the African and Asian ones being remarkably excluded. Only few exceptions among the textbooks apply alternative approaches which allow students to engage with the Roman Empire’s intercultural dynamics in a more differentiated and multi-perspective way. KW - Latin textbooks KW - ethnic diversity KW - intercultural competence KW - Eurocentrism in Graeco-Roman studies KW - Roman provinces Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol14.198 SN - 2364-7612 VL - 2022 IS - 14 SP - 41 EP - 102 ER - TY - JOUR A1 - Cromwell, Jennifer ED - Ambühl, Annemarie ED - Carlà-Uhink, Filippo ED - Rollinger, Christian ED - Walde, Christine T1 - From Pyramids to Obscure Gods BT - The Creation of an Egyptian World in Persona 5 JF - thersites 14 N2 - Within Persona 5’s modern Tokyo setting, imagined worlds are created that represent the cognitive processes of various characters. These ‘palaces’ allow the player to explore locations far removed from the game’s real-world, contemporary backdrop. One episode creates an ancient Egyptian world. This article examines how this world has been produced and the different transmedial tropes and other influences that its developers have drawn upon. Many references are recognisable to a broad audience (pyramids, gods, hieroglyphs), while others reflect Japanese pop-cultural trends (in various manga and anime), including the mention of an obscure Egyptian god, Medjed. The intentionally fictitious nature of these ‘palaces’ means that the Egypt that appears in this game is not bound by the need to replicate an ‘accurate’ landscape. Instead, the developers were free to design a gamescape that combines multiple and diverse receptions of ancient Egypt. KW - Egypt KW - videogames KW - Persona 5 KW - pyramids KW - gods Y1 - 2022 U6 - https://doi.org/10.34679/thersites.vol14.199 SN - 2364-7612 VL - 2022 IS - 14 SP - 1 EP - 40 ER -