TY - JOUR A1 - Eckstein, Lars T1 - "Talking Without Speaking" in Mike Nichols"s the Graduate : some reflections on the rhetoric of song lyrics in film scores Y1 - 2009 SN - 978-3-86821-141-2 ER - TY - JOUR A1 - Eckstein, Lars T1 - "We're destroyed if we mix : and we're destroyed if we don't" : indigeneity in the modern world system and the politics of tricksterese in Pauline Melville's the ventriloquist's tale Y1 - 2012 SN - 978-3-938944- 60-8 ER - TY - JOUR A1 - Eckstein, Lars A1 - Korte, Barbara A1 - Pirker, Ulrike A1 - Reinfandt, Christoph T1 - A divided Kingdom? Reflections on Multi-Ethnic Britain in the New Millenium Y1 - 2008 SN - 978-90-420-2497-7 ER - TY - JOUR A1 - Eckstein, Lars T1 - Against the Grain : Shakespeare"s Caliban and the Exotic Imaginary in 18th- and 19th-Century British painting Y1 - 2009 SN - 978-3-86821-194-8 ER - TY - JOUR A1 - Eckstein, Lars T1 - Belonging in Music and the Music of Unbelonging in Richard Powers"s "The Time of Our Singing" Y1 - 2005 SN - 978-3-88476-772- 6 ER - TY - JOUR A1 - Eckstein, Lars T1 - Caribbean - English Passages: Intertextuality in a Postcolonial Tradition Y1 - 2003 ER - TY - JOUR A1 - Eckstein, Lars T1 - Dialogism in Caryl Phillips"s Cambridge, or the Democratisation of cultural memory Y1 - 2001 ER - TY - JOUR A1 - Eckstein, Lars T1 - Ekphrastic Memory in David Dabydeen's "A Harlot's Progress" and the Politics of Aestheticist Transfiguration Y1 - 2005 ER - TY - JOUR A1 - Eckstein, Lars T1 - Gegen den Strich : Shakespeares Caliban und das exotische Imaginäre in der britischen Malerei des 18. und 19. Jahrhunderts Y1 - 2011 SN - 978-3-89971-877-5 ER - TY - JOUR A1 - Eckstein, Lars A1 - Hurley, Andrew T1 - German-Australian Colonial Entanglements BT - On German Settler Colonialism, the Wavering Interests of Exploration, Science, Mission and Migration, and the Contestations of Travelling Memory JF - Remembering German-Australian colonial entanglements N2 - Remembering German-Australian Colonial Entanglements emphatically promotes a critical and nuanced understanding of the complex entanglement of German colonial actors and activities within Australian colonial institutions and different imperial ideologies. Case studies ranging from the German reception of James Cook’s voyages through to the legacies of 19th- and 20th-century settler colonialism foreground the highly ambiguous roles played by explorers, missionaries, intellectuals and other individuals, as well as by objects and things that travelled between worlds – ancestral human remains, rare animal skins, songs, and even military tanks. The chapters foreground the complex relationship between science, religion, art and exploitation, displacement and annihilation. Y1 - 2020 SN - 978-0-367-42159-5 SP - 1 EP - 21 PB - Routledge CY - London ER - TY - JOUR A1 - Eckstein, Lars T1 - Getting back to the idea of art as art : an interview with David Dabydeen Y1 - 2001 ER - TY - JOUR A1 - Eckstein, Lars T1 - Introduction Y1 - 2007 SN - 978-3-8252-8345-2 ER - TY - JOUR A1 - Eckstein, Lars A1 - Krämer, Lucia T1 - Introduction : postcolonial media cultures Y1 - 2011 SN - 978-3- 86821-332-4 ER - TY - JOUR A1 - Wiemann, Dirk A1 - Eckstein, Lars T1 - Introduction : towards a cultural politics of passion Y1 - 2013 SN - 978-3-631-60196-9 ER - TY - JOUR A1 - Eckstein, Lars T1 - Karibikreisen um 1800 im Gedächtnis der Literatur Y1 - 2012 SN - 978-3-89975-272-4 ER - TY - JOUR A1 - Eckstein, Lars A1 - Wiemann, Dirk T1 - Kleine Kosmopolitismen JF - Global Citizenship – Perspektiven einer Weltgemeinschaft Y1 - 2017 SN - 978-3-95829-211-6 SP - 44 EP - 53 PB - Steidel CY - Göttingen ER - TY - JOUR A1 - Eckstein, Lars A1 - Schwarz, Anja T1 - La carte de Tupaia, maître d'astres et de navigation polynésienne JF - Bulletin de la Societé des Études Océaniennes (Polynésie orientale) N2 - La carte de Tupaia constitue l’un des artéfacts les plus célèbres et les plus énigmatiques à émerger des toutes premières rencontres entre Européens et îliens du Pacifique. Elle a été élaborée entre août 1769 et février 1770 par Tupaia, prêtre ’arioi, conseiller royal et maître de navigation originaire de Ra’iātea, aux Îles Sous-le-Vent de la Société. En collaboration avec divers membres d’équipage de l’Endeavour de James Cook, en deux temps distincts de cartographie et trois ébauches. L’identité de bien des îles qui y figurent et la logique de leur agencement demeuraient jusqu’à présent des énigmes. En se fiant en partie à des pièces d’archives restées ignorées, nous proposons, dans ce long essai, une nouvelle compréhension de sa logique cartographique, une reconstitution détaillée de sa genèse et donc, pour la toute première fois, une lecture exhaustive. La carte de Tupaia n’illustre pas seulement la magnitude et la maîtrise de la navigation polynésienne, elle réalise aussi une remarquable synthèse représentationnelle de deux systèmes d’orientation très différents. Y1 - 2019 SN - 2605-8375 VL - Mai/Août 2019 IS - 348 SP - 7 EP - 152 PB - Société des études océaniennes CY - Tahiti ER - TY - JOUR A1 - Eckstein, Lars A1 - Lutz, Andrea T1 - Literary missions and global ethic Y1 - 2001 SN - 3-86057-741-7 ER - TY - JOUR A1 - Eckstein, Lars T1 - Lyrics als Paradigma einer anderen Moderne: M.I.A.s ‘Galang' JF - Lyrik/lyrics : Songtexte als Gegenstand der Literaturwissenschaft Y1 - 2019 SN - 978-3-8353-3381-9 SP - 173 EP - 192 PB - Wallenstein CY - Göttingen ER - TY - JOUR A1 - Eckstein, Lars T1 - Maps drawn on the sand: of mimicry and depropriation on Ludwig Leichhardt's second Australian expedition JF - Journal of Australian studies N2 - In this essay, I explore various politics of mimicry on Ludwig Leichhardt's second Australian expedition. Following Michael Taussig, I read mimicry as embedded in a complex economy of gift exchange which disrupts the binary categories of self and other, subject and object, man and nature. Mimetic exchanges, in other words, bear the potential for a non-dualistic dynamics of depropriation, a dynamics which may be avowed or disavowed by various actors in the colonial encounter. Focussing on three actors in particularLudwig Leichhardt himself, his British botanist Daniel Bunce, and the intriguing figure of Mr Turner, an Indigenous AustralianI trace the ways in which mimicry-as-depropriation is dealt with across the colonial archive. KW - Ludwig Leichhardt KW - mimicry KW - depropriation Y1 - 2015 U6 - https://doi.org/10.1080/14443058.2015.1076024 SN - 1444-3058 SN - 1835-6419 VL - 39 IS - 4 SP - 512 EP - 528 PB - Routledge, Taylor & Francis Group CY - Abingdon ER -