TY - JOUR A1 - Wiemann, Dirk T1 - Spectacles of astonishment: tragedy and the regicide in England and Germany, 1649 - 1663 Y1 - 2013 SN - 978-140-945-556-1 ER - TY - JOUR A1 - Wiemann, Dirk T1 - Cities of the mind - villages of the mind BT - imagining urbanity in Contemporary India JF - Zeitschrift für Anglistik und Amerikanistik : a quarterly of language, literature and cultur N2 - Deep into the second half of the twentieth century the traditionalist definition of India as a country of villages remained dominant in official political rhetoric as well as cultural production. In the past two decades or so, this ruralist paradigm has been effectively superseded by a metropolitan imaginary in which the modern, globalised megacity increasingly functions as representative of India as a whole. Has the village, then, entirely vanished from the cultural imaginary in contemporary India? Addressing economic practices from upper-class consumerism to working-class family support strategies, this paper attempts to trace how 'the village' resurfaces or survives as a cultural reference point in the midst of the urban. Y1 - 2013 U6 - https://doi.org/10.1515/zaa.2013.61.1.59 SN - 0044-2305 VL - 61 IS - 1 SP - 59 EP - 72 PB - Königshausen & Neumann CY - Würzburg ER - TY - JOUR A1 - Sändig, Brigitte T1 - Tragédie et psychologie BT - Camus devant le roman de Faulkner Requiem for a Nun JF - Revue romane : langue et littérature N2 - His dislike for psychological analysis accompanied Albert Camus throughout his life and had a profound impact on his idea of theatre. Especially in his early years, he sees psychology as the antagonist of the kind of theater that he envisages, the "modern tragedy". In the last decade of his life, Camus worked on the novel "Requiem for a Nun" by William Faulkner, whom he greatly respected, in order to stage it. The confrontation with this work and its highly psychologically driven plot makes Camus virtually give up on his anti-psychological attitude. KW - Theater KW - ancient tragedy KW - psychology KW - William Faulkner KW - Albert KW - Camus KW - Requiem for a Nun / Requiem pour une nonne Y1 - 2017 U6 - https://doi.org/10.1075/rro.52.1.07san SN - 0035-3906 SN - 1600-0811 VL - 52 IS - 1 SP - 70 EP - 79 PB - Benjamins CY - Amsterdam ER - TY - JOUR A1 - Sternagel, Jörg A1 - Levitt, Deborah A1 - Mersch, Dieter T1 - Etymological uncoveries, creative displays : acting as force and performance as eloquence in moving image culture Y1 - 2012 SN - 978-3-8376-1648-4 ER - TY - JOUR A1 - Sternagel, Jörg T1 - An emphasis in Being : moving towards a responsive phenomenology of film('s) performance Y1 - 2012 SN - 978-3-8376-1648-4 ER - TY - JOUR A1 - Roberts, Andrew Michael A1 - Stabler, Jane A1 - Fischer, Martin H. A1 - Otty, Lisa T1 - Space and pattern in linear and postlinear poetry empirical and theoretical approaches JF - European journal of English studies : official journal of the European Society for the Study of English (ESSE) N2 - This article derives from two interdisciplinary research projects funded by the UK Arts and Humanities Research Council, involving the application of psychological experimental techniques to the study of poetic form and reader response. It discusses the semantic and expressive effects of space and pattern in innovative forms of contemporary British and American poetry. After referring to some historical and theoretical contexts for these issues, the article analyses the results of experiments using eye-tracking, manipulations of text, memory tests and readers' recorded responses and interpretations. The first group of poems studied were lineated, with extended spaces within lines and displacement of lines from the left margin. Referring to a poem from Geoffrey Hill'sCanaan(1996), the authors show that such use of space may serve to articulate syntactical