TY  - JOUR
A1  - Stockhorst, Stefanie
A1  - Overhoff, Jürgen
A1  - Corfield, Penelope J.
ED  - Stockhorst, Stefanie
ED  - Overhoff, Jürgen
ED  - Corfield, Penelope J.
T1  - Editorial Introduction
JF  - Human-animal interactions in the eighteenth century : from pests and predators to pets, poems and philosophy
Y1  - 2022
SN  - 978-90-04-49539-5
SN  - 978-90-04-44872-8
U6  - https://doi.org/10.1163/9789004495395_002
SP  - 1
EP  - 4
PB  - Brill
CY  - Leiden
ER  - 
TY  - JOUR
A1  - Stockhorst, Stefanie
T1  - Passionate pilgrims : secular lead badges as precursors of Emblemata Amatoria
Y1  - 2009
SN  - 2-503-51599-1
ER  - 
TY  - JOUR
A1  - Stockhorst, Stefanie
ED  - Stockhorst, Stefanie
ED  - Overhoff, Jürgen
ED  - Corfield, Penelope J.
T1  - The Invention of the ‚cheval-machine‘ as a Medical Response to the Machine Paradigm of the Enlightenment
BT  - Samuel Theodor Quellmaltz in Context
JF  - Human-animal interactions in the eighteenth century : from pests and predators to pets, poems and philosophy
N2  - In 1735, the Leipzig professor of medicine Samuel Theodor Quellmaltz (1696–1758) designed and built an artificial horse. He presented it in an illustrated construction manual, which included precise information about the materials and dimensions of this wooden horse for therapeutic use. This contribution analyses Quellmaltz’s invention of the ‘machine horse’ as a medical and technological contribution to prevalent theories about the paradigmatic role of the machine in Enlightenment thought.
N2  - En 1735, le professeur de médecine de Leipzig Samuel Theodor Quellmaltz (1696–1758) a conçu et fabriqué un cheval artificiel. Il l’a présenté dans un manuel de construction illustré avec des informations précises sur les matériaux et les dimensions de ce cheval en bois à usage thérapeutique. Cette contribution analyse l’invention du ‘cheval-machine’ par Quellmaltz en tant que contribution médicale et technologique au paradigme des machines au siècle des Lumières.
KW  - Animal Studies
Y1  - 2022
SN  - 978-90-04-49539-5
SN  - 978-90-04-44872-8
U6  - https://doi.org/doi.org/10.1163/9789004495395_006
VL  - 2022
SP  - 43
EP  - 67
PB  - Brill
CY  - Leiden
ER  - 
TY  - JOUR
A1  - Stockhorst, Stefanie
T1  - Cultural transfer through translation : a current perspective in Enlightenment Studies
Y1  - 2010
SN  - 978-90-420-2950-7
ER  - 
TY  - JOUR
A1  - Stockhorst, Stefanie
T1  - Defining conventions for the verse epic in German : notes on the Relationship between codified poetics and poetological paratexts in the baroque poetry reform
Y1  - 2007
ER  - 
TY  - JOUR
A1  - Stockhorst, Stefanie
T1  - Goethe and the aesthetics of equestrian art
JF  - Publications of the English Goethe Society
N2  - Goethe had lifelong unhappy memories of his early riding lessons at the Frankfurt Marstall. Yet not only did he become a passionate rider later, but he also held riding in unusually high esteem as a veritable form of 'art'. In his literary works, riding serves as a complex symbol of, among other things, a prudent, measured style of government, an analogy that was also drawn in early modern equestrian theory. Above all, however, according to his understanding of art, riding can be located not only in the early modern system of the artes, but also in the contemporary aesthetics of autonomy.
KW  - riding
KW  - (comparative) theory of the arts
KW  - animal history
KW  - aesthetics of autonomy
Y1  - 2022
U6  - https://doi.org/10.1080/09593683.2022.2027735
SN  - 0959-3683
SN  - 1749-6284
VL  - 91
IS  - 1
SP  - 58
EP  - 74
PB  - Routledge
CY  - Abingdon
ER  -