TY  - JOUR
A1  - Ogone, James Odhiambo
T1  - Remediating orality: the cultural domestication of video technology in Kenya
JF  - Critical arts : a journal for cultural studies
N2  - The influence of globalisation and its attendant modern technologies has reconfigured the manner in which orality functions in the contemporary African context. Confronted with the powerful presence of media technologies that threaten to supplant its central role in many African societies, orality has been compelled to reinvent itself by means of appropriating the same media for its survival. The result has been a process that seeks to recontextualise imported technologies in locally relevant ways. This article focuses on how video technology adapts to local Kenyan cultural contexts. Arguing that vernacular video films form part of contemporary cultural productions in Kenya, the article demonstrates how strategies of remediation, such as subtitling, re-oralisation, repurposing and immediacy, contribute to the reactivation of orality. It emerges from the analyses that local knowledge cultures actively engage modern technologies in a way that debunks any simple linear perceptions of the impact of mediatisation on African epistemologies. Through local agency, communities actualise their aspirations for a domesticated modernity that is simultaneously fresh and familiar, and therefore less culturally alienating.
KW  - domestication
KW  - modernity
KW  - orality
KW  - remediation
KW  - technology
Y1  - 2015
U6  - https://doi.org/10.1080/02560046.2015.1078541
SN  - 0256-0046
SN  - 1992-6049
VL  - 29
IS  - 4
SP  - 479
EP  - 495
PB  - Routledge, Taylor & Francis Group
CY  - Abingdon
ER  - 
TY  - GEN
A1  - Fitzi, Gregor
A1  - Joas, Hans
A1  - Marcucci, Nicola
T1  - Interview by Gregor Fitzi and Nicola Marcucci with Hans Joas on the reception of Emile Durkheim in Germany. Berlin: Humboldt University of Berlin, 6 October 2014
T2  - Journal of Classical Sociology
N2  - The interview offers a reconstruction of the German reception of Durkheim since the middle of the 1970s. Hans Joas, who was one of its major protagonists, discusses the backdrop that finally permitted a scholarly examination of Durkheim’s sociology in Germany. Focussing on his personal reception Joas then gives an account of the Durkheimian themes that inspire his work.
KW  - Durkheim
KW  - human rights
KW  - modernity
Y1  - 2017
U6  - https://doi.org/10.1177/1468795X17736131
SN  - 1468-795X
SN  - 1741-2897
VL  - 17
IS  - 4
SP  - 382
EP  - 398
PB  - Sage Publ.
CY  - London
ER  -