structures, but may also promote richer interpretation by encouraging cross-linear semantic connections. The second technique studied was the break from linear into postlinear poetry, as an initially lineated sequence shifts to pages of dispersed text. In readings of Susan Howe'sPythagorean Silence(fromThe Europe of Trusts, 1990), the authors detected more radical effects of space, shape and pattern, with associated consequences for interpretative strategies and aesthetic responses. Finally, the article discusses the potential for both mutual support and heuristic challenge between an empirical study of reader response, and a historical-theoretical approach as exemplified by Jerome McGann's interpretation ofPythagorean Silence. KW - psycholinguistics KW - postlinear poetry KW - space in poetry KW - visual form KW - eye-tracking KW - empirical aesthetics KW - reader response KW - Susan Howe KW - Geoffrey Hill Y1 - 2013 U6 - https://doi.org/10.1080/13825577.2012.754967 SN - 1382-5577 SN - 1744-4233 VL - 17 IS - 1 SP - 23 EP - 40 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Pannewick, Friederike A1 - Ette, Ottmar T1 - The American Hemisphere and the Arab World : introduction Y1 - 2006 SN - 3-86527-289-4 ER - TY - JOUR A1 - Neis, Cordula T1 - Mithridates in paradise : Small history of language thinking Y1 - 2004 SN - 0302-5160 ER - TY - GEN A1 - Müller, Gesine A1 - Locane, Jorge Joaquin A1 - Loy, Benjamin T1 - Introduction T2 - Re-mapping World Literature: Writing, Book Markets and Epistemologies between Latin America and the Global South / Escrituras, mercados y epistemologías entre América Latina y el Sur Global Y1 - 2018 SN - 978-3-11-054957-7 SN - 978-3-11-054952-2 U6 - https://doi.org/10.1515/9783110549577-001 SN - 2513-0757 SP - 1 EP - 12 PB - De Gruyter CY - Berlin ER - TY - JOUR A1 - Müller, Gesine T1 - From "The Novel" (1966) to "The Art of the Novel" (2000) readings of Vargas Llosa as Topos of Latin American Disenchantment JF - Review: Literature and Arts of the Americas Y1 - 2013 U6 - https://doi.org/10.1080/08905762.2013.780894 SN - 0890-5762 VL - 46 IS - 1 SP - 20 EP - 25 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - Mersch, Dieter T1 - Passion and exposure : new paradoxes of the actor Y1 - 2012 SN - 978-3-8376-1648-4 ER - TY - JOUR A1 - McElvenny, James T1 - Grammar, typology and the Humboldtian tradition in the work of Georg von der Gabelentz JF - Language & history : journal of the Henry Sweet Society for the History of Linguistic Ideas N2 - A frequently mentioned if somewhat peripheral figure in the historiography of late nineteenth-century linguistics is the German sinologist and general linguist Georg von der Gabelentz (1840–1893). Today Gabelentz is chiefly remembered for several insights that proved to be productive in the development of subsequent schools and subdisciplines. In this paper, we examine two of these insights, his analytic and synthetic systems of grammar and his foundational work on typology. We show how they were intimately connected within his conception of linguistic research, and how this was in turn embedded in the tradition established by Wilhelm von Humboldt (1767–1835), especially as it was further developed by H. Steinthal (1823–1899). This paper goes beyond several previous works with a similar focus by drawing on a wider range of Gabelentz’ writings, including manuscript sources that have only recently been published, and by examining specific textual connections between Gabelentz and his predecessors. KW - History of linguistics KW - typology KW - language description KW - grammar KW - Humboldtian linguistics KW - Georg von der Gabelentz KW - H . Steinthal KW - Wilhelm von Humboldt Y1 - 2017 U6 - https://doi.org/10.1080/17597536.2016.1212580 SN - 1759-7536 SN - 1759-7544 VL - 60 SP - 1 EP - 20 PB - Routledge, Taylor & Francis Group CY - Abingdon ER - TY - JOUR A1 - McElvenny, James T1 - The fate of form in the Humboldtian tradition: The Formungstrieb of Georg von der Gabelentz JF - Journal of geophysical research : Solid earth N2 - The multifaceted concept of ‘form’ plays a central tole in the linguistic work of Wilhelm von Humboldt (1767–1835), where it is deeply entwined with aesthetic questions. H. Steinthal's (1823–1899) interpretation of linguistic form, however, made it the servant of psychology. The Formungstrieb (drive to formation) of Georg von der Gabelentz (1840–1893) challenged Steinthal's conception and placed a renewed emphasis on aesthetics. In this endeavour, Gabelentz drew on the work of such figures as August Friedrich Pott (1802–1887), Hans Conon von der Gabelentz (1807–1874) and William Dwight Whitney (1827–1894). In this paper, we examine Gabelentz' Formungstrieb and place it in its historical context. KW - History of linguistics KW - Linguistic form KW - Aesthetics KW - Georg von der Gabelentz KW - Wilhelm von Humboldt KW - H. Steinthal Y1 - 2016 U6 - https://doi.org/10.1016/j.langcom.2015.12.004 SN - 0271-5309 VL - 47 SP - 30 EP - 42 PB - Elsevier CY - Oxford ER - TY - JOUR A1 - Lenz, Markus Alexander ED - Islam, Dayeh T1 - A Prophet of Divine Wisdom? BT - Giambattista Vico and the Construction of the Pythagorean Myth JF - Philological Encounters Special Issus: Early Modern 'New Sciences': Inquiries into Ibn Khaldun and Giambattista Vico N2 - In the nineteenth century, the reception of Giambattista Vico’s writings came along with nationalist interpretations of his Scienza Nuova as an ‘Italian Science’. This tendency was based upon an increased examination of the role that the philosopher Pythagoras and his Italian school of Croton played in Vico’s hierarchical conception of the ancient Greek and Italian civilizations. Writers, archaeologists and historians used the New Science as a metonymic reference work for their own nationalist concepts by updating the Pythagorean myth in accordance with relevant narratives of exclusive genealogies concerning an ancient Italian wisdom. These narratives follow tendencies in Vico’s own writings that were quoted strategically and mixed with further interpretations of the Scienza Nuova as reliable testimonial for a glorious Italian history. A theological poet characterized by deeper insight into the secrets of nature and some parts of the divine providence, Pythagoras gains his special position in Vico’s general conception of knowledge. KW - Pythagoras KW - Cuoco KW - Mazzoldi; KW - prophet KW - Pythagorean myth KW - Italian nationalism Y1 - 2020 UR - https://brill.com/view/journals/phen/5/1/article-p50_4.xml SN - 2451-9189 SN - 2451-9197 VL - 5 IS - 1 SP - 50 EP - 75 PB - Brill CY - Leiden ER - TY - JOUR A1 - Kutzinski, Vera M. A1 - Ette, Ottmar T1 - Inventories and Inventions: Alexander von Humboldt's Cuban Landscapes Y1 - 2011 SN - 978-0-226-46567-8 ER - TY - JOUR A1 - Kutzinski, Vera M. A1 - Ette, Ottmar T1 - The art of science: Alexander von Humboldt's views of the cultures of the world Y1 - 2012 SN - 0-226-86506-1 ER - TY - JOUR A1 - Klettke, Cornelia T1 - Roberts, M., Tournier, M.; Bricolage and cultural mythology; Saratoga, Anma Libri, 1994 BT - Bricolage and cultural mythology Y1 - 1999 ER - TY - JOUR A1 - Klettke, Cornelia T1 - Bibliographie critique Y1 - 1993 ER - TY - JOUR A1 - Klettke, Cornelia T1 - The voice of the other : heterotopy and heterology inBernard-Marie Koltes black battles with dogs Y1 - 2013 ER - TY - JOUR A1 - Klettke, Cornelia ED - Havely, Nick ED - Katz, Jonathan ED - Cooper, Richard T1 - Measuring the divine by Geometry and Feeling BT - Canto 33 of Dante’s Paradiso JF - Dante Beyond Borders. Contexts and Reception Y1 - 2021 SN - 978-1-781888-30-8 SN - 978-1-781888-34-6 SN - 978-1-781888-38-4 SP - 21 EP - 34 PB - Legenda CY - Oxford ER -